Auswahl der wissenschaftlichen Literatur zum Thema „DIY culture“
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Zeitschriftenartikel zum Thema "DIY culture"
Jackson, Andrew. „Tinkering: Australians Re-invent DIY Culture“. Journal of Modern Craft 12, Nr. 1 (02.01.2019): 85–87. http://dx.doi.org/10.1080/17496772.2019.1568056.
Der volle Inhalt der QuelleKnochel, Aaron D. „DIY Prosthetics: Digital Fabrication and Participatory Culture“. Art Education 69, Nr. 5 (15.08.2016): 7–13. http://dx.doi.org/10.1080/00043125.2016.1201401.
Der volle Inhalt der QuelleBradley, Pete. „Enjoy the Ride: DIY culture in Nottingham“. Capital & Class 28, Nr. 3 (November 2004): 179–81. http://dx.doi.org/10.1177/030981680408400114.
Der volle Inhalt der QuelleSipos, Regina, und Kerstin Franzl. „Tracing the History of DIY and Maker Culture in Germany’s Open Workshops“. Digital Culture & Society 6, Nr. 1 (01.12.2020): 109–20. http://dx.doi.org/10.14361/dcs-2020-0106.
Der volle Inhalt der QuelleWihewuren, Jessefan Isaiah, Elisabeth Christine Yuwono und Vanessa Yusuf. „Basajiwa: Do It Yourself Innovation of Indonesian Batik Education“. Gelar : Jurnal Seni Budaya 20, Nr. 1 (29.07.2022): 29–37. http://dx.doi.org/10.33153/glr.v20i1.4231.
Der volle Inhalt der QuellePoon, Michelle, und Wilhelm E. J. Klein. „Identity Crisis in the Pearl River Delta“. Digital Culture & Society 3, Nr. 1 (26.07.2017): 159–84. http://dx.doi.org/10.14361/dcs-2017-0111.
Der volle Inhalt der QuelleMartin-Iverson, Sean. „REVIEW | Underground: The Subterranean Culture of DIY Punk Shows“. IASPM@Journal 6, Nr. 1 (07.11.2016): 154–56. http://dx.doi.org/10.5429/2079-3871(2016)v6i1.12en.
Der volle Inhalt der QuelleKanai, Akane. „Jennifer Lawrence, remixed: approaching celebrity through DIY digital culture“. Celebrity Studies 6, Nr. 3 (03.07.2015): 322–40. http://dx.doi.org/10.1080/19392397.2015.1062644.
Der volle Inhalt der QuellePrabowo, Trisnar Adi, Endang Rini Sukamti, Ardiah Juita, Agus Sulastio, Ni Putu Nita Wijayanti und Ricky Susiono. „Analysis of Coaches Work Culture Behavior in DIY Province“. COMPETITOR: Jurnal Pendidikan Kepelatihan Olahraga 15, Nr. 2 (25.06.2023): 356. http://dx.doi.org/10.26858/cjpko.v15i2.48020.
Der volle Inhalt der QuelleMuallidin, Isnaini, Abdul Juli Andi Gani, Mujibur Rahman Khairul Muluk und Andy Fefta Wijaya. „THE BARRIERS TO ORGANIZATIONAL REFORM IN LOCAL GOVERNMENT: CASE STUDY IN THE SPECIAL REGION OF YOGYAKARTA“. International Journal of Applied Research in Social Sciences 4, Nr. 3 (19.05.2022): 75–81. http://dx.doi.org/10.51594/ijarss.v4i3.333.
Der volle Inhalt der QuelleDissertationen zum Thema "DIY culture"
Quader, Shams Bin. „Like a sustainable version: Practising independence in the Central Sydney independent music scene“. Thesis, University of Sydney, 2020. https://hdl.handle.net/2123/23381.
Der volle Inhalt der QuelleLuvaas, Brent Adam. „Generation DIY youth, class, and the culture of indie production in digital-age Indonesia /“. Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1835632681&sid=3&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Der volle Inhalt der QuelleJessee, Nathan. „Alternative Literacies, Resistance, and Spatial Representations in The Do-It-Yourself (DIY) Culture of Zine Publication in New Orleans“. ScholarWorks@UNO, 2010. http://scholarworks.uno.edu/td/1223.
Der volle Inhalt der QuelleBenhaïm, Sarah. „Aux marges du bruit. Une étude de la musique noise et du Do it Yourself“. Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH140/document.
Der volle Inhalt der QuelleAlthough noise music has only recently become an object of interest for academic research, it still represents a form of art emblematic of the underground music scene. It is characterized by a radical approach which implies using noise as work material, playing with form and development, and hybridizing its stylistic territories. This approach is reflected by playing practices in which the emphasis is no longer laid on the supremacy of instruments and composition, but rather on playful and makeshift experimentation. Musical quality is not assessed on the artist’s technical skills anymore, while the listening conditions call for a specific implication of both body and environment. The practices of production, organization, and diffusion of music, borrowing from the éthos of DIY, place autonomy, versatility, and amateurism at the heart of this art world. This PhD research, based on musical analyses, press archives, field surveys, topographies, and an ethnographic study of the Parisian scene, proposes an interdisciplinary approach marked by musicology, aesthetics, and social sciences. Its aim is to question the way noise music and its specific social practices challenge the manner in which we conventionally apprehend what we consider as music, and even “good” music, the image of the musician, the artistic intermediaries or the stage, in light of what seems to constitute a new contemporary paradigm of experimentation
Howe, Christopher David. „Analog synthesizers in the classroom: How creative play, musical composition, and project-based learning can enhance STEM standard literacy and self-efficacy“. Thesis, Georgia Institute of Technology, 2015. http://hdl.handle.net/1853/53614.
Der volle Inhalt der QuellePeters, Sean (Sean Louis). „Listening in the Living Room: The Pursuit of Authentic Spaces and Sounds in Dallas/Fort Worth (DFW) Do-It-Yourself (DIY) Punk Rock“. Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062889/.
Der volle Inhalt der QuelleLigot, Damien. „Trans-musicalité « taike » : Distinction d’une nouvelle « taiwanité » au sein d'un underground local (1990-2010)“. Thesis, Lyon 3, 2012. http://www.theses.fr/2012LYO30022/document.
Der volle Inhalt der QuelleIn the 1990's and 2000's, the underground music scene in Taiwan successively gave birth to the Taik – also called Taike Rock 台客搖滾 taike yaogun – then to Taiwan Traditional Rap 台灣味唸歌 Taiwan wei niange. These "trans-musical" currents are similar in many issues such as the claim to local folk traditions, accompanied however by accomodating a strong cultural mix and by a need to define – to identify – themselves outside the alienating good taste, so dictated since the late 1940's by the hegemonic "dominant" culture focused along the lines of the Republic of China. This thesis proposes a ''sensitive'' approach to a particular subculture, furthermore tempered by a critique of theories developed by Pierre Bourdieu in Distinction: A Social Critique of the Judgment of Taste. It has been backed up by field studies conducted between 2005 and 2010 according to the principles of the participant-observer and trends of thought enlightened by cultural studies and works of authors such as Dick Hebdige and Stuart Hall. It attempts also – through the prism of trans-musicality – to define the place of the local "Taike" subculture in the global history of other comparable subcultures, as an essentiel link between Taiwan and the rest of the world
Andersson, Pär. „Digital Fabrication and Open Concepts : An emergent paradigm of consumer electronics production“. Thesis, Umeå universitet, Institutionen för informatik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-104994.
Der volle Inhalt der QuelleKaewpanukrangsi, Nuanphan. „Creative-Up-Cycling“. Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21543.
Der volle Inhalt der QuelleMessey, Orlane. „"C’est du sport, tu t’attendais à quoi ?". D'un entre-soi permissif à un sport inclusif : le cas du roller derby français“. Electronic Thesis or Diss., Bourgogne Franche-Comté, 2024. http://www.theses.fr/2024UBFCC001.
Der volle Inhalt der QuelleRoller derby is an American sports discipline that emerged in France in 2009. Its spread in Europe is notably linked to the film Bliss, which contributes to the popularization of this ancient sport, recreated in 2001 in the alternative music scenes of Texas. Roller derby establishes itself in France based on a carnival and permissive practice model through which the teams hijacked the mainstream sport. Furthermore, teams initially organized around the punk do-it-yourself (DIY) logic, which involved rejecting capitalist logic and favoring self-management. Ten years after the emergence of this practice in France, this sports science thesis aims to understand the structuring of roller derby in relation to the "traditional," mainstream sports model. Using a sociological and ethnographic approach, the aim is to examine how French roller derby managed to structure itself outside dominant frameworks. The observation of an obvious euphemization of subversive markers and the adoption of codes from the federal sports environment suggest the incorporation of the practice into a sportification process. However, this is not synonymous with a takeover by sports authorities here. On the contrary, this normalization of practice takes place within the teams themselves. By mobilizing symbolic interactionism frameworks, this research highlights the role played by the female practitioners during this sportsification and how they negotiate a practice framework articulated between the diversion and appropriation of the dominant sports model. The main challenge is to show the transition from a so-called "permissive" practice to an "inclusive" sport. While female players now defend their place on mainstream sports fields, the display of inclusion of gender minorities has gradually replaced the carnivalesque markers of subversion of sports codes. As teams are leaving the margins of the sport to enter its institutions, subversion gives way to inclusion, as a final marker of distance from the core of the sports environment. Nevertheless, some teams continue to resist the pressure of the competitive model. Some embrace DIY as a means of organizing sports practice differently (without hierarchy, but horizontally), while others choose to prioritize folklore as a mode of resistance to the homogenization of practice
Bücher zum Thema "DIY culture"
Spencer, Amy. DIY: The rise of lo-fi culture. London: Marion Boyars, 2005.
Den vollen Inhalt der Quelle findenSpencer, Amy. DIY: The rise of lo-fi culture. 2. Aufl. London: Marion Boyars, 2008.
Den vollen Inhalt der Quelle findenJacobs, Katrien. Netporn: DIY web culture and sexual politics. Lanham, MA: Rowman & Littlefield, 2008.
Den vollen Inhalt der Quelle finden1960-, McKay George, Hrsg. DiY culture: Party & protest in Nineties Britain. London: Verso, 1998.
Den vollen Inhalt der Quelle findenBen-Ari, Hadass S. Fallopian Falafel: DIY or Die! Jerusalem, Israel: Daily H Publications, 2010.
Den vollen Inhalt der Quelle findenMichele, Knobel, und Lankshear Colin, Hrsg. DIY media: Digital literacies and learning through popular culture production. New York: Peter Lang, 2010.
Den vollen Inhalt der Quelle findenWrekk, Alex, Nicole Introvert und Sugene Mine. Stolen Sharpie Revolution 2: A Diy Resource for Zines and Zine Culture. Oakland, USA: Brand: Lunchroom Publishing, 2009.
Den vollen Inhalt der Quelle findenBrass, Elaine. Gathering force: DIY culture : radical action for those tired of waiting. London: Big Issue Writers, 1997.
Den vollen Inhalt der Quelle findenWrekk, Alex. Stolen sharpie revolution: A DIY resource for zines and zine culture. 6. Aufl. Portland, Oregon: Lunchroom Publishing / Silver Sprocket, 2022.
Den vollen Inhalt der Quelle findenGauntlett, David. Making is connecting: The social meaning of creativity from DIY and knitting to YouTube and Web 2.0. Cambridge, UK: Polity Press, 2011.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "DIY culture"
Kanai, Akane. „DIY Culture“. In Keywords in Remix Studies, 125–34. New York : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315516417-12.
Der volle Inhalt der QuelleRedman, Lena. „DIY Creativity: Culture of Self-Sufficiency“. In Knowing with New Media, 167–93. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-1361-5_8.
Der volle Inhalt der QuelleBenhaïm, Sarah. „Noise records as noise culture“. In DIY Cultures and Underground Music Scenes, 112–24. Abingdon, Oxon ; New York : Routledge, 2019. | Series: Routledge advances in sociology: Routledge, 2018. http://dx.doi.org/10.4324/9781315226507-11.
Der volle Inhalt der QuelleBecuț, Anda Georgiana. „Between popular and underground culture“. In DIY Cultures and Underground Music Scenes, 41–51. Abingdon, Oxon ; New York : Routledge, 2019. | Series: Routledge advances in sociology: Routledge, 2018. http://dx.doi.org/10.4324/9781315226507-5.
Der volle Inhalt der QuelleBustad, Jacob J., und Oliver J. C. Rick. „Downhill MTB, digital media, and DIY urbanism“. In Mountain Biking, Culture and Society, 113–24. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003361626-11.
Der volle Inhalt der QuelleBennett, Andy, und Paula Guerra. „Rethinking DIY culture in a post-industrial and global context“. In DIY Cultures and Underground Music Scenes, 7–18. Abingdon, Oxon ; New York : Routledge, 2019. | Series: Routledge advances in sociology: Routledge, 2018. http://dx.doi.org/10.4324/9781315226507-2.
Der volle Inhalt der QuelleDonaghey, Jim, und Jian Xiao. „A Comparison Between Indonesian and Chinese Punks: Resistance, Hangouts, and DIY“. In Punk Culture in Contemporary China, 155–76. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-0977-9_7.
Der volle Inhalt der QuelleMyzelev, Alla. „Fashion and the DIY culture of textiles during the Art Deco period“. In The Routledge Companion to Art Deco, 194–212. New York: Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429032165-11.
Der volle Inhalt der QuelleGrewe-Salfeld, Mirjam. „4 With my Own two Hands - Tracing DIY from Individualism to Maker Culture“. In Biohacking, Bodies and Do-It-Yourself, 97–126. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839460047-005.
Der volle Inhalt der QuelleFerris, Eric. „Culture of Conformism (Culture … To Be Cultured)“. In The (Dis)Order of U.S. Schooling, 118–61. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003375203-6.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "DIY culture"
Farikha, Alfi Yusrina. „The Existence of Indonesian Craft in the Middle of DiY Craft Movement by Millennial Community“. In 4th International Conference on Arts Language and Culture (ICALC 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200323.060.
Der volle Inhalt der QuelleHertz, Garnet. „Arduino Microcontrollers and The Queen’s Hamlet: Utilitarian and Hedonized DIY Practices in Contemporary Electronic Culture“. In ACADIA 2011: Integration Through Computation. ACADIA, 2011. http://dx.doi.org/10.52842/conf.acadia.2011.044.
Der volle Inhalt der QuelleTuan Nguyen Thien, Minh, Minh Anh Nguyen Duc und Kenneth Y T Lim. „Designing for the investigation of microclimate stressors and physiological and neurological responses from the perspective of maker culture“. In 10th International Conference on Human Interaction and Emerging Technologies (IHIET 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004042.
Der volle Inhalt der QuelleZhou, Jiaxin, und Duoduo Zhang. „Stimulating Everyday Creativity: Mediating Role of New Tools in DIY Craft“. In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003396.
Der volle Inhalt der QuelleNASTAS, Natalia, und Ecaterina LUNGU. „Intercultural professional competence in teaching foreign languages to students from higher education institutions“. In Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v2.24-25-03-2023.p97-101.
Der volle Inhalt der QuelleJi, Nancy Yao. „Renovation Machizukuri in Contemporary Japan: The Cases of Suwa, Kokura and Onomichi“. In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5026ptoed.
Der volle Inhalt der QuelleReis de Matos Braz, Patricia. „CULTURA E DESENVOLVIMENTO URBANO NO PORTO. Variações de discursos e de práticas na política municipal recente da cidade.“ In Seminario Internacional de Investigación en Urbanismo. Universitat Politècnica de Catalunya, Grup de Recerca en Urbanisme, 2024. http://dx.doi.org/10.5821/siiu.12780.
Der volle Inhalt der QuelleTrinca, Lilia. „Profilul cultural românesc al conceptului de „fric㔓. In Filologia modernă: realizări şi perspective în context european. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/filomod.2021.15.43.
Der volle Inhalt der QuelleKinigama, I. M. M. K., und A. Weerasinghe. „Cultural identity formation through hybridization: dressing under portuguese intervention in Sri Lanka“. In Awakening the economy through design innovation. Department of Integrated Design, University of Moratuwa, Sri Lanka, 2023. http://dx.doi.org/10.31705/idr.2023.2.
Der volle Inhalt der QuelleHartescu, Ioana. „ONE SIZE FITS ALL? – CULTURAL DIVERSITY REFLECTED IN INSTRUCTIONAL DESIGN MODELS“. In eLSE 2012. Editura Universitara, 2012. http://dx.doi.org/10.12753/2066-026x-12-080.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "DIY culture"
Thunø, Mette, und Jan Ifversen. Global Leadership Teams and Cultural Diversity: Exploring how perceptions of culture influence the dynamics of global teams. Aarhus University, Oktober 2018. http://dx.doi.org/10.7146/aul.273.
Der volle Inhalt der QuelleConklin, David. The traditional and the modern : the history of Japanese food culture in Oregon and how it did and did not integrate with American food culture. Portland State University Library, Januar 2000. http://dx.doi.org/10.15760/etd.5670.
Der volle Inhalt der QuellePlessi, Fabrizio, Celestino Soddu und Adriano Abbado. digitalyart: An exhibition honoring Italy, Host of the 44th Annual Meeting of the Board of Governors of the Inter-American Development Bank. Inter-American Development Bank, Februar 2003. http://dx.doi.org/10.18235/0005909.
Der volle Inhalt der QuelleLee, Aubra L., und Anne F. Gettys. Cultural Resources Survey. Road Alignment Alternatives Sunlight Day Recreational Area, Nimrod Lake, Arkansas. Fort Belvoir, VA: Defense Technical Information Center, Oktober 1986. http://dx.doi.org/10.21236/ada196833.
Der volle Inhalt der QuelleChallenger, Denise. Playin' Mas, Play and Mas | A Pedagogical Journey of Children in Caribana. York University, 2018. http://dx.doi.org/10.25071/10315/41551.
Der volle Inhalt der QuelleMiller, James E. Wild Turkeys. U.S. Department of Agriculture, Animal and Plant Health Inspection Service, Januar 2018. http://dx.doi.org/10.32747/2018.7208751.ws.
Der volle Inhalt der QuelleMitchell, Brian G., Amir Neori, Charles Yarish, D. Allen Davis, Tzachi Samocha und Lior Guttman. The use of aquaculture effluents in spray culture for the production of high protein macroalgae for shrimp aqua-feeds. United States Department of Agriculture, Januar 2013. http://dx.doi.org/10.32747/2013.7597934.bard.
Der volle Inhalt der QuelleStumpo, Sergio. The Sustainability of Urban Heritage Preservation: Caso di studio: Siracusa, Italia. Inter-American Development Bank, August 2010. http://dx.doi.org/10.18235/0007766.
Der volle Inhalt der QuelleBlaxter, Tamsin, und Tara Garnett. Primed for power: a short cultural history of protein. TABLE, November 2022. http://dx.doi.org/10.56661/ba271ef5.
Der volle Inhalt der QuelleZhytaryuk, Maryan. UKRAINIAN JOURNALISM IN GREAT BRITAIN. Ivan Franko National University of Lviv, März 2021. http://dx.doi.org/10.30970/vjo.2021.50.11115.
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