Bücher: „Discursive cultures“

1

Living with patriarchy: Discursive constructions of gendered subjects across cultures. Amsterdam: John Benjamins Pub. Co., 2011.

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2

Hybridité discursive et culturelle. Paris: L'Harmattan, 2011.

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3

Reynolds, Jill. The single woman: A discursive investigation. New York, NY: Routledge, 2008.

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4

Krydz, Ikwuemesi C., Adewunmi Ayo und Pan-African Circle of Artists, Hrsg. A discursive bazaar: Writing on African art, culture, and literature. Enugu: Pan-African Circle of Artists, 2001.

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5

1954-, Stevenson Patrick, und Theobald John 1946-, Hrsg. Relocating Germanness: Discursive disunity in unified Germany. New York: St. Martin's Press, 2000.

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6

Yurasov, Igor', und Ol'ga Pavlova. Discursive study of Orthodox religious identity. ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1021279.

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Considers the problem of the Orthodox religious identity from the point of view of the influence of five types of discourse, widely represented in the Orthodox semiotic picture of the world: philosophical, mythological, artistic, political and ideological. Selected types of religious identity: normative, marginalized, and folkloristically, and determined what type of discourse most pragmatically strongly influences the formation of a type of Orthodox identity. The authors come to the conclusion about the existence in the Russian Federation "rural" and "urban" Orthodox discourses. The first leads to the development of social strain in the area of religious identity and is the base of the formation polarisierung religious identity. The second sets the normative Orthodox identity, avoiding archaism and development of the centaur-ideas. This study was conducted in part supported by RFBR, research project No. 18-011-00164 on "Discursive study of religious identity." Designed for a wide range of sociologists, philologists, cultural studies and religious studies, as well as for a wide circle of readers interested in questions of religion.

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7

Tagg, John. Grounds of dispute: Art history, cultural politics, and the discursive field. Minneapolis: University of Minnesota Press, 1992.

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8

Grounds of dispute: Art history, cultural politics, and the discursive field. Minneapolis: University of Minnesota Press, 1992.

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9

G, Garzone, und Catenaccio Paola, Hrsg. Identities across media and modes: Discursive perspectives. Bern: Peter Lang, 2009.

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10

Shirokalova, Galina. Discursive transformations of urban spaces: cultural heritage and the link between generations. ru: INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/2130492.

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The monograph shows the systemic nature of intergenerational dynamics in the development of urban discourse. The results of an international sociological study of the most active part of the urban population — students of universities and institutions of secondary vocational education — "Cultural heritage and the connection of generations" are analyzed. The study was conducted by the Russian Society of Sociologists. It is addressed to teachers and students of humanitarian fields of study and specialties, researchers, as well as to a wide range of readers whose sphere of interest includes problems of urban and intergenerational dynamics.

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11

Rizescu, Victor. Tranziţii discursive: Despre agende culturale, istorie intelectuală şi onorabilitate ideologică după comunism. Bucureşti: Corint, 2012.

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12

Paula, Laborinho Ana, Meira Maria Jose, Seixo Maria Alzira und Seminário A Viagem na Literatura (4th : 1998 : Macao), Hrsg. A vertigem do Oriente: Modalidades discursivas no encontro de culturas. Lisboa: Cosmos, 1999.

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13

Paula, Laborinho Ana, Seixo Maria Alzira und Meira Maria José, Hrsg. A Vertigem do Oriente: Modalidades discursivas : no encontro de culturas. Lisboa: Cosmos, 1999.

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14

La communication touristique: Approches discursives de l'identité et de l'altérité. Paris: L'Harmattan France, 2004.

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15

The language of service encounters: A pragmatic-discursive approach. Cambridge: Cambridge University Press, 2015.

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16

Critique de la raison orale: Les pratiques discursives en Afrique noire. Paris: Karthala, 2005.

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17

Diagne, Mamoussé. Critique de la raison orale: Les pratiques discursives en Afrique noire. Paris: Karthala, 2005.

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18

Noor, Farish A. The Discursive Construction of Southeast Asia in 19th Century Colonial-Capitalist Discourse. NL Amsterdam: Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9789089648846.

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The nations of Southeast Asia today are rapidly integrating economically and politically, but that integration is also counterbalanced by forces ranging from hyper-nationalism to disputes over cultural ownership throughout the region. Those forces, Farish A. Noor argues in this book, have their roots in the region's failure to come to a critical understanding of how current national and cultural identities in the region came about. To remedy that, Noor offers a close account of the construction of Southeast Asia in the nineteenth century by the forces of capitalism and imperialism, and shows how that construct remains a potent aspect of political, economic, and cultural disputes today.

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19

Ijapa and Igbin: A discursive meditation on politics, public culture and moral imaginings in Nigeria. Ibadan, Nigeria: University Press PLC, 2012.

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20

The discursive construction of the Scots language: Education, politics and everyday life. Amsterdam: John Benjamins Publishing Company, 2013.

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21

1961-, Ussher Jane M., Hrsg. Body talk: The material and discursive regulation of sexuality, madness, and reproduction. London: Routledge, 1997.

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22

Brossat, Alain, und Juan Alberto Ruiz Casado. Culture of Enmity: The Discursive Struggle for Taiwan in the Making of the New Cold War. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-4217-6.

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23

Universidad de Guanajuato. Cuerpo Académico Desarrollo Regional y Sustentabilidad, Universidad de Guanajuato. Programa La Universidad de Guanajuato en Tu Comunidad und Unidad Profesional del Balsas, Hrsg. El sujeto cultural y los estudios multidisciplinarios: Prácticas sociales y discursivas. Guanajuato: Universidad de Guanajuato, Campus Guanajuato, División de Ciencias Sociales y Humanidades, Departamento de Estudios de Cultura y Sociedad, 2010.

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24

Castañeda Hernández, María del Carmen und Universidad Autónoma de Baja California. Facultad de Humanidades y Ciencias Sociales, Hrsg. Diversidades textuales y fronteras discursivas: Un acercamiento de análisis literario y cultural. [Guadalajara, Mexico?]: La Zonámbula, 2014.

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25

Discursive constructions of immigrant identity: A sociolinguistic trend study on long-term American immigrants. Frankfurt am Main: Peter Lang, 2010.

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26

Campa, Román De la. América latina y sus comunidades discursivas: Literatura y cultura en la era global. Caracas, Venezuela: Fundación Centro de Estudios Latinoamericanos Rómulo Gallegos, 1999.

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27

Rodriguez, Juana. Queer Latinidad: Identity Practices, Discursive Spaces (Sexual Cultures Series). NYU Press, 2003.

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28

Rodriguez, Juana. Queer Latinidad: Identity Practices, Discursive Spaces (Sexual Cultures Series). NYU Press, 2003.

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29

Ophir, Adi, und Ishay Rosen-Zvi. Gentiles Are Not Barbarians. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198744900.003.0009.

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This chapter compares the Jew-goy distinction to another binary opposition functioning in Mediterranean antiquity, usually considered both older and similar: the Greek-barbarian one. After following the traces that this contrast has left in Jewish texts, primarily in Paul and in Tannaitic literature, the chapter compares and contrasts these two discursive formations, shedding light on the uniqueness of the Jew-goy distinction. With the aid of new studies on the concept of “barbarians” in classical Greece and Hellenistic cultures it reconstructs the relationship between the two oppositions and their different functions. Unlike the barbarian, which exists in shifting discursive, legal, and ideological terrains and is always open for negotiations, the goy remains a closed and stable rabbinic formation, a perfect performative reflection of their discursive strategies and structure of separation.

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30

Murakami, Kyoko. Culture in Action: A Discursive Approach. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780195396430.013.0022.

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31

Wiggins, Bradley E. Discursive Power of Memes in Digital Culture. Taylor & Francis Group, 2020.

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32

(Editor), Johannes Angermuller, und Katharina Bunzmann (Editor), Hrsg. Hybrid Spaces: Theory, Culture, Economy (Discursive Produktions). Lit Verlag, 2001.

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33

Assael, Brenda. Gastro-Cosmopolitanism and the Restaurant. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198817604.003.0006.

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Chapter 5 presents the restaurant as a valuable site for mapping patterns of transnational, global and cultural exchange. London’s diners were exposed to a variety of new, often hybrid, culinary cultures, which call into question simplistic binaries between Britain and the world beyond. The presence in London’s restaurants of French menus, Indian dishes, Italian cooks, Swiss proprietors, German waiters, and Chinese and American diners illustrates the complexity of the relationship between populations and places. London’s ‘gastro-cosmopolitanism’, my shorthand for this multilayered culture, reveals not merely the extent to which Britain’s imperial metropolis was exposed to transnational forces, but that these influences were genuinely global and not confined to Britain’s formal empire. More generally, the chapter suggests the value of appreciating the materially grounded, rather than merely discursive, aspects of cosmopolitanism in Britain in this period.

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34

Fazan, Katarzyna, Michal Kobialka und Bryce Lease, Hrsg. A History of Polish Theatre. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108619028.

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Poland is celebrated internationally for its rich and varied performance traditions and theatre histories. This groundbreaking volume is the first in English to engage with these topics across an ambitious scope, incorporating Staropolska, the Polish-Lithuanian Commonwealth, the Enlightenment and Romanticism within its broad ambit. The book also discusses theatre cultures under socialism, the emergence of canonical practitioners and training methods, the development of dramaturgical forms and stage aesthetics and the political transformations attending the ends of the First and Second World Wars. Subjects of far-reaching transnational attention such as Jerzy Grotowski and Tadeusz Kantor are contextualised alongside theatre makers and practices that have gone largely unrecognized by international readers, while the participation of ethnic minorities in the production of national culture is given fresh attention. The essays in this collection theorise broad historical trends, movements, and case studies that extend the discursive limits of Polish national and cultural identity.

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35

(Editor), Ruth Wodak, Rudolf de Cillia (Editor), Martin Reisigl (Editor), Karin Liebhart (Editor), Angelika Hirsch (Translator) und Richard Mitten (Translator), Hrsg. The Discursive Construction of National Identity. Edinburgh University Press, 2000.

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36

The Discursive construction of national identity. Edinburgh: Edinburgh University Press, 1999.

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37

Gotman, Kélina. Obscuritas Antiquitatis. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190840419.003.0002.

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The German historian of medicine J. F. C. Hecker’s landmark essay ‘The Dancing Mania’ appeared in a definitive English edition at the same time as Charles Darwin’s On the Origin of Species (1859), a moment when fascination with antiquity was controversially at the forefront of modern science. Translations brought exotic literature into the mix, catapulting scenes of dancing into the purview of medical research. Attention to the genealogy or, after Diana Taylor and Michel Foucault, the scenes or scenarios, the archival repertoire, of choreomania’s discursive emergence, including the vicissitudes of writers’ institutional affiliations, new translations, a fashion for collecting, and practices of collage and montage, shows that sciences in the nineteenth century were more fluid than is often allowed. Cast as an ancient convulsive epidemic, ‘choreomania’ was articulated between the ‘two cultures’, science and literary art, as a medical curiosity and an archival find. Choreomania’s discursive history is thus found in the unlikeliest places: the medical anecdote, the footnote, the aside.

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38

Dunagan, Colleen T. Commercials as Discursive Assemblages. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190491369.003.0003.

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Chapter Two demonstrates how commercials employ genre-specific codes and conventions to operate as discursive assemblages. The author adopts Grossberg’s concept of cultural formations as a model for analyzing dance in advertising. Through close readings of several commercials created for US companies produced between 1948 and 2012, the chapter offers an historicized reading of the strategic intersections between dance, television, film, and advertising within commercials to produce a form of marketing that simultaneously reinforces and destabilizes disciplinary boundaries. Several concepts central to the larger project are introduced here, including liveness, advertising positioning strategies, direct address and hailing, montage, and film musical conventions. While the study focuses on an analysis of the history and conventions of dance-in-advertising in the United States during the mid-to-late twentieth and early twenty-first centuries, it also includes examples of commercials created to advertise US products in foreign markets.

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39

Silva, Daniel F. Anti-Empire: Decolonial Interventions in Lusophone Literatures. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786941008.001.0001.

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Anti-Empire explores how different writers across Lusophone spaces engage with imperial and colonial power at its various levels of domination, while imagining alternatives to dominant discourses pertaining to race, ethnicity, culture, gender, sexuality, and class. Guided by a theoretically eclectic approach ranging from Psychoanalysis, Deconstruction, Postcolonial Theory, Queer Theory, and Critical Race Studies, Empire is explored as a spectrum of contemporary global power inaugurated by European expansion and propagated in the postcolonial present through economic, cultural, and political forces. Through the texts analysed, Anti-Empire offers in-depth interrogations of contemporary power in terms of racial politics, gender performance, socio-economic divisions, political structures, and the intersections of these facets of domination and hegemony. By way of grappling with Empire’s discursive field and charting new modes of producing meaning in opposition to that of Empire, the texts read from Brazil, the Cape Verde Islands, East Timor, Portugal, and São Tomé and Príncipe open new inquiries for Postcolonial and Decolonial Studies while contributing theoretical debates to the study of Lusophone cultures.

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40

The discursive construction of national identity. 2. Aufl. Edinburgh: Edinburgh University Press, 2009.

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41

Burgeile, Odete, Ednaldo Tartaglia und Ilka de Oliveira Mota. Práticas de ensino, discursivas e culturais. EDITORA DA UNIVERSIDADE FEDERAL DE RONDÔNIA - EDUFRO, 2022. http://dx.doi.org/10.47209/978-65-87539-95-9.

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42

Cole, Deborah, Zane Goebel und Howard Manns. Contact Talk: The Discursive Organization of Contact and Boundaries. Taylor & Francis Group, 2019.

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43

Cole, Deborah, Zane Goebel und Howard Manns. Contact Talk: The Discursive Organization of Contact and Boundaries. Taylor & Francis Group, 2019.

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44

della Porta, Donatella, Pietro Castelli Gattinara, Konstantinos Eleftheriadis und Andrea Felicetti. Discursive Turns and Critical Junctures. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190097431.001.0001.

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This volume focuses on the debate that developed in France, Germany, Italy, and the United Kingdom after the terrorist attacks against Charlie Hebdo and the kosher supermarket, in January 2015. The book offers an in-depth analysis of the unfolding of the public debate in terms of content of claims making, framing, and justifications as well as the quality (deliberativeness) of the discourses by a variety of actors in the public sphere. The volume features a threefold comparison that considers how the debate differs across countries; how it evolved over time; and how it varies when one looks at mainstream media compared to social movement arenas. Based on a triangulation of quantitative and qualitative analyses, the volume pays particular attention to radical left, radical right, and religious actors and to issues related to migration and integration, secularism and cultural diversity, security and civil rights. Taking its starting point from the infamous attacks of January 2015, this volume aims also at contributing to a theoretical innovation by reflecting on the ways in which transformative events trigger discursive critical junctures.

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45

The Single Woman: A Discursive Investigation (Women and Psychology). Routledge, 2008.

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46

Reynolds, Jill. The Single Woman: A Discursive Investigation (Women and Psychology). Routledge, 2008.

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47

CAMPOS, Jefferson. A imagem em discurso digital: heterotopia dos regimes de ver e de dizer a arte no espaço virtual. Editorial Casa, 2021. http://dx.doi.org/10.55371/978-65-89999-36-2.

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Ao se considerar as produções culturais alocadas em um museu como materialidades linguístico-discursivas da ordem do artístico, neste livro, tematiza-se a reprodutibilidade da obra de arte e sobretudo, de seu ambiente material de exposição, o museu, através de procedimentos técnicos, tecnológicos (como a fotografia, a digitalização e a recodificação) e da tecnologia da governamentalidade, para focalizar as mudanças nas relações de saber-poder entremeadas entre sujeito espectador, obra de arte e instituição cultural, uma vez que o espaço do museu, nesse caso, pode ser apreendido como um sítio de significações que acampa para além da ordem do artístico. Em vista disso, lança a seguinte problematização: diante dessa modificação material, o museu virtual constitui-se em um espaço heterotópico outro que especifica e diferencia um enunciado de outro, no que se refere ao status discursivo ao qual pertencem os enunciados que constituem os regimes de visibilidade do artístico em circulação no espaço virtual? Tal encaminhamento consolida o desafio de ler diferentes materialidades significantes ou, mais precisamente, de ler discursivamente, na urdidura heterotópica do artístico, as tramas vetoriais do político entretecido nas demandas do social, com o objetivo de compreender o modo como se constituem as modalidades enunciativas dessas arquiteturas hipermidiáticas. Nesse empreendimento, ao vislumbrar a relação amalgamada entre a linguagem, a arte, a cultura e o político, confirmou-se a tese de que, ao passar pelos processos sociotécnicosemióticos que permitem sua (re)materialização no espaço virtual, a materialidade da arte e de seu espaço de visitação passam a vigorar em outra ordem discursiva, não só na da instituição museológica, mas também na da política de acessibilidade cultural.

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48

Wiggins, Bradley E. Discursive Power of Memes in Digital Culture: Ideology, Semiotics, and Intertextuality. Taylor & Francis Group, 2019.

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49

Wiggins, Bradley E. Discursive Power of Memes in Digital Culture: Ideology, Semiotics, and Intertextuality. Taylor & Francis Group, 2019.

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50

Wiggins, Bradley E. Discursive Power of Memes in Digital Culture: Ideology, Semiotics, and Intertextuality. Taylor & Francis Group, 2019.

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Bücher zum Thema „Discursive cultures“

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