Thematische Bibliographien / Design Ideology

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte

Auswahl der wissenschaftlichen Literatur zum Thema „Design Ideology“

Autor: Grafiati
Veröffentlicht am 25. Juni 2021
Zuletzt aktualisiert am 13. Februar 2022

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Zeitschriftenartikel zum Thema "Design Ideology"

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Ward, A. „Ideology, culture and the design studio“. Design Studies 11, Nr. 1 (Januar 1990): 10–16. http://dx.doi.org/10.1016/0142-694x(90)90010-a.

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Amir, Eyal, Arza Churchman und Avraham Wachman. „The Kibbutz Dwelling: Ideology and Design“. Housing, Theory and Society 22, Nr. 3 (Oktober 2005): 147–65. http://dx.doi.org/10.1080/14036090510040313.

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Peterson, Gregory R. „The Intelligent‐Design Movement: Science or Ideology?“ Zygon® 37, Nr. 1 (März 2002): 7–23. http://dx.doi.org/10.1111/1467-9744.00406.

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zantides, Evripides. „Reading Trajectories: Semiosis, Graphic Design and Ideology“. Proceedings of the 14th World Congress of the International Association for Semiotic Studies (IASS/AIS) 8 (2021): 227–44. http://dx.doi.org/10.24308/iass-2019-8-018.

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Gonzatto, Rodrigo Freese, Frederick M. C. van Amstel, Luiz Ernesto Merkle und Timo Hartmann. „The ideology of the future in design fictions“. Digital Creativity 24, Nr. 1 (März 2013): 36–45. http://dx.doi.org/10.1080/14626268.2013.772524.

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Henderson, Emma, und Kirsty Duncanson. „Design and ideology: innovation and the magistrates’ court“. Griffith Law Review 27, Nr. 2 (03.04.2018): 207–32. http://dx.doi.org/10.1080/10383441.2018.1592741.

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Paris, Britt S. „Time constructs: Design ideology and a future internet“. Time & Society 30, Nr. 1 (19.01.2021): 126–49. http://dx.doi.org/10.1177/0961463x20985316.

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This article engages the politics of technology as it examines how a discourse of time is framed by engineers and project principals in the course of the development of three future internet architecture projects: named data networking, eXpressive Internet Architecture, and Mobility First. This framing reveals categories of a discourse of time that include articulations of efficiency, speed, time as a technical resource, and notions of the future manifest in each project. The discursive categories fit into a time constructs model that exposes how these projects were built with regard to concepts of speed and how different notions of time are expressed as a design ideology intertwined with other ideologies. This time constructs framework represents a tool that can be used to expose the social and political values of technological development that are often hidden or are difficult to communicate in cross-disciplinary contexts.
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Lloyd, Anthony. „Ideology at work: reconsidering ideology, the labour process and workplace resistance“. International Journal of Sociology and Social Policy 37, Nr. 5/6 (13.06.2017): 266–79. http://dx.doi.org/10.1108/ijssp-02-2016-0019.

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Purpose The purpose of this paper is to consider existing debates within the sociology of work, particularly the re-emergence of labour process theory (LPT) and the “collective worker”, in relation to resistance at work. Through presentation of primary data and a dialectical discussion about the nature of ideology, the paper offers alternative interpretations on long-standing debates and raises questions about the efficacy of workplace resistance. Design/methodology/approach The design of this methodology is an ethnographic study of a call centre in the North-East of England, a covert participant observation at “Call Direct” supplemented by semi-structured interviews with call centre employees. Findings The findings in this paper suggest that resistance in the call centre mirrors forms of resistance outlined elsewhere in both the call centre literature and classical workplace studies from the industrial era. However, in presenting an alternative interpretation of ideology, as working at the level of action rather than thought, the paper reinterprets the data and characterises workplace resistance as lacking the political potential for change often emphasised in LPT and other workplace studies. Originality/value The original contribution of this paper is in applying an alternative interpretation of ideology to a long-standing debate. In asking sociology of work scholars to consider the “reversal of ideology”, it presents an alternative perspective on resistance in the workplace and raises questions about the efficacy of workplace disobedience.
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Hu, Yin An, Yong Ping Wang und Yun Xue. „Influence on Design Education by the Architectural Trend of Deconstructivism“. Applied Mechanics and Materials 638-640 (September 2014): 2222–25. http://dx.doi.org/10.4028/www.scientific.net/amm.638-640.2222.

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The ideology of deconstructivisim is a relatively new design style, and has a profound philosophical connotation. Deconstruction works usually pay attention to reflecting the diversity of buildings, and their design techniques are more exaggerated and weird to make people unable to understand their law. By the study of the deconstructive architects' design career, we can conclude as follow: the kind of trend has a great influence on architecture, also deeply affects modern design education; education philosophy of many famous architectural colleges in America and Europe with their students’ design works reflect design concept of the ideology. Southern California Institute of Architecture in Los Angeles is the homeland that deconstructive educators live up to their ideal. The design ideology of deconstruction has important status in the United States and far-reaching influence on American architectural education.
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Garcia, Nicholas MacGregor. „How Does Ideology Impact the Design of Algorithmic Governance?“ Academy of Management Proceedings 2020, Nr. 1 (August 2020): 22143. http://dx.doi.org/10.5465/ambpp.2020.22143abstract.

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Dissertationen zum Thema "Design Ideology"

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Chen, Xiaofen. „The culture, ideology, and design of women's underwear for China“. Thesis, University of Central Lancashire, 2018. http://clok.uclan.ac.uk/25465/.

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Aynsley, Jeremy. „'Gebrauchsgraphik' : style and ideology in German graphic design 1910-1939“. Thesis, Royal College of Art, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600808.

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Young, Joseph Jr. „Allegiance by Design: Visual Identities in Reference to Political Ideology and Brand Loyalty“. Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1626257876186202.

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Gunn, Maja. „Body acts queer : Clothing as a performative challenge to heteronormativity“. Doctoral thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-9835.

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This artistic, practice-based thesis has been developed based on the idea that design creates social and ideological change. From this perspective, Body Acts Queer — Clothing as a performative challenge to heteronormativity introduces an artistic way of working with and exploring the performative and ideological functions of clothing with regard to gender, feminism, and queer. The thesis presents this program for experimental fashion design—exemplified through a series of artistic projects—while also discussing the foundations of such an approach and the different perspectives that have affected the program and its artistic examples. Working with clothing and fashion design through artistic projects using text and bodies, this thesis transforms queer and feminist theory into a creative process and, by looking into bodily experiences of clothing, Body Acts Queer investigates its performative and ideological functions, with a focus on cultural, social, and heteronormative structures. Body Acts Queer suggests a change in the ways in which bodies act, are perceived, and are produced within the fashion field, giving examples of—and alternatives to—how queer design practice can be performed. In this thesis, queer design is explored as an inclusive term, containing ideas about clothing and language, the meeting point between fiction and reality, and the ability to perform interpretation and bodily transformations—where pleasure, bodily experiences, and interaction create a change.
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Jerlei, Triin. „Industrial designers within the Soviet Estonian design ideology of the Late Socialist period, 1965-1988“. Thesis, University of Brighton, 2015. https://research.brighton.ac.uk/en/studentTheses/959e31ed-a3de-426b-a57a-4e2ede431495.

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This thesis argues that a unique design ideology manifested in Soviet Estonia during the Late Socialist period. It was a combination of broader Soviet design ideologies concerned with material practices and the control of production, and Western design influences that were more apparent in Estonia than elsewhere in the Soviet Union and provided aesthetic guidance in a vacuum of Soviet style. This research allows for the first time a determination of the characterising qualities of Estonia’s Late Socialist industrial design, as well as provision of a new contextual framework for considering Soviet design ideas more broadly. To date, studies of Soviet design have focused on object aesthetics, leaving authors who are then faced with the absence of a consistent Soviet style to assume an equally absent Soviet design ideology. However, while it is not necessarily visible in the appearance of products, a tangible Soviet design ideology existed in bureaucratic apparatuses, material practices and accompanying textual materials. This thesis uses oral history and archival research to provide a detailed analysis of the Soviet ideology operating within one cultural monad of the wider USSR. In doing so it breaks away from the emphasis on Russia as the totality of 20th century Soviet socialism to make a first important step toward a more substantial history of Soviet production. Estonia can be understood as a meeting point between two major world design cultures, and from its example we can better understand the characteristics, functioning, and impact of different design ideologies.
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Huang, Yu-Chin. „National identity and ideology in the design of postage stamps of China and Taiwan 1949-1979“. Thesis, SOAS, University of London, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498654.

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Postage stamps are exclusively made by a country that is recognized by other members of the international community. Governments have always utilized these tiny images as national and international propaganda. By 1949, the Chinese Communist Party effectively controlled the Chinese Mainland and established the People's Republic of China (PRC), while the Nationalist Party fled to Taiwan to resume its Republic of China (ROC). The PRC and the ROC simultaneously asserted their sole legitimate succession to the Chinese regime, and both countries' postal authorities utilized postage stamps to build their own Chinese national identity and engage in a long-term propaganda war. In this thesis, I will firstly analyze both the production and consumption of postage stamps in Chapter Two and Chapter Three. The production of postage stamps is always conducted by the postal authorities, responsible for planning and designing postage stamps. However, it is also inevitably affected by stamp collectors' taste and need as well as by domestic and international stamp markets. Even though ordinary postage stamp users, stamp collectors and stamp merchants are the main agents in the consumption of postage stamps, they are also the marketing targets of the postal authorities. Therefore, my approach to the study of postage stamps coordinates top-down and bottom-up strategies in order to obtain a full picture of this aspect of discourse on Chinese national identity in both countries. Following the study of the historical background both countries' postal services, Chapter Four explores how these two countries drew national leaders and national territory and designed Chinese visual characteristics in postage stamps, discussing the construction of each regime's political, geographical and cultural identity. By comparing five sets of stamp themes, including people, anniversaries, international relations, sport and the overseas Chinese, Chapter Five analyzes political, historical and ethnic identity in postage stamp designs of the 'two Chinas'.
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Holm, Raven R. „Natural language processing of online propaganda as a means of passively monitoring an adversarial ideology“. Thesis, Monterey, California: Naval Postgraduate School, 2017. http://hdl.handle.net/10945/52993.

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Approved for public release; distribution is unlimited
Reissued 30 May 2017 with Second Reader’s non-NPS affiliation added to title page.
Online propaganda embodies a potent new form of warfare; one that extends the strategic reach of our adversaries and overwhelms analysts. Foreign organizations have effectively leveraged an online presence to influence elections and distance-recruit. The Islamic State has also shown proficiency in outsourcing violence, proving that propaganda can enable an organization to wage physical war at very little cost and without the resources traditionally required. To augment new counter foreign propaganda initiatives, this thesis presents a pipeline for defining, detecting and monitoring ideology in text. A corpus of 3,049 modern online texts was assembled and two classifiers were created: one for detecting authorship and another for detecting ideology. The classifiers demonstrated 92.70% recall and 95.84% precision in detecting authorship, and detected ideological content with 76.53% recall and 95.61% precision. Both classifiers were combined to simulate how an ideology can be detected and how its composition could be passively monitored across time. Implementation of such a system could conserve manpower in the intelligence community and add a new dimension to analysis. Although this pipeline makes presumptions about the quality and integrity of input, it is a novel contribution to the fields of Natural Language Processing and Information Warfare.
Lieutenant, United States Coast Guard
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Ismail, Alice S. „The influence of Islamic political ideology on the design of state mosques in West Malaysia (1957-2003)“. Queensland University of Technology, 2008. http://eprints.qut.edu.au/19371/.

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This research begins with the assumption that the political ideology of Malaysian leaders influences the design of state mosques and seeks to investigate the relationship between Malaysian leaders political ideas of Islam and their influence on the design of state mosques in Malaysia. Even though studies undertaken of state mosque in other Muslim countries show a relationship between state mosque and politics, there are no studies that describe the influence of politics on the state mosques in Malaysia. To date, the research on the state mosque in Malaysia focuses on six main aspects: these are descriptions of the state mosque in regard to its historical development; documentation of the state mosque in the form of measured drawings; classification of state mosque styles; theory for designing the state mosque based on religious sources; discussion on the technical aspects of the state mosque design; and discourse on the role and function of the state mosque in relation to social aspects. In contrast, the aim of this research is to determine: How are the leaders political ideas of Islam expressed through the design of state mosques in West Malaysia? A case study approach as defined by Yin (2003) was applied. Evidence for the case studies has been collected from archival records to gather data regarding political development and building policy which relates to three prominent leaders in Malaysia –Tunku Abdul Rahman, Tun Abdul Razak and Tun Mahathir Mohamad - while on-site observation, state mosque documents and interview were methods to collect evidence for three state mosques in Malaysia, which are the National Mosque, Penang State Mosque and Putra Mosque. Since this research deals with specific interpretations of the state mosque as a social-physical phenomenon and the need to understand how the structural relationship exists between the state mosques and social culture, a multi-disciplinary logic of inquiry combining the interpretive and structuralist paradigms was adopted. In association, a framework incorporating both semiotics and hermeneutics were developed to analyse, firstly, the symbolic meaning embedded in the design of the state mosques and their mundane settings and, secondly, to reveal the leaders intentions and associated actions during the creation of the state mosques. An analysis of the data exposed that there is a dialectic relationship between the leaders and the design of the state mosque in the period of post-independence in Western Malaysia. The investigation of the three state mosques also suggested that the political ideas of Islam as propounded by Malaysian leaders have a profound effect on determining the design of the state mosque. This study, therefore, offers new insights, which not only add to knowledge in this field by widening and strengthening the understanding of political and architectural historical theory in Malaysia, but also are valuable for range of associated fields including architectural semiotics and non verbal communication. This is because this research reveals deep understandings of the built form and material environment operating as a sign in a cultural and social context.
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ERIKSSON, JENNY, und NATALIE KARLSSON. „Slow Fashion and how it is beeing communicated-the role of storytelling in engaging consumers in slow fashion“. Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-18171.

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Background: The fashion industry today is one of constant and unceasing change. It is a segment of materialism, characterised by fast-paced and outsourced production, cost pressed profit structures, and never ending designs and trends. This framework together with modern day marketing communications that unremittingly stimulate new consumer wants have created a landscape of overconsumption. As a reaction to this hysteria of consumerism is the emergence of a relatively new notion, slow fashion. This ideology places emphasis on decelerating both production and consumption cycles through more conscious purchasing patterns. Previous studies confirm that although consumers are accepting of the slow fashion mind-set, their interest does not necessarily equate to engagement in terms of conscious consumption. Consequently, companies today are seeking alternative modes of communication such as storytelling. Purpose: The objective of this paper is; thus, to investigate how slow fashion is being communicated through storytelling, in better understanding how to engage consumers in more conscious and responsible fashion consumption. Method: The study uses a qualitative method of research with a deductive approach. The research design entails multiple case studies of semi-structured interviews conducted among four slow fashion companies in Sweden. Theoretical data has been collected primarily through peer reviewed literature and other written works in electronic form. The theoretical starting point of the paper begins with concepts such as slow fashion as an ideology and its values, goals and objectives. Thereafter, storytelling, engagement and meaning are each theoretically explained and empirically investigated. Conclusion: The study reveals that slow fashion retailers are using storytelling but to varying degrees in communicating the slow fashion ideology. There is a focus on engaging consumers through education, interaction and activating several human senses. It can be seen that consumers are engaged and interested in the slow fashion mind-set; however, it cannot be confirmed that they are actually behaving or acting as slow fashionists.
Program: Master programme in Fashion Management
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Laski, Gary. „Le design : Théorie esthétique de l'histoire industrielle“. Phd thesis, Université Paris-Est, 2011. http://tel.archives-ouvertes.fr/tel-00713124.

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Bücher zum Thema "Design Ideology"

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Leppänen, Helena, writer of added text, editor, Hrsg. Ideology / form / material: The collections of Design Museum Helsinki. Helsinki: Design Museum, 2013.

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Shahriari, Setara. Bill Viola's ideology of time awareness: is it successful?: MA Communication Design 2002. London: Central Saint Martins College of Art & Design, 2000.

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Rosen, Sue. Men at work: Penal ideology and nation building on the Great Western Road. Epping, N.S.W: Heritage Assessment and History, 2006.

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Narodna in univerzitetna knjižnica v Ljubljani, Hrsg. Ideology of nation in the graphic design of personal documents: Slovenia and some European states. Ljubljana, Slovenia: Narodna in univerzitetna knijžnica, 2007.

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London College of Printing and Distributive Trades. BA MPD Art and Design History dissertation 1992: What is the new role of the Victoria and Albert Museum in todays society and does it continue to uphold the ideology estblished by its founding fathers. London: LCPDT, 1992.

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Bodt, Saskia de. Prentenboeken: Ideologie en illustratie, 1890-1950. Amsterdam: Ludion, 2003.

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Zeri, Federico. I francobolli italiani: Grafica e ideologia dalle origini al 1948. Genova: Il melangolo, 1993.

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Cielo, Quiñones Aguilar Ana, Hrsg. Diseño socialmente responsable: Ideología y participación. Bogotá, D.C: Pontificia Universidad Javeriana, Facultad de Arquitectura y Diseño, 2009.

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Girgus, Sam B. Desire and the political unconscious in American literature: Eros and ideology. New York: St. Martin's Press, 1990.

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Girgus, Sam B. Desire and the political unconscious in American literature: Eros and ideology. Basingstoke: Macmillan, 1990.

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Buchteile zum Thema "Design Ideology"

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Shelley, Cameron. „Models and Ideology in Design“. In Model-Based Reasoning in Science and Technology, 609–23. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-37428-9_33.

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Strang, Kenneth D. „Articulating a Research Design Ideology“. In The Palgrave Handbook of Research Design in Business and Management, 17–30. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137484956_2.

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Shelley, Cameron. „Ideology in Bio-inspired Design“. In Model-Based Reasoning in Science and Technology, 43–56. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-38983-7_3.

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Shelley, Cameron. „Models and Ideology in Design“. In Springer Handbook of Model-Based Science, 1003–14. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-30526-4_47.

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Kealy, L., und J. O. Lewis. „Ideology and Information in Low Energy Design“. In 1989 2nd European Conference on Architecture, 527–30. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-017-0556-1_153.

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Semi, Giovanni. „Making Cosmopolitan Spaces: Urban Design, Ideology and Power“. In IMISCOE Research Series, 29–39. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67365-9_3.

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AbstractThere is a growing scholarly consensus over the transformation of the urban public place from a challenging, conflicting and negotiated one to a festive and convivial place. Decades of gentrification, renewals and city branding have fostered an urban form made of well-regulated and controlled islands of publicness in a sea of privatopias. Beyond structural forces, urban policies and the action of households and citizens, a key role has been played by global architecture and design. With this chapter, we will address this issue looking precisely at the practices of conceiving and designing the public places by urban designers. How the ideals of a cosmopolis, urban and democratic, is put in place by professionals dealing with neoliberal constraints, post-democratic states and refined middle-class users? What is the contemporary meaning of cosmopolitanism, when related to the urban core? Cosmopolitanism for whom, under which conditions? The chapter will provide a case-study detailed analysis of the perspective of urban designers towards projects and urbanism, with a specific attention to public space design.
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Strang, Kenneth D. „Matching Research Method with Ideology and Strategy“. In The Palgrave Handbook of Research Design in Business and Management, 47–62. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137484956_4.

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Kumlin, Staffan. „Institutions—Experiences—Preferences: How Welfare State Design Affects Political Trust and Ideology“. In Restructuring the Welfare State: Political Institutions and Policy Change, 20–50. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-0-230-10924-7_2.

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Stahl, Bernd Carsten. „The Ideology of Design: A Critical Appreciation of the Design Science Discourse in Information Systems and Wirtschaftsinformatik“. In Wissenschaftstheorie und gestaltungsorientierte Wirtschaftsinformatik, 111–32. Heidelberg: Physica-Verlag HD, 2009. http://dx.doi.org/10.1007/978-3-7908-2336-3_6.

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Sparke, Penny. „‘A Home for Everybody?’: Design, Ideology and the Culture of the Home in Italy, 1945–72“. In Culture and Conflict in Postwar Italy, 225–41. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20841-8_12.

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Konferenzberichte zum Thema "Design Ideology"

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Han, Ying. „Designs Guided by Ideology“. In 2015 International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icadce-15.2015.93.

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Jerlei, Triin. „Socialist elements in Soviet design ideology“. In 9th Conference of the International Committee for Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/despro-icdhs2014-0085.

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Rahaditya, R., und Muhammad Rizqi Fadhlillah. „Juridical Analysis of the Design of Pancasila Ideology Direction“. In The 2nd Tarumanagara International Conference on the Applications of Social Sciences and Humanities (TICASH 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201209.009.

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Guo Na und Wang Yuncai. „Notice of Retraction: Discussions on the ideology system and framework of sustainable landscape design“. In 2011 International Conference on Electric Technology and Civil Engineering (ICETCE). IEEE, 2011. http://dx.doi.org/10.1109/icetce.2011.5774204.

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Lu, Ying, und Jing Zhang. „Study on the Infiltration and Development of Marcuse's Aesthetic Ideology in the Art of Book Design“. In 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icadce-17.2017.115.

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Zhao, Junyan, Xubiao Yang, Qian Qiao und Liqiong Chen. „Personalized Learning Design of Ideology and Politics of Distance Education Courses Based on Big Data“. In 2020 IEEE International Conference on Progress in Informatics and Computing (PIC). IEEE, 2020. http://dx.doi.org/10.1109/pic50277.2020.9350748.

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Girolami, Silvio. „Control System Design: Gas Turbine Machinery: The Use of a Corporate Model for Control System Design“. In ASME 1990 International Gas Turbine and Aeroengine Congress and Exposition. American Society of Mechanical Engineers, 1990. http://dx.doi.org/10.1115/90-gt-194.

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This paper describes a systematic, consistent approach to control design developed over years of theoretical design and field testing. The Gas Turbine Generator Set control (with some Hover-craft Lift control variations) is discussed both as an example of the design method and as a project on its own merit. This control ideology is not dependent on implementing hardware, high level languages. It is an organic method based on an example of “human” organization, the corporation. The Gas Turbine control is an interactive corporate team; member personalities and duties are the logic. The rationalized I-T-E (if-then-else) method of defining and programming the control (corporate) personalities is used by the turbine and controls engineers to efficiently produce the final turbine and machinery control algorithms. A simple integrated software/hardware scheme facilitates recording and executing these algorithms. Last but not least, reliable control performance must be achieved through an inherently fail-safe “systems” approach.
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Krasaki, Eirini. „Design as semiosis: A design mechanism for place branding“. In International Conference on the 4th Game Set and Match (GSM4Q-2019). Qatar University Press, 2019. http://dx.doi.org/10.29117/gsm4q.2019.0035.

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The described design methodology combines parametric design, data analysis, algorithmic design and semiotics theory to systematically analyze urban reality. The analysis leads to a creation of a nebula of data which corresponds to the place of interest. The nebula of data consists of networks of semiotics spatially defined. Through the proposed methodology, semiotics are used to enhance the perception that we have for a place and create a strategy for its' branding. Space is not approached as an empty container but as a complex system that consists of material and immaterial elements. The characteristics of these elements are quantified by their context and the logics of description to which they correspond. Logics of description are constantly changing following the multiplicity and the expansion of concepts. Therefore, space is constantly redefined following the transformation of the corresponding virtual data. Considering that each framework draws up an ideology following the change of context and the logics of description, a tool (machine) for analyzing written speech is developed, combining data visualization techniques, linguistics and design methodologies to configure logics of description. Written speech is transformed into a series of networks, visualizing their ontological relationships and disregarding the factor of time. A nebula of data corresponding to the mental reality of space is formed. Following a methodological procedure, the nebula of space is transformed to a nebula of place. The nebula of place contains its' key characteristics parametrized. A selection of these characteristics is combined to create the brand of the place concerning its' context and logics of description. The before mentioned methodological tool connects people, spaces, and machines enabling the connection of spatial data to create the impression (brand) of a place.
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Chen, Qiang, Lianchun Wang, Peichang Yu und Danfeng Zhou. „Preliminary Study on the Teaching Design of Curriculum Ideology and Political Education in “The Basis of Computer Hardware Technology” Based on ADDIE Model“. In 2020 International Conference on Information Science and Education (ICISE-IE). IEEE, 2020. http://dx.doi.org/10.1109/icise51755.2020.00084.

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Song, Jinya. „Study on the Methods of Curriculum Ideology and Politics Integration into the Course of “Basics of Mechanical Design” Based on the Data Analysis by SPSS“. In 2020 International Conference on Information Science and Education (ICISE-IE). IEEE, 2020. http://dx.doi.org/10.1109/icise51755.2020.00154.

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