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Thematische Bibliographien / Design

Auswahl der wissenschaftlichen Literatur zum Thema „Design“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 22. Juni 2024

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Inhaltsverzeichnis

Zeitschriftenartikel
Dissertationen
Bücher
Buchteile
Konferenzberichte
Berichte der Organisationen

Zeitschriftenartikel zum Thema "Design":

1

周, 文慧. „Discussion on Design-Values and Design-Behavior of Design-Space“. Design 08, Nr. 02 (2023): 171–75. http://dx.doi.org/10.12677/design.2023.82023.

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2

Laue, Reinhard, und Daniela Nikolova-Popova. „Design of designs“. Journal of Combinatorial Designs 20, Nr. 1 (22.11.2011): 1–22. http://dx.doi.org/10.1002/jcd.20302.

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3

朱, 雨佳. „Interaction Design Research Based on Unconscious Design Concept“. Design 08, Nr. 04 (2023): 2388–93. http://dx.doi.org/10.12677/design.2023.84289.

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4

孙, 建帅. „Application and Prospect of Parametric Design in Product Design“. Design 04, Nr. 04 (2019): 35–40. http://dx.doi.org/10.12677/design.2019.44008.

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5

张, 水苗. „Research on Acquiring Furniture Design Inspiration and Design Methods“. Design 08, Nr. 02 (2023): 520–28. http://dx.doi.org/10.12677/design.2023.82067.

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6

黄, 惠红. „Research on Pet Cat Feeder Design Based on Emotional Design“. Design 07, Nr. 03 (2022): 54–60. http://dx.doi.org/10.12677/design.2022.73008.

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7

欧, 幸军. „Application Design Research of Origami Art in Urban Furniture Design“. Design 08, Nr. 01 (2023): 72–78. http://dx.doi.org/10.12677/design.2023.81011.

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8

马, 超飞. „Analysis of the Influence of Ecological Design Trend on Landscape Design“. Design 08, Nr. 02 (2023): 478–84. http://dx.doi.org/10.12677/design.2023.82062.

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9

俞雪, 飞扬. „The Visual Application of Simple Design Concept in Catering Packaging Design“. Design 08, Nr. 01 (2023): 35–40. http://dx.doi.org/10.12677/design.2023.81006.

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10

徐, 严凇. „Research on the Design of Assembled Bags Based on DIY Design“. Design 08, Nr. 02 (2023): 271–76. http://dx.doi.org/10.12677/design.2023.82038.

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Dissertationen zum Thema "Design":

1

Sjöberg, Moa. „Allt utom väggarna : En studie som undersöker rumslighet och hierarkier“. Thesis, Linköpings universitet, Malmstens Linköpings universitet, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-168705.

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The aim of this thesis is to explore how a furniture designer can create spatiality, by studying how other people in creative spheres achieve spatial quality. The project also highlights the patriarchal hierarchies that can set within the creative sphere. This article scratch the surface to be able to break the norms and create perspective richness in how we consider objects, space and various professionals in the creative sphere. The project takes shape in the small object, then develop and give shape to the larger object and eventually create the space.

2

Kliiman, Kristin, und Annie Ekblom. „The effect of constraints in creativity : From the perspective of web designers“. Thesis, Tekniska Högskolan, Högskolan i Jönköping, JTH, Datateknik och informatik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-43643.

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Purpose – Web is no longer solely about functionality and information as it used to be. Nowadays the aesthetic aspects, including creativity, could be considered just as important. However, web designers still need to fulfil the needs of clients and users in the design process which causes various design constraints. Therefore, this study aims to investigate how web designers’ creativity is affected by various design constraints. This is explored by one main research question and a sub-question: 1.) How is web designers’ creativity affected by design constraints?; 1.1) What could cause web designers to break web design guidelines? Method – This research applied an inductive, qualitative approach with an exploratory view. In order to find answers for the research questions, semi-structured interviews were conducted with 8 participants from the field of web design. The data gathered was later analysed and evaluated through thematic analysis Conclusions – The findings of this study suggest that while there are some positive effects, web designers’ creativity is mostly negatively affected by design constraints. Furthermore, it seems web designers break web design guidelines due to finding them irrelevant and/or to get a more creative outcome as well as breaking them unintentionally. Delimitations – This study only covers how web designers reason regards the research questions and does not include the perspective of web developers. Moreover, this thesis focuses solely on website design and does not involve design for mobile applications.

3

Lau, King-hong, und 柳景康. „Urban gallery for design“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31983972.

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4

Tarnoff, David. „Episode 1.1 – The Importance of Hardware Design“. Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/computer-organization-design-oer/1.

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5

Tarnoff, David. „Episode 6.07 – 7-Segment Display Driver Design“. Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/computer-organization-design-oer/47.

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Sometimes, it’s nice to take a look at old tech to learn a new tool. The 7-segment display has been in our lives for years – mostly in alarm clocks. Join us as we use a Karnaugh map to design a driver for one.

6

Genre, Brice. „Dessiner, désigner : une pratique expérimentale de l'habiter“. Toulouse 2, 2009. http://www.theses.fr/2009TOU20063.

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Traiter de l'habiter c'est avant tout considérer la notion d'habitat, terme comme on le verra générique, au-delà de toutes considérations basiques qui en feraient un rassemblement de choses nécessaires à satisfaire des besoins physiologiques. Notre habitat est constitué d'une multitude d'éléments allant des « petits objets » jusqu'aux grands espaces géographiques en passant par l'architecture. L'habitat comme toutes ces choses qui le constituent, n'ont jamais sembler ne répondre qu'en surface à toutes les questions que nous nous posons sur l'espace et le temps, comme s'il se jouait là une toute autre chose, un espace au-delà de l'espace: sensible, complexe et multiple. Ainsi, le véritable intérêt ne semble pas être dans ce que nous avons sous nos yeux, mais plutôt ce qui nous est imperceptible, et que nous avons défini comme étant l'habiter, cette chose reliant le sujet et la perception concomitante qu'il peut avoir de l'espace et du temps, lorsqu'il est en relation avec l' habitat. L'hypothèse est la suivante, l'habiter serait, en quelque sorte, le fait, la substance d'une relation, d'un intervalle entre le sujet et les constituantes de son habitat: ses artefacts. Les implications dans les domaines de l'habitat et, par extension, tout ce qui évoque notre habitabilité du monde, peut relever de cette relation, à savoir que ce sont les intentions définies par le sujet, comme les intentions à l'origine des objets qui forment et font ce qu'est la relation de l'homme au monde, une relation imprégnée de la pensée poétique. Le sujet et l'objet se « forment » et se dessinent ainsi dans la complexité du rapport de l'un à l'autre, dans le temps de cet intervalle inframince qu'est l'habiter. La relation dessein-dessin qui prévaut à la manière de concevoir notre habiter, confère à notre habitat la nécessité d'être poïétiquement construit et élaboré, en reliant expressément l'intention et la manière dans la chose pro-duite tout en développant parallèlement la fonction poétique. Le design semblerait-être en soi l'acte par lequel l'homme dessine la nature de sa relation au monde en en dessinant ses desseins. L'individu se dessine alors au monde dans le même temps où il le dessine. Les idées développées dans ces recherches sont les symptômes et les témoins d'une mutation en cours dans la discipline qu'est le design
Dealing with the living above all on the concept of habitat, a term as discussed generically, beyond all basic considerations that make it a gathering of things necessary to satisfy physiological needs. Our habitat is composed of a multitude of items ranging from "little things" to large geographic areas through the architecture. Habitat as these are the things that have never appeared in response to surface all the questions we ask about space and time, as if he is playing a completely different thing, space beyond space: sensitive, complex and multifaceted. Thus, the real interest does not appear to be in what we have before our eyes, but which are imperceptible to us, and we have defined as the living, this thing between the subject and the concomitant perception that may have space and time, when in relationship with the habitat. The hypothesis is that the living would, somehow, the fact the substance of a relationship, an interval between the subject and the constituents of its habitat: its artifacts. The implications in the areas of habitat and, by extension, anything that evokes habitability of our world, may fall within this relationship, namely, that intentions are defined by the subject, as the intentions behind objects which are formed and what the relationship of man to the world, a relationship steeped in poetic thought. The subject and object "form" and emerge as the complexity of the report to one another in this time interval inframince what the living. The relation intention-design that prevails in the way of designing our living, our habitat gives the poietic need to be built and developed by linking specific intent and the way in the thing pro-duced while developing parallel function poetic. The design would seem to be in itself an act by which man draws the nature of its relationship to the world by drawing his designs. The individual then draws the world at the same time he draws it. The ideas developed in this research are the symptoms and witnessing a change in course in the discipline of design

7

Libânio, Cláudia de Souza. „O papel do profissional de design e suas interfaces na gestão de design : um estudo de caso“. reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/31397.

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Este trabalho trata do entendimento das atividades dos profissionais de design participantes da gestão de design e tem como objetivo geral estudar e compreender a atividade desses profissionais, almejando a melhoria dos processos de trabalho desses indivíduos nas empresas. Para alcançar o objetivo geral, foram estipulados objetivos específicos, que correspondem aos três artigos constituintes desta dissertação. O primeiro artigo propõe o desenvolvimento de uma revisão sistemática da literatura brasileira, no que tange à gestão de design, buscando identificar o estado da arte do tema em questão. O segundo foca a revisão sistemática de literatura no profissional de design participante da gestão de design, em nível nacional e internacional. Já o terceiro artigo apresenta um estudo de caso com três profissionais de design, mapeando a atividade interna e externa desses profissionais nas empresas e, assim, esclarecendo a estrutura e os fatores intervenientes dessa atividade, bem como as relações com seus principais interlocutores nas organizações. A metodologia utilizada neste trabalho tem caráter exploratório. Em um primeiro momento, foi realizada uma revisão sistemática de literatura, de natureza aplicada e, em um segundo momento, uma pesquisa qualitativa, a partir de um estudo de caso, com realização de entrevistas em profundidade. Como resultado, pôde-se perceber a estrutura e os fatores intervenientes da atividade do profissional de design, bem como suas relações com seus principais interlocutores nas organizações.
This document is about the understanding of the activities of design professionals participating in the design management and aims to study and understand the activity of these professionals, targeting the improvement of the work processes of these individuals in the companies. To achieve the overall objective, specific goals were set, corresponding to the three articles of this dissertation. The first article proposes the development of a systematic review of Brazilian literature, regarding the design management, seeking to identify the state of the art of the theme. The second one focus on the systematic review of the literature of the design professional participating in the design management, in national and international levels. The third article presents a case study with three design professionals, mapping the internal and external activities of these professional in the companies, and, this way, clarifying the structure and intervenient factors of this activity and its relations with its main coworkers in the organizations. The methodology used in this study is exploratory. At first, it was performed a systematic review of the literature, of an applied nature, and, in a second moment, a qualitative research, from a case study, with in-depth interviews. As a result, it was possible to see the structure and intervene factors of the activity of the design professional as well as its relations with its main coworkers in the organizations.

8

Camargo, Bruna Costa. „A dimensão social do design de comunicação: conceitos, história e práticas contemporâneas“. Master's thesis, Universidade de Évora, 2020. http://hdl.handle.net/10174/28686.

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Este trabalho investiga o Design de Comunicação com foco na sua dimensão social. Busca-se perceber como o aspecto social da profissão, sendo este, projetos voltados para o bem comum, trabalha do ponto de vista histórico e contemporâneo. A investigação procura assim contribuir com a fomentação do tema e apontar metodologias, diretrizes e possíveis saídas profissionais em torno dos novos paradigmas que articulam o Design de Comunicação e a Inovação Social. Compreendidos na dimensão social do Design de Comunicação são debatidos e relacionados conceitos como Social Design, Citizen Designer, Critical Design, Design para Sustentabilidade, Design para Inovação Social, Colaborative Design, Co-Design, Design Thinking e Slow Design. Em um segundo momento, é feito um resgate histórico focado na dimensão social do Design de Comunicação, com a identificação de trabalhos e de designers marcantes neste contexto, para perceber seus contributos para a área. O terceiro capítulo é dedicado ao estudo e análise de práticas contemporâneas na área da dimensão social do Design de Comunicação, com a finalidade de perceber abordagens, metodologias de trabalho e saídas de atuação profissionais possíveis. O quarto capítulo é dedicado as considerações finais, resultados obtidos e caminhos futuros. Como procedimentos metodológicos, recorre-se a Revisão de Literatura, análise de Casos de Estudo contemporâneos e Inquéritos com designers de comunicação e estudantes; ABSTRACT: This work investigates communication design with a focus on its social dimension. It seeks to understand how the social aspect of the profession, being this, projects aimed at the common good works from a historical and contemporary point of view. The investigation thus seeks to contribute to the promotion of the theme and to point out methodologies, guidelines and possible professional opportunities around the new paradigms that articulate communication design and Social Innovation. Understood in the social dimension of communication design, concepts such as Social Design, Citizen Designer, Critical Design, Design for Sustainability, Design for Social Innovation, Collaborative Design, are discussed and related. Co-Design, Design Thinking and Slow Design. In a second step, a historical rescue focused on the social dimension of communication design is made, with the identification of outstanding works and designers in this context, to understand their contributions to the area. The third chapter is dedicated to the study and analysis of contemporary practices in the area of the social dimension of communication design, in order to understand approaches, work methodologies and professional performance. possible. The fourth chapter is dedicated to the final considerations, results obtained and future paths. As methodological procedures, literature review, analysis of contemporary cases and surveys with communication designers are used.

9

Peplinski, Jesse D. „Enterprise design : extending product design to include manufacturing process design and organization design“. Diss., Georgia Institute of Technology, 1997. http://hdl.handle.net/1853/18242.

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Stuckey, Rachel E. „Creating a Model for Developmental, Cross-Cultural Design“. University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1342716398.

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Bücher zum Thema "Design":

1

Supon, Design Group Inc. See design, hear design, speak design. New York: Madison Square Press, 2001.

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2

Capponi, Carlo, und Marco Romanelli. Design behind design. Cinisello Balsamo, Milano: Silvana editoriale, 2016.

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3

Fung, John Chye. Dementia design sourcebook: Design guide, design elements. Singapore: Department of Architecture, NUS, 2015.

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4

Hepler, Donald E. Architecture: Drafting and design. 6. Aufl. Mission Hills, Calif: Glencoe/McGraw-Hill, 1991.

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Hepler, Donald E. Architecture: Drafting and design. 5. Aufl. New York: Gregg Division, McGraw-Hill, 1987.

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6

Gassner, Christof, und Peter von Kornatzki. Industrie-Design, Kommunikations-Design. Herausgegeben von Fachhochschule Darmstadt Fachbereich Gestaltung. Darmstadt: Die Fachhochschule, 1991.

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7

Lausanne, Ecole cantonale d'art de. Graphic design =: Design graphique. Zurich: ECAL, 2004.

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8

Board, Engineering Industry Training, Hrsg. Design methods & creative design. [London]: EITB, 1987.

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Hiromura, Masaāki. From design to design. Tōkyō: Art Design Publishing Company, 2015.

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Francisco, Asensio Cerver, und Montes Cristina, Hrsg. Furniture design =: Möbel Design. New York, NY: TeNeues, 2002.

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Buchteile zum Thema "Design":

1

Taura, Toshiharu. „The Design of Technology: Bridging Highly Advanced Science and Technology with Society Through the Creation of Products“. In Principia Designae － Pre-Design, Design, and Post-Design, 3–15. Tokyo: Springer Japan, 2014. http://dx.doi.org/10.1007/978-4-431-54403-6_1.

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2

Hashimoto, Noriko. „Negative Technology: Possibilities for a Contribution from Eco-Ethica—A Combination of Ethics and the Invisible“. In Principia Designae － Pre-Design, Design, and Post-Design, 135–43. Tokyo: Springer Japan, 2014. http://dx.doi.org/10.1007/978-4-431-54403-6_10.

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3

Thomas, Russell, und John Gero. „Social Interactions in Post-design Phases in Product Development and Consumption: Computational Social Science Modeling“. In Principia Designae － Pre-Design, Design, and Post-Design, 147–73. Tokyo: Springer Japan, 2014. http://dx.doi.org/10.1007/978-4-431-54403-6_11.

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4

Cascini, Gaetano, und Francesca Montagna. „Modelling (pre-)Design Activities With a Multi-Stakeholder Perspective“. In Principia Designae － Pre-Design, Design, and Post-Design, 175–97. Tokyo: Springer Japan, 2014. http://dx.doi.org/10.1007/978-4-431-54403-6_12.

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Le Masson, Pascal, Benoit Weil und Olga Kokshagina. „A New Perspective for Risk Management: A Study of the Design of Generic Technology with a Matroid Model in C-K Theory“. In Principia Designae － Pre-Design, Design, and Post-Design, 199–219. Tokyo: Springer Japan, 2014. http://dx.doi.org/10.1007/978-4-431-54403-6_13.

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Oxman, Rivka. „Computational Schema as a Facilitator for Crowdsourcing in a “Social‐Motive” Model of Design“. In Principia Designae － Pre-Design, Design, and Post-Design, 221–36. Tokyo: Springer Japan, 2014. http://dx.doi.org/10.1007/978-4-431-54403-6_14.

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Lindemann, Udo. „Supporting Creativity in Engineering Design: A Position Paper“. In Principia Designae － Pre-Design, Design, and Post-Design, 17–24. Tokyo: Springer Japan, 2014. http://dx.doi.org/10.1007/978-4-431-54403-6_2.

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Ito, Michio. „Sign, Design, Communication“. In Principia Designae － Pre-Design, Design, and Post-Design, 25–39. Tokyo: Springer Japan, 2014. http://dx.doi.org/10.1007/978-4-431-54403-6_3.

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Nagai, Yukari. „A Sense of Design: The Embedded Motives of Nature, Culture, and Future“. In Principia Designae － Pre-Design, Design, and Post-Design, 43–59. Tokyo: Springer Japan, 2014. http://dx.doi.org/10.1007/978-4-431-54403-6_4.

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Goldschmidt, Gabriela. „The Pagoda Design Space: Extending the Scope of Design“. In Principia Designae － Pre-Design, Design, and Post-Design, 61–76. Tokyo: Springer Japan, 2014. http://dx.doi.org/10.1007/978-4-431-54403-6_5.

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Konferenzberichte zum Thema "Design":

1

CUNHA LIMA, Guilherme. „Pioneers of Brazilian Design“. In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-002.

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2

GEIGER, Noni. „Design and the street“. In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-038.

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OLIVEIRA, Izabel Maria de, und Rita Maria de Souza COUTO. „Educational practice discourse on teaching project design in graduate design courses in Brazil“. In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-020.

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4

Souza Leite, João de. „Who’s who in brazilian design? Notes on identity and the professional design field“. In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-026.

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WAITE, Noel. „Antipodean Design Science: applied home“. In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-009.

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ANAY, Hakan, und Ülkü ÖZTEN. „Bauhaus pedagogy and digital design“. In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-010.

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7

NOBRE, Ana Luiza. „Design in Brazil: which revolution?“ In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-018.

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WOODHAM, Jonathan M. „Design, histories, empires and peripheries“. In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-088.

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9

BASTOS, Helena Rugai. „The design of Fred Jordan“. In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-101.

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PARODE, Fabio, und Ione BENTZ. „Design for a sustainable culture“. In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-116.

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Berichte der Organisationen zum Thema "Design":

1

Robbins, Peter. Design thinking - design's prodical son? University of Limerick, 2019. http://dx.doi.org/10.31880/10344/7521.

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2

Zimmerman und Chen. L51769 Limit States and Reliability-Based Pipeline Design. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), Juni 1997. http://dx.doi.org/10.55274/r0010325.

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Annotation:

The objective is to develop fully calibrated limit states design (LSD) procedures for pipelines. Limit states design, also known as load and resistance factor design (LRFD), provides a unified approach to dealing with all relevant failure modes and load combinations of concern. It explicitly accounts for the uncertainties that naturally occur in the determination of the loads which act on a pipeline and in the resistance of the pipe to failure. The load and resistance factors used are based on reliability considerations; however, the designer is not faced with carrying out probabilistic calculations. LSD suggests that if pipelines are designed directly for those scenarios which are known to be the major causes of pipeline failure, the result will be better design in terms of both safety and economy. This study shows that LSD is a rational and logical design process that can provide consistent levels of safety and give the designer a clear picture of the structural response of the pipe for all credible failure modes.

3

CORPS OF ENGINEERS WASHINGTON DC. Engineering and Design: Lost Design. Fort Belvoir, VA: Defense Technical Information Center, März 1992. http://dx.doi.org/10.21236/ada404014.

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4

Knecht, D. A. Design documentation: Krypton encapsulation preconceptual design. Office of Scientific and Technical Information (OSTI), Oktober 1994. http://dx.doi.org/10.2172/147730.

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5

CORPS OF ENGINEERS WASHINGTON DC. Engineering and Design: Adsorption Design Guide. Fort Belvoir, VA: Defense Technical Information Center, März 2001. http://dx.doi.org/10.21236/ada403095.

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6

Mohr, William. PB2011104132 Strain-Based Design of Pipelines. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), Oktober 2003. http://dx.doi.org/10.55274/r0012120.

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In recognition of the increasing trend toward the strain-based design of pipelines and the need for basic guidance on strain-based design, the Minerals Management Service (MMS) and the Office of Pipeline Safety (OPS) co-funded EWI to provide general guidance on strain-based design for pipelines both for the on-shore and off-shore environment. The resulting guidance can be found in this report. Special consideration has been given to the choice and qualification of pipe material, the choice and qualification of girth welding procedures and the demonstration that both pipe and weld areas have sufficient strain capacity to meet the requirements of the design. The current use of strain-based design has many project-specific components. This limits the ability of a "cookbook" approach where each step can be laid out as part of a common design sequence to apply to all areas of pipe strain-based design. This situation would indicate that taking the current state-of-the-art methods and creating a code or standard would be ineffective at covering the range of needs for future pipeline designs. Yet, because there are many choices that are part of a particular pipeline strain-based design, the availability of guidance and recommended practices can help simplify the design and qualification process for many pipelines. Going forward with this approach, the guidance provided in this report could profitably be taken forward by the industry into, for instance, an API-recommended practice. The primary areas where the strain-based design will be used are in the design of reeled laying of offshore pipelines, in thermal design of arctic pipelines, in the design of types of offshore pipelay systems, in design and assessment of pipelines in areas with significant expected ground movement, and in high-temperature and high-pressure HT/HP pipeline designs.

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BALLISTIC MISSILE OFFICE NORTON AFB CA. Design for Producibility. A Design Producibility Algorithm. Fort Belvoir, VA: Defense Technical Information Center, März 1990. http://dx.doi.org/10.21236/ada241418.

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8

MacNeil, K. Enhanced Design Alternative I: Low Temperature Design. Office of Scientific and Technical Information (OSTI), Juni 1999. http://dx.doi.org/10.2172/762924.

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9

Irminger, Bente. The Place of Design in "Design Thinking. Universitetet i Bergen KMD, Januar 2018. http://dx.doi.org/10.22501/kmd-ar.1090091.

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Ochs, Fabian, Mara Magni, Elisa Venturi, Samuel de Vries, Martin Hauer, Paolo Bonato, Ellika Taveres-Cachat, David Venus, David Geisler-Moroder und Nermeen Abdelnour. Design Guidelines. IEA SHC Task 56, April 2020. http://dx.doi.org/10.18777/ieashc-task56-2020-0006.

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