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Thematische Bibliographien / Death in mass media / Dissertationen

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Dissertationen zum Thema „Death in mass media“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 29. Juli 2024

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1

Anderson, Tonya Benshoff Harry M. „24, Lost, and Six feet under post-traumatic television in the post 9/11 era /“. [Denton, Tex.] : University of North Texas, 2008. http://digital.library.unt.edu/permalink/meta-dc-6137.

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2

Bishop, Matthew R. „Iraqi Civilian Death in American Mass Media| The Causes and Consequences of Silence“. Thesis, The George Washington University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1586654.

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This thesis sets out to explain the causes and consequences of American mass media silence on the subject of civilian death in Iraq in the 2003-2012 war. The thesis finds the principal causes of silence to be: The embedding program, the need for fast, marketable, American-sourced "officialdom", the cultural-political shift to the right after 9/11 and the rise of Fox News, the takeover of advertising interests in media executive management, and various psychological causes including group diffusion of responsibility. The thesis finds the principal consequence of media silence to be dehumanization through omission, effecting widespread American public ignorance (and consequent apathy) of civilian death in Iraq. The concept dehumanization through omission is introduced in this thesis as a variant of traditional dehumanization that can be either intentional or naturally occurring. In this particular variant, the absence of like-identification across ingroups and outgroups, the absence of socially supportive affiliates interested in forming a humanizing counter-narrative, the denial of and disinterest regarding ingroup sin, the denial of event importance, the denial of individual agency, occasional overt dehumanization, sustained infrahumanization, and finally the assumption on the part of the American people that their media was vigilant against civilian death paired with that media's actual and complete absence of vigilance against death and against the delegitimizing and prevailing war narrative, form a dehumanization that is softer, quieter, and more elusive than overt propaganda, but which in all likelihood is just as fatal to those who suffer its consequences.

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3

Davis, Therese Verdun, of Western Sydney Hawkesbury University und Faculty of Social Inquiry. „Becoming unrecognisable : a study of the face, death and recognition in late twentieth century media culture“. THESIS_FSI_SEL_Davis_T.xml, 2000. http://handle.uws.edu.au:8081/1959.7/298.

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The thesis argues that to find the places in media culture where the face transmits death, we need to look beyond the immobilised faces of the dead. Drawing on Walter Benjamin's philosophy of the image, the thesis sees the phenomenon of becoming unrecognisable as a particular practice of the image in which the face becomes a viable site for making death transmissible. It is argued that by paying attention to instances in media culture in which a face becomes unrecognisable, we can see how death is made visible as a dialectic between recognition and unrecognisability, appearance and disappearance. By examining the complexity of this particular form of dialectical image in a wide range of media - photography, television and film - the thesis shifts discussion away from questions of representation and faciality that feature so strongly in recent theorisations of the face. Focussing on questions of recognition and recognisability, the thesis proposes a way of thinking about the face that leads to a new conception of death in the media age
Doctor of Philosophy (PhD)

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4

Hanusch, Folker. „The coverage of death in the foreign news of German and Australian quality newspapers /“. [St. Lucia, Qld.], 2006. http://adt.library.uq.edu.au/public/adt-QU20060529.102615/index.html.

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5

Stott, Rebecca Kathleen. „The kiss of death : a demystification of the late-nineteenth century 'femme fatale' in the works of Bram Stoker, Rider Haggard, Joseph Conrad and Thomas Hardy“. Thesis, University of York, 1989. http://etheses.whiterose.ac.uk/4267/.

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The thesis takes its beginnings from the work of Mario Praz, The Romantic Agony and from Michel Foucault's The History of Sexuality, Vol. 1. Praz has argued that the construction of the 'femme fatale' as a recognizable type is a phenomenon of the late nineteenth century. Foucault proposes that the nineteenth century is characterised not by a repression of sexual discourses but by a multiplication of centres from which such discourses are produced. The thesis places the 'femme fatale' in the socio-historical context of the 90s and searches both for the plurality of discourses mobilised to define her, and for her presence in other non-literary discourses of the period such as those of evolutionary theory, craniology, criminology and imperialist discourses. It locates this figure in a wide range of contexts: late nineteenth-century debates about female sexuality, biological determinism, theories of decadence and degeneration, invasion anxieties and the censorship debate. It juxtaposes two 'popular' novelists (Stoker and Haggard) with two 'major' novelists (Conrad and Hardy) to demonstrate that the particular discourses mobilised to describe the 'femme fatale' are to be found in works of differing literary 'quality' and in different literary genres. Chapter One examines the representation of the female vampires in Bram Stoker's Dracula in the context of Foucauldian theory about the production of sexual discourses in medicine and science in this period. These 'sexualised' women are contagious and must be annihilated. Chapter No explores the conflation of sexual and imperialist discourses in Rider Haggard's adventure fiction, particularly in She and King Solomon's Mines. Ayesha is an invading sexual being and FET- 'death in the flames can be seen as a 'devolution' into a 'monkey woman': an unveiling. This chapter also examines the other female 'missing links' of Haggard's fiction. Chapter Three continues the exploration of sexual and imperialist discourses, here in the early novels of Conrad: Almayer's Folly and An Outcast of the Islands, in particular. It explores the way in which Conrad's native women merge into jungle landscapes and into twilight; they signify the threatening 'otherness' of the jungle and of language. This chapter concludes with an examination of Winnie Verloc of the Secret Agent as female murderess and as 'free woman'. Chapter Four focuses on Hardy's Tess as victim and as murderess. It proposes a reading of Tess of the d'Urbervilles as a response to the enforced censorship of the text (Tess) expressed via the moral censure and execution of Tess. A short theoretical Afterword draws on feminist theory and Derridean analysis of phallocentrism to propose that the 'femme fatale' of this period is a sign signifying a multiple or conflated 'otherness': a multiplicity of cultural anxieties.

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6

Davis, Therese Verdun. „Becoming unrecognisable : a study of the face, death and recognition in late twentieth century media culture /“. View thesis View thesis, 2000. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030429.171809/index.html.

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Thesis (Ph.D.) -- University of Western Sydney, Hawkesbury, 2000.
"A thesis presented to the University of Western Sydney, Hawkesbury, in partial fulfilment of the requirements for the degree of Doctor of Philosophy". Bibliography : leaves 188-199.

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7

Lyons, Sara J. Lyons Sara J. „The sacrifice of honey (fiction) : The depiction of the media in The shark net, Evil angels and The sacrifice of honey (thesis) /“. Connect to this title, 2006. http://theses.library.uwa.edu.au/adt-WU2006.0055.

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8

Louine, Jeannice LaToya. „Media Portrayals of Police-Involved Deaths in U.S. Newspapers, 2013-2016“. Thesis, Mississippi State University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10840703.

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In the past five years, there have been numerous newspaper reports on police-involved deaths (PID) in the U.S, many of which have involved African American males as victims (Shane, Lawson, & Swenson, 2017). Police-involved deaths (PID) is defined as a death of an individual that results from police action (i.e., by firearm, by electroshock weapon [commonly known as a Taser©], or by vehicle). Given the amount of coverage of police-involved deaths, it is important to investigate which PID victims receive the most coverage in U.S. newspapers. This study merges three databases (Fatal Encounters , the Washington Post, and the Guardian ) which collect information about PID cases that occurred in the U.S. Once a list of PID victims was compiled, Nexis Uni (formerly Nexis Lexis) was used to obtain U.S. newspapers that covered PID incidents. In this study, I examine the race, age, region, and manner of death to distinguish which of these independent variables are the strongest predictors of the number of words and articles used in describing PID incidents. Using a linear regression model, the findings indicate that PID incidents involving African American males had significantly more articles and words written about them than PID incidents involving non-African American males and this effect remained after controlling for other correlates of PID incidents. Additionally, PID incidents involving firearm deaths received significantly more media attention as well. Given the amount of newspaper coverage on PID victims, the ways in which the media portray the victims in those contexts can influence the criminal process for officers involved in the killing. In addition, media portrayals of these incidents can impact policies that revamp the ways in which officers communicate with people of color, specifically African American men (i.e., cultural sensitivity training).

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9

Sherrick, Brett I. „Some disassembly required understanding the deaths of the player-character self in Call of duty 4 /“. View electronic thesis (PDF), 2009. http://dl.uncw.edu/etd/2009-1/sherrickb/brettsherrick.pdf.

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10

Lyons, Sara J. „The sacrifice of honey (fiction) ; The depiction of the media in The shark net, Evil angels and The sacrifice of honey (thesis)“. University of Western Australia. English, Communication and Cultural Studies Discipline Group, 2006. http://theses.library.uwa.edu.au/adt-WU2006.0055.

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11

Vang-Corne, Mao H. „Identity and Death Threats: An Investigation of Social Identity and Terror Management Processes in Online News“. The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1452210610.

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12

Anderson, Tonya. „24, Lost, and Six Feet Under: Post-traumatic television in the post-9/11 era“. Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc6137/.

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This study sought to determine if and how television texts produced since September 11, 2001, reflect and address cultural concerns by analyzing patterns in their theme and narrative style. Three American television serials were examined as case studies. Each text addressed a common cluster of contemporary issues such as trauma, death, and loss.

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13

Нефедченко, Оксана Іллівна, Оксана Ильинична Нефедченко, Oksana Illivna Nefedchenko und D. Chernova. „Mass media in Britain“. Thesis, Видавництво СумДУ, 2008. http://essuir.sumdu.edu.ua/handle/123456789/16006.

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14

Morse, Tal. „Post mortem : death-related media rituals“. Thesis, London School of Economics and Political Science (University of London), 2014. http://etheses.lse.ac.uk/3084/.

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The purpose of this thesis is to study whether and how death-related media rituals construct and reconstruct a global cosmopolitan community. The performance of the media at the occurrence of mass death events, may cultivate expressions of grief aimed at reinforcing a certain understanding of the social order. These rituals facilitate a sense of unity and solidarity between members of an imagined community. What kind of community does the enactment of death-related media rituals construct? What is the sense of solidarity they foster? By focusing on the performance of transnational media organisations following mass death events, the thesis studies the ways in which these ritualistic performances function as a social mechanism that informs the audience of the boundaries of care and belonging to an imagined community. Drawing on theories from sociology, media anthropology and moral philosophy, the thesis develops the analytics of mediatised grievability as an analytical tool. It aims to capture the ways in which news about death construct grievable death, and articulate the relational ties between spectators and sufferers. The thesis puts the analytics of mediatised grievability in play and employs it in a comparative manner to study and analyse the coverage of three different case studies by two transnational news networks. This comparative research design captures the complexity of the mediatisation of death in terms of geopolitics, cultural proximity, legitimacy of violence and the morality of witnessing death. The analysis of the three case studies by the two transnational news networks enables to account for different propositions that two of the networks make for their audiences in comprehending remote mass death. These propositions contain different ethical solicitations, each articulating a different understanding of the relational ties between spectators and distant others – some promote a cosmopolitan outlook, and others maintain a communitarian outlook.

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15

Harris, Terry Lee. „Guns and Death: A Stage Play“. CSUSB ScholarWorks, 2004. https://scholarworks.lib.csusb.edu/etd-project/2629.

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This project is an examination in playwriting with the end product being a two act play entitled Guns and Death. It includes a study of dialogue and its relationship with body language. The setting for the play presented an additional challenge to overcome and learn from; i.e., the dreaded confined space, generally avoided in theatre because it limits animation and action, and tends to bore the audience for want of more visual variety. This element presented the perfect platform to experiment with word phrases and body language. After doing the research I decided to accomplish my goal of creating visual imagery through words, by using the premise of Antonin Artaud's Theatre of Cruelty which postulates that, "The viewer's senses should be bombarded." This is taken to mean that the senses should be bombarded with reality, or a possible reality in the case of this play, should the death penalty continue to progress along its present course, and the gun control argument continues to stagnate. The dialogue is harsh to strengthen the body language and visual imagery and written to produce particular body movements that will validate the words spoken.

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16

Prieto, Jose L. „Massive Stars: Life and Death“. The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1248987393.

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17

Al-Homood, Mohammad. „Drugs and the mass media : a study of Saudi Arabian mass media prevention of drugs“. Thesis, Loughborough University, 1995. https://dspace.lboro.ac.uk/2134/6952.

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The mass media nowadays hold a high position in the educational world, / and have a strong influence over societies. They influence and shape people's thoughts and behaviour. They have been used for a long time in many western countries in drug prevention campaigns, both successfully and unsuccessfully, Drug abuse has recently become a serious problem in Saudi Arabia . At first the Government tried to tackle the problem only by using the police force and without any publications . However, recently the Government has tried to utilize the advantage of the widespread mass media in teaching the population about the dangers of drug abuse. It started to publish a large amount of information about drugs in the mass media. This study is an evaluative research to assess the Saudi Arabian mass media coverage of the drugs issue in two respects. First is a study of the content of the coverage with regard to its presentation, style, and appeal. The second part concentrates on the effect of that coverage on the target audience: Saudi Arabian pupils, their knowledge and attitudes toward drugs, and whether those publications have benefitted them or not. This study has adopted the information-processing model as a theoretical framework. According to that model the first step in the change process is exposure to the message with a certain level of attention, that will lead to increase in knowledge and that automatically will lead to attitude change. The respondents' exposure to the newspaper messages about drugs has been measured and the result indicates that the majority of the respondents received the messages and are interested, like and believe them. Statistical tests indicate that their knowledge about drugs has been increased. Their attitudes have been assessed and the results indicate that most Saudi Arabian pupils aged from 12 to 25 years old have negative attitudes towards drugs. The results indicate that the newspaper coverage of the drugs issue has had some influence upon the Saudi Arabian pupils' knowledge and their attitudes towards drugs.

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18

PAIVA, Luiz Fábio Silva. „Significados da morte: o discurso da imprensa sobre crimes que "abalaram" o Brasil“. www.teses.ufc.br, 2012. http://www.repositorio.ufc.br/handle/riufc/6301.

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PAIVA, Luiz Fábio Silva. Significados da morte: o discurso da imprensa sobre crimes que "abalaram" o Brasil. 2012. 376f. – Tese (Doutorado) – Universidade Federal do Ceará, Programa de Pós-graduação em Sociologia, Fortaleza (CE), 2012.
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This research reflects on how the media retracted the deaths that have become, due to its effect in the Brazilian press, symbols of violent crimes in such country. The deaths of Daniella Perez, Tim Lopes, João Hélio and Isabella Nardoni are studied from a sociological point of view, based on a comprehensive analysis perspective. As a methodological resource, these events were investigated, from 2008 to 2011, from online contents available on the Internet. The review of available contents privileged the material produced by the Brazilian press available on websites that store and allow access to narratives, speeches and arguments about each of the crimes. The understanding of these contents was based on a critical analysis of speeches produced by multiple instances of news production and broadcast in various media. Each case was studied in its specificity and also allowed a joint analysis of systematicities pertaining to the press work in developing news and meanings about the analyzed crimes. It was observed how the press constructs forms of crime representation from arguments that involve the social recognition of the victims and accused of committing their deaths. It was verified how the media are spaces of political struggle for the establishment of truth and justice in relation to each of the crimes. Furthermore, it was evidenced that news, to the Brazilian press, are ways to communicate, discuss and question on the moral principles underlying the law democratic societies. In this research, it was observed that, when speaking of the deaths, the production instances speak, especially, of lives of people involved in the event. While concerned with communicating the death of a person, the producers of news report to multiple social issues, portraying the subjective aspects that involve each of the cases. By narrating the deaths of Daniella, Tim, João and Isabella, the Brazilian press dwelt on issues surrounding its implementation, printing series of neglected and revealed aspects according to the logic of what the press wants to hide and show on its contents. The ways of communicating the analyzed deaths are permeated with arguments that seek to create a way to see, feel, perceive and act regarding crime in Brazil.
O trabalho reflete sobre como os meios de comunicação retrataram mortes que se tornaram, devido à sua repercussão na imprensa brasileira, símbolos de crimes violentos no País. São estudadas de um ponto de vista sociológico, fundamentadas em uma perspectiva de análise compreensiva, as mortes de Daniella Perez, Tim Lopes, João Hélio e Isabella Nardoni. Como recurso metodológico, esses acontecimentos foram pesquisados, de 2008 a 2011, a partir de conteúdos online disponíveis na Internet. A revisão dos conteúdos disponíveis privilegiou o material produzido pela imprensa brasileira disponível em websites que armazenam e possibilitam acesso a narrativas, discursos e argumentações sobre cada um dos crimes. A compreensão desses conteúdos se fundamentou em uma análise crítica dos discursos produzidos por múltiplas instâncias de produção de notícias e veiculados em diversos tipos de mídia. Cada um dos casos foi estudado em sua especificidade e possibilitou, também, uma análise conjunta das sistematicidades pertinentes ao trabalho da imprensa na elaboração de notícias e sentidos sobre os crimes estudados. Observou-se como a imprensa constrói formas de representação dos crimes a partir de argumentações que implicam na forma de reconhecimento social das vítimas e dos acusados de protagonizarem suas mortes. Verificou-se como os meios de comunicação são espaços de lutas políticas pelo estabelecimento da verdade e da justiça em relação a cada um dos crimes. Ademais, evidenciou-se que as notícias, para a imprensa brasileira, são formas de comunicar, discutir e problematizar sobre os princípios morais que fundamentam as sociedades democráticas de direito. Nessa pesquisa, foi possível observar que, ao falar das mortes, as instâncias de produção falam, sobretudo, da vida das pessoas envolvidas no acontecimento. Enquanto se preocupam em comunicar a morte de uma pessoa, os produtores de notícias se reportam a múltiplas questões sociais, retratando os aspectos subjetivos que envolvem cada um dos casos. Ao narrar as mortes de Daniella, Tim, João e Isabella, a imprensa brasileira discorreu sobre problemáticas que envolveram sua realização, imprimindo séries de aspectos negligenciados e revelados conforme a lógica do que se deseja ocultar e demonstrar em seus conteúdos. As maneiras de comunicar as mortes estudadas são permeadas de argumentos que buscam criar uma maneira de ver, sentir, perceber e agir em relação ao crime no Brasil.

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19

Dixon, Lindsey. „Public Trust in the Mass Media“. TopSCHOLAR®, 2007. http://digitalcommons.wku.edu/theses/394.

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The purpose of this research is to determine whether the public has an elevated amount of trust in the industry of the mass media. The data for the research come from the 2005 Eurobarometer 64.2. The participants consist of the population of the respective countries of the European Union Member States. The participants are all more than 15 years of age. The results of this study show that certain groups of people have an elevated amount of trust in the media, but overall the dependent variables used explain little with regard to trust in the mass media.

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20

Lawlor, Andrea. „Understanding public policy through mass media“. Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121392.

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Media have both direct and indirect influences on policy, and can, at various times, serve as a contributor to policy, a conduit of policy information, and a mirror to the policy process. Although the scholarly literature acknowledges media's role in the policy process, particularly their ability to affect policymakers directly, systematically push policy alternatives, or influence public opinion, the literature often omits a critical role for media: reflecting the policy process. Mass media are the public's largest source of information on policy, yet the volume and tone of media reporting on policy over time, not to mention what we can learn about public policy through media data, are often overlooked. This dissertation examines how we can use media as a tool to better understand the complexity of public policy narratives, framing and change. It also suggests an approach to using media data as a tool to examine the relationships between policy actors and domains. Using automated content analysis of over 25-years of comparative media data, this dissertation consists of three articles: each makes a contribution to the policy literature, namely in the areas of pension policy, immigration policy, and the literature on issue ownership. When taken together, these articles make a broader contribution to the field's understanding of how framing, language and narrative impact the public's understanding of many facets of the policy process. Results demonstrate the value of understanding media's role as a mirror. Additionally, the approach used can be considered a contribution to the methodological toolkit available to policy and political communications scholars to assist them in better understanding the complex relationships between policy and media.
Les médias ont des effets directs et indirects sur les politiques. À différents moments, les médias peuvent participer à la création et à la diffusion de politiques, tout comme ils peuvent éclaircir le processus d'élaboration de ces politiques. Le rôle des médias dans ce processus, surtout par rapport à leur capacité d'influer sur les décideurs de façon directe, d'avancer systématiquement des politiques de rechange ou d'influencer l'opinion publique, est reconnu dans la littérature spécialisée. Toutefois, on y aborde rarement un autre rôle fondamental des médias, qui est celui de nous faire comprendre le processus de création de politiques. Pour le public, les médias de masse constituent la principale source d'information sur les politiques, mais le volume et le ton des rapports médiatiques à ce sujet au fil du temps – sans oublier les apprentissages sur les politiques publiques que nous pouvons tirer des données des médias – sont souvent négligés. La présente dissertation traite de l'utilisation des médias comme outils pour approfondir notre compréhension du récit, de la formulation et de la modification des politiques publiques. Elle propose également une approche pour appliquer des données médiatiques à l'examen des rapports entre acteurs politiques et domaines. La présente étude s'appuie sur une analyse de contenu automatisée de données comparatives des médias, couvrant une période de plus de 25 ans. Chacune des trois grandes sections de l'analyse apporte une contribution à la littérature spécialisée, en explorant les politiques en matière de pension et d'immigration, ainsi que la question de l'adhésion aux politiques. Dans son ensemble, l'étude renseigne sur la portée de l'expression, du langage et du récit sur la compréhension populaire des nombreux aspects du processus d'élaboration de politiques. Les résultats de l'analyse soulignent l'importance de comprendre le rôle des médias dans la traduction de ce processus. De plus, les chercheurs qui s'intéressent aux politiques et à la communication politique peuvent utiliser l'approche méthodologique proposée pour étudier les rapports complexes entre les politiques et les médias.

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Palfreman, Jon. „Communicating controversy in the mass media“. Thesis, University of South Wales, 2005. https://pure.southwales.ac.uk/en/studentthesis/communicating-controversy-in-the-mass-media(65320260-4d82-4ec9-82ac-a7cf363f0e13).html.

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This doctoral submission grew out of a series of long form documentaries that I wrote, produced, and directed between 1993 and the present. The films, which were broadcast on US television's PBS network, all deal with scientific, medical, or environmental issues that developed into prominent national and international controversies. DVDs and scripts of the seven programs are provided along with a detailed overview. The submission is organized as three projects and an overview. 1. Project One (discussed in chapters 3-7) consists of three documentaries: the first about a novel therapy for autism ; the second dealing with the alleged health effects of power line electromagnetic fields ; and the third focused on the silicone breast implant controversy. 2. Project Two (discussed in chapters 8-11) consists of programs on nuclear energy, Gulf War Syndrome, and genetically modified foods. 3. Project Three (discussed in chapters 12-14) features a two-hour special investigation of global warming. 4. The Overview, Communicating Controversy in the Mass Media not only provides an overarching analysis of the portfolio of films and the attendant theoretical issues, but also serves to summarize the works themselves. In the Project sections of the written overview (chapters 3-14), the analysis is interwoven with extracts from the various documentaries. This portfolio and overview tells the evolving story of a body of work at the intersection of documentary, investigative journalism and science. It reveals the journey of one producer who started out with an interest in unpacking complex controversies, but became increasingly fascinated with the psychological and political dimensions of these narratives. Whether a particular controversial belief holds up under scrutiny is undoubtedly important. But there are other fascinating questions: why do people adopt such beliefs in the first place; why do individuals cling to their beliefs in the face of contrary scientific evidence; and what roles do special interests and the media play in amplifying or attenuating the public's hopes and fears? This portfolio and overview, therefore, not only examine a series of high profile controversies, but go further by: explaining the process by which these topics were turned into documentaries; exploring the way humans analyze, perceive and communicate benefits and risks; and critically examining the validity and ethical standing of modern television journalism. This submission represents a significant contribution to knowledge in several ways. First this series of in-depth, original investigations of environmental and health controversies from one producer is unparalleled in broadcast journalism. Second, the overview's analysis synthesizes and extends a wide range of social science research on risk assessment, risk perception and risk communication and applies this research to the featured controversies and the media's role in them. Third, the portfolio and overview reveal how a blend of documentary, journalism and science is an especially effective way of advancing public understanding of and engagement with modern scientific controversies and goes on to suggest some exciting new directions for communicators. Finally, the case studies in this portfolio provide a basis of knowledge about how communicators can effectively use audiovisual media to navigate the world of risks and benefits that permeates many of society's most crucial policy dilemmas.

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Ivančević, Bosiljka. „Mass Media Influence on Foreign Policy“. Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-165346.

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A main purpose of the thesis is to demonstrate and explain to what extend do media influence foreign policy of a state. Foreign policy is always under internal and external influences and media are considered to be one of those external influences that shape it. Agenda setting theory forms the theoretical frame for this thesis because it takes into consideration not just direct media-government relations but the public as well that inside of this relation serves as some sort of mediator. Besides this theory and the CNN effect as its main 'extension' identifiable victim effect and third person effect as important elements in the process of influence will be introduced as well as influence of visualization. When word 'media' is mentioned in this case it implies to television and newspapers' (both printed and online versions) messages and their influences (not just verbal but the visual ones as well). Examples and case studies in this case focus mostly on the US foreign policy due to its influential role, fact that the US is still the country with the most superlatives inside of international arena and the size, influence and role-model identity of its big media companies (for ex. CNN).

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23

ROUBIDIS, CHRISTOS. „Mass media et conscience collective europeenne“. Strasbourg 2, 2001. http://www.theses.fr/2001STR20006.

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L'europe est en pleine transformation, et elle est en meme temps en train de se construire. Depuis longtemps, il y a une volonte des hommes politiques europeens de voir se realiser une europe unie. Ils ont fait beaucoup d'essais en ce qui concerne la construction europeenne. Aujourd'hui, l'union europeenne se trouve en plein developpement, et plusieurs etats souhaitent devenir membres de l'union. Dans ce processus, les medias jouent un role preponderant, parce qu'ils ont la possibilite de transmettre des messages dans toutes les directions et de creer les conditions necessaires pour faire naitre une conscience europeenne. Cette derniere est importante et doit permettre aux individus de comprendre le sens du processus de la construction europeenne. La conscience permet aux individus d'accepter l'entree de leur pays dans l'union europeenne. Les medias et la conscience europeenne vont ensemble dans la tentative de faire avancer l'union europeenne.

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Scott, Sasha A. Q. „Social media memorialising and the public death event“. Thesis, Queen Mary, University of London, 2017. http://qmro.qmul.ac.uk/xmlui/handle/123456789/31865.

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This thesis explores how participatory online rituals of mourning serve to mediate public death events that are collectively experienced as forms of social injustice, and the modes of collectivity they engender. I introduce the term Social Media Memorialising (SMM) to describe this phenomenon. The mediated deaths of SMM are experienced as a transgression of the sacred, and in the process reveal societies' constant negotiation with death, virtuality and memorialising online. SMM entails appropriating the processes of public mourning such that the means of symbolic production shifts away from media and political gatekeepers and towards networked publics. In analysing SMM on YouTube, this thesis employs a mixed-methods research design premised upon a multimodal approach to discourse, system-network mapping, and thematic analysis. I present two case studies for comparative analysis: those of Neda Agha-Soltan in Tehran in 2009, and that of Lee Rigby in London in 2013. Both constitute emblematic examples of 'public death events': the death of individuals considered to be exceptional, morally significant, traumatic and worthy of public mourning and grief. This framework captures the complex forces involved in the mediation of death online, and the modalities and mechanisms of virtual space as ritual space. SMM manifests through innovative, strategic and performative forms of grieving that hybridise online and offline practices, highlighting the conditions of the death event as integral to the modes of grieving that follow. What emerges is a platform-specific vernacular that reflects the form, function and terms of engagement for online grieving. SMM coalesces the commemorative with the performative, shaping both the social significance of the death event and the attitudes regarding the death and its causes.

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Mathurine, Jude. „Towards a critical understanding of media assistance for "new media" development“. Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002914.

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The field of media assistance has grown ever more complex with the inclusion of ‘new media’ networks, channels, tools and practices (such as the Internet, satellite television, mobile devices, social media and citizen journalism) to the media development mix. Adding to the ferment is the increasing convergence between the formerly discrete terrains of ICT for development, media for development and (mass) media development. Much of the discussion regarding the utility and objectives of media development in general and ‘new media’ in particular has been viewed through a modernist and techno-determinist prism which offers a limited ideological view of media development and its objects and consequently, a limited set of communication approaches and strategies. This study contextualises the assumptions of media development historically and critically, with particular focus on new media’s roles and relationships with the media environment, and its objectives democratisation and development. Through the application of literature, theory and various research studies, this thesis establishes a broader view of new media’s role and diverse consequences for media development, democracy and development. The study recommends greater collaboration, contextual research and theorisation of media development and new media as part of mixed media systems and cognisant of the multi-dimensional natures of its objects of democracy and development. One implication is the need for professionalisation of the media development and media assistance sector. In relation to the influences of new media on media use and the media as an institution, it motivates the need to address digital divides and emphasise the sustainability of the practice of journalism.

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Merz, Nicolas. „The Manifesto-Media Link: How Mass Media Mediate Manifesto Messages“. Doctoral thesis, Humboldt-Universität zu Berlin, 2018. http://dx.doi.org/10.18452/18863.

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Diese Arbeit geht der Frage nach, inwiefern die Medien während des Wahl-kampfs über die Wahlprogramme der Parteien berichten. Die Wahlprogramme der Parteien enthalten Informationen darüber, was Parteien nach der Wahl vorhaben. Allerdings lesen wenige Wählerinnen und Wähler Wahlprogramme. Die vergangene Forschung über und mit Wahlprogrammdaten hat bisher angenommen, dass der Inhalt von Wahlprogrammen von den Medien verbreitet wird. Diese Doktorarbeit untersucht diese Annahme empirisch und analysiert, ob und wie Massenmedien während des Wahlkampfs über die Inhalte der Wahlprogramme berichten. Wenn Massenmedien nicht die Inhalte der Wahlprogramme verbreiten würden, hätten Bürgerinnen und Bürger kaum Chancen sich über das programmatische Angebot der Parteien zu informieren. In dieser Arbeit wird das Konzept des Manifesto-Medien-Links entwickelt. Das Konzept bringt Theorien des Parteienwettbewerbs und Theorien der Medienselektion zusammen. Der Manifesto-Medien-Link formuliert drei Bedingungen, welche empirisch getestet werden können. Diese sind: Erstens, Medienberichterstattung und Wahlprogramme müssen zumindest zu einem gewissen Grad dieselben Themen diskutieren. Zweitens, Journalisten müssen Sachfragen mit jenen Parteien verknüpfen, welche diese Themen in ihren Wahlprogrammen stärker betonen als ihre Konkurrenten, um Wählerinnen und Wähler über die Prioritäten der Parteien zu informieren. Drittens, Medien müssen die ideologische Orientierung einer Partei sowie Veränderungen dieser korrekt wiedergeben. Methodisch werden in der Arbeit Wahlprogramm- und Mediendaten kombiniert. Die Ergebnisse zeigen, dass der Manifesto-Medien-Link relativ stabil ist. Außerdem wird gezeigt, dass es nur geringe systematische Verzerrungen zugunsten bestimmter Parteien gibt. Jedoch zeigen sich Unterschiede zwischen Qualitäts- und Boulevardmedien. Die Ergebnisse haben Implikationen für unser Verständnis von politischer Repräsentation und den politischen Wettbewerb.
This study analyzes whether media coverage covers messages from parties’ electoral programs (manifestos). Electoral programs contain detailed information on a party’s future policy-making. However, few voters read electoral programs. Still, prior research often assumed that the content of manifestos is known to voters because media disseminate the content of manifestos to voters. This dissertation evaluates this “mediation assumption” empirically, and analyzes whether and how the mass media cover parties’ electoral programs during the electoral campaign. If media coverage did not reflect parties’ electoral programs, citizens would have no chance to base their vote choice on evaluations of those programs. This study introduces the concept of the manifesto-media link in order to describe how media coverage can reflect programmatic offers. The manifesto-media link is formulated as three conditions that can be empirically evaluated and tested in a similar way to the conditions of the responsible party model. These are: First, media must cover similar issues to those that parties cover in their electoral programs. Second, media coverage must link issues with parties that emphasize these issues more than their competitors, in order to inform about the parties’ issue priorities. Third, media must frame parties as left or right in a way that represents how parties emphasize left or right positions in their own manifestos. Methodologically, the study combines secondary content analytical data on media coverage during the electoral campaign with data based on electoral programs. The findings suggest that the manifesto-media link is stable and robust. There is little to no systematic bias in favor of a certain type of party, however there are differences between quality and tabloid media. These findings contribute to our understanding of political representation and the functioning of political competition.

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Radovich, Tom. „Critical Mass“. Digital Commons at Loyola Marymount University and Loyola Law School, 2018. https://digitalcommons.lmu.edu/etd/494.

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28

Withers, Edward John. „The political impact of the mass media : theory and research in media sociology“. Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=75992.

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In the area of mass communications and media sociology, connections between theoretical claims and empirical evidence have often been tenuous. Using American national Election Study data gathered by the Center for Political Studies, this dissertation tests a series of hypotheses about the political impact of the mass media. The work profiles the news audience, and examines the public's reliance upon television and newspapers as sources of political information. Next, evidence is brought to bear upon the set of pessimistic assumptions that television news personnel hold about the tastes and capacities of the news audience. Finally, a crucial test is developed in order to evaluate five competing and contradictory hypotheses, all attempting to explain the relationships between the consumption of political materials through the mass media, political interest, and political participation. Of the previously untested claims assessed in the thesis, few were supported by the evidence gathered in research.

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Miller, Alanna Rachel. „Negotiating Religious Identity and Mass Media: Examining the Relationship Among Lived Religion, Mass Media, and Narrative Identity“. Diss., Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/340862.

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Media & Communication
Ph.D.
The purpose of this dissertation is to further clarify the role of mass media for evangelicals in negotiating religious identity. This project uses lived religion, cultural studies, and narrative identity as a framework. Over the course of seven months, I conducted participant observation in an American Baptist congregation, where I observed both their religious and media practices. Additionally, I conducted qualitative interviews with selected key congregants to get a fuller picture of both their media use and their narrative religious identity. I found that narratives about media and media use led participants to certain strategies of distancing and/or integrating media with their religious identity. Various narrative tools, such as maps, symbolic inventories, tropes, and spiritual anchors, were used by participants to juxtapose media with their religious practice. By using these tools, participants sought to gain more moral and religious certainty by using media as both a proxy for self and as a proxy for Others. As moral and religious uncertainty is a characteristic of modernity, I conclude that there may be ramifications for larger media use and moral thought.
Temple University--Theses

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Haussamen, Lindsey Marie. „United States media portrayals of the developing world: A semiotic analysis of the One campaign's internet web site“. CSUSB ScholarWorks, 2008. https://scholarworks.lib.csusb.edu/etd-project/3387.

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The goal of this research was to examine how the One organization's web site either supports or rejects established literature that concludes that U.S. media contains negative representations of the developing world.

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Dewenter, Ralf. „Essays on interrelated media markets“. Baden-Baden : Nomos, 2004. http://catalog.hathitrust.org/api/volumes/oclc/57182358.html.

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32

Warwaruk, Eric D. „The fearful touch of death : the philosophy of death and pain in aesthetics and media“. Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99398.

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The central question this thesis is concerned with is the question of death: how do we make sense of it? Through philosophical examination, we discover we cannot make sense of death. Death is nonsensical because it cognitively and physically cannot be controlled via a binary context; death becomes something we fear. This fear we feel is, in turn, immune to true catharsis. To control the fear of death to some extent, we suture the fear we experience from physical punishment with our metaphysical fear of death. Thus, the meaning and experience of death become entangled in the binary of punishment and non-punishment. We tentatively argue that this suture is expressed in media texts, such as film; and further posit hypothetically that media texts such as film have the function of either alleviating, or controlling, the fear of death, both in production and reception.

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Kennedy, Cameron. „Mass media and media complex adaptive systems, towards a complex methodology“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0002/MQ43352.pdf.

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34

Kennedy, Cameron (Cameron John) Carleton University Dissertation Journalism and Communication. „Mass media and media complex adaptive systems; towards a complex methodology“. Ottawa, 1999.

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35

Kedrowski, Karen M. „Media entrepreneurs and the media enterprise in the United States Congress : influencing policy in the Washington community /“. Full-text version available from OU Domain via ProQuest Digital Dissertations, 1992.

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36

Borisenko, Elena. „Discourse on Immigration in Swedish Mass Media“. Thesis, Linköping University, Department of Management and Economics, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-376.

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Mass movement of people over national borders constitutes the major feature of the today's world. Immigration and its implications are widely debated, whereby the term 'immigration', whenever appeared in a text, hardly ever refers to some unambigously defined concept. To deal with the question of immigration is, therefore, to be faced with a variety of definitions and connotations. The thesis constitutes an attempt to understand how the phenomenon of immigration is conceptualized in Swedish mass media debate, and explore the dynamics of the discourse over the last decade. To do so, the study develops a theoretical framework that takes a form of classification of different approaches to immigration, as formulated by major paradigms of international relations (liberal communitarianism, realism, idealism) and as developed within modern economic and cultural studies. Social construction of immigration and its implications for the nation-states serves as the organizing principle for the emerging classification, as social constructivism is adopted as the ontological standpoint of the thesis. The thesis then analyzes over 180 articles that deal with immigration and are published in the major Swedish daily newspapers, Dagens Nyheter and Svenska Dagbladet in the years 1993 and 2002. The aim is to discover common patterns of the debate and link them to the concepts constituting the theoretical framework. The analysis shows that almost all concepts described in the theoretical section can be identified in the mass media discourse, which allows to conclude that the developed classification has proved appropriate for the analysis of the empirical material. The research concludes that, while concepts pointing towards self-interests as determining factors for formulating immigration policies are present in the studied mass media discourse, which is especially clear in 1993, the debate in general is strongly influenced by adherence to international solidarity and humanistic values as the basis for Swedish traditional foreign policy. Additionally, the study highlights the essential changes occured within the debate over the last decade, among which a shift from connecting immigration exclusively to refugee policies towards a more braod understanding of immigration as a consequence of globalization and as a realization of individual right to free movement can be considered the most central.

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Rothenberg, Nina. „Women and the mass media in Italy“. Thesis, Royal Holloway, University of London, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429215.

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38

Zhang, Guodong. „Heat and mass transfer in porous media“. Thesis, University of Leeds, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.392321.

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39

Zhou, Yuanzhi. „Capitalizing China's media industry : the installation of capitalist production in the Chinese TV and film sectors /“. online access from Digital Dissertation Consortium, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3290456.

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Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2007.
Source: Dissertation Abstracts International, Volume: 68-11, Section: A, page: 4535. Adviser: Daniel Schiller. Includes bibliographical references (leaves 250-259) Available on microfilm from Pro Quest Information and Learning.

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Dubé, Richard. „Focus of attention : a behavioral perspective on media credibility /“. Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/6210.

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41

DeFazio, Jeanne. „Christ's message and the media“. Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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42

Mukhopadhyay, Gautam. „The print media's perception of Sino-Vietnamese relations (1979-91)“. Thesis, [Hong Kong] : University of Hong Kong, 1993. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13644427.

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43

Wong, Kwok-ngan. „A comparative study of the news media in Hong Kong and Singapore“. Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21301189.

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44

Sercombe, Howard. „Naming youth: the construction of the youth category“. Thesis, Sercombe, Howard (1996) Naming youth: the construction of the youth category. PhD thesis, Murdoch University, 1996. https://researchrepository.murdoch.edu.au/id/eprint/298/.

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The youth category, in its modern form, has emerged under particular social and economic conditions, under the influence of particular social institutions, shaped by particular discourses. This thesis is an inquiry into the constitution of youth as a social category through an examination of these factors. Through a review of the historical and sociological literature, the thesis establishes the conditions for the emergence of the modem concept of youth in the nineteenth and early twentieth centuries. The evidence suggests that the youth category came into being as a result of changes in the industrial family, the industrial reforms which progressively excluded children and young people fkom the workforce, and the establishment of compulsory schooling - especially secondary schooling. Parallel with these developments, a variety of discourses about youth (or adolescence) were generated, establishing the emergent category in scientific terms. G. Stanley Hall's theories of adolescence, developed around the turn of the century, were perhaps the most influential of these, casting adolescence as a universal stage in life characterised by social and psychological turmoil. In sociology, this theoretical frame has been the subject of longstanding debate. The thesis explores this debate, and attempts to establish a sociological view of the youth , category in the light of the historical and sociological evidence. In these explorations, youth is established as a product of historical processes, a product of political economy and of scientific discourse. The analysis is brought into the present through a study of how youth are represented in a high circulation daily newspaper, The West Australian. Using standard media analysis techniques, the study examines the construction of language around youth, and the kinds of stories in which they appear in the newspaper, and finds a detailed discursive apparatus through which young people are classified as good or bad, passive (victim, child) or active (perpetrator, adult). These constructions vary with the institutional location of the news source, and with such factors as the gender and ethnicity of the subject, while continuing to be underwritten by orthodox discourses of adolescence. For its part, the newspaper overwhelmingly casts youth in a law and order frame, driven by the appetites of audiences and the economies of news production. The study explores the differences as well as the continuities in the concept of youth employed in the patchwork of discourse that constitutes newspaper text. In these explorations, youth is established in the present as a contested category, the subject of competing discourses. Competing institutions and professions, in their interventions in the newspaper, try to secure a reading of the youth phenomenon which is consistent with their professional and political objectives. The thesis is about the constitution of youth. Through the analysis of historical and contemporary discourse about youth, the thesis reveals how the subjection of this section of the adult population is achieved and maintained, how they are established as a pliable, coercible and economically dispensable population, and how the instruments of their governance are legitimated.

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45

Sercombe, Howard. „Naming youth : the construction of the youth category“. Murdoch University, 1996. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20070831.115336.

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The youth category, in its modern form, has emerged under particular social and economic conditions, under the influence of particular social institutions, shaped by particular discourses. This thesis is an inquiry into the constitution of youth as a social category through an examination of these factors. Through a review of the historical and sociological literature, the thesis establishes the conditions for the emergence of the modem concept of youth in the nineteenth and early twentieth centuries. The evidence suggests that the youth category came into being as a result of changes in the industrial family, the industrial reforms which progressively excluded children and young people fkom the workforce, and the establishment of compulsory schooling - especially secondary schooling. Parallel with these developments, a variety of discourses about youth (or "adolescence") were generated, establishing the emergent category in scientific terms. G. Stanley Hall's theories of adolescence, developed around the turn of the century, were perhaps the most influential of these, casting adolescence as a universal stage in life characterised by social and psychological turmoil. In sociology, this theoretical frame has been the subject of longstanding debate. The thesis explores this debate, and attempts to establish a sociological view of the youth , category in the light of the historical and sociological evidence. In these explorations, "youth" is established as a product of historical processes, a product of political economy and of scientific discourse. The analysis is brought into the present through a study of how youth are represented in a highcirculation daily newspaper, The West Australian. Using standard media analysis techniques, the study examines the construction of language around youth, and the kinds of stories in which they appear in the newspaper, and finds a detailed discursive apparatus through which young people are classified as good or bad, passive (victim, child) or active (perpetrator, adult). These constructions vary with the institutional location of the news source, and with such factors as the gender and ethnicity of the subject, while continuing to be underwritten by orthodox discourses of adolescence. For its part, the newspaper overwhelmingly casts youth in a law and order frame, driven by the appetites of audiences and the economies of news production. The study explores the differences as well as the continuities in the concept of youth employed in the patchwork of discourse that constitutes newspaper text. In these explorations, "youth" is established in the present as a contested category, the subject of competing discourses. Competing institutions and professions, in their interventions in the newspaper, try to secure a reading of the youth phenomenon which is consistent with their professional and political objectives. The thesis is about the constitution of youth. Through the analysis of historical and contemporary discourse about youth, the thesis reveals how the subjection of this section of the adult population is achieved and maintained, how they are established as a pliable, coercible and economically dispensable population, and how the instruments of their governance are legitimated.

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46

Taleb, Hala Abdul Haleem Abu. „Gender, media, culture and the Middle East“. Pullman, Wash. : Washington State University, 2009. http://www.dissertations.wsu.edu/Dissertations/Spring2009/h_abutaleb_042309.pdf.

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47

Mohammed, Mahmoud Gamal. „Mass media and development in the Yemen Arab Republic /“. The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487329662144788.

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48

Chernov, Gennadiy. „Convergence of agenda setting and attitude change approaches : media effects and the interaction between the characteristics of media messages, the nature of reality underlying media issues and mechanisms of information processing /“. Connect to title online (ProQuest), 2008. http://proquest.umi.com/pqdweb?did=1588418311&sid=6&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2008.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 134-144). Also available online in ProQuest, free to University of Oregon users.

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49

Vasudevan, Vasudha. „Media coverage of mutual funds“. [Austin, Tex. : University of Texas Libraries, 2006. http://repositories.lib.utexas.edu/bitstream/handle/2152/7864/vasudevanv33450.pdf.

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50

Wilson, James Bowie. „Roguelife : digital death in videogames and its design consequences“. Thesis, Massachusetts Institute of Technology, 2019. https://hdl.handle.net/1721.1/127723.

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Thesis: S.M. in Comparative Media Studies, Massachusetts Institute of Technology, Department of Comparative Media Studies/Writing, 2019
Cataloged from PDF of thesis.
Includes bibliographical references (pages 78-82).
by James Bowie Wilson.
S.M. in Comparative Media Studies
S.M.inComparativeMediaStudies Massachusetts Institute of Technology, Department of Comparative Media Studies/Writing

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