Dissertationen zum Thema „De Angelis (Firm)“
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Swett, Karen. „Image & illusion : Los Angeles Film Center“. Thesis, Massachusetts Institute of Technology, 1986. http://hdl.handle.net/1721.1/77683.
Der volle Inhalt der QuelleMICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH
Includes bibliographical references (p. 121-122).
To think about Los Angeles is like sitting in front of the television and switching the channels while keeping track of an the shows. It is a complex place: it has many divergent styles and images trying to make up a whole. Los Angeles is about images and imagery; its tradition and commitment to the movie industry and other media makes Los Angeles a logical place for a film center: a center for the moving i~age. Presently there is neither a location for the film festival nor a public building to study and to learn about the motion picture. This thesis explores through design the possibilities for the Los Angeles Film Center located in the existing Pan Pacific Auditorium. Because of the expanding use of visual communication from the media, film and video, I am interested in adopting an architectural form which can display and preserve an infinite amount of visual information. Los Angeles establishes a framework for the film center which is layered with meanings and interpretations. The city evokes a multitude of images visualized and understood at many different levels by many different people. Not only are varied images important, but over time their associations vary and adopt new meanings. The Los Angeles Film Center must be adaptable to) variations and perceptions, yet be an element of the city which maintains its presence. This design therefore acknowledges the larger scale of the city. The existing Pan Pacific facade is already established as a "set piece" in the Los Angeles fabric. The inner structure, the new film center is designed to evoke emotion, to set standards into conflict, as well as to be inspiring and challenging for the visitor. In the design, the existing facade of the Pan Pacific is a linear registration for the activities introduced on the site. The larger city scale, the vastness of Los Angeles is introduced on the site by the automobile ramp which sweeps and rises in front of the entrance. The scale is referenced by maintaining the general direction of Los Angeles, but the steel towers positioned on a shifted grid establish a separate order for the Film Center. There are three basic territories which help to define the Film Center: first the display, projection area with the theatres, exhibitions and other public facilities, second, the library, archives and study building set in the park, in front of the facade and finally the third is the administrative, loading, shipping and receiving area closest to the street The parts of the building are set both to operate as a whole as well as independently from each other. A microcosm of Los Angeles itself, the Film Center is a layering of simultaneous events which offer a multitude of images both real and imagined, perceived and interpreted at varied levels.
by Karen Swett.
M.Arch
Wilson, Maddie G. „Exploring Los Angeles as a Character in Film“. Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1137.
Der volle Inhalt der QuelleOltmann, Katrin. „Remake - Premake : Hollywoods romantische Komödien und ihre Gender-Diskurse, 1930 - 1960 /“. Bielefeld : transcript, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=2960330&prov=M&dok_var=1&dok_ext=htm.
Der volle Inhalt der QuelleDelgado, Dúnia Moniz. „Business angels financing in Portugal“. Master's thesis, Instituto Superior de Economia e Gestão, 2013. http://hdl.handle.net/10400.5/11270.
Der volle Inhalt der QuelleEsta dissertação analisa a actividade dos business angels em Portugal e o impacto do Programa COMPETE na criação de novas empresas e de novos postos de trabalho. Este programa, criado em 2010, inclui uma linha de co-investimento aos business angels, destinado ao apoio e criação de novas empresas com elevado potencial tecnológico. Neste estudo, encontramos fortes evidências de que esta linha de financiamento estimulou a actividade empreendedora em Portugal. Usando uma base de dados, de preenchimento obrigatório, que inclui todas as empresas privadas em Portugal, seleccionamos dois conjuntos de dados transversais, colhidos antes e depois do Programa COMPETE. Usando o método das diferenças-em-diferenças, observamos que o programa está associado a um aumento de onze novas empresas, principalmente entre as pequenas empresas, e também a um aumento de quatro novos postos de trabalho em start-ups, embora este último efeito não seja significativo. Adicionalmente, através da recolha de dados sobre a forma de um questionário, analisamos as principais características dos business angels Portugueses e avaliamos a sua propensão a investir. Observamos que os business angels portugueses são predominantemente indivíduos do sexo masculino, com idade compreendida entre os 40 e 60 anos, com formação universitária, geralmente nas áreas de ciências empresariais e da economia. Também observamos que apresentam experiência empreendedora, na gestão e em consultoria. Em relação à propensão a investir, observamos que os business angels portugueses têm uma probabilidade positiva para investir acima dos 50.000 euros/ano e investem com uma frequência semestral ou anual.
This dissertation analyzes the business angels activity in Portugal and the impact of the COMPETE Program on firm entry and job creation. This program, created in 2010, includes a co-investment fund for business angels to support the creation of new ventures with innovative potential. There is strong evidence that this financing line has stimulated entrepreneurial activity in Portugal. Using a mandatory database which includes all private firms in Portugal, we select two cross-sectional datasets, collected before and after the COMPETE Program. Through a difference-in-differences approach, we observe that this program is associated with an increase of eleven new firms, primarily among small firms, and an increase of four employees per start-up, although the later effect is not significant. Additionally using data collected through a questionnaire, we analyze Portuguese business angels? main characteristics and evaluate their propensity to invest. We found that Portuguese business angels are predominantly middle-aged male with university education, usually in the fields of business sciences and economy. They also have entrepreneurial, managerial and consulting prior experience. Regarding their propensity to invest, we find that Portuguese business angels have a positive probability to invest up to 50,000 euros/year and they often invest semiannually or annually.
Kešner, Martin. „Business Angels v České republice“. Doctoral thesis, Vysoká škola ekonomická v Praze, 2011. http://www.nusl.cz/ntk/nusl-165917.
Der volle Inhalt der QuelleFarrell, A. Ellen. „Motivations, behaviour and cognition of novice and habitual business angels in new firm incorporations“. Thesis, University of Nottingham, 2005. http://eprints.nottingham.ac.uk/11361/.
Der volle Inhalt der QuelleGranville, Scott. „Mapping the Geographical and Literary Boundaries of Los Angeles: A Real and Imagined City“. The University of Waikato, 2007. http://hdl.handle.net/10289/2359.
Der volle Inhalt der QuelleSmith, Sarah J. „Angels with dirty faces : children, cinema and censorship in 1930s Britain“. Thesis, University of Strathclyde, 2001. http://oleg.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=21168.
Der volle Inhalt der QuelleLoh, Shinmin Amanda. „A Postmodern Love Affair: Los Angeles and Neo-Noir“. Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/931.
Der volle Inhalt der QuelleCaston, Emily Katherine. „Hollywood film narratives relating to angelic intervention 1933-1955 : tradition and community“. Thesis, University of Cambridge, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.614982.
Der volle Inhalt der QuelleRichmond, Trevor M. „Developing a new context for leadership development in the Los Angeles Fire Department“. Thesis, Monterey, California: Naval Postgraduate School, 2014. http://hdl.handle.net/10945/44651.
Der volle Inhalt der QuelleLeadership development in the fire service and other homeland security entities is in need of an assessment. Homeland security leaders are pointing to leadership as the single biggest determinant of success of the homeland security enterprise in the near term. How these entities have approached leadership development in the past has not proven in any empirical way that it is developing better leaders. Perhaps this approach is wrong, and leadership training needs to look to the broader social environment for insights into effective leadership development. This thesis examined how the Los Angeles Fire Department (LAFD) and similar homeland security entities could take advantage of the contemporary thoughts on leadership development to prepare their leaders better. This thesis assessed the Los Angeles Fire Department Leadership Academy through a formative evaluation of the current educational contexts and concluded that much of the existing educational framework was not responsive or representative of current thoughts on effective leadership development. Lastly, this thesis offered a new narrative for leadership development in the LAFD and other homeland security entities by pivoting the understanding of leadership development as an individual process to leadership development as a social process.
Fenske, Uta. „Mannsbilder : eine geschlechterhistorische Betrachtung von Hollywoodfilmen 1946 - 1960 /“. Bielefeld : Transcript, 2008. http://d-nb.info/986757047/04.
Der volle Inhalt der QuelleWickman, Annika. „I mötet med Bill Violas videokonstverk Five Angels for the Millennium“. Thesis, Stockholm University, Department of Cinema Studies, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-898.
Der volle Inhalt der QuelleUppsatsen behandlar upplevelse. Analysen av upplevelse utgår från uppsatsförfattarens möte med den amerikanske videokonstnären Bill Violas installation Five Angels for the Millennium (2001).
Forskningsansatsen är främst fenomenologisk vilket innebär att fokus ligger på att undersöka vad som är, vad det föreställer och hur den upplevande uppfattar detta.
I bakgrunden står frågan hur upplevelse, med utgångspunkt i en persons möte med ett videokonstverk, kan analyseras teoretiskt. Uppsatsförfattaren för samman ett antal teoretiker som alla skrivit om emotioner, i form av känsla eller affekt, i samband med en tolkningsakt. De forskare som det främst refereras till är Bent Fausing, Mark Hansen, Laura Marks, Janet H. Murray, Lynne Pearce och Roland Barthes. Barthes har även påverkat förhållningssättet till analysen i stort.
Den metod som används är att först skildra mötet med verket och att därefter analysera mötet utifrån fyra olika infallsvinklar. Från analysen av vad som mött den upplevande, flyttar perspektivet till att se vad som skett i den upplevande, för att därefter undersöka hur den upplevande utvecklat en relation till verket. Slutligen diskuteras verkets religiositet, bl.a. med hänvisning till Wassily Kandinskys texter om det andliga i konsten, Walter Benjamins beskrivning av upplevelse, nyare forskning om religiös upplevelse och Violas kontext och uttalade avsikt.
I texter om Viola framkommer det att de som mött hans verk delar en likartad upplevelse. Analysen är avsedd att ge en förståelse för hur Viola går till väga för att få den som möter hans verk att känna och tänka på ett visst sätt. Slutsatsen är att den upplevande, i mötet med verket, möter Violas ideologi, vilken kan sägas vila i utgångspunkten att människan måste finna en ny form av verklighet. Implicerat är att den värld hon lever i idag inte är människovänlig.
Madden, Oliver. „”On the Side of the Angels?” : Representationer av kristendomar i TV-serien Arkiv X“. Thesis, Karlstads universitet, Institutionen för samhälls- och kulturvetenskap, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-30938.
Der volle Inhalt der QuelleThe X-Files is a television show that was produced between the years 1993-2002 . The series has gone down in history for capturing the zeitgeist of the 1990s with its postmodern distrust of authorities and its interest in new forms of spirituality. In several episodes, the main characters come in contact with the Christian religion. This thesis examines how different forms of Christianity were portrayed in The X-Files. The questions asked concerns the secondary characters that are featured individual episodes of the series and can be described as representations of different form of Christianity. Through close readings of six episodes the following results were discovered: Generally speaking, one cannot say that the portrayal of Christians is exclusively positive or negative. It is multifaceted, which is in line with postmodern nature of the show. A common stereotype is the Protestant fundamentalist, which can prove to be good characters as well as charlatans. The Catholic Church is portrayed as a liberal church whose primary role is therapeutic and Catholicism is presented as the normative form of Christianity. The X-Files contradict a lot of stereotypes that exist in American film and television. Although fundamentalists have a prominent role, they often end up as portrayed in a relatively positive way. The common horror stereotype where Catholic priests struggle with the supernatural, is also one with which the series break, and instead Protestant characters are given these roles. The X-Files highlight the positive and negative aspects of both fundamentalist and liberal Christianity. Even so the form of Christianity that gets the most screen time in the series is fundamentalist.
Oltmann, Katrin. „Remake - Premake Hollywoods romantische Komödien und ihre Gender-Diskurse, 1930 - 1960“. Bielefeld Transcript, 2006. http://d-nb.info/984273557/04.
Der volle Inhalt der QuelleHilliard, Howard (Howard Louis). „The History of Horn Playing in Los Angeles from 1920 to 1970 : a Lecture Recital, Together With Three Recitals of Selected Works for Horn by M. Haydn, Franz, Britten, Mozart, Koetsier, Hindemith, Herzogenberg, Rossini, Stevens and others“. Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc1038828/.
Der volle Inhalt der QuelleBergsten, James David. „Black Dolphin“. Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1397832268.
Der volle Inhalt der QuelleO'Gara, Kellen E. „An Apocalypse of Change: The Reconstruction of the American Identity in Post-9/11 Cinema“. Thesis, Boston College, 2010. http://hdl.handle.net/2345/1189.
Der volle Inhalt der QuelleThis paper analyzes the reconstruction of the American identity through the lens of two post-modern films: Paul Haggis’ Crash and Tony Kushner’s Angels in America. First, the role of 9/11 on the resurgence of trauma culture and its catalytic effect on the start of the post-modern era is examined. This analysis argues that these films unite American citizens through the central notion of humanity that mankind ultimately shares. This is achieved through the framework of three central themes: the elimination of the typified other, the restoration of faith in mankind and the human condition, and the uniting sense of touch. The construction of these themes reconciles the ambiguity and uncertainty inherent in all aspects of the post-modern era. These films serve as metaphorical narrative vehicles and function to draw the American people back into a sense of a universal, national identity in the wake of September 11. In addition, they foster reassurance in the American spirit and ensure the ability of the United States to initiate collective recovery after periods of intense national trauma
Thesis (BA) — Boston College, 2010
Submitted to: Boston College. College of Arts and Sciences
Discipline: Communication Honors Program
Discipline: Communication
Fitting, Jessica. „Attack of the Fallen! Cinematic Portrayals of Fallen Angels in Post 9/11 Science Fiction Film“. Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/pitzer_theses/2.
Der volle Inhalt der QuelleDammann, Lars. „Kino im Aufbruch : New Hollywood 1967-1976 /“. Marburg : Schüren, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016300992&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Der volle Inhalt der QuelleZook, Julie Brand. „The flow of city life: An analysis of cinematography and urban form in New York and Los Angeles“. Diss., Georgia Institute of Technology, 2016. http://hdl.handle.net/1853/54927.
Der volle Inhalt der QuelleLay, John Phillip. „Dangerous, Desperate, and Homosexual: Cinematic Representations of the Male Prostitute as Fallen Angels“. Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc6085/.
Der volle Inhalt der QuelleGunckel, Colin. „"A theater worthy of our race" the exhibition and reception of Spanish language film in Los Angeles, 1911-1942 /“. Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1997008061&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Der volle Inhalt der Quellevan, Osnabrugge Mark S. „The financing of entrepreneurial firms in the UK : a comparison of business angel and venture capitalist investment procedures“. Thesis, University of Oxford, 1998. http://ora.ox.ac.uk/objects/uuid:7f618979-4468-4669-9549-cb35b245e8b0.
Der volle Inhalt der QuelleBouvet, Jacques. „Bessonneau-Angers : les vecteurs historiques de la prospérité et du décclin d'une entreprise industrielle au 20e siècle“. Rennes 2, 1996. http://www.theses.fr/1996REN20014.
Der volle Inhalt der QuelleIn 1966, the leading French factory (rope-making, spinning, weaving, and also wireworks and cable manufacturing) shut down after more than fifty years of social existence. Basing his work on the exploitation of reports belonging to the firm, in addition to public recognized sources either written or orally transmitted, the author raised the question of the development of the firm in the eyes of its historical identity. Without depending on employer's statements and postulates only, he tried to analyse it through four main stages, first the economic and cultural heritage of firms in the 18th and 19th centuries, second the transfers of properties which punctuate the transformations of a self-sufficient capital and the part taken by employers, third a wide range of production and trade markets and finally an industrial microcosm having clearly-defined mental and material structures and which was nearly the only industrial centre in angers. After gathering all this information, the author concluded by charts and showed the historical circumstances peculiar to the factory from the prosperous years to the decline. This overall approach help to define the subject of the thesis. It enables several types of reading so as to put forward the integration factors of the factory, regardless of the postulates it clained and to consider the responsibility of the employers in a scope which integrates the consequences of events, even economic into itself and goes beyond them. The way it took into consideration the various components of its historical identity helped the factory to handle its internal coherence and to overcome its external pressure
Rodriguez, Emily M. „Angel Financing: Matching Start-Up Firms with Angel Investors“. Scholarship @ Claremont, 2011. http://scholarship.claremont.edu/cmc_theses/136.
Der volle Inhalt der QuelleBöhnke, Alexander. „Paratexte des Films : über die Grenzen des filmischen Universums /“. Bielefeld : Transcript, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015439218&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Der volle Inhalt der QuelleRiha, Joyce Marie. „Fire Ants“. PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5150.
Der volle Inhalt der QuelleSheldon, Larkin J. „My Way or the Highway and A Correspondence: Visual Representations of the City“. Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/617.
Der volle Inhalt der QuelleBaronnet, Solenne. „Les politiques de développement durable, le défi urbain : Etude comparative des villes de New York, Chicago, Los Angeles et Paris“. Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040080.
Der volle Inhalt der QuelleWhat are the urban challenges New York, Chicago, Los Angeles and Paris are facing regarding sustainable development? This thesis consists in examining the sustainable development policies that have been put in place in four cities with different typologies, but that are confronting the same issues. Analyzing the actions taken in support of sustainable development must be considered through three aspects representing three different groups implied in this challenge: municipal authorities, private companies and the people. We will analyze the different processes launched by each of these groups; we will discuss the assets of the four cities, as well as their weaknesses and possible improvements. The four cities have diverging priorities regarding sustainable development and the concept is never perfectly balanced between ecology, sociology and economy. One of these themes generally takes over
Cook, Rebecca J. „The Fire One More Time: A Comparison and Analysis of Two Los Angeles Riots, the Watts Riots of 1965 and the King Verdict Riots of 1992“. Thesis, The University of Arizona, 1994. http://hdl.handle.net/10150/292181.
Der volle Inhalt der QuelleRios, Bernardo Ramirez. „Culture, Migration, and Sport: A Bi-National Investigation of Southern Mexican Migrant Communities in Oaxaca, Mexico and Los Angeles, California“. The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338140496.
Der volle Inhalt der QuelleCagle, Natalie Kenra. „Costume Design and Production for City of AngelsBook by Larry Gelbart, Music by Cy Coleman, and Lyrics by David Zippel“. The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1437645350.
Der volle Inhalt der QuelleMaher, Sean William. „Noir and the urban imaginary“. Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/42216/1/Sean_Maher_Thesis.pdf.
Der volle Inhalt der QuelleRuiz, Paula Arantzazu. „De los teatros anatómicos a 'Oh! Uomo', de Yervant Gianikian y Angela Ricci Lucchi: una arqueología de la mirada médica del cuerpo“. Doctoral thesis, Universitat Pompeu Fabra, 2017. http://hdl.handle.net/10803/402100.
Der volle Inhalt der QuelleLa conciencia moderna del cuerpo y su lugar en el mundo se deben a un número de procesos epistemológicos ocurridos durante el Renacimiento. La práctica de la anatomía en los teatros anatómicos ayudó a modelar una imagen del cuerpo humano y desarrollar un régimen visual recopilado en atlas anatómicos, el más conocido el De humani corporis fabrica libri septem (1543), de Andrés Vesalio. Con la irrupción de las tecnologías de reproducción mecánica de imágenes a mediados del siglo XIX, nace otro régimen que redefinirá las imágenes del cuerpo en el campo de la neurología. Atlas de cine quirúrgico y neurológico como La neuropatología (1908), de Camillo Negro, ayudarán a los científicos a codificar patologías, pero los relatos de esos filmes son también narraciones de cuerpos sometidos a un dispositivo médico-científico violento, tal y como exponen los cinestas italianos Yervant Gianikian y Angela Ricci Lucchi en su película Oh! Uomo (2004).
Habrnal, Marek. „Faktory hodnoty start-up projektů pro investory v České republice a metody oceňování“. Doctoral thesis, Vysoká škola ekonomická v Praze, 2013. http://www.nusl.cz/ntk/nusl-204783.
Der volle Inhalt der QuelleBobée, Emmanuelle. „La musique et les textures sonores comme éléments du récit filmique dans l'œuvre de David Lynch, d'Eraserhead (1977) à Inland Empire (2006)“. Rouen, 2015. http://www.theses.fr/2015ROUEL027.
Der volle Inhalt der QuelleThis study aims to explore the universe and aesthetics of American director David Lynch (1946 -. . . ), focusing upon the musical and sonic aspects; it leans on a large corpus composed of the ten feature-films that he directed between 1977 and 2006. Since Eraserhead, which appears as a sonic matrix of Lynch's future works, music and sound design have been given a prominent place by the cineaste, in order to create a true osmosis between the visual and sonic components of the filmic narrative. Deeply involved in sound creation, as much as in the elaboration of original soundtracks and the choice of pre-existing music, he has also developed fruitful and recurrent collaborations, in particular with the sound engineer Alan Splet and the composer Angelo Badalamenti, along with occasional partnerships with various contemporary artists. Over the years, Lynch has developed a singular approach, at once fundamentally authorial and open to external interventions, chance and unforeseen; he has also set up original working methods based on experimentation, intuition, and the « process of action-reaction ». All the potentialities of the audible register and of the audio-visual combination are used to interact with the spectator, arousing either the adhesion to the fictional world —especially by mechanisms of subjectivisation —, or the disorientation and detachment by a highlighting of the filmic representation. This constant deployment of opposite forces contributes to feed the feeling of uncanniness which emanates from Lynchean narratives, reinforced or induced by some techniques such as the use of pre-existing pop songs of the 60s, the resort to lip-synch and the integration of sung or choreographed scenes, or the implementation of musico-narrative strategies inspired by dream mechanisms or by the repetition principle
Guffey, Ensley F. „Fantastic Histories: War and American Memory in Selected Works of Joss Whedon“. Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etd/2333.
Der volle Inhalt der QuelleSerizawa, Molly M. „Dialectic of Celebrity Politics: Identifying Public Personalities and Political Performers in Twenty-First Century America“. Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/254.
Der volle Inhalt der QuelleMandal, Pritam. „Phases, Line Tension and Pattern Formation in Molecularly Thin Films at the Air-Water Interface“. Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1375905957.
Der volle Inhalt der QuelleDavies, Llewellyn Willis. „‘LOOK’ AND LOOK BACK: Using an auto/biographical lens to study the Australian documentary film industry, 1970 - 2010“. Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154339.
Der volle Inhalt der QuelleHayes, Kalmia Joy. „Thematic integrity in filmic versions of E.M. Forster's novels“. Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002261.
Der volle Inhalt der QuelleAponte, Elena M. „Either 'Shining White or Blackest Black': Grey Morality of the Colonized Subject in Postwar Japanese Cinema and Contemporary Manga“. Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1491495352122861.
Der volle Inhalt der QuelleSlatter, Angela Gaye. „Sourdough & other stories : a story told in parts (a mosaic novel and exegesis)“. Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/50910/1/Angela_Slatter_Thesis.pdf.
Der volle Inhalt der QuelleArdanuy, López Jordi. „La Búsqueda de lo sagrado en la poesía de Ángel Crespo“. Doctoral thesis, Universitat Pompeu Fabra, 2003. http://hdl.handle.net/10803/7428.
Der volle Inhalt der QuelleThis essay entails a diachronic interpretation of the poetry of Angel Crespo (1926-1995) (following the edition Poesía, Valladolid, 1996), as a search for the sacred dimension of the world, developed from within the language. It frames philosophically the questions that the poet answers artistically, in order to show their ethical and philosophical universality. It explains how the poet, by means of the processes of symbolisation, manages to go beyond the edges of language (those of his arbitrariness and conventionality) and to express a conception of the full reality (world and I) gradually wider and more unitarian. As a guide of this evolution, the poetic symbol has a religious meaning and a sense of initiation in the work of Crespo. This thesis studies those aspects from a scientific and not confessional point of view, by relating the poetry of Crespo with the religious anthropology of M. Eliade, the psychology of Jung and the symbolic hermeneutics, from Cassirer to Durand.
Geloğullari, Gülin. „Female Friendship Films: A Post-Feminist Examination of Representations of Women in the Fashion Industry“. Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc848090/.
Der volle Inhalt der QuelleJhong, Ting-Yi, und 鍾庭宜. „Visual and Gender Excesses in Wong Kar-wai’s Fallen Angels: A Critical Analysis with Feminist Film Theories“. Thesis, 2018. http://ndltd.ncl.edu.tw/handle/pf3r2s.
Der volle Inhalt der Quelle國立陽明大學
視覺文化研究所
106
The academic research of Fallen Angels and gender study in the field of Wong Kai-wai’s films are deficient. However, the gender images in Fallen Angels are still extraordinary and subvert. In this study, I will investigate the gender images and spectatorship in Fallen Angels in terms of feminist film theories. Also, this research will demonstrate how this film presents gender images through the narrative context, film editing and movement of camera. This thesis will be divided into three chapters. In chapter one, I will examine the three female characters in Fallen Angels, and demonstrate how they express their subjectivity and subvert the stereotypical images of woman in the patriarchal society. In chapter two, I will argue that the use of 6.8 mm super-wide angle lens transforms the spectacle of woman to a distorted and alienation face. Therefore, male spectators cannot desire the images of woman directly. I will also discuss the costumes of female characters. The strange costumes cause different perceptions to both male and female spectators. This also demonstrates the heterogeneity and agency in them. In chapter three, I will explain the androgynous of male characters in Fallen Angels, and suggest that the gender trait can subvert the patriarchal cultural reception of masculinity and offer female spectators visual pleasure. In this research mix through the investigation of gender images and audience spectatorship, I want to emphasize the agency of spectators and provide alternative interpretation. I hope this thesis can complement the gender study in Wong Kar-wai’s films and reevaluate Fallen Angels.
Cunningham, Mark Douglas. „Once upon a time in South Central Los Angeles : race, gender and narrative in John Singleton's Hood trilogy“. Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-05-1139.
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„"They Called Me An Alien": Hanns Eisler's American Years, 1935-1948“. Master's thesis, 2013. http://hdl.handle.net/2286/R.I.18056.
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M.A. Music 2013
Hügler, Rebecca Octavia. „BETWEEN HEIMAT AND FREMDE: NEW CONFIGURATIONS OF HAPPINESS IN CONTEMPORARY GERMAN LITERATURE AND FILM“. Thesis, 2013. http://hdl.handle.net/1974/8060.
Der volle Inhalt der QuelleThesis (Ph.D, German) -- Queen's University, 2013-05-30 17:42:26.632