Thematische Bibliographien / De Angelis (Firm)

Auswahl der wissenschaftlichen Literatur zum Thema „De Angelis (Firm)“

Autor: Grafiati

Veröffentlicht am 27. Juli 2024

Zuletzt aktualisiert am 29. Juli 2024

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Zeitschriftenartikel zum Thema "De Angelis (Firm)"

Lodefalk, Magnus, und Fredrik W. Andersson. „Business angels and firm performance: First evidence from population data“. PLOS ONE 18, Nr. 3 (30.03.2023): e0283690. http://dx.doi.org/10.1371/journal.pone.0283690.

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Business angels dominate early-stage investment in firms, but research on their effects on firms is scarce and limited by sample selection. To address sample selection, we propose using population data and we develop an algorithm for identifying business angel investments in such data. We illustrate this novel approach by applying it to detailed and longitudinal total population data for individuals and firms in Sweden. In our application, we focus on a subset of business angels—active business angels who are themselves successful entrepreneurs with a profitable exit. We then study active business angels’ effects on firm performance, using population data. Employing a quasi-experimental estimator, we find that the business angels invest in firms that already perform above par. There is also a positive effect on subsequent growth compared with control firms. However, contrary to previous research on business angels, we cannot find any impact on firm survival. Overall, the paper underlines the need to address sample selection when studying business angels and suggests using population data for identification.

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Kasher, Rimmon. „Angelology and the Supernal Worlds in the Aramaic Targums To the Prophets“. Journal for the Study of Judaism 27, Nr. 2 (1996): 168–91. http://dx.doi.org/10.1163/157006396x00201.

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AbstractOur goal was to try and examine the degree to which the different Targums to the books of the Prophets-Targum Jonathan and the Toseftot Targum-do or do not represent a unified attitude to angels and the angelic world. There is no doubt that both TJ and the TTs take the existence of angels for granted; but it is equally clear that TJ adopts a more cautious, reserved, approach than the TTs. Indeed, the TTs are intensely curious about the supernal world. Despite the fact that they derive from a variety of sources and differ quite widely in their language and function, it is undeniable that fifteen of them display such an interest. Moreover, these fifteen instances constitute a representative sample of the different sources and are therefore adequate to indicate a trend shared by the Toseftot Targum as a whole.69 Moreover, I would say that the difference is not one of quantity alone, but also of substance-not only is the number of references larger, but their content is quite different. Unlike TJ to Prophets, the TTs furnish us with the names of no less than seven angels: Uriel, Gabriel, Metatron, Michael, Samael, Penuel and the Angel of Death. The number of groups or categories of angels mentioned in the TTs is also greater. While TJ mentions only such groups as "angels of fire," "angels of trembling," "heavenly angels" and "angels of wind," the TTs refer to still other groups: "cruel angels," "angels of wrath," "angels of peace" and "angels of fear" (in addition to those mentioned in TJ, which also appear in TTs). And such expressions as "his attendants" (smšwhy) or "officers" (srky¸) also occur in the TTs but not in TJ.

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JOHNSON, WILLIAM C., und JEFFREY E. SOHL. „INITIAL PUBLIC OFFERINGS AND PRE-IPO SHAREHOLDERS: ANGELS VERSUS VENTURE CAPITALISTS“. Journal of Developmental Entrepreneurship 17, Nr. 04 (Dezember 2012): 1250022. http://dx.doi.org/10.1142/s1084946712500227.

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At the time of an initial public offering, shares in a firm are typically held by venture capitalists, insiders, corporate investors and angel investors. We examine the role of angel investors in the IPO process. We find that angel investors provide equity capital in industries venture capitalists are less likely to serve and that shareholders in angel backed IPO firms are more likely to sell their shares at the time of the offering. Where venture capital backed IPO firms have higher underpricing, angel backed IPO firms do not, implying that angels may be the preferred investors for early-stage firms.

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Wakefield, Jason. „Jim Ellis (2009) Derek Jarman's Angelic Conversations“. Film-Philosophy 15, Nr. 1 (Februar 2011): 270–77. http://dx.doi.org/10.3366/film.2011.0020.

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Berg, Charles Ramírez. „Colonialism and Movies in Southern California, 1910-1934“. Aztlán: A Journal of Chicano Studies 28, Nr. 1 (2003): 75–96. http://dx.doi.org/10.1525/azt.2003.28.1.75.

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Once the film industry moved to Los Angeles fiom the East Coast in the 1910s, Hollywood became the source of the negative stereotyping of Latinos in mainstream American cinema. This article argues that the anti-Mexican American discourse in Southern California during the motion picture industry’s formative years provided the social context for those derogatory film images. In doing so, the essay synthesizes two bodies of literature that rarely comment on one another: early Hollywood studio history and works treating the Mexican American experience in Southern California. Three main elements that shaped the anti-Mexican American discourse are discussed: (a) the ostracizing of Mexican Americans to East Los Angeles at the same time that movie companies were flocking to the opposite side of town; (b) the social, economic, and political climate that resulted in anti-Mexicano attitudes, and (c) the view of Mexico as a playground for the United States.

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Murphy, David G. „The Entrepreneurial Role of Organized Labour in the British Columbia Motion Picture Industry“. Articles 52, Nr. 3 (12.04.2005): 531–52. http://dx.doi.org/10.7202/051185ar.

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Research into an industrial sector reflecting principles of the emergent "network" model of production indicates that organized labour can play a positive role in post-Fordist Systems of industrial governance. Within the dynamic motion picture industry of British Columbia (B. C), organized labour was the key organizational factor in the birth and rapid expansion of the agglomeration ofsmall, specialized film production firms which has become a competitor for the coveted title of second largest film centre, after Los Angeles, in North America. In this process, B.C. film unions have become the dominant "actors " in forging collaborative relations between local production companies, between the sector and the state, and between the district and other film centers, so critical to the success of the network model.

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Paino, Frankie. „Angels of Fire“. Iowa Review 27, Nr. 2 (Juli 1997): 158–60. http://dx.doi.org/10.17077/0021-065x.4932.

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Zhou, Yu. „INTER-FIRM LINKAGES, ETHNIC NETWORKS, AND TERRITORIAL AGGLOMERATION: CHINESE COMPUTER FIRMS IN LOS ANGELES“. Papers in Regional Science 75, Nr. 3 (14.01.2005): 265–91. http://dx.doi.org/10.1111/j.1435-5597.1996.tb00666.x.

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Zhou, Yu. „Inter-firm linkages, ethnic networks, and territorial agglomeration: Chinese computer firms in Los Angeles“. Papers in Regional Science 75, Nr. 3 (Juli 1996): 265–91. http://dx.doi.org/10.1007/bf02406755.

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Galarça, Arthur Dias, Wellington Luiz de Oliveira Da Rosa, Tiago Machado Da Silva, Giana da Silveira Lima, Neftalí Lenin Villarreal Carreño, Thiago Machado Pereira, Orlando Aguirre Guedes, Alvaro Henrique Borges, Adriana Fernandes da Silva und Evandro Piva. „Physical and Biological Properties of a High-Plasticity Tricalcium Silicate Cement“. BioMed Research International 2018 (27.11.2018): 1–6. http://dx.doi.org/10.1155/2018/8063262.

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Introduction. Mineral Trioxide Aggregate (MTA) is a tricalcium-based silicate, dicalcium silicate matrix. Despite its good biologic properties, some clinicians still claim to have difficulties in handling MTA after its preparation due to its sandy consistency. The aim of the present study was to evaluate the physicochemical properties and cytotoxicity of MTA Repair HP (Angelus, Londrina, PR, Brazil) compared with MTA Angelus (Angelus, Londrina, PR, Brazil). Materials and Method. The properties assessed were particle size, setting time, flow, film thickness, radiopacity, water solubility, compressive strength, and cytotoxicity. Statistical analysis was performed considering p < 0.05 as statistically significant. Results. For radiopacity, water absorption and solubility MTA Repair HP were statistically similar to MTA Angelus. The MTA Angelus had statistically different film thickness values, higher than MTA Repair HP (p < 0.05). Besides, MTA Angelus showed a lower and statistically different compressive strength after 28 days than MTA Repair HP (p<0.05). Additionally, MTA Repair HP set more slowly (p < 0.05). Relative to cell viability, MTA Repair HP was statistically similar to MTA Angelus after 24 and 48 h in cell viability. Conclusions. The MTA Repair HP presented similar cell viability, lower film thickness, higher flow, setting time, and compressive strength values after 28 days than MTA Angelus. In general, the MTA Repair HP presented physicochemical and biological properties similar to the MTA Angelus.

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Dissertationen zum Thema "De Angelis (Firm)"

Swett, Karen. „Image & illusion : Los Angeles Film Center“. Thesis, Massachusetts Institute of Technology, 1986. http://hdl.handle.net/1721.1/77683.

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Thesis (M. Arch)--Massachusetts Institute of Technology, Dept. of Architecture, 1986.
MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH
Includes bibliographical references (p. 121-122).
To think about Los Angeles is like sitting in front of the television and switching the channels while keeping track of an the shows. It is a complex place: it has many divergent styles and images trying to make up a whole. Los Angeles is about images and imagery; its tradition and commitment to the movie industry and other media makes Los Angeles a logical place for a film center: a center for the moving i~age. Presently there is neither a location for the film festival nor a public building to study and to learn about the motion picture. This thesis explores through design the possibilities for the Los Angeles Film Center located in the existing Pan Pacific Auditorium. Because of the expanding use of visual communication from the media, film and video, I am interested in adopting an architectural form which can display and preserve an infinite amount of visual information. Los Angeles establishes a framework for the film center which is layered with meanings and interpretations. The city evokes a multitude of images visualized and understood at many different levels by many different people. Not only are varied images important, but over time their associations vary and adopt new meanings. The Los Angeles Film Center must be adaptable to) variations and perceptions, yet be an element of the city which maintains its presence. This design therefore acknowledges the larger scale of the city. The existing Pan Pacific facade is already established as a "set piece" in the Los Angeles fabric. The inner structure, the new film center is designed to evoke emotion, to set standards into conflict, as well as to be inspiring and challenging for the visitor. In the design, the existing facade of the Pan Pacific is a linear registration for the activities introduced on the site. The larger city scale, the vastness of Los Angeles is introduced on the site by the automobile ramp which sweeps and rises in front of the entrance. The scale is referenced by maintaining the general direction of Los Angeles, but the steel towers positioned on a shifted grid establish a separate order for the Film Center. There are three basic territories which help to define the Film Center: first the display, projection area with the theatres, exhibitions and other public facilities, second, the library, archives and study building set in the park, in front of the facade and finally the third is the administrative, loading, shipping and receiving area closest to the street The parts of the building are set both to operate as a whole as well as independently from each other. A microcosm of Los Angeles itself, the Film Center is a layering of simultaneous events which offer a multitude of images both real and imagined, perceived and interpreted at varied levels.
by Karen Swett.
M.Arch

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Wilson, Maddie G. „Exploring Los Angeles as a Character in Film“. Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1137.

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In film, the construction of Los Angeles as a character has been defined through a series of specific theories that have seemingly misrepresented the unique and diverse nature of the city. Broken into two discussions, my paper will attempt to address 1) the way in which urbanization has influenced the landscape of the city of Los Angeles and how the creation of a heavy materialist culture in Amy Heckerling’s Clueless, the illusionary nature of Hollywood in Billy Wilder’s Sunset Boulevard, and corruption and abuse of power within the LAPD in Curtis Hansen’s L.A. Confidential manifest themselves as products of the this process and 2) the dominant narratives and themes that have been used to construct Los Angeles as a character in film.

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Oltmann, Katrin. „Remake - Premake : Hollywoods romantische Komödien und ihre Gender-Diskurse, 1930 - 1960 /“. Bielefeld : transcript, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=2960330&prov=M&dok_var=1&dok_ext=htm.

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Delgado, Dúnia Moniz. „Business angels financing in Portugal“. Master's thesis, Instituto Superior de Economia e Gestão, 2013. http://hdl.handle.net/10400.5/11270.

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Mestrado em Finanças
Esta dissertação analisa a actividade dos business angels em Portugal e o impacto do Programa COMPETE na criação de novas empresas e de novos postos de trabalho. Este programa, criado em 2010, inclui uma linha de co-investimento aos business angels, destinado ao apoio e criação de novas empresas com elevado potencial tecnológico. Neste estudo, encontramos fortes evidências de que esta linha de financiamento estimulou a actividade empreendedora em Portugal. Usando uma base de dados, de preenchimento obrigatório, que inclui todas as empresas privadas em Portugal, seleccionamos dois conjuntos de dados transversais, colhidos antes e depois do Programa COMPETE. Usando o método das diferenças-em-diferenças, observamos que o programa está associado a um aumento de onze novas empresas, principalmente entre as pequenas empresas, e também a um aumento de quatro novos postos de trabalho em start-ups, embora este último efeito não seja significativo. Adicionalmente, através da recolha de dados sobre a forma de um questionário, analisamos as principais características dos business angels Portugueses e avaliamos a sua propensão a investir. Observamos que os business angels portugueses são predominantemente indivíduos do sexo masculino, com idade compreendida entre os 40 e 60 anos, com formação universitária, geralmente nas áreas de ciências empresariais e da economia. Também observamos que apresentam experiência empreendedora, na gestão e em consultoria. Em relação à propensão a investir, observamos que os business angels portugueses têm uma probabilidade positiva para investir acima dos 50.000 euros/ano e investem com uma frequência semestral ou anual.
This dissertation analyzes the business angels activity in Portugal and the impact of the COMPETE Program on firm entry and job creation. This program, created in 2010, includes a co-investment fund for business angels to support the creation of new ventures with innovative potential. There is strong evidence that this financing line has stimulated entrepreneurial activity in Portugal. Using a mandatory database which includes all private firms in Portugal, we select two cross-sectional datasets, collected before and after the COMPETE Program. Through a difference-in-differences approach, we observe that this program is associated with an increase of eleven new firms, primarily among small firms, and an increase of four employees per start-up, although the later effect is not significant. Additionally using data collected through a questionnaire, we analyze Portuguese business angels? main characteristics and evaluate their propensity to invest. We found that Portuguese business angels are predominantly middle-aged male with university education, usually in the fields of business sciences and economy. They also have entrepreneurial, managerial and consulting prior experience. Regarding their propensity to invest, we find that Portuguese business angels have a positive probability to invest up to 50,000 euros/year and they often invest semiannually or annually.

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Kešner, Martin. „Business Angels v České republice“. Doctoral thesis, Vysoká škola ekonomická v Praze, 2011. http://www.nusl.cz/ntk/nusl-165917.

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This dissertation thesis concentrates on Venture Capital in the form of Business Angel investments in innovative companies in the Czech Republic. Primarily, the general knowledge of the Business Angel investments among entrepreneurs and students, the utilization rate of angel investments and the terms of cooperation between investors and entrepreneurs were analyzed. The main objective of this work is to design a methodological procedure of optimal cooperation between Business Angels and innovative entrepreneurs that has had a positive impact on the prosperity of all stakeholders. The theoretical framework summarizes the importance of Venture Capital as a source of funding new and innovative technology companies. Moreover, it focuses on realized research concerning angel investment in the USA and Great Britain. The primary research was realized in the form of interviews with investors and entrepreneurs, who had raised capital from Business Angels. As well, was realized five year long research among the students of universities all over the Czech Republic via questionnaire. Based on the analysis of secondary research and results from qualitative and quantitative research, were designed a normative model, descriptive model and methodology of cooperation between Business Angels and entrepreneurs. The proposed models and methodology respect the international practice, and the outputs have been tailored to the Czech environment as well.

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Farrell, A. Ellen. „Motivations, behaviour and cognition of novice and habitual business angels in new firm incorporations“. Thesis, University of Nottingham, 2005. http://eprints.nottingham.ac.uk/11361/.

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Re-investment is vital to the business angel "industry" because re-investing angels endorse a greater number of entrepreneurs and invest more funds than non-reinvesting angels. In this exploratory empirical analysis, the appraisal qualities of business angels are examined relative to their impact on producing successful investments as well as their impact upon re-investment. The three appraisal qualities investigated are business angels' motivations, their deal generation behaviours and the cognitive heuristics of overconfidence and representativeness. The analysis is based on the information model of the existence of the formal venture capital industry. A typology of business angels is introduced based on 1) their intentions to re-invest and 2) their exit status at re-investment. Business angels who have re-invested are classified as habitual angels. A novel data set reveals information about angels' first to fourth investments that allows for comparability between novice and habitual angels' first investments. The data set is randomly sampled from a known population of newly incorporated firms on the east coast of Canada producing a more representative sample than other business angel studies. Six in-depth case studies add to the findings. The findings indicate that financial motivations, intermediated deal generation and under-confidence are associated with financially successful informal venture capital investments. However, compared to novice angels, the representative sample of habitual angels eschew financial motivations and intermediation, and are characterised by overconfidence at the level of their first investment. Habitual angels demonstrate some qualities that indicate they learn with subsequent investments. Implications for policy makers, business angels and entrepreneurs are included.

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Granville, Scott. „Mapping the Geographical and Literary Boundaries of Los Angeles: A Real and Imagined City“. The University of Waikato, 2007. http://hdl.handle.net/10289/2359.

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In Los Angeles, the influence of Hollywood and the film industry, combined with a non-stop barrage of media images, has blurred the line between the real and imaged. The literature reveals a city exploding with cultural, racial and social differences, making Los Angeles a confusing and alienating place. The literature of Los Angeles reflects the changing face of the city. Los Angeles was always a city with a promising future, economic booms and optimism seemed to suggest that here was a place where the American Dream really could come true. Thousands travelled west in search of sunshine, oranges and a life that formerly, they could only dream of having. Yet, the literature of Los Angeles has highlighted the city's actual history together with a realization of undercurrents of violence, prejudice, depression and shattered dreams. The past, present and future is used to reveal a city that is in stark opposition to the Los Angeles, waves of immigrants came to find. This thesis explores the idea of the dreamer coming west to Los Angeles within the literature and the variety of ways in the travellers' romantic notions of Los Angeles as a city of promise, is betrayed, leaving a desperate people in its wake. The literature shows that beneath the shiny surface of a city founded on sunshine and prosperity, corruption reached all levels of society and the 'mean streets' abound. Later, influenced by an overwhelming feeling of powerlessness caused by Post-war nuclear depression, McCarthyism, loss of identity, and living in a city fragmented by racial tension and an ever growing gap between the very rich and the very poor, the literature of Los Angeles reflects not only the fears of that city, but of American society as a whole. The collision of technology, rapid progression and population explosion turned Los Angeles into a disconnected city, where the real and imagined merge in a cityscape that demonstrates a conflicting combination of historical replication, original design and movie-set inspiration. Nothing is ever what it appears to be in Los Angeles.

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Smith, Sarah J. „Angels with dirty faces : children, cinema and censorship in 1930s Britain“. Thesis, University of Strathclyde, 2001. http://oleg.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=21168.

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Over the last two centuries, a succession of childhood pursuits has been blamed for deterioration in children's health, morality, education and literacy, as well as increases in juvenile delinquency, yet there has also been a constant voice in opposition to these charges. In Britain this debate reached something of a climax in the 1930s, due to the massive growth of cinema and its huge popularity with young people. This thesis aims to explore all aspects of the controversy surrounding children's cinemagoing in the thirties, with a particular focus on the mechanisms used to try and control or contain children's viewing, together with an assessment of the extent to which these mechanisms were successful. Its main arguments are that while concerns about child viewers motivated the development of film censorship practices in Britain and elsewhere, the debate is too complex and varied to be seen as a straightforward moral panic. In addition, it argues that, despite the attempts of the BBFC and others, children were essentially the regulators of their own viewing, as they frequently subverted or circumvented the largely ineffectual mechanisms of official cinema regulation. Moreover it suggests that, in a period when school, home and even leisure tended to be strong on discipline, the cinema was colonised by children as an alternative site of recreation. Matinees in particular were the birthplace of a new and somewhat subversive children's culture, which only started to be `tamed' with the introduction of more formal children's cinema clubs towards the end of the decade. Finally, the productive nature of the debate surrounding children, cinema and censorship is explored in a cases tudy of the 1930s MGM Tarzan films, which assesses the extent to which issues relating to the child audience may have helped to shape a genre.

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Loh, Shinmin Amanda. „A Postmodern Love Affair: Los Angeles and Neo-Noir“. Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/931.

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This paper aims to investigate how film neo-noir functions as an ideal medium to engage in a postmodernist critique of our society, focusing on its negotiation in the city of Los Angeles. Through incorporating postmodernism theorists Fredric Jameson and Linda Hutcheon’s arguments of the themes of the Nostalgia Mode, Parody and Pastiche, and the Decentered, Destructured and Dehumanized, this paper will demonstrate how they manifest in neo-noir’s Los Angeles to totalize contradictions in society and evoke a critical awareness.

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Caston, Emily Katherine. „Hollywood film narratives relating to angelic intervention 1933-1955 : tradition and community“. Thesis, University of Cambridge, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.614982.

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Bücher zum Thema "De Angelis (Firm)"

Routley, Jane. Fire angels. New York: Avon Eos, 1998.

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), Centers for Disease Control and Prevention (U S. Los Angeles Times, Los Angeles, California. [Cincinnati, Ohio?]: U.S. Dept. of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, 1993.

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Garrod, Charles. Decca Los Angeles master numbers. Zephyrhills, Fla. (Box 1687, Zephyrhills 33539): Joyce Record Club Publication, 1992.

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Kristina, Hajjar, und Los Angeles County (Calif.). Fire Dept., Hrsg. County of Los Angeles Fire Department fire fighter. Nashville, Tenn: Turner Pub. Co., 2005.

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Ellis, Robert. City of fire. Grand Haven, Michigan: Brilliance Audio, 2007.

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Ellis, Robert. City of fire. Grand Haven, Michigan: Brilliance Corporation, 2008.

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Ellis, Robert. City of fire. Grand Haven, Michigan: Brilliance Audio, 2007.

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Ellis, Robert. City of fire. Grand Haven, Michigan: Brilliance Audio, 2007.

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Ellis, Robert. City of fire. 3. Aufl. Grand Haven, Michigan: Brilliance Audio, 2007.

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Ellis, Robert. City of fire. Grand Haven, Michigan: Brilliance Audio, 2007.

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Buchteile zum Thema "De Angelis (Firm)"

Scott, Ian. „“This Is Not America: This Is Los Angeles”: Crime, Space, and History in the City of Angels“. In Hollywood and the American Historical Film, 192–207. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-0-230-35789-1_11.

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Botha, P. J. „Fire Mingled with Spirit: St. Ephrem's Views on Angels and the Angelic Life of Christians“. In The Harp (Volumes 8 & 9), herausgegeben von V. C. Samuel, Geevarghese Panicker und Rev Jacob Thekeparampil, 95–104. Piscataway, NJ, USA: Gorgias Press, 2012. http://dx.doi.org/10.31826/9781463232986-006.

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White-Stanley, Debra. „“The Angels of Bataan and Corregidor”“. In A Companion to the War Film, 163–79. Hoboken, NJ: John Wiley & Sons, Inc, 2016. http://dx.doi.org/10.1002/9781118337653.ch10.

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Brown, Ian. „Film from Oligopoly to The Angel’s Share“. In Performing Scottishness, 205–34. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39407-3_10.

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Mennel, Barbara. „The dark city and film noir: Los Angeles“. In Cities and Cinema, 39–59. Second edition. | Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge critical introductions to urbanism and the city: Routledge, 2019. http://dx.doi.org/10.4324/9781351016193-4.

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Geis, Deborah R. „Not “Very Steven Spielberg”?: Angels in America on Film“. In Interrogating America through Theatre and Performance, 243–55. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230100787_16.

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Katz, Richard. „Finance for New Firms“. In The Contest for Japan's Economic Future, 178–98. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197675106.003.0014.

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Abstract The dearth of external finance is Japan’s single biggest hurdle to having more innovative, high-growth startups. Most potential founders lack the personal financial assets to start a firm at an adequate scale and fund its growth. Elsewhere, new companies get seed money from business angels, and well-designed tax incentives have stimulated more angel investment. In Japan, by contrast, angels are rare, and the tax incentives are poorly designed and ineffectual. At a later stage, when growth capital is needed, Japanese banks are reluctant to lend to new companies or youngish founders, especially to women. When they do lend, then, more than elsewhere, they demand a personal guarantee, in which the borrower must pledge his house and savings if the firm fails. The government worsens the situation by supplying loan guarantees and outright loans to zombie firms, adding up to 11% of GDP each year. Shoring up the zombies makes it harder for newcomers to gain market share and profitability.

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Hoof, Florian. „Gilbreth, Inc.“ In Angels of Efficiency, übersetzt von Daniel Fairfax, 133–85. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190886363.003.0004.

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Chapter 3 focuses on the emergence of the consulting industry and discusses early visual consulting models. It describes them as intrinsic parts of marketing efforts undertaken by consulting companies to boost their business model. It specifically focuses on the case of the early corporate consulting firm Gilbreth, Inc., which developed its “lab-based consulting” approach, with a significant use of film and media, as the firm’s main unique selling proposition. Gilbreth, Inc. strategically used a broad range of different visualization techniques—including motion studies conducted in a laboratory setting—in order to separate themselves from other corporate consultants, such as Harrington Emerson and Frederick Taylor. They communicated this in a broadly conceived marketing campaign, which in turn has relevance for the development of management theory and practice, since it popularized a specific model of business leadership among a wider expert audience.

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Eller, Jonathan R. „The Great Shout of the Universe“. In Bradbury Beyond Apollo, 108–15. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043413.003.0016.

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“The Great Shout of the Universe,” Bradbury’s planetarium scenario for the Smithsonian Air & Space Museum, proved too far removed from the more factual presentation that the Smithsonian expected, and the project did not move forward. Chapter 15 shows how Bradbury was able to salvage the concept and have it mounted instead in the Aerospace Museum in Los Angeles as “The Windows of the Universe.” Bradbury went on to compose original verses in the Spanish saeta tradition for “Our Lady Queen of the Angels,” built by Hollywood set designer Tony Duquette and mounted in the Los Angeles Museum of Science and Industry. Bradbury’s work with the American Film Institute seminars and the George Pal Memorial Lecture concludes the chapter.

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Crunden, Robert M. „Los Angeles“. In American Salons, 145–63. Oxford University PressNew York, NY, 1993. http://dx.doi.org/10.1093/oso/9780195065695.003.0007.

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Abstract The American film industry settled in Los Angeles in a swift series of moves that lasted scarcely a decade. In 1906, the American Biograph and Mutoscope Company established a studio, and a year later, Colonel William Selig moved in a film crew to complete The Count of Monte Cristo. Adam Kessel and Charles Baumann arrived in 1909, and D.W. Griffith was right behind them. In 1911, two Englishmen who owned the Centaur Company established a branch office; Selig, Pathe, and Bison were in Edendale and Kalem was in Glendale. By the time America entered World War I in 1917, Los Angeles and especially the exurban area known as Hollywood, had become the center of American film production. Since the war effectively restricted the operation of most non-American filmmakers, Los Angeles dominated the industry world-wide.

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Konferenzberichte zum Thema "De Angelis (Firm)"

Figura Lange, Karen. „Los Angeles : The Architecture and Urban Design of Nontradition“. In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.40.

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Past urban planners, real estate speculators and myth makers have achieved the fantasy city of the future in Los Angeles. Based on the public dream of individualism and the desire for space, Los Angeles is a city inspired and created not by history but by future endeavors, speculative gestures, unlimited possibilities and fantasy. Rising from an agricultural village it has attained metropolis status through industries that promote and depend on myth; real estate development, tourism, film. Los Angeles has become the city it dreamed of being; a future city without historic connections and foundations. Without a sense of community, reality became image. The simultaneous development of the automobile and airplane fueled the growth and pattern of urban evolution in Los Angeles. Populated by individuals escaping their personal histories in the mid-west and east, Los Angeles became a city of newness with a civic lust for the new and a general acceptance that new is better. This lead to city development without historic precedent, and a reliance on technology, first the automobile and airplane, later the computer. In the end the city resembles suburbia infinitum, a city of nowhere, without a center, egalitarian and without hierarchy. Over this pragmatic patterning lies the concern for architects today; to work from within to create a sense of place without responding to the historical models, but developing an event from fragments, estrangement and loss of connectivity.

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Vick, G. L., W. G. Runyan, R. F. Colton, R. J. Thorkildson und J. S. Trcka. „Thin Film Electroluminescent (TFEL) Display Optimized For Cockpit Applications“. In 1985 Los Angeles Technical Symposium, herausgegeben von Elliott Schlam. SPIE, 1985. http://dx.doi.org/10.1117/12.946379.

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Koshino, N., M. Maeda, Y. Goto, K. Itoh und S. Ogawa. „Selenium Alloy Film For New Erasable Optical Disk Media“. In 1985 Los Angeles Technical Symposium, herausgegeben von Robert A. Sprague. SPIE, 1985. http://dx.doi.org/10.1117/12.946429.

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Fang-qing, Zhang, Chen Guang-hua und Xu Xi-xiang. „EELS And XPS Investigation On Amorphous Silicon Carbide Alloy Film“. In 1985 Los Angeles Technical Symposium, herausgegeben von Fred H. Pollak und Raphael Tsu. SPIE, 1985. http://dx.doi.org/10.1117/12.946327.

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Terao, Motoyasu, Tetsuya Nishida, Yasushi Miyauchi, Takeshi Nakao, Toshimitsu Kaku, Shinkichi Horigome, Masahiro Ojima, Yoshito Tsunoda, Yutaka Sugita und Yasuhiro Ohta. „Sn-Te-Se Phase Change Recording Film For Optical Disks“. In 1985 Los Angeles Technical Symposium, herausgegeben von Robert A. Sprague. SPIE, 1985. http://dx.doi.org/10.1117/12.946430.

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Flasck, Richard A., und Scott H. Holmberg. „Amorphous Silicon Thin Film Transistor (TFT) Driven Liquid Crystal Displays (LCD)“. In 1985 Los Angeles Technical Symposium, herausgegeben von Elliott Schlam. SPIE, 1985. http://dx.doi.org/10.1117/12.946383.

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Jung, Christopher C. „Implementation Of Video On A 10" X 12" Thin-Film Electroluminescent Panel“. In 1985 Los Angeles Technical Symposium, herausgegeben von Elliott Schlam. SPIE, 1985. http://dx.doi.org/10.1117/12.946380.

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Masso, Jon D. „Multilayer Thin Film Simulation Of Volume Holograms“. In 1988 Los Angeles Symposium--O-E/LASE '88, herausgegeben von Ivan Cindrich. SPIE, 1988. http://dx.doi.org/10.1117/12.944126.

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Schwiecker, H., K.-H. Hammann und U. Schneider. „Ellipsometric Measurement Methods For Thin Film Technology“. In 1988 Los Angeles Symposium--O-E/LASE '88, herausgegeben von Russell A. Chipman. SPIE, 1988. http://dx.doi.org/10.1117/12.944317.

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DeBell, G., L. Mott und M. von Gunten. „Thin Film Coatings For Laser Cavity Optics“. In 1988 Los Angeles Symposium--O-E/LASE '88, herausgegeben von Philippe M. Fauchet und Karl H. Guenther. SPIE, 1988. http://dx.doi.org/10.1117/12.944452.

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Berichte der Organisationen zum Thema "De Angelis (Firm)"

Nelson, Harold E. An engineering view of the fire of May 4, 1988 in the First Interstate Bank building Los Angeles, California. Gaithersburg, MD: National Institute of Standards and Technology, 1989. http://dx.doi.org/10.6028/nist.ir.89-4061.

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Health hazard evaluation report: HETA-85-375-1861, International Association of Fire Fighters (IAFF), Los Angeles, California. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control, National Institute for Occupational Safety and Health, Januar 1988. http://dx.doi.org/10.26616/nioshheta853751861.

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