Auswahl der wissenschaftlichen Literatur zum Thema „Danse salsa“
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Zeitschriftenartikel zum Thema "Danse salsa"
Jacobs, Marjorie Lee. „The Medicine of Salsa“. Music and Medicine 10, Nr. 4 (28.10.2018): 233. http://dx.doi.org/10.47513/mmd.v10i4.624.
Der volle Inhalt der QuelleDomene, Pablo A., Hannah Moir, Elizabeth Pummell und Chris Easton. „Salsa Dance and Zumba Fitness“. Medicine & Science in Sports & Exercise 46 (Mai 2014): 667. http://dx.doi.org/10.1249/01.mss.0000495474.71910.2f.
Der volle Inhalt der QuelleGuidetti, Laura, Cosme Franklim Buzzachera, Gian Pietro Emerenziani, Marco Meucci, Francisco Saavedra, Maria Chiara Gallotta und Carlo Baldari. „Psychophysiological Responses to Salsa Dance“. PLOS ONE 10, Nr. 4 (10.04.2015): e0121465. http://dx.doi.org/10.1371/journal.pone.0121465.
Der volle Inhalt der QuelleSimpson-Litke, Rebecca, und Chris Stover. „Theorizing Fundamental Music/Dance Interactions in Salsa“. Music Theory Spectrum 41, Nr. 1 (2019): 74–103. http://dx.doi.org/10.1093/mts/mty033.
Der volle Inhalt der QuelleDomene, Pablo A., Michelle Stanley und Glykeria Skamagki. „Injury Surveillance of Nonprofessional Salsa Dance“. Journal of Physical Activity and Health 15, Nr. 10 (01.10.2018): 774–80. http://dx.doi.org/10.1123/jpah.2017-0498.
Der volle Inhalt der QuelleDelgado, Celeste Fraser. „Salsa Crossings: Dancing Latinidad in Los Angeles“. Dance Research Journal 46, Nr. 2 (August 2014): 105–10. http://dx.doi.org/10.1017/s0149767714000308.
Der volle Inhalt der QuelleBorland, Katherine. „Embracing Difference: Salsa Fever in New Jersey“. Journal of American Folklore 122, Nr. 486 (01.10.2009): 466–92. http://dx.doi.org/10.2307/40390082.
Der volle Inhalt der QuelleBosse, Joanna. „Salsa Dance and the Transformation of Style: An Ethnographic Study of Movement and Meaning in a Cross-Cultural Context“. Dance Research Journal 40, Nr. 1 (2008): 45–64. http://dx.doi.org/10.1017/s0149767700001364.
Der volle Inhalt der QuelleCarwile, Christey. „“The Clave Comes Home”: Salsa Dance and Pan-African Identity in Ghana“. African Studies Review 60, Nr. 2 (22.05.2017): 183–207. http://dx.doi.org/10.1017/asr.2017.6.
Der volle Inhalt der QuelleSchneider, Britta. „Multilingual Cosmopolitanism and Monolingual Commodification: Language Ideologies in Transnational Salsa Communities“. Language in Society 39, Nr. 5 (November 2010): 647–68. http://dx.doi.org/10.1017/s0047404510000643.
Der volle Inhalt der QuelleDissertationen zum Thema "Danse salsa"
Pontal-Sanchez, Marion. „La danse salsa en France : Transmission de techniques et genèse de corporéités interculturelles“. Electronic Thesis or Diss., Université Côte d'Azur, 2022. http://www.theses.fr/2022COAZ2041.
Der volle Inhalt der QuelleSalsa dancing is a hybrid multi-choroegraphical exercise which mixes technical and aesthetical properties from a dance, a cultural universe, a performing art but also a musical genre. The new concept of performing on stage in which this popular dance is evolving was crucial for the recognition and the development of the choreographic creation. The specialized salsa festivals have multiplied in the 2000s, inviting french dancers to appropriate a dance coming from a distant culture. Influenced by historical, commercial and political factors, salsa dancing has seen its practice and choreography change along the time. The basic fundamental elements of the choreographic generation like the body, the space, the time, the energy have been infringed by a diversity of contrasted styles and forms coming from imaginations, sounds or gestures. How stage performances engage into the evolution and the redesign of this practice ? What is left then from the "traditional salsa" ? From the field work in France and in the Alpes-Maritimes, this thesis will have as an objective to show that this international activity is marked by a myriad of discussions and questions between traditions and modernity because of the diversity of dance styles, cultures, transmission and broadcasting mediums and because of its practitioners and performers. The body engagement of the dancer depends on multiple factors : motivation linked to the context in which it evolves, its sensibility with respect to its musical choice, its capacity to execute body moves and, at last, its social and cultural identification
Person, Elise. „Le langage de la salsa : étude culturelle et lexicologique des musiques populaires dans la Caraïbe hispanique“. Brest, 2000. http://www.theses.fr/2000BRES1011.
Der volle Inhalt der QuelleBaker, Christina. „Salsa's moves and salsa's grooves in Mexico City“. Diss., [La Jolla] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p1464670.
Der volle Inhalt der QuelleTitle from first page of PDF file (viewed July 2, 2009). Available via ProQuest Digital Dissertations. Includes bibliographical references (p. 112-118).
Marion, Jonathan Saul. „Dance as self, culture, and community the construction of personal and collective meaning and identity in competitive ballroom and salsa dancing /“. Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3213856.
Der volle Inhalt der QuelleTitle from first page of PDF file (viewed June 27, 2006). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 853-893).
Gainer, Natalie. „Dancing Latinidad: Salsa Practices and Latino/a Identity at Brasil's Nightclub“. Master's thesis, Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/396279.
Der volle Inhalt der QuelleM.A.
This thesis investigates Brasil’s Nightclub, a Philadelphia salsa club, as a site at which notions of Latino/a identity are produced and performed. Research for the thesis was conducted over the course of five months and was ethnographic in nature. From February 2016 until June 2016, the author attended Brasil’s Nightclub and collected participant observations and interviews. Findings reveal how the club accommodates multiple conflicting narratives of Latino/a identity and how these narratives are embodied through salsa dance practices.
Temple University--Theses
González, Smeja Alba Marina. „Salsa Nómada. Escena musical, bailable e itinerante de la salsa brava en Barcelona“. Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/397701.
Der volle Inhalt der QuelleDespite the historical absence of women in "Entre que caben cien" and of their directing roles in the scene, an interesting aspect of the ethnography is that when they assume a certain visibility within the scene they appear to be more permissible than men regarding the selection of other salsa songs and of other music styles that distance themselves from the so-called "salsa brava", questioning at this point whether the latter really exists, or does it perhaps ceases to be such when it begins to be called like this? This lends us to other significant questions such as to what extent the more one insists on otherness the more one tries to legitimate what he doesn't want to be? While bigger gets the desire for authenticity and alternative, more massive and hegemonic it becomes? While the bigger the quest for own manifestations derived from subaltern and marginalized culture gets, more extended get the petit bourgeois practices that end up disguising or adapting the first to the taste of the second?
Enríquez, Arana Eddy Magaliel. „The dynamics of salsiology in contemporary Germany reconstructing German cultural identity through salsa music and dance /“. Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1177697944.
Der volle Inhalt der QuellePoole, A. I. „Groove in Cuban dance music : an analysis of son and salsa“. Thesis, Open University, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.680519.
Der volle Inhalt der QuellePietrobruno, Sheenagh. „Salsa and its transnational moves : the commodification of latin dance in Montreal“. Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38417.
Der volle Inhalt der QuelleEscalona, Saúl. „Négritude et chanson dans les Carai͏̈bes : contribution à l'étude de la salsa comme phénomène socioculturel dans le Vénézuela contemporain“. Paris 3, 1997. http://www.theses.fr/1997PA030061.
Der volle Inhalt der QuelleThis thesis tries to explore the development of salsa music and the socio-cultural phenomenon it represents in venezuelan society today. Starting with an historical analysis, the position of the evolution of afro-cuban music is defined as is its expansion into the hispanic caribean until the transformation of the afro-caribean music and more recently, the acquisition of the name "salsa". By using the technique of content analysis concerning two hundred typical songs from this type of music, a topology of salsa songs has been grouped into five categories : descriptive songs, romantic songs, political songs, erotic songs and songs which blend all groups. In a general way, the results show that the song contents are in an ideological perspective, that salsa music is a characteristic of the regional culture of the hispanic caribean and that by telling stories of everyday life this music places the accent over the complex workings of the hispanic caribean society. In conclusion, it's shown that salsa music uses a language that can be called the "language of salsa", in which we find words, phrases and expressions which, projected by the songs, show a certain way of speaking and behaving and that these become a unifyting factor in the way in which salsa listeners communicate
Bücher zum Thema "Danse salsa"
Villar, Eva. Le voyage salsa: Une danse de société pour la pluralité. Paris: Harmattan, 2012.
Den vollen Inhalt der Quelle findenEscalona, Sau l. Si la Pen a m'e tait conte e !: Une histoire de la salsa a Paris. Paris: l'Harmattan, 2010.
Den vollen Inhalt der Quelle findenDenholtz, Roni S. Salsa with me. New York: Avalon Books, 2008.
Den vollen Inhalt der Quelle findenDenholtz, Roni S. Salsa with me. Waterville, Me: Thorndike Press, 2009.
Den vollen Inhalt der Quelle findenStorey, Rita. Samba and salsa. London: Franklin Watts, 2010.
Den vollen Inhalt der Quelle findenHickman, Michael Leon. Me, salsa dance?: Can you imagine learning how to salsa dance in 60 minutes? Place of publication not identified]: [publisher not identified], 2013.
Den vollen Inhalt der Quelle findenBottomer, Paul. Salsa! Madrid: Susaeta, 1996.
Den vollen Inhalt der Quelle findenGutiérrez, Bárbara Balbuena. El casino y la salsa en Cuba. La Habana, Cuba: Letras Cubanas, 2005.
Den vollen Inhalt der Quelle findenGutiérrez, Bárbara Balbuena. Salsa y casino: De la cultura popular tradicional cubana. Buenos Aires: Balletin Dance Ediciones, 2010.
Den vollen Inhalt der Quelle findenLudvig, Maritza Martínez. El diario de una salsera. [Rio Piedras, Puerto Rico?: s.n.], 2003.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Danse salsa"
García, Cindy. „Dancing salsa wrong in Los Angeles“. In The Routledge Dance Studies Reader, 285–96. New third edition, Expanded and updated edition. | New York : Routledge, 2019. | “Second edition published by Routledge 2010”–T.p. verso.: Routledge, 2018. http://dx.doi.org/10.4324/9781315109695-26.
Der volle Inhalt der QuelleAnaya, Elizabeth. „“Salsa con Afro”: Remembering and Reenacting Afro-Cuban Roots in the Global Cuban and Latin Dance Communities“. In Cultural Memory and Popular Dance, 39–60. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71083-5_3.
Der volle Inhalt der QuelleLeymarie, Isabelle. „La salsa“. In Danses latines, 115–25. Autrement, 2007. http://dx.doi.org/10.3917/autre.dorie.2007.01.0115.
Der volle Inhalt der QuellePoupon, Bernard. „Salsa All Stars“. In Danses latines, 150–61. Autrement, 2007. http://dx.doi.org/10.3917/autre.dorie.2007.01.0150.
Der volle Inhalt der QuelleMcMains, Juliet. „From Social Dance Floors to Professional Stages“. In Spinning Mambo into Salsa, 315–65. Oxford University Press, 2015. http://dx.doi.org/10.1093/acprof:oso/9780199324637.003.0009.
Der volle Inhalt der QuelleMcMains, Juliet. „Commercialization of New York Salsa Music and Dance“. In Spinning Mambo into Salsa, 75–110. Oxford University Press, 2015. http://dx.doi.org/10.1093/acprof:oso/9780199324637.003.0003.
Der volle Inhalt der QuelleMenet, Joanna. „Becoming a salsa dance professional“. In Entangled Mobilities in the Transnational Salsa Circuit, 131–47. Routledge, 2020. http://dx.doi.org/10.4324/9781003002697-5.
Der volle Inhalt der QuelleMenet, Joanna. „“Bailamos, shall we dance?”“. In Entangled Mobilities in the Transnational Salsa Circuit, 1–5. Routledge, 2020. http://dx.doi.org/10.4324/9781003002697-0.
Der volle Inhalt der QuelleArgyriadis, Kali. „Glossaire des danses cubaines et de la salsa“. In Danses latines, 162–65. Autrement, 2007. http://dx.doi.org/10.3917/autre.dorie.2007.01.0162.
Der volle Inhalt der QuelleNjoroge, Njoroge. „“Cosa Nuestra”“. In Chocolate Surrealism. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496806895.003.0005.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Danse salsa"
Karavarsamis, Sotiris, Dimitrios Ververidis, Giannis Chantas, Spiros Nikolopoulos und Yiannis Kompatsiaris. „Classifying Salsa dance steps from skeletal poses“. In 2016 14th International Workshop on Content-Based Multimedia Indexing (CBMI). IEEE, 2016. http://dx.doi.org/10.1109/cbmi.2016.7500244.
Der volle Inhalt der QuelleSenecal, Simon, Niels A. Nijdam und Nadia Magnenat Thalmann. „Motion analysis and classification of salsa dance using music-related motion features“. In MIG '18: Motion, Interaction and Games. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3274247.3274514.
Der volle Inhalt der QuelleSenecal, Simon, Niels Nijdam und Nadia Thalmann. „Classification of Salsa Dance Level using Music and Interaction based Motion Features“. In 14th International Conference on Computer Graphics Theory and Applications. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0007399700002108.
Der volle Inhalt der QuelleSenecal, Simon, Niels Nijdam und Nadia Thalmann. „Classification of Salsa Dance Level using Music and Interaction based Motion Features“. In 14th International Conference on Computer Graphics Theory and Applications. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0007399701000109.
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