Thematische Bibliographien / Dancing

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte
  6. Berichte der Organisationen

Auswahl der wissenschaftlichen Literatur zum Thema „Dancing“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 29. Juli 2024

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Zeitschriftenartikel zum Thema "Dancing"

1

Cohen, Sara, und Jan Fairley. „Introduction to ‘Dance’ special issue“. Popular Music 25, Nr. 3 (11.09.2006): 345–46. http://dx.doi.org/10.1017/s0261143006000948.

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‘Are ye dancin’?' ‘Are ye askin’?' ‘Yes I’m askin” ‘Then I’m dancin'!' This was the exchange between couples in Glasgow early in the twentieth century at the height of the ballroom dancing boom that made the city one of the dancing capitals of the world. It lingers on in Scottish dancing parlance. In Havana, people were dancing danzón; in Buenos Aires, tango; and in Río de Janeiro, samba. It was a time of big orchestras when women wore evening dresses and men wore suits. Today, whilst the clothes may have changed, dance with its link to sensual pleasure continues to be fundamental to our cultures.
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Badaki, Oluwakemi Bukola, und Emily S. Schapiro. „Dancing Eyes, Dancing Feet“. Pediatric Emergency Care 23, Nr. 12 (Dezember 2007): 885–88. http://dx.doi.org/10.1097/pec.0b013e31815c9d66.

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Imtiaz, Komal E., und JP Vora. „Dancing eyes-dancing feet“. Lancet 354, Nr. 9176 (Juli 1999): 390. http://dx.doi.org/10.1016/s0140-6736(99)05250-2.

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Kalla, Roger, Jurka Meichtry, Rahel Schumacher, Dario Cazzoli, Roland Wiest, Eberhard Seifert und Rene Müri. „Dancing Jaw and Dancing Eyes“. JAMA Neurology 73, Nr. 1 (01.01.2016): 122. http://dx.doi.org/10.1001/jamaneurol.2015.2299.

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Dodson, Moe, Andree Grau, John Blacking und Bruce Milliard. „Dancing“. Yearbook for Traditional Music 23 (1991): 170. http://dx.doi.org/10.2307/768426.

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Senanayake, P. Manouri, und SP Sumanasena. „Dancing eyes and dancing feet syndrome“. Ceylon Medical Journal 49, Nr. 4 (21.05.2010): 133. http://dx.doi.org/10.4038/cmj.v49i4.1926.

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Stevenson, Deborah. „Dancing through Fire, and: Marie, Dancing (review)“. Bulletin of the Center for Children's Books 59, Nr. 5 (2006): 236. http://dx.doi.org/10.1353/bcc.2006.0026.

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McCormack, Jess. „Dancing Diffraction“. Performance Research 25, Nr. 5 (03.07.2020): 77–83. http://dx.doi.org/10.1080/13528165.2020.1868847.

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Crichton, Ronald, und Michael de Cossart. „Dancing Years“. Musical Times 129, Nr. 1744 (Juni 1988): 301. http://dx.doi.org/10.2307/964886.

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Harvey, Kirsten. „Dancing Faces“. International Journal of the Arts in Society: Annual Review 5, Nr. 3 (2010): 223–34. http://dx.doi.org/10.18848/1833-1866/cgp/v05i03/35860.

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Dissertationen zum Thema "Dancing"

1

Tidemann, Axel. „Dancing Robots“. Thesis, Norwegian University of Science and Technology, Department of Computer and Information Science, 2006. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-10054.

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This Master’s thesis implements a multiple paired models architecture that is used to control a simulated robot. The architecture consists of several modules. Each module holds a paired forward/inverse model. The inverse model takes as input the current and desired state of the system, and outputs motor commands that will achieve the desired state. The forward model takes as input the current state and the motor commands acting on the environment, and outputs the predicted next state. The models are paired, due to the fact that the output of the inverse model is fed into the forward model. A weighting mechanism based on how well the forward model predicts determines how much a module will influence the total motor control. The architecture is a slight tweak of the HAMMER and MOSAIC architectures of Demiris and Wolpert, respectively. The robot is to imitate dance moves that it sees. Three experiments are done; in the first two the robot imitates another robot, whereas in the third experiment the robot imitates a movement pattern gathered from human data. The pattern was obtained using a Pro Reflex tracking system. After training the multiple paired models architecture, the performance and self-organization of the different modules are analyzed. Shortcomings with the architecture are pointed out along with directions for future work. The main results of this thesis is that the architecture does not self-organize as intended; instead the architecture finds its own way to separate the input space into different modules. This is also most likely attributed to a problem with the learning of the responsibility predictor of the modules. This problem must be solved for the architecture to work as designed, and is a good starting point for future work.

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Hofling, Ana Paula. „Dancing Voices“. Thesis, University of Hawaii at Manoa, 2003. http://hdl.handle.net/10125/6919.

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This chapter includes both the revised proposal for the concert shared between Melissa Teodoro and myself, Dancing Voices, and the revised proposal for my MFA thesis piece, The smallest unit of meaning. In an earlier version of this proposal, submitted in the Spring 2002 semester, the working title of my MFA thesis piece was Syllables. The change of title reflects the changes in the choreographic process, caused by a delay in the completion of the original score commissioned for the piece. These changes will be discussed in detail in chapter II.
vii, 41 leaves
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Teodoro, Melissa. „Dancing Voices“. Thesis, University of Hawaii at Manoa, 2003. http://hdl.handle.net/10125/6920.

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This MFA concert will be shared between Ana Paula Hofling and Melissa Teodoro. Our idea is to have a concert that showcases our choreographic work, old and new, in a cohesive concert that is more than a collage of unrelated dances. We have chosen the title "Dancing Voices" because of our interest in working with the spoken word, both in past works and new works. The concert will be divided into two parts, one featuring each of our 15-minute pieces, created to satisfy the MFA degree requirement, and the other will feature reconstructions and restagings of older pieces (some of them revised or edited).
v, 56 leaves
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Kramer, Paula. „Dancing materiality“. Thesis, Coventry University, 2015. http://curve.coventry.ac.uk/open/items/95453abd-9ad9-4154-bd46-7affd402bba7/1.

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This thesis studies materiality in the context of contemporary outdoor dance practices in the natural environment. The more particular territory of this research is comprised of receptivity-, materiality- and/or exposure-based practices, influenced predominantly by the international lineages of Amerta Movement and postmodern dance. This territory is understood to be a relevant niche domain that is relatively uncharted and particularly informative regarding questions of materiality. The practitioners that this study turns to are mostly located in the UK, but also in Germany. The key influence of Amerta is rooted in Central Java, Indonesia. The main empirical data was collected between 2010-2012 in the UK. This work is a practice-as-research project and consists of a written thesis and a performative afternoon. All questions and arguments have been generated and developed through movement – as well as text-based research practices. The methodology draws on qualitative, ethnographic research methods such as participant observation, fieldnote writing and interviews. It further employs creative research methods such as movement-based writing, research installations and the documented immersion into dance practice and performance making. The main theoretical resonances were found in the field of new materialism and speculative realism. The key arguments of the research were thus developed through creative practice and diffractive reading (Barad), particularly of the work of Jane Bennett, Karen Barad and Graham Harman. The findings of this research suggest that attending to materiality supports dancers in refining a sense of embodied emplacement that furthers movement practice, especially in outdoor contexts. Sensing ones own material body is paramount here. In resonance with new materialist and speculative realist scholarship this research argues that dance making takes place in intermaterial confederations that cross the familiar human- non-human divide. Such confederations allow for a decentralisation of the human positionality that is relevant beyond dance and affects ontological conceptualisations and practices of life at large. The findings of this thesis further suggest a partial integration of concepts that on philosophical grounds preclude each other. For the context of dance practice this research puts forward that Barad’s proposal of entanglement can co-function with and is co-relevant to the autonomy of objects and materials proposed by Harman. The thesis thus argues that materials of all different orders occur in inter-independence (Suryodarmo) rather than only entangled with or withdrawn from each other. Both discrete and independent entities and mutual affordances impact the practice of outdoor dance; reality both exceeds the dance and resonates materially within the human body.
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Young, David Robert. „Circles/dancing /“. Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Nasti, Jacquelyn. „Dancing Plague“. ScholarWorks@UNO, 2018. https://scholarworks.uno.edu/td/2479.

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Khudaverdian, Clara. „The dancing body“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0001/MQ39453.pdf.

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Gaidar, Sergii, und Stefan Diez. „Dancing along microtubules“. Universitätsbibliothek Leipzig, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-182537.

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Salameh, Hadeel J. „Dancing with Birds“. Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1552037191445985.

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Spilis, Angelica Abby. „Dancing With Arthritis“. Master's thesis, Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/327134.

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Dance
M.A.
This Master of Arts thesis is based on research that I conducted on dancers who have the auto-immune disease of Rheumatoid Arthritis. Rheumatoid Arthritis is a long-term autoimmune disease that causes inflammation in the joints and the surrounding tissues. Dancers with arthritis feel pain the joints that can be minor or severe, depending on how they are moving their bodies. This research investigates how dancers with an arthritic body can dance without the experiencing pain in their joints. Arthritis impairs movement because it is a disease that affects the joints. In this thesis, I created movements that could enable arthritic dancers the opportunity to continue dancing. I have identified a movement vocabulary, movement methods, and strategies for arthritic dancers who want and need to move with minimal pain. Movements have been created specifically for the arthritic body. I use my own experiences and challenges as an arthritic dancer to inform this study. My experiences helped me to create movements specifically for arthritic dancers because I am an advocate for those who suffer from arthritis.
Temple University--Theses
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Bücher zum Thema "Dancing"

1

Rudefoucauld, Alain Julien. Dancing. s.l.: L""esprit du temps, 1998.

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Dancing. Minneapolis: ABDO Pub. Co., 2013.

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ill, Rader Laura, Hrsg. Dancing. [New York]: HarperCollins Publishers, 1991.

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ill, Bond Craig, Hrsg. Dancing. New York: Orchard Books, 1995.

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Hapka, Cathy. Dancing. Akron, Ohio: Playhouse Pub., 2006.

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1970-, Chessen Betsey, Hrsg. Dancing. New York: Scholastic, 1999.

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Hyunju, Lee, Hrsg. Dancing! Great Britain: Pepper's Ghost, 2005.

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Webb, Sarah. Dancing daze. Somerville, Mass: Candlewick Press, 2013.

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Agell, Charlotte. Dancing feet. San Diego: Harcourt Brace, 1994.

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Carter, Alexandra, und Rachel Fensham, Hrsg. Dancing Naturally. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230354487.

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Buchteile zum Thema "Dancing"

1

Sweeney, Bernadette. „The Dancing Body: Dancing at Lughnasa“. In Performing the Body in Irish Theatre, 111–37. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230582057_5.

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Haste, Amanda J. „Dancing my prayer, dancing my self“. In Music and Identity in Twenty-First-Century Monasticism, 64–75. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003370871-5.

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Sivolella, Davide. „Orbital dancing“. In To Orbit and Back Again, 389–446. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4614-0983-0_12.

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McGrew, Roderick E. „Dancing Mania“. In Encyclopedia of Medical History, 83–105. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-05429-9_4.

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Mcphie, Jamie. „Agential Dancing“. In Mental Health and Wellbeing in the Anthropocene, 141–62. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-3326-2_6.

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Buck, Ralph. „Dancing Diversity“. In Arts Education and Cultural Diversity, 95–102. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-8004-4_9.

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Bainton, Dave. „Dzo Dancing“. In Creative Practitioner Inquiry in the Helping Professions, 39–48. Rotterdam: SensePublishers, 2014. http://dx.doi.org/10.1007/978-94-6209-743-8_6.

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Dangeli, Mique’l. „Dancing Sovereignty“. In The Routledge Companion to Indigenous Art Histories in the United States and Canada, 30–41. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003014256-4.

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Huppatz, Kate. „Exotic Dancing“. In Gender Capital at Work, 112–45. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137284211_7.

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Lenius, Marguerite E. H. „Dancing Nkhoba“. In Methodology, Ideology and Pedagogy of African Art, 38–52. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003389088-4.

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Konferenzberichte zum Thema "Dancing"

1

Alothman, Abdullah. „Dancing“. In ACM SIGGRAPH 98 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/281388.281845.

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Yokoyama, Yayoi. „Dancing“. In SA '11: SIGGRAPH Asia 2011. New York, NY, USA: ACM, 2011. http://dx.doi.org/10.1145/2077355.2425794.

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Daily, Shaundra B., Alison E. Leonard, Sophie Jörg, Sabarish Babu und Kara Gundersen. „Dancing alice“. In the 45th ACM technical symposium. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2538862.2538917.

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Speed, Chris, Larissa Pschetz, Jon Oberlander und Alexandros Papadopoulos-Korfiatis. „Dancing robots“. In the 8th International Conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2540930.2567898.

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Liu, Liang, Yating Wang, Lance Fortnow, Jin Li und Jun Xu. „Freestyle Dancing“. In SIGMETRICS '16: SIGMETRICS/PERFORMANCE Joint International Conference on Measurement and Modeling of Computer Systems. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2896377.2901481.

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McLean, Mandy, Tyler Susko, Danielle Harlow und Julie Bianchini. „Dancing Robots“. In FabLearn '17: Conference on Creativity and Fabrication in Education. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3141798.3141817.

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Owen, Charles B., Laura Dillon, Alison Dobbins, Noah Keppers, Madeline Levinson und Matthew Rhodes. „Dancing Computer“. In MoMM '16: 14th International Conference on Advances in Mobile Computing and Multi Media. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/3007120.3007131.

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Huh, Soojung. „Dancing, moment“. In ACM SIGGRAPH 2012 Dailies. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2341925.2341929.

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Schiphorst, Thecla, Sang Mah und John Crawford. „STILL DANCING“. In Conference companion. New York, New York, USA: ACM Press, 1994. http://dx.doi.org/10.1145/259963.260042.

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Emanuele, Ella, David Hunter, Zachary Duer und Simon Birch. „dAnCing LiNes“. In C&C '23: Creativity and Cognition. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3591196.3593511.

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Berichte der Organisationen zum Thema "Dancing"

1

Bebchuk, Lucian, Alon Brav, Wei Jiang und Thomas Keusch. Dancing With Activists. Cambridge, MA: National Bureau of Economic Research, August 2019. http://dx.doi.org/10.3386/w26171.

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W Guo et al. Dancing bunches at Tevatron. Office of Scientific and Technical Information (OSTI), Juli 2003. http://dx.doi.org/10.2172/812156.

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Reyes, C. Dancing Droplets on a Defect Line. Office of Scientific and Technical Information (OSTI), Oktober 2021. http://dx.doi.org/10.2172/1826866.

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Akcigit, Ufuk, Santiago Caicedo, Ernest Miguelez, Stefanie Stantcheva und Valerio Sterzi. Dancing with the Stars: Innovation Through Interactions. Cambridge, MA: National Bureau of Economic Research, März 2018. http://dx.doi.org/10.3386/w24466.

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Kane, Laura. Dancing Seafoam—A Tribute to the Oregon Coast. Ames: Iowa State University, Digital Repository, September 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1615.

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Fong, Arthur C. Dancing with the Dragon: U.S.-China Engagement Policy. Fort Belvoir, VA: Defense Technical Information Center, März 2013. http://dx.doi.org/10.21236/ada589225.

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Rhee, Jongeun, und Susanna Bordelon. �Choli�: Re-Design and Engineering Functional Belly Dancing Costume. Ames (Iowa): Iowa State University. Library, Januar 2019. http://dx.doi.org/10.31274/itaa.8283.

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Shioya, Tadashi. Analysis of Right and Left Turns in Ballroom Dancing. Purdue University, 2022. http://dx.doi.org/10.5703/1288284317542.

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Schonfeld, Roger, und Liam Sweeney. "I Recommend Dancing": Brooklyn Museum’s History of Inclusion and Moment of Transition. Ithaka S+R, Januar 2018. http://dx.doi.org/10.18665/sr.306189.

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Ndubuisi, Gideon, Elvis Korku Avenyo und Rex Asiama. Dancing on the grid: electricity crises, manufacturing energy vulnerability, and jobs in South Africa. UNU-WIDER, Juni 2024. http://dx.doi.org/10.35188/unu-wider/2024/503-5.

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