Auswahl der wissenschaftlichen Literatur zum Thema „Cut-up poetry“
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Zeitschriftenartikel zum Thema "Cut-up poetry"
Hare, Kathleen (Kaye) A. „“Institutionalized States of Information Abstinence”“. Art/Research International: A Transdisciplinary Journal 6, Nr. 2 (04.09.2021): 415–41. http://dx.doi.org/10.18432/ari29540.
Der volle Inhalt der QuelleTurner, Ashley R., Roque Anthony F. Velasco, Kathleen Oman und Karen H. Sousa. „Aesthetic Knowing: Cut-Ups and Haiku Poems“. Nursing Science Quarterly 36, Nr. 2 (30.03.2023): 181–85. http://dx.doi.org/10.1177/08943184221150263.
Der volle Inhalt der QuelleMiloykovitch, Vladimir Vladda. „The Art of Vanishing“. Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 5, Nr. 1 (27.12.2017): 90. http://dx.doi.org/10.14195/2182-8830_5-1_18.
Der volle Inhalt der QuellePetievich, Carla, und Max Stille. „Emotions in performance: Poetry and preaching“. Indian Economic & Social History Review 54, Nr. 1 (Januar 2017): 67–102. http://dx.doi.org/10.1177/0019464616683481.
Der volle Inhalt der QuelleBabnis, Tomasz. „The River Araxes in the Roman Poetry“. Classica Cracoviensia 22 (29.10.2020): 7–46. http://dx.doi.org/10.12797/cc.20.2019.22.01.
Der volle Inhalt der QuelleIzenson, Andy. „“… that which wishes to articulate itself in you”“. Religion and the Arts 27, Nr. 1-2 (11.04.2023): 230–53. http://dx.doi.org/10.1163/15685292-02701003.
Der volle Inhalt der QuelleKazlauskaitė, Rūta. „The mental image of lightning in Lithuanian poetry“. Lietuvių kalba, Nr. 12 (15.12.2018): 1–27. http://dx.doi.org/10.15388/lk.2018.22516.
Der volle Inhalt der QuelleWilcox, David. „The Clothing of a Regency Poet, Lord Byron (1788–1824)“. Costume 55, Nr. 2 (September 2021): 212–39. http://dx.doi.org/10.3366/cost.2021.0200.
Der volle Inhalt der QuelleTorres Núñez del Prado, Paola. „AIELSON: A neural spoken-word poetry generator with a distinct South American voice“. Journal of Interdisciplinary Voice Studies 7, Nr. 1 (01.08.2022): 11–33. http://dx.doi.org/10.1386/jivs_00052_1.
Der volle Inhalt der QuelleRoy, Sydnor. „HOMERIC CONCERNS: A METAPOETIC READING OF LUCRETIUS, DE RERUM NATURA 2.1–19“. Classical Quarterly 63, Nr. 2 (08.11.2013): 780–84. http://dx.doi.org/10.1017/s0009838813000256.
Der volle Inhalt der QuelleDissertationen zum Thema "Cut-up poetry"
Ryding, Karin. „Poetry is for everyone : A comparative analysis of the cut-up technique, Magnetic poetry and the casual word game Words of Oz“. Thesis, Uppsala universitet, Institutionen för speldesign, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-228190.
Der volle Inhalt der QuelleDumoulin, Gilles. „Du collage au cut-up (1912-1959) Procédures de collage et formes de transmédiation dans la poésie d'avant-garde“. Phd thesis, Université de Grenoble, 2012. http://tel.archives-ouvertes.fr/tel-00943454.
Der volle Inhalt der QuelleNaccache, Marion. „Bernard Heidsieck & Cie : une fabrique du poétique“. Phd thesis, Ecole normale supérieure de lyon - ENS LYON, 2011. http://tel.archives-ouvertes.fr/tel-00680287.
Der volle Inhalt der QuelleTroin-Guis, Marie Anysia. „Pratiques et poésies expérimentales de1960 à 1980 : enjeux esthétiques, éthiques et politiques : Julien Blaine, William S. Burroughs, Eugenio Miccini“. Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0457.
Der volle Inhalt der QuelleThis thesis aims to identify the aesthetic, ethical and political issues of experimental poetry from 1960 to 1980. It deals with the works of J. Blaine, W. S. Burroughs and E. Miccini. This work offers a reflection upon the poetic experiments taking place during a period of strong societal, economic and media switch. After the establishment of a genealogy of the experimental practices of collage and montage, it is now about placing this experimental poetry in a neo-avant-garde model, which involves a re-evaluation of practices inherited from the beginning of the twentieth century and a functioning in a network, making the individual and the collective dialogue. Henceforth, the thesis shows that the renewal of the poetics that takes place in the era of a society of the image relies on on technical evolution : it is about creating with and against the book. The new relationship between poetic. The new relationship between poetic and book-based creation and issues of reproducibility, mainly by offset, creates a perspective of the work with the notions of imprint and ruin. Thus, the imprint constitutes a new paradigm which endorses the unstable ontological status of a work which works on the materiality of its support and which alters a traditional, only verbal dimension. Resistance to traditional forms implies a commitment, in form and substance : different strategies are then developed by the authors, which allow to establish aesthetic policies of which the aim is to make the reader / spectator access a formative and ethical aesthetic experience
Bücher zum Thema "Cut-up poetry"
Lastovica, Paul. Inventory Clerk: Fragments and Cut-Up Poems. Lemures Books, 2022.
Den vollen Inhalt der Quelle findenLastovica, Paul. Inventory Clerk: Fragments and Cut up Poems. Lemures Books, 2022.
Den vollen Inhalt der Quelle findenHashtagpoetry#: The hidden poetry of Twitter, cut-up, painted and posted to Instagram. Portishead: Burning Eye Books, 2016.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Cut-up poetry"
„Cut-up“. In The Craft of Poetry, 160. Yale University Press, 2021. http://dx.doi.org/10.2307/j.ctv1hztrbd.120.
Der volle Inhalt der QuelleLøgstrup, K. E. „Poetry and Ethics“. In The Ethical Demand, übersetzt von Bjørn Rabjerg und Robert Stern, 164–75. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198855989.003.0012.
Der volle Inhalt der QuelleLefteratou, Anna. „Unweaving Crossweave Poems“. In The Homeric Centos, 1–6. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197666555.003.0001.
Der volle Inhalt der QuelleLecky, Katarzyna. „Spenser’s Miniature Map of Faerie“. In Pocket Maps and Public Poetry in the English Renaissance, 37–72. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198834694.003.0001.
Der volle Inhalt der QuelleField, Douglas, und Jay Jeff Jones. „Running with the Underdog“. In Harold Norse, 183–98. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781638040163.003.0015.
Der volle Inhalt der QuelleGardner, Colin. „On Truth and Lie in an Extra-Formal Sense: Silence as Resistant Punctum in Abbas Kiarostami’s The Chorus (1982), Homework (1989) and Close-Up (1990)“. In Chaoid Cinema, 283–317. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474494021.003.0010.
Der volle Inhalt der Quelle„Cut-up Consciousness and Talking Trash“. In Poetic Inquiry, 59–74. Brill | Sense, 2009. http://dx.doi.org/10.1163/9789087909512_006.
Der volle Inhalt der QuelleHeal, Benjamin J. „Beat Hotel“. In Harold Norse, 143–56. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781638040163.003.0012.
Der volle Inhalt der QuelleMillgate, Michael. „Pessimistic Meliorist“. In Thomas Hardy, A Biography Revisited, 378–93. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780199275656.003.0022.
Der volle Inhalt der QuelleSmith, Brian Cantwell. „Cummins-or Something Isomorphic to Him“. In Philosophy of mental Representation, 170–90. Oxford University PressOxford, 2002. http://dx.doi.org/10.1093/oso/9780198250517.003.0011.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Cut-up poetry"
Storozhuk, Alexander. „BAI JUYI AND ORIGINS OF THE NEW YUEFU“. In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.07.
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