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1

Bergdoll, Barry. „Curating History“. Journal of the Society of Architectural Historians 57, Nr. 3 (September 1998): 257–366. http://dx.doi.org/10.2307/991345.

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2

Smith, MacKenzie. „Curating Architectural 3D CAD Models“. International Journal of Digital Curation 4, Nr. 1 (29.06.2009): 98–106. http://dx.doi.org/10.2218/ijdc.v4i1.81.

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Increasing demand to manage and preserve 3-dimensional models for a variety of physical phenomena (e.g., building and engineering designs, computer games, or scientific visualizations) is creating new challenges for digital archives. Preserving 3D models requires identifying technical formats for the models that can be maintained over time, and the available formats offer different advantages and disadvantages depending on the intended future uses of the models. Additionally, the metadata required to manage 3D models is not yet standardized, and getting intellectual proposal rights for digital models is uncharted territory. The FACADE Project at MIT is investigating these challenges in the architecture, engineering and construction (AEC) industry and has developed recommendations and systems to support digital archives in dealing with digital 3D models and related data. These results can also be generalized to other domains doing 3D modeling.
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Real, Patricio Del, Jennifer Dunlop Fletcher, Ricardo Daza Caicedo, Laura Sepúlveda Henao, Gabriela Silva Correa, Zoë Ryan, Martino Stierli, Giancarlo Latorraca, Shirley Surya und Pippo Ciorra. „Curating for Whom?“ Journal of the Society of Architectural Historians 79, Nr. 4 (01.12.2020): 381–92. http://dx.doi.org/10.1525/jsah.2020.79.4.381.

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Real, Patricio Del, Jennifer Dunlop Fletcher, Ricardo Daza Caicedo, Laura Sepúlveda Henao, Gabriela Silva Correa, Zoë Ryan, Martino Stierli, Giancarlo Latorraca, Shirley Surya und Pippo Ciorra. „Curating for Whom?“ Journal of the Society of Architectural Historians 79, Nr. 4 (01.12.2020): 381–92. http://dx.doi.org/10.1525/jsah.2020.79.4.381.

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Ruggiero, Amanda Saba, und Luis Michael. „MoMA A&D talks: on curating architecture and design“. Risco Revista de Pesquisa em Arquitetura e Urbanismo (Online) 16, Nr. 1 (09.07.2018): 103–4. http://dx.doi.org/10.11606/issn.1984-4506.v16i1p103-104.

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Sachs Olsen, Cecilie. „Curating change: Spatial utopian politics and the architecture of degrowth“. Transactions of the Institute of British Geographers 46, Nr. 3 (28.06.2021): 704–16. http://dx.doi.org/10.1111/tran.12463.

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Pattanayak, Santanu, Subhrajit Nag und Sparsh Mittal. „CURATING: A multi-objective based pruning technique for CNNs“. Journal of Systems Architecture 116 (Juni 2021): 102031. http://dx.doi.org/10.1016/j.sysarc.2021.102031.

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Lee, Rob. „Curating a Cybersecurity CV that Shines“. ITNOW 62, Nr. 4 (2020): 18–19. http://dx.doi.org/10.1093/itnow/bwaa098.

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Abstract While lockdown has decimated many of our industries, causing redundancies and insolvency for many, Rob Lee MBCS CISSP, explains how the new normal can be an opportunity to upgrade your CV and video interview technique.
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Michelsen, Leslee Katrina. „Curating the ‘Islamic’: The Personal and the Political“. International Journal of Islamic Architecture 10, Nr. 1 (01.01.2021): 127–36. http://dx.doi.org/10.1386/ijia_00034_1.

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10

Langmead, Alison, Dan Byers und Cynthia Morton. „Curatorial Practice as Production of Visual and Spatial Knowledge: Panelists Respond“. Contemporaneity: Historical Presence in Visual Culture 4 (03.08.2015): 158–63. http://dx.doi.org/10.5195/contemp.2015.152.

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Three participants in the panel “Curatorial Practice as Production of Visual and Spatial Knowledge” reflect upon the ideas raised in their discussion about curating, both in their respective fields and as a general practice. The panel was a part of Debating Visual Knowledge, a symposium organized by graduate students in Information Science and History of Art and Architecture at the University of Pittsburgh, October 3–5, 2014. A transcription of the panel is available in this issue.
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Bereta, Andrej, und Srđan Tunić. „Academic course: About and around curating: The technology of an exhibition process: The realization of project "Real World"“. SAJ - Serbian Architectural Journal 5, Nr. 3 (2013): 330–43. http://dx.doi.org/10.5937/saj1303330b.

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As an extended part of independent curatorial project About and Around Curating/Kustosiranje, art historians and freelance curators Bereta and Tunić developed a special academic course for the University of Belgrade, Faculties of Architecture and Fine Arts during the autumn semester 2012/13. Rooted in experience based methodology and inspired by contemporary curatorial studies in Europe, the official course curriculum gathered undergraduate students of Architecture, Fine Arts (Department of Sculpture) and Art Historians. The aim of the course was to encourage team working of students of different backgrounds in order to create newly produced artworks, as part of a group exhibition. The course itself was intended to be a reaction and constructive critique towards the lack of cooperation between art faculties, low rate of practical activities during studies and seeing curatorial studies solely as a world of ideas.
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Schnapp, Jeffrey T. „On Disciplinary Finitude“. PMLA/Publications of the Modern Language Association of America 132, Nr. 3 (Mai 2017): 505–12. http://dx.doi.org/10.1632/pmla.2017.132.3.505.

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The year 2008 was one of fruitful disjunctions. I spent the fall teaching at Stanford but commuting to the University of California, Los Angeles, to cochair the inaugural Mellon Seminar in Digital Humanities. During the same period, I was curating—at the Canadian Center for Architecture, in Montreal—an exhibition devised to mark the centenary of the publication of “The Founding Manifesto of Futurism,” by Filippo Tommaso Marinetti. Whereas other centennial shows (at the Centre Pompidou, in Paris, and at the Palazzo Reale, in Milan) sought to celebrate the accomplishments and legacies of Marinetti's avant-garde, the Canadian exhibition, Speed Limits, was critical and combative in spirit, more properly futurist (though thematically antifuturist). It probed the frayed edges of futurism's narrative of modernity as the era of speed to reflect on the social, environmental, and cultural costs. An exhibition about limits, it looked backward over the architectural history of the twentieth century to look forward beyond the era of automobility.
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SAUNDERS, ROB, und JOHN S. GERO. „Curious agents and situated design evaluations“. Artificial Intelligence for Engineering Design, Analysis and Manufacturing 18, Nr. 2 (Mai 2004): 153–61. http://dx.doi.org/10.1017/s0890060404040119.

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This paper presents a possible future direction for agent-based simulation using complex agents that can learn from experience and report their individual evaluations. Adding learning to the agent model permits the simulation of potentially important agent behavior such as curiosity. The agents can then report evaluations of a design that are situated in their individual experience. The paper describes the architecture of curious agents used in the situated evaluation of designs. It then describes an example of the application of such curious agents in the evaluation of the curating of an exhibition in an art gallery.
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Nelson, Roger. „Curating as (Expanded) Art History in Southeast Asia: Recent Independent Projects in Ho Chi Minh City, Luang Prabang, and Phnom Penh“. ARTMargins 9, Nr. 2 (Juni 2020): 33–60. http://dx.doi.org/10.1162/artm_a_00262.

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A small yet influential strain of independent contemporary curatorial practice has emerged in Southeast Asia, which is performing (expanded) art historical functions. This mode of independent curating now constitutes an important base for exciting new research—making use of diverse archives as well as other methodologies—to study the often little-known histories of the region's modern arts, including its architecture, cinema, and photography. That such research is taking place in the context of independent contemporary curatorial practice is significant because it locates modern art history largely outside of large and state-funded institutions, including museums and universities, thus enabling the development and proliferation of art historical research in areas of Southeast Asia, including its mainland sub-regions, which have comparatively little funding and official infrastructure for the arts. This article explores the emerging practice of independent curating as (expanded) art history in Southeast Asia, through comparative discussion of three case studies: the Roung Kon Project in Phnom Penh, which researches histories of cinema in Cambodia; the Buddhist Archive of Photography in Luang Prabang, which researches histories of photography in Laos; and Spirit of Friendship in Ho Chi Minh City, which researches histories of artist groups in Vietnam.
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Gray, Colin M., und Yubo Kou. „Co-producing, curating, and defining design knowledge in an online practitioner community“. CoDesign 15, Nr. 1 (02.01.2019): 41–58. http://dx.doi.org/10.1080/15710882.2018.1563193.

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Weber, Stefan. „Pulling the Past into the Present: Curating Islamic Art in a Changing World, a Perspective from Berlin“. International Journal of Islamic Architecture 7, Nr. 2 (01.07.2018): 237–61. http://dx.doi.org/10.1386/ijia.7.2.237_1.

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Kubik, Tomasz, und Agnieszka Kwiecień. „Resolving Dilemmas Arising during Design and Implementation of Digital Repository of Heterogenic Scientific Resources“. Applied Sciences 11, Nr. 1 (28.12.2020): 215. http://dx.doi.org/10.3390/app11010215.

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The creation of digital repositories for archiving and disseminating scientific resources faces many challenges. These challenges relate not only to the modelling of the processes of preparing, depositing, sharing, maintaining, and curating resources. They also face the feasibility of the adopted assumptions and final implementation. Such kind of issues become particularly important in the case of processing of resources containing multimedia. The critical factor then becomes a properly designed architecture that supports efficient data processing and universal data presentation. This article aims to answer questions that may arise when approaching various designing and implementation dilemmas, such as how to handle processes in a digital repository, how to use cloud solutions in its construction, how to work with user interfaces, and how to process collected multimedia. The presented study explores their practical context based on the experiences gained during the AZON platform’s implementation. This platform stores tens of thousands of scientific resources: books, articles, magazines, teaching materials, presentations, photos, 3D scans, audio and video files, databases, and many more. It serves as a running example for all presented proposals.
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Palmieri, Teresa, Liesbeth Huybrechts und Oswald Devisch. „Co-producing, curating and reconfiguring dwelling patterns: A design anthropological approach for sustainable dwelling futures in residential suburbs“. Design Studies 74 (Mai 2021): 101011. http://dx.doi.org/10.1016/j.destud.2021.101011.

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Navale, Vivek, Michele Ji, Olga Vovk, Leonie Misquitta, Tsega Gebremichael, Alison Garcia, Yang Fann und Matthew McAuliffe. „Development of an informatics system for accelerating biomedical research.“ F1000Research 8 (14.08.2019): 1430. http://dx.doi.org/10.12688/f1000research.19161.1.

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Biomedical translational research can benefit from informatics system that support the confidentiality, integrity and accessibility of data. Such systems require functional capabilities for researchers to securely submit data to designated biomedical repositories. Reusability of data is enhanced by the availability functional capabilities that ensure confidentiality, integrity and access of data. A biomedical research system was developed by combining common data element methodology with a service-oriented architecture to support multiple disease focused research programs. Seven service modules are integrated together to provide a collaborative and extensible web-based environment. The modules - Data Dictionary, Account Management, Query Tool, Protocol and Form Research Management System, Meta Study, Repository Manager and globally unique identifier (GUID) facilitate the management of research protocols, submitting and curating data (clinical, imaging, and derived genomics) within the associated data repositories. No personally identifiable information is stored within the repositories. Data is made findable by use of digital object identifiers that are associated with the research studies. Reuse of data is possible by searching through volumes of aggregated research data across multiple studies. The application of common data element(s) methodology for development of content-based repositories leads to increase in data interoperability that can further hypothesis-based biomedical research.
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Reynolds, Jessica. „What is ‘minimal’ anyway? John Pawson: Plain Space at the Design Museum and About a Minute at the Gopher Hole“. Architectural Research Quarterly 15, Nr. 2 (Juni 2011): 100–103. http://dx.doi.org/10.1017/s1359135511000522.

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Architecture shows and biennales have proliferated in the last decade, accompanied by new courses and publications on architectural curation. The curation of an exhibition can be as complex and political as the realisation of a work of architecture. It can be presented as an effective vehicle for critical discourse, challenging the traditional definition of architectural practice as the design, procurement and construction of a building. In response, existing architecture exhibition spaces are adapting and new galleries are opening, reconceptualising modes of display. This review considers two contrasting architecture exhibitions on show in London at the turn of 2011, each with different agendas, ambitions and audiences.
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Lu, Shennan, Jiyao Wang, Farideh Chitsaz, Myra K. Derbyshire, Renata C. Geer, Noreen R. Gonzales, Marc Gwadz et al. „CDD/SPARCLE: the conserved domain database in 2020“. Nucleic Acids Research 48, Nr. D1 (28.11.2019): D265—D268. http://dx.doi.org/10.1093/nar/gkz991.

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Abstract As NLM’s Conserved Domain Database (CDD) enters its 20th year of operations as a publicly available resource, CDD curation staff continues to develop hierarchical classifications of widely distributed protein domain families, and to record conserved sites associated with molecular function, so that they can be mapped onto user queries in support of hypothesis-driven biomolecular research. CDD offers both an archive of pre-computed domain annotations as well as live search services for both single protein or nucleotide queries and larger sets of protein query sequences. CDD staff has continued to characterize protein families via conserved domain architectures and has built up a significant corpus of curated domain architectures in support of naming bacterial proteins in RefSeq. These architecture definitions are available via SPARCLE, the Subfamily Protein Architecture Labeling Engine. CDD can be accessed at https://www.ncbi.nlm.nih.gov/Structure/cdd/cdd.shtml.
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Wells, Michael, Adam Robin, Laila Poisson, Houtan Noushmehr und James Snyder. „MLTI-05. IDENTIFYING BRAIN METASTATIC CASES FROM FREE TEXT CLINICAL NARRATIVES WITH REFINEMENT OF SEMANTIC HETEROGENEITY USING MACHINE LEARNING“. Neuro-Oncology Advances 1, Supplement_1 (August 2019): i15. http://dx.doi.org/10.1093/noajnl/vdz014.064.

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Abstract INTRODUCTION: Brain metastatic disease (BM) is ripe for discovery using computational tools like machine learning (ML) due to disease complexity and multidimensional critical data (imaging, genomics, primary disease, drug exposures)1. Leveraging real-world-evidence’ (RWE) from routine health data to inform clinical management is hindered by fragmented unstructured data and semantic heterogeneity2. Clinical data in EHR and institutional registries are typically free text narratives absent common data elements (CDE). Curating existing data into CDE with machine learning (ML) may inform contemporary approaches (RWE, N-of-1 trials, and precision medicine) that are dependent on large high-quality datasets. Harvesting existing institutional registries may expand demographic representation, confirm benchmarks of established treatments, and provide test environment for prospective ML applications. METHOD: An R-based deep convoluted neural network (DNN) using keras and an API for Tensorflow python was trained on physician narratives of 2000 BM cases and 8000 other CNS conditions labeled by diagnosis spanning 17 years3,4. The ML model was tested with 405 non-labeled narratives to: A) Identify BM from other CNS conditions (i.e. glioma, meningioma, non-tumor). B) Evaluate word embedding using GLoVe5 to standardize abbreviations and misspellings by assigning terms to CDE by training the model to plot “mets”, “metastases” and “spine” with the 20 most similar contextual words. RESULTS: DNN architecture achieved 97% accuracy in distinguishing BM (n=178) for others (n=227). “Mets” and “metastasis” have a connected contextual network suggesting shared meaning, whereas spine did not share a network. CONCLUSIONS: ML can identify BM cases in free-text registries which can serve as a quality control measure and aid data aggregation. Standardizing shorthand terminology to CDE with DNN trained in word embedding can possibly address semantic heterogeneity and facilitate data automation. Solutions are needed to compile and automate quality BM data across institutions to achieve the volume and complexity required for contemporary analysis using ML.
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Lowe, Nicholas. „Discovering the Exhibition by Curating It“. Theater 50, Nr. 2 (01.05.2020): 21–39. http://dx.doi.org/10.1215/01610775-8154791.

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Nicholas Lowe, curator of goat island archive—we have discovered the performance by making it, a retrospective held ten years after the twenty-three-year run of the company Goat Island, explains how his concept of archival performance developed in response to Goat Island’s past. Noting the fundamental gap between the ephemeral performances and their retrospective archives, he expanded the notion of archive to bodily and spatially communicate with the contemporary. Introducing each work presented in goat island archive, Lowe describes how the artists regenerated the original ideas of the performances by various means—including architectures, human bodies, historical narratives, and digital technologies—to invoke past performances within the present.
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Skålevåg, Svein Atle. „Constructing curative instruments: psychiatric architecture in Norway, 1820-1920“. History of Psychiatry 13, Nr. 49 (März 2002): 051–68. http://dx.doi.org/10.1177/0957154x0201304903.

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Patelli, Alina, Peter R. Lewis, Aniko Ekart, Hai Wang, Ian Nabney, David Bennett, Ralph Lucas und Alex Cole. „An architecture for the autonomic curation of crowdsourced knowledge“. Cluster Computing 20, Nr. 3 (09.06.2017): 2031–46. http://dx.doi.org/10.1007/s10586-017-0908-2.

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Dayer, Carolina. „Curation“. Journal of Architectural Education 72, Nr. 1 (02.01.2018): 167. http://dx.doi.org/10.1080/10464883.2018.1410674.

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Chang, Hsia-Ching, und Chen-Ya Wang. „E-Memory Choice Architecture“. International Journal of Online Marketing 9, Nr. 1 (Januar 2019): 24–37. http://dx.doi.org/10.4018/ijom.2019010102.

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Twitter archiving systems have been developed to preserve users' tweets. The available methods of organizing tweets for curation include the hashtag, user ID, and keywords. These can be viewed as memory encoding symbols supporting future retrieval of users' social media memories. As Twitter has become a global social media platform, online Twitter archiving systems have transformed from an open platform for archiving tweets to an integrated service managing multiple accounts across platforms. With the changing business models of Twitter archiving systems, usage data has become unavailable publicly. This study collected historical usage data from the API of an online Twitter archiving system, TwapperKeeper, before its acquisition by Hootsuite in September 2011. The valuable system usage data allowed this study to examine the tweet archiving preferences of early Twitter adopters. By mapping adoption-diffusion and use-diffusion models into the web information architecture of the online archiving system, this study analyzed user choice architecture through the system function use.
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Menking, William. „Curation and Criticism“. Journal of Architectural Education 62, Nr. 3 (Februar 2009): 24–25. http://dx.doi.org/10.1111/j.1531-314x.2008.00262.x.

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Paneva-Marinova, Desislava, Stoikov Stoikov, Lilia Pavlova und Detelin Luchev. „System Architecture and Intelligent Data Curation of Virtual Museum for Ancient History“. SPIIRAS Proceedings 18, Nr. 2 (12.04.2019): 444–70. http://dx.doi.org/10.15622/sp.18.2.444-470.

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Preserving the cultural and historical heritage of various world nations, and their thorough presentation is a long-term commitment of scholars and researchers working in many areas. From centuries every generation is aimed at keeping record about its labor, so that it could be revised and studied by the next generations. New information and multimedia technologies have been developed during the past couple of years, which introduced new methods of preservation, maintenance and distribution of the huge amounts of collected material. This article aims to present the virtual museum, an advanced system managing diverse collections of digital objects that are organized in various ways by a complex specialized functionality. The management of digital content requires a well-designed architecture that embeds services for content presentation, management, and administration. All elements of the system architecture are interrelated, thus the accuracy of each element is of great importance. These systems suffer from the lack of tools for intelligent data curation with the capacity to validate data from different sources and to add value to data. This paper proposes a solution for intelligent data curation that can be implemented in a virtual museum in order to provide opportunity to observe the valuable historical specimens in a proper way. The solution is focused on the process of validation and verification to prevent the duplication of records for digital objects, in order to guarantee the integrity of data and more accurate retrieval of knowledge.
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Heckner, Elke. „Fascism and its Afterlife in Architecture“. Museum and Society 14, Nr. 3 (09.06.2017): 363–81. http://dx.doi.org/10.29311/mas.v14i3.651.

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The recent opening to the public of large-scale National Socialist installations in Germany – like the Denkort Bunker “Valentin” in Bremen-Farge – has prompted questions on how to address the legacy of Nazi advances in science and technology in musealized spaces, and, more generally, how to curate inconvenient military history. To tackle these questions, the issue of affect is crucial. Curation must be able to confront articulations of right-wing extremist “reactionary” affect in and beyond the museum setting. This has been a challenge for Dresden’s newly redesigned Militärhistorisches Museum der Bundeswehr, whose anti-militaristic message is being drowned out by right-wing xenophobic demonstrations in Dresden’s streets. This paper seeks to counter current curatorial strategies that displace and suppress affect. By considering affect’s productive potential without ignoring the record of Nazi manipulations of affect, it proposes the concept of an ‘upstander’ museum and delineates a new methodology for rethinking affect in curatorial settings.
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de la Vega, Francisco, Javier Soriano, Miguel Jimenez und David Lizcano. „A Peer-to-Peer Architecture for Distributed Data Monetization in Fog Computing Scenarios“. Wireless Communications and Mobile Computing 2018 (04.09.2018): 1–15. http://dx.doi.org/10.1155/2018/5758741.

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Modern IoT deployments do require considerable investments that might only be justified if the data being gathered could be monetized, which leads to the need for a digital data marketplace. In many cases, the provider of the IoT data needs to process it locally for data curation, aggregation, stream processing, etc. At the same time, the consumer could be interested in nearby data. This scenario resembles a fog computing architecture where companies require being able, keeping data under their control, to securely make it available to other companies in a peer-to-peer fashion, without needing a cloud intermediary (like traditional marketplaces do), thus maximizing the locality of the processing and avoiding the existence of a bottleneck when the intermediary makes the data delivery for accounting purposes. Nevertheless, this imposes a hard requirement: by not having a central marketplace, the peers (seller and customer) need to trust each other, which, in turn, requires enforcing a nonrepudiation schema. In this paper, the authors propose a distributed peer-to-peer architecture for such a data marketplace that takes advantage of the architectural fundamentals of fog computing, in which data processing, filtering, and stream based event generation is done in a fog node along with the data, and where relationships, both commercial agreements and data delivery, are performed directly between producers and consumers without the need of mutual trust thanks to the usage of blockchain principles (e.g., distributed ledger, consensus mechanism). The proposed architecture is validated through a case study involving a set of key issues regarding nonrepudiation commonly identified when moving from a centralized marketplace to a distributed one. Moreover, it is shown that the proposed solution does not bring in any limitation with regard to a centralized marketplace solution, in terms of pricing models (subscriptions, pay-per-use, etc.) or usage conditions (contract duration, updates rate, etc.).
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Hruz, Tomas, Oliver Laule, Gabor Szabo, Frans Wessendorp, Stefan Bleuler, Lukas Oertle, Peter Widmayer, Wilhelm Gruissem und Philip Zimmermann. „Genevestigator V3: A Reference Expression Database for the Meta-Analysis of Transcriptomes“. Advances in Bioinformatics 2008 (08.07.2008): 1–5. http://dx.doi.org/10.1155/2008/420747.

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The Web-based software tool Genevestigator provides powerful tools for biologists to explore gene expression across a wide variety of biological contexts. Its first releases, however, were limited by the scaling ability of the system architecture, multiorganism data storage and analysis capability, and availability of computationally intensive analysis methods. Genevestigator V3 is a novel meta-analysis system resulting from new algorithmic and software development using a client/server architecture, large-scale manual curation and quality control of microarray data for several organisms, and curation of pathway data for mouse and Arabidopsis. In addition to improved querying features, Genevestigator V3 provides new tools to analyze the expression of genes in many different contexts, to identify biomarker genes, to cluster genes into expression modules, and to model expression responses in the context of metabolic and regulatory networks. Being a reference expression database with user-friendly tools, Genevestigator V3 facilitates discovery research and hypothesis validation.
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Sadar, John. „The healthful ambience of Vitaglass: light, glass and the curative environment“. Architectural Research Quarterly 12, Nr. 3-4 (Dezember 2008): 269–81. http://dx.doi.org/10.1017/s1359135508001206.

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In the mid 1920s, a physiologist, a glass technologist, and a zoo embarked on an exciting new venture which promised to turn buildings into therapeutic devices. Their project was to devise an architectural glass which would admit the beneficial, therapeutic ultraviolet spectrum of sunlight into the building; they called their invention ‘Vitaglass’. Vitaglass was the first ultraviolet ray glass – one of the more curious products to emerge from the 1920s architectural glass industry. Its distinguishing feature was that it enabled the invisible ultraviolet radiation of the sun to be admitted into the building; its refined chemistry promised to ‘let health into the building’ where ordinary soda-lime glass had blocked it out [1]..
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Abbassi, Zeinab, Nidhi Hegde und Laurent Massoulié. „Distributed content curation on the web“. ACM SIGMETRICS Performance Evaluation Review 41, Nr. 4 (17.04.2014): 30–33. http://dx.doi.org/10.1145/2627534.2627544.

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Kent, Michael L., und Maureen Taylor. „Fostering Dialogic Engagement: Toward an Architecture of Social Media for Social Change“. Social Media + Society 7, Nr. 1 (Januar 2021): 205630512098446. http://dx.doi.org/10.1177/2056305120984462.

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Dialogic theory and engagement hold great potential as frameworks for thinking about how social media can facilitate public discussions about social issues. Of course, having the potential for dialogue is very different than finding actual instances of dialogic engagement. This article explores the philosophical and technical features of dialogue that need to be present for social media to be used dialogically. Through the metaphor of “architecture,” this article reimagines dialogic communication through social media. We introduce four design frameworks including user expectations, engagement, content curation, and sustainment that may facilitate dialogic engagement for fostering social change.
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36

Campbell, Margaret. „What Tuberculosis did for Modernism: The Influence of a Curative Environment on Modernist Design and Architecture“. Medical History 49, Nr. 4 (01.10.2005): 463–88. http://dx.doi.org/10.1017/s0025727300009169.

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From the mid-nineteenth to the mid-twentieth century, specialist institutions such as sanatoria and asylums were established. In these, patients could be separated and isolated from the community and provided with the control and management of specific medical conditions such as tuberculosis and lunacy. At the start of this period, tuberculosis was a disease closely associated with the rapid growth of industrialization and a poorly nourished urban working class who lived in insalubrious, overcrowded conditions. By the early twentieth century, despite attempts by reforming socialist organizations such as the Garden City movement in England or the Life Reform movement in Germany to introduce healthier housing, these conditions had changed little. As the disease was more prevalent in younger men and women of working age, the financial drain on the European economy was considerable. By this time, research and treatment of the disease had coincided with the advent of modernism. This was a cultural movement that in architecture and applied design involved the integration of form with social purpose. It also attempted to create a new classless and hygienic lifestyle with socialist values.
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Reuber, Markus. „The architecture of psychological management: the Irish asylums (1801–1922)“. Psychological Medicine 26, Nr. 6 (November 1996): 1179–89. http://dx.doi.org/10.1017/s003329170003590x.

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SynopsisThis analysis examines some of the psychological, philosophical and sociological motives behind the development of pauper lunatic asylum architecture in Ireland during the time of the Anglo–Irish union (1801–1922). Ground plans and structural features are used to define five psycho-architectonic generations. While isolation and classification were the prime objectives in the first public asylum in Ireland (1810–1814), a combination of the ideas of a psychological, ‘moral’, management and ‘panoptic’ architecture led to a radial institutional design during the next phase of construction (1817–1835). The asylums of the third generation (1845–1855) lacked ‘panoptic’ features but they were still intended to allow a proper ‘moral’ management of the inmates, and to create a therapeutic family environment. By the time the institutions of the fourth epoch were erected (1862–1869) the ‘moral’ treatment approach had been given up, and asylums were built to allow a psychological management by ‘association’. The last institutions (1894–1922) built before Ireland's acquisition of Dominion status (1922) were intended to foster the development of a curative society.
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Bishop, Judith. „Industry's role in data and software curation in the cloud“. Journal of Systems and Software 86, Nr. 9 (September 2013): 2327–29. http://dx.doi.org/10.1016/j.jss.2013.01.051.

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39

Ortiz, Tamara, Federico Argüelles-Arias, Matilde Illanes, Josefa-María García-Montes, Elena Talero, Laura Macías-García, Ana Alcudia, Victoria Vázquez-Román, Virginia Motilva und Manuel De-Miguel. „Polyphenolic Maqui Extract as a Potential Nutraceutical to Treat TNBS-Induced Crohn’s Disease by the Regulation of Antioxidant and Anti-Inflammatory Pathways“. Nutrients 12, Nr. 6 (11.06.2020): 1752. http://dx.doi.org/10.3390/nu12061752.

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Nutraceuticals include a wide variety of bioactive compounds, such as polyphenols, which have been highlighted for their remarkable health benefits. Specially, maqui berries have shown great antioxidant activity and anti-inflammatory effects on some inflammatory diseases. The objectives of the present study were to explore the therapeutic effects of maqui berries on acute-phase inflammation in Crohn’s disease. Balb/c mice were exposed to 2,4,6-trinitrobenzene sulfonic acid (TNBS) via intracolonic administration. Polyphenolic maqui extract (Ach) was administered orally daily for 4 days after TNBS induction (Curative Group), and for 7 days prior to the TNBS induction until sacrifice (Preventive Group). Our results showed that both preventive and curative Ach administration inhibited body weight loss and colon shortening, and attenuated the macroscopic and microscopic damage signs, as well as significantly reducing transmural inflammation and boosting the recovery of the mucosal architecture and its muco-secretory function. Additionally, Ach promotes macrophage polarization to the M2 phenotype and was capable of down-regulating significantly the expression of inflammatory proteins COX-2 and iNOS, and at the same time it regulates the antioxidant Nrf-2/HO-1 pathway. In conclusion, this is the first study in which it is demonstrated that the properties of Ach as could be used as a preventive and curative treatment in Crohn’s disease.
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40

Garozzo, R., F. Murabito, C. Santagati, C. Pino und C. Spampinato. „CULTO: AN ONTOLOGY-BASED ANNOTATION TOOL FOR DATA CURATION IN CULTURAL HERITAGE“. ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W5 (18.08.2017): 267–74. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w5-267-2017.

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This paper proposes CulTO, a software tool relying on a computational ontology for Cultural Heritage domain modelling, with a specific focus on religious historical buildings, for supporting cultural heritage experts in their investigations. It is specifically thought to support annotation, automatic indexing, classification and curation of photographic data and text documents of historical buildings. CULTO also serves as a useful tool for Historical Building Information Modeling (H-BIM) by enabling semantic 3D data modeling and further enrichment with non-geometrical information of historical buildings through the inclusion of new concepts about historical documents, images, decay or deformation evidence as well as decorative elements into BIM platforms. CulTO is the result of a joint research effort between the Laboratory of Surveying and Architectural Photogrammetry “Luigi Andreozzi” and the PeRCeiVe Lab (Pattern Recognition and Computer Vision Lab) of the University of Catania,
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Gassler, Wolfgang, Eva Zangerle und Günther Specht. „Guided curation of semistructured data in collaboratively-built knowledge bases“. Future Generation Computer Systems 31 (Februar 2014): 111–19. http://dx.doi.org/10.1016/j.future.2013.05.008.

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42

Okabe, Hirohisa, Tomoharu Yoshizumi, Yo-ichi Yamashita, Katsunori Imai, Hiromitsu Hayashi, Shigeki Nakagawa, Shinji Itoh et al. „Histological architectural classification determines recurrence pattern and prognosis after curative hepatectomy in patients with hepatocellular carcinoma“. PLOS ONE 13, Nr. 9 (14.09.2018): e0203856. http://dx.doi.org/10.1371/journal.pone.0203856.

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43

Nielsen, Lara D. „This Kinetic World: Rethinking the Grid (Neo-Baroque Calls)“. Performance Philosophy 3, Nr. 1 (25.06.2017): 285. http://dx.doi.org/10.21476/pp.2017.31127.

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In performance research today, as in the 1960s, the pressing question is: how to do things with systems. I return to the grid to attend both sites and modes of cultural practices and techniques� (technologies) that so powerfully harness and transform the control society.� My approach to the grid as dispositif seeks to open familiar dialogues, about variants of subjectivity and presence, to the materialities and devices of systems, structures, and bureaucratic operations. As seeing machine, the grid�s story includes linear perspective, geometricization, and fugitivity. Defined by consistency and contradition, by optics, haptics, and cybernetics, I identify grid logics with the neo-baroque. Exploring the grid through tiling, weaving, seafaring, and curating techniques that link the administrative and the algorithmic state, I discuss the arts of two architectural sites in the port cities of Cartagena, Colombia and Singapore.
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Stuedahl, Dagny, Ageliki Lefkaditou, Gro Synnøve Ellefsen und Torhild Skåtun. „Design anthropological approaches in collaborative museum curation“. Design Studies 75 (Juli 2021): 101021. http://dx.doi.org/10.1016/j.destud.2021.101021.

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45

Frichot, Hélène. „Local Real(i)ties: A Contemporary Image of Thought“. Artifact 4, Nr. 1 (04.10.2017): 2. http://dx.doi.org/10.14434/artifact.v4i1.13372.

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Noopolitics is a neologism that designates how minds (nous) come to think collaboratively at the scale of populations, a phenomenon facilitated by increasingly sophisticated information societies and their capacity for instantaneous electronic communications. Noopolitics complements the already well-established term biopolitics, which designates how the lives and deaths, and general health and well-being of individuals are managed at the scale of populations through practices of governance. What happens when a noopolitics rigidifies, what kinds of effects does it produce? A dogmatic Image of Thought understood as an ossified status quo takes hold, over-determining how people think together and about themselves, and about their worlds, including their local environment-worlds. In relation to an expanded understanding of the spatialities of feeling that architecture contributes to, this essay will focus in particular on the noopolitics at work in the production of architectural imagery where it becomes indistinguishable from real-estate imagery. The compelling case this essay will address is the emergence of the styled real-estate image in the Stockholm context where a large proportion of rental properties have been quite abruptly released onto the real-estate market place over just the last ten years. What is remarkable about the flood of images that have been made available for consumption is their consistency, even their homogeneity, and while Stockholm, with a focus on the inner city island of Södermalm, may prove to be a special case, what is aptly demonstrated through a noourbanography that attempts to map these images is how a dogmatic Image of Thought has taken hold that drives what a local population comes to expect in terms of the curation of their homes and local neighbourhoods.
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Gidding, Aaron, Yuma Matsui, Thomas E. Levy, Tom DeFanti und Falko Kuester. „ArchaeoSTOR: A data curation system for research on the archeological frontier“. Future Generation Computer Systems 29, Nr. 8 (Oktober 2013): 2117–27. http://dx.doi.org/10.1016/j.future.2013.04.007.

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47

Sonawane, Ajay Bapusaheb, Archana P. Gharote und Vikas V. Karande. „In-vivo Histopathological Efficacy study of Hinguleshwar rasa and Indomethacin on FCA induced Rheumatoid Arthritis in Paw model of Rats“. International Journal of Ayurvedic Medicine 12, Nr. 1 (11.03.2021): 35–38. http://dx.doi.org/10.47552/ijam.v12i1.1722.

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As per Ayurveda symptoms of Rheumatoid arthritis resembles with Amavata disease. Action of Hinguleshwara rasa on Amavata is mentioned in the text of Rasatarangini in Ayurveda. In this study investigation was made to find out preventive & curative changes occurred in rat paw of Freuds Complete Adjuvant induced RA model. Indomethacin was kept as standard control and Hinguleshwar rasa as a treatment. After induction of arthritis with FCA on day 14, animals were treated up to 28th day of the study with indomethacin and Hinguleshwar rasa. After completion of 28 days of daily single oral dose administration of Hinguleshwar rasa and Indomethacin, animals were sacrificed. Ankle joints were severed and processed for histological studies. It was observed that the joints of Hinguleshwar rasa treated animals showed recovery towards normal histological architecture whereas all other joint samples of bones of rats were showing focal and minimal pathological changes, focal and minimal congestion of blood vascular tissue. Similar normal Histo-architecture was found in Indomethacin treated animals. However it was observed that, Hinguleshwar rasa showed better restoration of joint Histopathological changes occurred due to FCA damage. Hence the efficacy of Hinguleshwar rasa on Amavat (Rheumatoid arthritis) was better than Indomethacin treatment.
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Li, Wenjun, Kathleen R. O’Neill, Daniel H. Haft, Michael DiCuccio, Vyacheslav Chetvernin, Azat Badretdin, George Coulouris et al. „RefSeq: expanding the Prokaryotic Genome Annotation Pipeline reach with protein family model curation“. Nucleic Acids Research 49, Nr. D1 (03.12.2020): D1020—D1028. http://dx.doi.org/10.1093/nar/gkaa1105.

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Abstract The Reference Sequence (RefSeq) project at the National Center for Biotechnology Information (NCBI) contains nearly 200 000 bacterial and archaeal genomes and 150 million proteins with up-to-date annotation. Changes in the Prokaryotic Genome Annotation Pipeline (PGAP) since 2018 have resulted in a substantial reduction in spurious annotation. The hierarchical collection of protein family models (PFMs) used by PGAP as evidence for structural and functional annotation was expanded to over 35 000 protein profile hidden Markov models (HMMs), 12 300 BlastRules and 36 000 curated CDD architectures. As a result, >122 million or 79% of RefSeq proteins are now named based on a match to a curated PFM. Gene symbols, Enzyme Commission numbers or supporting publication attributes are available on over 40% of the PFMs and are inherited by the proteins and features they name, facilitating multi-genome analyses and connections to the literature. In adherence with the principles of FAIR (findable, accessible, interoperable, reusable), the PFMs are available in the Protein Family Models Entrez database to any user. Finally, the reference and representative genome set, a taxonomically diverse subset of RefSeq prokaryotic genomes, is now recalculated regularly and available for download and homology searches with BLAST. RefSeq is found at https://www.ncbi.nlm.nih.gov/refseq/.
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Kim, Mucheol. „Scientific trend analysis and curation with Korean R&D information“. Journal of Supercomputing 72, Nr. 9 (05.08.2016): 3663–73. http://dx.doi.org/10.1007/s11227-016-1831-7.

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50

García, Alberto, Matthieu J. Verstraete, Yann Pouillon und Javier Junquera. „The psml format and library for norm-conserving pseudopotential data curation and interoperability“. Computer Physics Communications 227 (Juni 2018): 51–71. http://dx.doi.org/10.1016/j.cpc.2018.02.011.

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