Zeitschriftenartikel zum Thema „Culture in art – Exhibitions“
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Helmreich, Anne. „Victorian Exhibition Culture: The Market Then and the Museum Today1“. Articles, Nr. 55 (20.04.2010): 0. http://dx.doi.org/10.7202/039556ar.
Der volle Inhalt der QuelleHolt, Sharon Ann, Sophie Kazan, Gloriana Amador, Joanna Cobley, Blaire M. Moskowitz, Elena Settimini, Angela Stienne, Anna Tulliach und Olga Zulabueva. „Exhibitions“. Museum Worlds 6, Nr. 1 (01.07.2018): 125–57. http://dx.doi.org/10.3167/armw.2018.060110.
Der volle Inhalt der QuelleYu, Shining. „An Analysis of International Curation from an Intercultural Perspective“. Communications in Humanities Research 9, Nr. 1 (31.10.2023): 253–59. http://dx.doi.org/10.54254/2753-7064/9/20231193.
Der volle Inhalt der QuelleAndreeva, E. Yu. „Soviet Art at Art Exhibitions and Expositions of Russian Museums and Galleries in the 1990s-2020s“. Art & Culture Studies, Nr. 4 (Dezember 2023): 390–421. http://dx.doi.org/10.51678/2226-0072-2023-4-390-421.
Der volle Inhalt der QuelleWaterfield, Giles. „A culture of exhibitions: the Manchester Art-Treasures Exhibition in context“. Bulletin of the John Rylands Library 87, Nr. 2 (September 2005): 21–36. http://dx.doi.org/10.7227/bjrl.87.2.3.
Der volle Inhalt der QuelleT., Tishkina, und Tishkina K. „EXHIBITIONS IN BARNAUL DEDICATED TO THE 100TH ANNIVERSARY OF THE FORMATION OF THE UNION OF SOVIET SOCIALIST REPUBLICS“. Preservation and study of the cultural heritage of the Altai Territory 29 (2023): 342–50. http://dx.doi.org/10.14258/2411-1503.2023.29.52.
Der volle Inhalt der QuelleYu, Shiyang. „The Research on the Characteristics and Forms of Immersive Experience in Art Exhibitions—Take “Van Gogh—the Immersive Experience” as an Example“. Journal of Education, Humanities and Social Sciences 6 (31.12.2022): 154–59. http://dx.doi.org/10.54097/ehss.v6i.4417.
Der volle Inhalt der QuelleFlores-Marcial, Xóchitl M. „Getting Community Engagement Right“. Latin American and Latinx Visual Culture 3, Nr. 1 (01.01.2021): 98–108. http://dx.doi.org/10.1525/lavc.2021.3.1.98.
Der volle Inhalt der QuelleVargas-Santiago, Luis. „Emiliano“. Latin American and Latinx Visual Culture 3, Nr. 1 (01.01.2021): 109–19. http://dx.doi.org/10.1525/lavc.2021.3.1.109.
Der volle Inhalt der QuelleOrtiz-Torres, Rubén. „Mexicos and Americas“. Latin American and Latinx Visual Culture 3, Nr. 1 (01.01.2021): 70–79. http://dx.doi.org/10.1525/lavc.2021.3.1.70.
Der volle Inhalt der QuelleBargellini, Clara. „Looking Back at The Arts of the Missions of Northern New Spain, 1600–1821“. Latin American and Latinx Visual Culture 3, Nr. 1 (01.01.2021): 80–87. http://dx.doi.org/10.1525/lavc.2021.3.1.80.
Der volle Inhalt der QuelleRichter, Kim N. „Golden Kingdoms at Getty“. Latin American and Latinx Visual Culture 3, Nr. 1 (01.01.2021): 88–97. http://dx.doi.org/10.1525/lavc.2021.3.1.88.
Der volle Inhalt der QuelleJosten, Jennifer. „Dialogues“. Latin American and Latinx Visual Culture 3, Nr. 1 (01.01.2021): 60–69. http://dx.doi.org/10.1525/lavc.2021.3.1.60.
Der volle Inhalt der QuelleKestner, Joseph A. „Victorian Art History“. Victorian Literature and Culture 26, Nr. 1 (1998): 207–19. http://dx.doi.org/10.1017/s1060150300002357.
Der volle Inhalt der QuelleKrzysztofowicz-Kozakowska, Stefania. „„Raumkunst” autorstwa Teodora Axentowicza“. Lehahayer 8 (19.12.2021): 185–90. http://dx.doi.org/10.12797/lh.08.2021.08.06.
Der volle Inhalt der QuelleZHAO, J., und O. YEZHOVA. „IMPACT OF DIGITAL ART ON DESIGN OF ONLINE MUSEUM: USER-CENTERED DESIGN, NARRATIVE DESIGN, AND INTEGRATION OF TECHNOLOGY“. Art and Design, Nr. 3 (11.11.2023): 92–100. http://dx.doi.org/10.30857/2617-0272.2023.3.8.
Der volle Inhalt der QuelleWang, Jiaxin. „Research on the dynamic design of art exhibitions based on digital media“. Advances in Education, Humanities and Social Science Research 7, Nr. 1 (21.11.2023): 676. http://dx.doi.org/10.56028/aehssr.7.1.676.2023.
Der volle Inhalt der QuelleKenigsberg, Ekaterina. „THE GENESIS OF THE DOCUMENTA INTERNATIONAL EXHIBITION OF CONTEMPORARY ART AS A DIALOGUE PLATFORM FOR ELITE ART AND MASS CULTURE“. Herald of Culturology, Nr. 3 (2022): 158–75. http://dx.doi.org/10.31249/hoc/2022.03.10.
Der volle Inhalt der QuelleLuba, Iwona. „Kobro and Strzemiński: Łódź – Warsaw – Paris (1956–1957)“. Ikonotheka 26 (26.06.2017): 137–66. http://dx.doi.org/10.5604/01.3001.0010.1676.
Der volle Inhalt der QuellePopper, Frank. „Art, Science, Technology: Six Exhibitions 1966–1998“. Leonardo 52, Nr. 2 (April 2019): 194–95. http://dx.doi.org/10.1162/leon_a_01163.
Der volle Inhalt der QuelleŽarić, Stefan. „Muzealizacija bez muzeologije: nacionalni muzeji i izložbe mode između istorije, teorije i prakse“. Issues in Ethnology and Anthropology 10, Nr. 4 (04.03.2016): 915. http://dx.doi.org/10.21301/eap.v10i4.7.
Der volle Inhalt der QuelleRosso, Aluminé. „The cinefication of museums: from exhibitions to films. The case of Tate Modern“. Digital Age in Semiotics & Communication 5 (30.12.2022): 35–61. http://dx.doi.org/10.33919/dasc.22.5.3.
Der volle Inhalt der QuelleO'Connor, Maureen Sarah. „Education in Motion: The Virginia Museum of Fine Arts Artmobile, 1953 – 1994“. Museum and Society 17, Nr. 1 (10.03.2019): 19–36. http://dx.doi.org/10.29311/mas.v17i1.2780.
Der volle Inhalt der QuelleJensen, Kirsten, und Karen Grøn. „The Kaleidoscope of Culture: expanding the museum experience and the museum narrative by inviting visitors into the curatorial process“. Museum and Society 13, Nr. 3 (01.07.2015): 385–95. http://dx.doi.org/10.29311/mas.v13i3.337.
Der volle Inhalt der QuelleMeng, Lin. „The Research on the Development of the Fashion Curations and Its Current Situation in China“. Journal of Education, Humanities and Social Sciences 5 (23.11.2022): 6–11. http://dx.doi.org/10.54097/ehss.v5i.2876.
Der volle Inhalt der QuelleRusakov, Serhii. „Establishment of the Art Market in the Context of Ukrainian Historical and Cultural Tradition“. Studia Warmińskie 59 (31.12.2022): 111–24. http://dx.doi.org/10.31648/sw.8330.
Der volle Inhalt der QuelleKapoor, Punita. „The Punjab Exhibition of 1881 and Politics of the British Raj“. Past and Present: Representation, Heritage and Spirituality in Modern India 4, Special Issue (25.12.2021): 40–48. http://dx.doi.org/10.12944/crjssh.4.special-issue.05.
Der volle Inhalt der QuelleZychowicz, Karolina. „The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions“. Ikonotheka 26 (26.06.2017): 63–94. http://dx.doi.org/10.5604/01.3001.0010.1673.
Der volle Inhalt der QuelleShamraeva, Elena Yu. „The Mentality of a Museum on a Library Site: Book Exhibitions and the Representative Function“. Observatory of Culture 19, Nr. 3 (05.07.2022): 236–46. http://dx.doi.org/10.25281/2072-3156-2022-19-3-236-246.
Der volle Inhalt der QuelleTamimi Arab, Pooyan. „Islamic heritage versus orthodoxy: Figural painting, musical instruments and wine bowls at the Dutch National Museum of World Cultures“. Journal of Material Culture 26, Nr. 2 (05.03.2021): 178–200. http://dx.doi.org/10.1177/1359183521997503.
Der volle Inhalt der QuelleHopfener, Birgit. „Complicating Narratives of Contemporary Chinese Art as Global Art through the Lens of Exhibition Histories“. ARTMargins 12, Nr. 3 (01.10.2023): 89–101. http://dx.doi.org/10.1162/artm_r_00365.
Der volle Inhalt der QuelleNosenko, Anna, Yanina Tverdokhlibova und Dmytro Velychko. „Exhibition activity as a pedagogical factor in the formation of the personality of culture“. Scientific bulletin of South Ukrainian National Pedagogical University named after K. D. Ushynsky 2023, Nr. 2 (143) (29.06.2023): 7–18. http://dx.doi.org/10.24195/2617-6688-2023-2-1.
Der volle Inhalt der QuelleMUŞKARA, Üftade, Oylum TUNÇELLİ und Serpil ŞAHİN. „ART AND ARCHAEOLOGY CLOSE ENCOUNTERS OF THE THIRD KIND“. TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 11, Nr. 2 (01.04.2021): 732–49. http://dx.doi.org/10.7456/11102100/024.
Der volle Inhalt der QuelleXia, Yanqing. „How Has Online Digital Technology Influenced the On-Site Visitation Behavior of Tourists during the COVID-19 Pandemic? A Case Study of Online Digital Art Exhibitions in China“. Sustainability 15, Nr. 14 (11.07.2023): 10889. http://dx.doi.org/10.3390/su151410889.
Der volle Inhalt der QuelleFisher, Laura, und Gay McDonald. „From fluent to Culture Warriors: Curatorial trajectories for Indigenous Australian art overseas“. Media International Australia 158, Nr. 1 (11.01.2016): 69–79. http://dx.doi.org/10.1177/1329878x15622080.
Der volle Inhalt der QuelleKARTSEVA, EKATERINA A. „SCREEN FORMS AT BIENNIALS OF CONTEMPORARY ART“. Art and Science of Television 16, Nr. 3 (2020): 11–30. http://dx.doi.org/10.30628/1994-9529-2020-16.3-11-30.
Der volle Inhalt der QuelleRamli, Muhamad Firdaus, Rofidah Musa, Norkhaizatul Erma Mohd Khairuddin und Nurazry Basiron. „Cultural Sharing Through Visual Art Exhibition ‘Dalam Bingkai’ by JSRB-UPSI with FSRD-ISBI“. EDUCATUM Journal of Social Sciences 6, Nr. 2 (19.11.2020): 25–34. http://dx.doi.org/10.37134/ejoss.vol6.2.3.2020.
Der volle Inhalt der QuelleOikarinen-Jabai, Helena. „Young Finnish People of Muslim Background: Creating “Spiritual Becomings” and “Coming Communities” in Their Artworks“. Open Cultural Studies 3, Nr. 1 (01.02.2019): 148–60. http://dx.doi.org/10.1515/culture-2019-0013.
Der volle Inhalt der QuelleT., Tishkina, und KULIKOVA T. „ART COLLECTIONS IN SCHOOL MUSEUMS, EXHIBITION HALLS AND GALLERIES OF MUNICIPAL BUDGET INSTITUTIONS OF ADDITIONAL EDUCATION IN BARNAUL“. Preservation and study of the cultural heritage of the Altai Territory 27 (2021): 413–18. http://dx.doi.org/10.14258/2411-1503.2021.27.63.
Der volle Inhalt der QuelleT., Tishkina, und KULIKOVA T. „ART COLLECTIONS IN SCHOOL MUSEUMS, EXHIBITION HALLS AND GALLERIES OF MUNICIPAL BUDGET INSTITUTIONS OF ADDITIONAL EDUCATION IN BARNAUL“. Preservation and study of the cultural heritage of the Altai Territory 27 (2021): 413–18. http://dx.doi.org/10.14258/2411-1503.2021.27.63.
Der volle Inhalt der QuelleBoitunova, S. I., S. V. Maksimova und O. V. Shlykova. „BOOK CULTURE AND ART IN YAKUTIA“. Arts education and science 1, Nr. 1 (2021): 164–71. http://dx.doi.org/10.36871/hon.202101019.
Der volle Inhalt der QuelleКолісник, О. В., und К. І. Подобєд. „Спадщина Василя Єрмилова в культурному контексті незалежної України“. Art and Design, Nr. 4 (15.02.2021): 114–22. http://dx.doi.org/10.30857/2617-0272.2020.4.9.
Der volle Inhalt der QuelleGołubiew, Zofia. „THE POET OF ART – JANUSZ WAŁEK“. Muzealnictwo 59 (05.10.2018): 215–18. http://dx.doi.org/10.5604/01.3001.0012.6141.
Der volle Inhalt der QuelleIsto, Raino. „“I Lived without Seeing These Art Works”: (Albanian) Socialist Realism and/against Contemporary Art“. ARTMargins 10, Nr. 2 (Juni 2021): 29–49. http://dx.doi.org/10.1162/artm_a_00291.
Der volle Inhalt der QuelleYan, Keyu. „Modernizing Sculpture: Print Culture and the New Discourse on Sculpture in China, circa 1880–1929“. East Asian Publishing and Society 13, Nr. 2 (08.09.2023): 133–69. http://dx.doi.org/10.1163/22106286-12341378.
Der volle Inhalt der QuellePan, Liang. „The forms of positioning of Russian fine art in the cultural space of modern Shanghai“. Культура и искусство, Nr. 6 (Juni 2024): 235–48. http://dx.doi.org/10.7256/2454-0625.2024.6.70814.
Der volle Inhalt der QuelleSekulić, Nada. „Ukradena autentičnost: recepcija primitivne umetnosti i kulture na reprezentativnim međunarodnim sajmovima krajem XIX i početkom XX veka“. Issues in Ethnology and Anthropology 11, Nr. 3 (02.11.2016): 897. http://dx.doi.org/10.21301/eap.v11i3.12.
Der volle Inhalt der QuelleKannike, Anu, und Ester Bardone. „Köögiruum ja köögikraam Eesti muuseumide tõlgenduses“. Eesti Rahva Muuseumi aastaraamat, Nr. 60 (12.10.2017): 34–60. http://dx.doi.org/10.33302/ermar-2017-002.
Der volle Inhalt der QuellePieczka, Michał, und Bogusław Wowrzeczka. „Art in Post-Industrial Facilities—Strategies of Adaptive Reuse for Art Exhibition Function in Poland“. Buildings 11, Nr. 10 (18.10.2021): 487. http://dx.doi.org/10.3390/buildings11100487.
Der volle Inhalt der QuellePalkovljević-Bugarski, Tijana, und Lolita Pejović. „Activities of the gallery of Matica Srpska in the service of cultural diplomacy“. Kultura, Nr. 173 (2021): 113–24. http://dx.doi.org/10.5937/kultura2173113p.
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