Auswahl der wissenschaftlichen Literatur zum Thema „Culture in art – Exhibitions“
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Zeitschriftenartikel zum Thema "Culture in art – Exhibitions"
Helmreich, Anne. „Victorian Exhibition Culture: The Market Then and the Museum Today1“. Articles, Nr. 55 (20.04.2010): 0. http://dx.doi.org/10.7202/039556ar.
Der volle Inhalt der QuelleHolt, Sharon Ann, Sophie Kazan, Gloriana Amador, Joanna Cobley, Blaire M. Moskowitz, Elena Settimini, Angela Stienne, Anna Tulliach und Olga Zulabueva. „Exhibitions“. Museum Worlds 6, Nr. 1 (01.07.2018): 125–57. http://dx.doi.org/10.3167/armw.2018.060110.
Der volle Inhalt der QuelleYu, Shining. „An Analysis of International Curation from an Intercultural Perspective“. Communications in Humanities Research 9, Nr. 1 (31.10.2023): 253–59. http://dx.doi.org/10.54254/2753-7064/9/20231193.
Der volle Inhalt der QuelleAndreeva, E. Yu. „Soviet Art at Art Exhibitions and Expositions of Russian Museums and Galleries in the 1990s-2020s“. Art & Culture Studies, Nr. 4 (Dezember 2023): 390–421. http://dx.doi.org/10.51678/2226-0072-2023-4-390-421.
Der volle Inhalt der QuelleWaterfield, Giles. „A culture of exhibitions: the Manchester Art-Treasures Exhibition in context“. Bulletin of the John Rylands Library 87, Nr. 2 (September 2005): 21–36. http://dx.doi.org/10.7227/bjrl.87.2.3.
Der volle Inhalt der QuelleT., Tishkina, und Tishkina K. „EXHIBITIONS IN BARNAUL DEDICATED TO THE 100TH ANNIVERSARY OF THE FORMATION OF THE UNION OF SOVIET SOCIALIST REPUBLICS“. Preservation and study of the cultural heritage of the Altai Territory 29 (2023): 342–50. http://dx.doi.org/10.14258/2411-1503.2023.29.52.
Der volle Inhalt der QuelleYu, Shiyang. „The Research on the Characteristics and Forms of Immersive Experience in Art Exhibitions—Take “Van Gogh—the Immersive Experience” as an Example“. Journal of Education, Humanities and Social Sciences 6 (31.12.2022): 154–59. http://dx.doi.org/10.54097/ehss.v6i.4417.
Der volle Inhalt der QuelleFlores-Marcial, Xóchitl M. „Getting Community Engagement Right“. Latin American and Latinx Visual Culture 3, Nr. 1 (01.01.2021): 98–108. http://dx.doi.org/10.1525/lavc.2021.3.1.98.
Der volle Inhalt der QuelleVargas-Santiago, Luis. „Emiliano“. Latin American and Latinx Visual Culture 3, Nr. 1 (01.01.2021): 109–19. http://dx.doi.org/10.1525/lavc.2021.3.1.109.
Der volle Inhalt der QuelleOrtiz-Torres, Rubén. „Mexicos and Americas“. Latin American and Latinx Visual Culture 3, Nr. 1 (01.01.2021): 70–79. http://dx.doi.org/10.1525/lavc.2021.3.1.70.
Der volle Inhalt der QuelleDissertationen zum Thema "Culture in art – Exhibitions"
Morrison, Ann Katherine 1929. „Canadian art and cultural appropriation : Emily Carr and the 1927 exhibition of Canadian West Coast Art - Native and Modern“. Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/31244.
Der volle Inhalt der QuelleArts, Faculty of
Art History, Visual Art and Theory, Department of
Graduate
Harkett, Daniel. „Exhibition culture in Restoration Paris“. View online version; access limited to Brown University users, 2005. http://catalog.hathitrust.org/api/volumes/oclc/73488260.html.
Der volle Inhalt der QuelleVita. Thesis advisor: Kermit S. Champa. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 271-289).
Sutherland, Ann. „Art exhibitions in the national interest: Australian cultural diplomacy, 1918 to 1941“. Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/29656.
Der volle Inhalt der QuelleFloe, Hilary Tyndall. „The Museum of Modern Art, Oxford (1965-1982) : exhibitions, spectatorship and social change“. Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:8ecada55-921a-4e6f-a279-92fd2313d459.
Der volle Inhalt der QuelleBernardi, Donatella. „Arts festival as a global cultural product“. Thesis, Queen Mary, University of London, 2017. http://qmro.qmul.ac.uk/xmlui/handle/123456789/41785.
Der volle Inhalt der QuelleSin, Song-Chiew James. „Arts, culture and museum development in Singapore“. Thesis, View thesis, 1997. http://handle.uws.edu.au:8081/1959.7/240.
Der volle Inhalt der QuelleSin, Song-Chiew James. „Arts, culture and museum development in Singapore /“. View thesis, 1997. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030901.095617/index.html.
Der volle Inhalt der QuelleChristiansen, Lauren. „Redefining exhibition in the digital age /“. This body of writing is available online with supplemental images, 2010. http://exhibitioninthedigitalage.tumblr.com/.
Der volle Inhalt der QuelleRodriguez, Kathryn Lorraine. „Henry Meloy the portraits : a narrative of the exhibition /“. The University of Montana, 2008. http://etd.lib.umt.edu/theses/available/etd-05202008-125608/.
Der volle Inhalt der QuelleSin, Song-Chiew James, University of Western Sydney und of Performance Fine Arts and Design Faculty. „Arts, culture and museum development in Singapore“. THESIS_FPFAD_XXX_SinSongChiew_ J.xml, 1997. http://handle.uws.edu.au:8081/1959.7/240.
Der volle Inhalt der QuelleMaster of Arts (Hons)
Bücher zum Thema "Culture in art – Exhibitions"
Donna, Harkavy, Posner Helaine, University of Massachusetts at Amherst. University Gallery., Bowdoin College. Museum of Art. und Samuel P. Harn Museum of Art., Hrsg. The culture of violence: Exhibition. Amherst, Mass: University Gallery, University of Massachusetts Amherst, 2002.
Den vollen Inhalt der Quelle findenO'Neill, Paul. The culture of curating and the curating of culture(s). Cambridge, MA: MIT Press, 2012.
Den vollen Inhalt der Quelle findenStebich, Ute. A Haitian celebration: Art and culture. Milwaukee, Wis: Milwaukee Art Museum, 1992.
Den vollen Inhalt der Quelle findenRosenkranz, Pamela. Alien culture. Milan-Italy: Mousse Publishing, 2020.
Den vollen Inhalt der Quelle findenGraham, Evans, und Stoke-on-Trent (England). City Museum and Art Gallery., Hrsg. Palaces of culture: The great museum exhibition. [Stoke on Trent]: Stoke on Trent City Museum & Art Gallery, 1987.
Den vollen Inhalt der Quelle findenThorp, Robert L. Chinese art and culture. New York: Abrams, 2000.
Den vollen Inhalt der Quelle findenM, Davidson Janet, Starzecka D. C und British Museum, Hrsg. Maori: Art and culture. 2. Aufl. London: Published for the Trustees of the British Museum by British Museum Press, 1998.
Den vollen Inhalt der Quelle findenAnne & Julien. Hey ! Modern art and Pop culture, Act III, 2015-2016. Roubaix: Ankama Editions, 2015.
Den vollen Inhalt der Quelle findenBengal Gallery of Fine Arts (Dhaka, Bangladesh), European Commission und Bangladesh Embassy (Belgium), Hrsg. Contemporary Bangladesh: Art from the vibrant culture. Dhaka: Bengal Gallery of Fine Arts, 2008.
Den vollen Inhalt der Quelle findenAnđelko, Badurina, Marković Vladimir und Biblioteca apostolica vaticana, Hrsg. The Croats: Christianity, culture, art. Zagreb [Croatia]: Gallery Klovićevi dvori, 1999.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Culture in art – Exhibitions"
Moscoso, Philip G., und Alejandro Lago. „The ‘la Caixa’ Foundation: Art exhibitions“. In When Business Meets Culture, 182–90. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230295117_13.
Der volle Inhalt der QuelleFrey, Bruno S. „Superstar Museums and Special Exhibitions“. In Economics of Art and Culture, 89–95. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15748-7_11.
Der volle Inhalt der QuelleLi, Wenhua, und Xiaojie Huang. „A New Way to Experience Art: Experience Design and Strategies for Immersive Exhibitions“. In Culture and Computing, 136–49. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-34732-0_10.
Der volle Inhalt der QuelleGamble, Antje. „Italian-Americans as Stakeholders in an American Exhibition of Western Culture“. In Cold War American Exhibitions of Italian Art and Design, 38–60. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003265900-3.
Der volle Inhalt der QuelleGrabar, Oleg. „An Exhibition of High Ottoman Art*“. In Islamic Visual Culture, 1100-1800, 327–43. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003554882-20.
Der volle Inhalt der QuelleGamble, Antje. „Ceramic Sculpture's Special Role in Validating Italian Humanist Culture for an American Audience“. In Cold War American Exhibitions of Italian Art and Design, 61–82. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003265900-4.
Der volle Inhalt der QuelleBaldacci, Cristina. „Re-Presenting Art History“. In Cultural Inquiry, 173–82. Berlin: ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_18.
Der volle Inhalt der QuelleElliott, Luba. „Discovering Culture with AI“. In Edition Museum, 181–86. Bielefeld, Germany: transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839467107-016.
Der volle Inhalt der QuelleLomas, Andy. „Morphogenetic Creations: Exhibiting and Collecting Digital Art“. In Museums and Digital Culture, 353–65. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-97457-6_17.
Der volle Inhalt der QuelleKontou, Tatiana, Victoria Mills und Kate Nichols. „International Exhibition 1862: Official Catalogue of the Fine Art Department“. In Victorian Material Culture, 354. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315400266-109.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Culture in art – Exhibitions"
Ploşniţă, Elena. „Folk art gallery — an eff ective means of promoting traditional culture“. In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.12.
Der volle Inhalt der QuelleMonteiro, Caique Cahon. „Aesthetic Experience and Digital Culture: New Flows in The Space of Art Exhibition“. In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.67.
Der volle Inhalt der QuelleSong, Suwan. „Discussions about Web Celebrities Frequenting Art Exhibitions“. In 2022 3rd International Conference on Language, Art and Cultural Exchange(ICLACE 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.006.
Der volle Inhalt der QuelleChun Wai, Wilson Yeung, und Estefanía Salas Llopis. „THE SPACE BETWEEN US“. In INNODOCT 2020. Valencia: Editorial Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/inn2020.2020.11901.
Der volle Inhalt der QuelleLee, Chia-Fen, und Min-Yuan Ma. „Research on the attractiveness factors of international exhibition cultural products: a case study of art museum in Taiwan“. In 9th International Conference on Kansei Engineering and Emotion Research (KEER2022). Kansei Engineering and Emotion Research (KEER), 2022. http://dx.doi.org/10.5821/conference-9788419184849.62.
Der volle Inhalt der QuelleMihaylov, Pelo. „TOURIST RESOURCES FOR BUSINESS TOURISM IN SOFIA AND PLOVDIV“. In TOURISM AND CONNECTIVITY 2020. University publishing house "Science and Economics", University of Economics - Varna, 2020. http://dx.doi.org/10.36997/tc2020.172.
Der volle Inhalt der QuelleMuthoharo, Shoqifatul. „Disability Art at the Exhibition “Seni Raba Menggambar Suara”“. In The Kyoto Conference on Arts, Media & Culture 2023. The International Academic Forum(IAFOR), 2023. http://dx.doi.org/10.22492/issn.2436-0503.2023.42.
Der volle Inhalt der QuelleKaraseva, A. R. „Contemporary Digital Projects in the Victorian Studies Art Exhibition Culture)“. In X ИНФОРМАЦИОННАЯ ШКОЛА МОЛОДОГО УЧЕНОГО Екатеринбург, 19-22сентября 2022 г. Екатеринбург: ООО "Издательство УМЦ УПИ", 2022. http://dx.doi.org/10.32460/ishmu-2022-10-0017.
Der volle Inhalt der QuellePlatonova, Maria A. „Art gallery in the scientific library providing cultural and recreation activities“. In Twenty Fifth International Conference and Exhibition «LIBCOM-2021». Russian National Public Library for Science and Technology, 2022. http://dx.doi.org/10.33186/978-5-85638-247-0-2022-47-49.
Der volle Inhalt der QuelleZhou, Jian. „Experience And Interaction - Application Of Audiovisual Synesthesia In Interactive Devices“. In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001939.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Culture in art – Exhibitions"
Moreno Mejía, Luis Alberto, und Iván Duque Márquez. Contemporary Uruguayan Artists: An Uruguayan Presence in the About Change Exhibition. Inter-American Development Bank, Februar 2012. http://dx.doi.org/10.18235/0006209.
Der volle Inhalt der QuelleVena, Anne. Cultural Center Annual Report 2012. Inter-American Development Bank, März 2013. http://dx.doi.org/10.18235/0006015.
Der volle Inhalt der QuelleButyrina, Maria, und Valentina Ryvlina. MEDIATIZATION OF ART: VIRTUAL MUSEUM AS MASS MEDIA. Ivan Franko National University of Lviv, Februar 2021. http://dx.doi.org/10.30970/vjo.2021.49.11075.
Der volle Inhalt der QuelleSequeira, Dora María, Ileana Alvarado V. und Félix Angel. Young Costa Rican Artists: Nine Proposals. Inter-American Development Bank, August 2007. http://dx.doi.org/10.18235/0006438.
Der volle Inhalt der QuelleУдріс, Ірина Миколаївна, und Наталя Сергіївна Удріс-Бородавко. Design of the Franco-Belgian Exhibition Poster of the 1890-s in the Context of the Art Nouveau Style Formation. КНУКіМ, 2019. http://dx.doi.org/10.31812/123456789/5087.
Der volle Inhalt der QuellePlessi, Fabrizio, Celestino Soddu und Adriano Abbado. digitalyart: An exhibition honoring Italy, Host of the 44th Annual Meeting of the Board of Governors of the Inter-American Development Bank. Inter-American Development Bank, Februar 2003. http://dx.doi.org/10.18235/0005909.
Der volle Inhalt der QuelleKerrigan, Susan, Phillip McIntyre und Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.
Der volle Inhalt der QuelleHuezo Mixco, Miguel. El Salvador and the Construction of Cultural Identity. Inter-American Development Bank, Oktober 1999. http://dx.doi.org/10.18235/0007937.
Der volle Inhalt der QuelleAngel, Félix, und Cristina Rossi. Latin American Artists of Italian Descent. Inter-American Development Bank, August 2011. http://dx.doi.org/10.18235/0006441.
Der volle Inhalt der QuelleKupfer, Monica E. Perceptive Strokes: Women Artists of Panama. Inter-American Development Bank, März 2013. http://dx.doi.org/10.18235/0006215.
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