Dissertationen zum Thema „Cubans – United States – Fiction“
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Roach, Lisa Gayle. „Refugee and asylum policy in the United States : Cubans and Haitians“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/MQ64026.pdf.
Der volle Inhalt der QuelleBruneau, Jonathan M. „Antitrust law enforcement within the U.S. airline industry : fact or fiction?“ Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22505.
Der volle Inhalt der QuelleAfter a brief Introduction, Chapter I will examine whether concentration within the U.S. airline industry is a natural phenomenon or an ordinary monopoly/oligopoly resulting from the behaviour of competitors. In concluding that a natural monopoly/oligopoly does not exist, Chapter II will analyse the policy being antitrust enforcement in the industry.
Chapter III will then use the implementation of S 408 of the Federal Aviation Act (FAA) by the Department of Transportation (DOT) as an example of such a policy. Finally, the remaining chapters are dedicated to an analysis of the CRS industry. By using this industry as an example, the writer will suggest that, by removing barriers to entry through aggressive use of S 411 of the FAA, the future may see new entrants enter the market. Emphasis will be placed on the attitude of the DOT in this regard.
Bell, Bobby. „Los anos duros : the experience of young Cuban political exiles arriving in the United States between 1959-1962, an oral history“. Honors in the Major Thesis, University of Central Florida, 2001. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/259.
Der volle Inhalt der QuelleBachelors
Arts and Sciences
History
Davies, Richard Blaine Davies Richard Blaine. „Historical fiction makes American history come to life!“ [Boise, Idaho : Boise State University, 2002. http://education.boisestate.edu/bdavies.
Der volle Inhalt der QuelleWeb site. Master's project includes an explanatory text and CD-ROM entitled: Historical fiction : a web site supporting secondary U.S. history courses of study-Idaho Department of Education. Includes bibliographical references.
Ge, Liang, und 葛亮. „A thematic study of the immigrants' fiction of Yan Geling“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B26652845.
Der volle Inhalt der QuelleYang, Kaibin, und 阳开斌. „Imperialist civilizing mission of Uncle Tom's Cabin and history of itsChinese rewriting“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B47250975.
Der volle Inhalt der Quellepublished_or_final_version
Chinese
Master
Master of Philosophy
Molin, Peter Castle. „Middling fiction Antebellum magazine story style, substance, and sensibility /“. [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3276693.
Der volle Inhalt der QuelleRiccardelli, Charlie Frank. „The Hoboken War Bride: A Novel“. Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248470/.
Der volle Inhalt der QuelleFinch, Edward F. Holsinger M. Paul. „An hour or two using naval fiction in the United States history course /“. Normal, Ill. Illinois State University, 1999. http://wwwlib.umi.com/cr/ilstu/fullcit?p9960413.
Der volle Inhalt der QuelleTitle from title page screen, viewed July 26, 2006. Dissertation Committee: M. Paul Holsinger (chair), Lawrence W. McBride, John B. Freed, Steven E. Kagle. Includes bibliographical references (leaves 225-239) and abstract. Also available in print.
Graham, Andrew Lindsay. „Federalism and fiction in the United States Constitution and Herman Melville's Moby-Dick“. Thesis, Keele University, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359159.
Der volle Inhalt der QuelleRoy, André 1963. „Une lecture politique de Star trek /“. Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61800.
Der volle Inhalt der QuelleHami, Iman. „Alice Walker's womanist fiction : tensions and reconciliations“. Thesis, University of Essex, 2016. http://repository.essex.ac.uk/16683/.
Der volle Inhalt der QuelleWest, Mark Peter. „Between times : 21st century American fiction and the long sixties“. Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5621/.
Der volle Inhalt der QuelleThomas, Glen Joseph. „Plots and plotters : narrative, desire, and ideology in contemporary American historiographic metafiction /“. [St. Lucia, Qld.], 2001. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16176.pdf.
Der volle Inhalt der QuelleStringam, Jean. „Canadian short adventure fiction in periodicals for adolescents, Canada, England, the United States, 1847-1914“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0007/NQ34842.pdf.
Der volle Inhalt der QuelleZevitz, Richard Gary, und Michael Braswell. „Long Road Home : The Trials and Tribulations of a Confederate Soldier“. Digital Commons @ East Tennessee State University, 2012. http://amzn.com/0828324654.
Der volle Inhalt der Quellehttps://dc.etsu.edu/etsu_books/1004/thumbnail.jpg
Robinson, Matthew Dean. „The Horse Latitudes“. PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2371.
Der volle Inhalt der QuelleWong, Yee-ling, und 黃綺玲. „Cyborgs, capitalism, hope: a study of Hong Kong and Hollywood science fiction films“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50900146.
Der volle Inhalt der Quellepublished_or_final_version
Comparative Literature
Master
Master of Philosophy
Cooper, Valerie Y. „The crying of the blood : a collection of short stories“. Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1337191.
Der volle Inhalt der QuelleDepartment of English
Larrieux, Stephanie F. „Racing the future: Hollywood science fiction film narratives of race“. View abstract/electronic edition; access limited to Brown University users, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3319100.
Der volle Inhalt der QuelleBoettcher, Anna Margarete. „Through Women's Eyes: Contemporary Women's Fiction about the Old West“. PDXScholar, 1995. https://pdxscholar.library.pdx.edu/open_access_etds/4966.
Der volle Inhalt der QuelleMorris, Timothy R. „"Dollars Damn Me": Editorial Politics and Herman Melville's Periodical Fiction“. VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3803.
Der volle Inhalt der QuelleTam, Pou U. „Machines in Faulkner's Mississippi garden“. Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2554101.
Der volle Inhalt der QuelleChaplow, Lester Ian. „Tales of a Hollow Earth. Tracing the Legacy of John Cleves Symmesin Antarctic Exploration and Fiction“. Thesis, University of Canterbury. Gateway Antarctica, 2011. http://hdl.handle.net/10092/5478.
Der volle Inhalt der QuelleLin, Yu-Fang. „The Cultural Construction of Taiwan in the Literatures of Taiwan, China, and the United States“. Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent149178259135258.
Der volle Inhalt der QuelleThompson, Sidney 1965. „Bass Reeves: a History • a Novel • a Crusade, Volume 1: the Rise“. Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc804965/.
Der volle Inhalt der QuelleLeeke, Jane. „A novel reading : literature and pedagogy in modern Middle East history courses in Canada and the United States“. Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98549.
Der volle Inhalt der QuelleJenkins, Jennifer Lei. „Failed mothers and fallen houses: Gothic domesticity in nineteenth-century American fiction“. Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186122.
Der volle Inhalt der QuelleOlson, Ted. „Revelations: Poems“. Digital Commons @ East Tennessee State University, 2012. http://amzn.com/0984783687.
Der volle Inhalt der Quellehttps://dc.etsu.edu/etsu_books/1034/thumbnail.jpg
McRae, Leanne. „Aliens, bodies and conspiracies: Regimes of truth in The X-files“. Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1999. https://ro.ecu.edu.au/theses/1247.
Der volle Inhalt der QuelleJohnson, Don. „More Than Heavy Rain“. Digital Commons @ East Tennessee State University, 2014. http://amzn.com/1937875571.
Der volle Inhalt der Quellehttps://dc.etsu.edu/etsu_books/1044/thumbnail.jpg
Pearson, Lydia Marie. „The materiality of the female in Shirley Jackson's short fiction“. CSUSB ScholarWorks, 2008. https://scholarworks.lib.csusb.edu/etd-project/3349.
Der volle Inhalt der QuelleDouglas, Christopher Robins Dunfield. „Reciting America, repetition and the cultural self-sufficiency of the United States in the fiction of Russell Banks, Ralph Ellison, Maxine Hong Kingston, and T. Coraghessan Boyle“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ27638.pdf.
Der volle Inhalt der QuelleGraves, Jesse, Paul Ruffin und William Wright. „Southern Poetry Anthology, VI: Tennessee“. Digital Commons @ East Tennessee State University, 2013. http://amzn.com/1937875458.
Der volle Inhalt der Quellehttps://dc.etsu.edu/etsu_books/1088/thumbnail.jpg
Graves, Jesse. „Basin Ghosts“. Digital Commons @ East Tennessee State University, 2014. http://amzn.com/1937875539.
Der volle Inhalt der Quellehttps://dc.etsu.edu/etsu_books/1056/thumbnail.jpg
Endicott, David. „Spectacular fictions : the Cold War and the making of historical knowledge“. Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1117103.
Der volle Inhalt der QuelleDepartment of English
Noboa, Ígor Carastan. „Filmes do fim do mundo: ficção científica e Guerra Fria (1951/1964)“. Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-18102010-153611/.
Der volle Inhalt der QuelleThis dissertation presents four science fiction movies, produced in the United States of America in the second post war period, The Day the Earth Stood Still (1951), Invasion of the Body Snatchers (1956), The Blob (1958), Fail-Safe (1964). In contemporary societies, this genre becomes relevant as an interpretation of the real, representing, interpreting, and discussing its historical context and the human relationships with the unknown, proposing ways of social organization and reflections about the nature of Science and Technology. By means of critical reading of the movies, the American imaginary regarding the international relations of the Cold War and the internal threats to society can be comprehended, without leaving behind the notion that these movies reach societies in different regions of the world and deal with universal questions.
Graves, Jesse, Paul Ruffin und William Wright. „Southern Poetry Anthology, VII: North Carolina“. Digital Commons @ East Tennessee State University, 2015. http://amzn.com/1937875873.
Der volle Inhalt der Quellehttps://dc.etsu.edu/etsu_books/1019/thumbnail.jpg
Abatan, Adetutu Abosede. „Cultural perspectives and adolescent concerns in Nigerian young adult novels“. Diss., Virginia Tech, 1994. http://hdl.handle.net/10919/40308.
Der volle Inhalt der QuellePh. D.
Workman, Jessica Crystal. „A laudable ambition fired her soul conduct fiction helps define republican womanhood, female communities, and women's education in the works of Judith Sargent Murray, Hannah Webster Foster, and Susanna Haswell Rowson“. Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4723.
Der volle Inhalt der QuelleID: 030646201; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Thesis (M.A.)--University of Central Florida, 2011.; Includes bibliographical references (p. 101-108).
M.A.
Masters
English
Arts and Humanities
English; Literary, Cultural and Textual Studies Track
Chachere, Karen A. De Santis Christopher C. „Visually white, legally black miscegenation, the mulatoo, and passing in American literature and culture, 1865-1933 /“. Normal, Ill. : Illinois State University, 2004. http://wwwlib.umi.com/cr/ilstu/fullcit?p3128271.
Der volle Inhalt der QuelleTitle from title page screen, viewed Jan. 10, 2005. Dissertation Committee: Christopher C. De Santis (chair), Ronald Strickland, Cynthia A. Huff, Alison Bailey. Includes bibliographical references (leaves 178-193) and abstract. Also available in print.
Allen, Joseph J. „The retina blues : invisibility and cultural visibility“. Virtual Press, 1995. http://liblink.bsu.edu/uhtbin/catkey/941584.
Der volle Inhalt der QuelleDepartment of English
Schembri, Peter Mark. „The use of genre by the Hollywood film industry to standardize and regulate the manufacture, content, and consumption of genre film commodities : the commercial success of recombinant science fiction films in the United States marketplace 1977-1989“. Thesis, Queensland University of Technology, 1996. https://eprints.qut.edu.au/36383/1/36383_Schembri_1991.pdf.
Der volle Inhalt der QuelleVimr, Kallisto J. „Genre and Gender in Charles Bukowski's Notes of a Dirty Old Man“. Cleveland, Ohio : Cleveland State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=csu1244663777.
Der volle Inhalt der QuelleAbstract. Title from PDF t.p. (viewed on June 17, 2009). Includes bibliographical references (p. 44-45). Available online via the OhioLINK ETD Center. Also available in print.
Abramowitz, Rachel I. „Donald Barthelme and 'Not-Knowing', 1964-1987“. Thesis, University of Oxford, 2014. https://ora.ox.ac.uk/objects/uuid:c183d6a9-86f9-4337-b6c5-4efdc6dc0731.
Der volle Inhalt der QuelleLedru, Juliette. „Dialectique de l'américanité et de l'ethnicité dans les représentations littéraires des personnages féminins : l'assimilation à l'épreuve de la fiction sino-américaine féminine (1965-2010)“. Thesis, Le Havre, 2015. http://www.theses.fr/2015LEHA0025/document.
Der volle Inhalt der QuelleBetween the second half of the 19th century and the beginning of the 21st, Chinese American minorities experienced the evolution of their social status from unassimilable aliens to model minorities. At the intersection of political, economic, cultural and social stakes, the Chinese and Chinese Americans were subjected to discriminatory measures such as the Chinese exclusion act (1882) and orientalist cultural representations (the yellow peril) which defended an exclusionary definition of assimilation, based on the refusal to integrate racial minorities in the definition of what it meant to be “American.” When the social movements of the 1960s allowed social, sexual and ethnic minorities to have their voices heard, the American mainstream society turned Chinese Americans into the embodiment of the American success story of integration and of the inclusiveness of American assimilation. This Ph.D. dissertation will explore the evolution and the tensions at the core of the assimilation process in the United States through the prism of the Chinese experience, and more specifically that of second generation female characters in works of fiction by Chinese American female authors (published between 1965 and 2010). We will focus on the way in which assimilation and Americanness are represented, contested and redefined in a syllabus of forty-one works of fiction
Cardoso, Sandra da Conceição. „Ficções científicas brasileiras e estadunidenses: uma análise comparativa“. Universidade Federal de Juiz de Fora (UFJF), 2009. https://repositorio.ufjf.br/jspui/handle/ufjf/3389.
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A partir dos traços de semelhanças e diferenças e de todo um percurso sistemático de comparação como estratégia de interpretação, analisamos as narrativas literárias do gênero ficção científica brasileira e estadunidense Silicone XXI (1985), A corrida do rinoceronte (2006), Neuromancer (1984) e A estrada (2007), dos autores Alfredo Sirkis, Roberto de Sousa Causo, William Gibson e Cormac McCarthy, respectivamente. Problematizamos as temáticas voltadas para o mundo da ciência, da tecnologia, bem como as transformações relacionadas ao corpo, à identidade e à estrangeiridade, na intenção de expandir as fronteiras do conhecimento entre Brasil e Estados Unidos, instituindo um estudo em torno da literatura de ficção científica no âmbito dos Estudos Culturais.
Guided by traces of similarities and differences and having comparison as the basis of our interpretation strategy, literary narratives of the science fiction genre from the United States and Brazil are analyzed in the works Silicone XXI (1985), A corridor do rinoceronte (2006), Neuromancer (1984) and The road (2007), by Alfredo Sirkis, Roberto de Sousa Causo, William Gibson and Cormac McCarthy, respectively. Themes connected to the world of science, technology and politics are put in relief as well as the transformations related to the body, identity and foreignism. The intention is to broaden up the dialogue between Brazil and The United States, by establishing a study around the science fiction literature in the realm of Cultural Studies.
Imber, Thomas. „Poétique des mondes mythographiques : essai sur la bande dessinée de science-fiction et ses super-héros“. Paris 3, 2007. http://www.theses.fr/2007PA030143.
Der volle Inhalt der QuelleThis study of transauthorial literature (stories which are treated by more than one author (namely, Greek and Roman mythology and American super-hero comics) focuses on fictional worlds. It analyzes both the reception of established myth, determining the narrative structures and constraints which arise from the use of pre-existing fictional worlds and characters, and the tendancy towards the completeness of the ‘mythico-historic’ time of a given tradition. Questions of temporality, sequentiality, and simultaneity are addressed. There is an examination of the relation between a fictional world and the empirical world in determining genres, and the ideas of parallel worlds and historical divergence are examined as well. Historical perspectives of the three primary literatures studied (ancient mythology, science fiction, and superhero comics) are offered
Correia, Danielle Cristina Russo. „O estado totalitário e os cidadãos em Fahrenheit 451 de Ray Bradbury“. Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-01062015-151611/.
Der volle Inhalt der QuelleThe purpose of this research is to analyze how the novel Fahrenheit 451, by Ray Bradbury, deals with its historical context and which is the symbolic resolution suggested for the issues noted. Therefore, parallels will be drawn between the political-social scene described in its fictional society and that of the United States from 1945 until 1953, the novels official publication date.
Middleton, Alexis Turley. „A True War Story: Reality and Simulation in the American Literature and Film of the Vietnam War“. BYU ScholarsArchive, 2008. https://scholarsarchive.byu.edu/etd/1492.
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