Zeitschriftenartikel zum Thema „Cross-cultural aesthetics and concepts“
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Sobolev, Yuriy. „Aesthetic Ideas and Concepts of the Hindu Tradition: Specific Features and Analogies“. Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, Nr. 3 (21.07.2021): 119–27. http://dx.doi.org/10.37482/2687-1505-v108.
Zimenko, T. V. „The Concept of Taste in South Korea: Historical, Aesthetical and Philosophical Aspects“. Concept: philosophy, religion, culture 4, Nr. 4 (29.12.2020): 83–101. http://dx.doi.org/10.24833/2541-8831-2020-4-16-83-101.
Zimenko, T. V. „The Concept of Taste in South Korea: Historical, Aesthetical and Philosophical Aspects“. Concept: philosophy, religion, culture 4, Nr. 4 (29.12.2020): 83–101. http://dx.doi.org/10.24833/2541-8831-2020-4-16-83-101.
Dai, Chuang. „Philosophical-aesthetic reflection in China in the century: Wang Guowei and Zong Baihua“. Философская мысль, Nr. 12 (Dezember 2020): 15–29. http://dx.doi.org/10.25136/2409-8728.2020.12.34614.
Pyrova, Tatiana Leonidovna. „Philosophical-aesthetic foundations of African-American hip-hop music“. Философия и культура, Nr. 12 (Dezember 2020): 56–62. http://dx.doi.org/10.7256/2454-0757.2020.12.34717.
Mulia, Prajanata Bagiananda, und D. ,. Dharsono. „EDITING CROSS-CUTTING IN THE FILM HAJI BACKPACKER“. Capture : Jurnal Seni Media Rekam 11, Nr. 1 (27.11.2019): 104–22. http://dx.doi.org/10.33153/capture.v11i1.2686.
Siuta, Halyna. „Terminology of receptive stylistics: the adaptation of other-disciplinary concepts“. Terminological Bulletin, Nr. 5 (2019): 104–11. http://dx.doi.org/10.37919/2221-8807-2019-5-13.
Gannon, Matthew. „The Aesthetic Death Drive of Modernism“. differences 31, Nr. 2 (01.09.2020): 58–85. http://dx.doi.org/10.1215/10407391-8662174.
Astafyeva, Olga N., und Natalia V. Kuzmina. „“Interesting” in the Aesthetic Landscape of the City“. Observatory of Culture 15, Nr. 6 (28.12.2018): 693–707. http://dx.doi.org/10.25281/2072-3156-2018-15-6-693-707.
Frisch, Simon. „The Aesthetics of Flow and Cut in the Way of Film: Towards Transnational Transfers of East Asian Concepts to Western Film Theory“. Arts 8, Nr. 3 (16.09.2019): 119. http://dx.doi.org/10.3390/arts8030119.
Heinrich, Falk. „(Big) Data, Diagram Aesthetics and the Question concerning Beauty“. MedieKultur: Journal of media and communication research 31, Nr. 59 (08.03.2016): 20. http://dx.doi.org/10.7146/mediekultur.v31i59.20084.
Filipović, Aleksandar. „The origin of the aesthetic elements in traditional forms of Far-eastern martial arts“. Issues in Ethnology and Anthropology 9, Nr. 1 (25.02.2016): 145. http://dx.doi.org/10.21301/eap.v9i1.8.
Grubačić, Marko S. „A BRIEF LOOK AT THE PROBLEM OF DEFINING JAPANESE AESTHETIC TERMS, THEIR AUTHENTICITY AND INTERPRETATIONS IN THE TWENTIETH CENTURY (Kratak osvrt na problem definisanja japanskih esteskih pojmova, njihovu autentičnost i interpretacije u XX veku)“. Folia linguistica et litteraria X, Nr. 28 (26.12.2019): 113–26. http://dx.doi.org/10.31902/fll.28.2019.7.
Xie, Xiaolan. „Cultural Aesthetic Comparison of "Three Singing Methods"“. Frontiers in Business, Economics and Management 1, Nr. 2 (24.04.2021): 15–17. http://dx.doi.org/10.54097/fbem.v1i2.17.
C, Porkai Athirai. „Tholkappiyar’s meyppadu and Bharathar’s Rasa – Concepts of Aesthetics“. International Research Journal of Tamil 3, Nr. 3 (06.07.2021): 47–52. http://dx.doi.org/10.34256/irjt2136.
Singh, Sangeeta, und Martina Maria Keitsch. „Aesthetic Participation for Sustainable Development: A Case Study from Kathmandu, Nepal“. Journal of Management and Sustainability 8, Nr. 4 (25.11.2018): 96. http://dx.doi.org/10.5539/jms.v8n4p96.
KOLKUTINA, Viktoriia, Lesia SYNIAVSKA, Volodymyr POHREBENNYK, Tetiana KORNISHEVA und Natalia IAREMCHUK. „Literary Hermeneutics in The Context of Natiosophic Ideas“. WISDOM 16, Nr. 3 (28.12.2020): 41–52. http://dx.doi.org/10.24234/wisdom.v16i3.394.
Sernelj, Téa. „Different Approaches to Modern Art and Society: Li Zehou versus Xu Fuguan“. Asian Studies 8, Nr. 1 (10.01.2020): 77–98. http://dx.doi.org/10.4312/as.2020.8.1.77-98.
Trafí-Prats, Laura. „Girls’ Aesthetics of Existence in/With Hayao Miyazaki’s Films“. Cultural Studies ↔ Critical Methodologies 17, Nr. 5 (21.10.2016): 376–83. http://dx.doi.org/10.1177/1532708616674996.
Sernelj, Téa. „Modernization of Beauty in China“. Asian Studies 9, Nr. 2 (07.05.2021): 165–79. http://dx.doi.org/10.4312/as.2021.9.2.165-179.
Eriksson, Birgit. „The Uses of Art: Contemporary Changes in Cultural Consumption and the Function of Art“. Culture Unbound 3, Nr. 3 (21.12.2011): 475–88. http://dx.doi.org/10.3384/cu.2000.1525.113475.
Karam, А. „ESSENTIAL CHARACTERISTICS OF THE PHENOMENA “AESTHETIC COMPETENCE OF PERSONALITY”“. Pedagogical education: theory and practice. Psychology. Pedagogy, Nr. 32 (2019): 81–85. http://dx.doi.org/10.28925/2311-2409.2019.32.11.
Dziamski, Grzegorz. „Performative nature of aesthetics“. DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU 26, Nr. 26 (01.09.2019): 32–49. http://dx.doi.org/10.5604/01.3001.0012.9886.
Ngai, Sianne. „Our Aesthetic Categories“. PMLA/Publications of the Modern Language Association of America 125, Nr. 4 (Oktober 2010): 948–58. http://dx.doi.org/10.1632/pmla.2010.125.4.948.
Sernelj, Téa. „The Problem of the Authenticity of the Aesthetic Concept qiyun shengdong“. Asian Studies 9, Nr. 1 (08.01.2021): 159–80. http://dx.doi.org/10.4312/as.2021.9.1.159-180.
Sernelj, Téa. „The Problem of the Authenticity of the Aesthetic Concept qiyun shengdong“. Asian Studies 9, Nr. 1 (08.01.2021): 159–80. http://dx.doi.org/10.4312/as.2021.9.1.159-180.
Dziamski, Grzegorz. „Performatywny charakter estetyki“. DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU 26, Nr. 26 (01.09.2019): 32–50. http://dx.doi.org/10.5604/01.3001.0012.9866.
Fritz, Martin. „Hallische Avantgarde. Die Erfindung der Ästhetik und die Ästhetisierung des Christentums“. Journal for the History of Modern Theology / Zeitschrift für Neuere Theologiegeschichte 21, Nr. 1-2 (15.01.2014): 1–27. http://dx.doi.org/10.1515/znth-2015-0001.
Denil, Mark. „A Disquisition on Cartographic Style and Taste: with Attendant Remarks upon Aesthetics, Clarity, Design, and Mapicity“. Cartographic Perspectives, Nr. 73 (01.09.2012): 75–88. http://dx.doi.org/10.14714/cp73.711.
Rejimon, P. K. „EXPLORING PHILOSOPHY OF ART IN INDIAN APPROACH“. International Journal of Research -GRANTHAALAYAH 5, Nr. 9 (30.09.2017): 217–23. http://dx.doi.org/10.29121/granthaalayah.v5.i9.2017.2234.
Novikov, Vasily N. „Aesthetics of Interactivity: Between Game and Film. To Watch or to Play?“ Journal of Flm Arts and Film Studies 10, Nr. 1 (15.03.2018): 54–63. http://dx.doi.org/10.17816/vgik10154-63.
Novikov, Vasily N. „Aesthetics of Interactivity: Between Game and Film. To Watch or to Play?“ Journal of Flm Arts and Film Studies 10, Nr. 2 (15.06.2018): 50–60. http://dx.doi.org/10.17816/vgik10250-60.
Kitriniaris, Alexandros. „Eco-ontological Systems of Human Interaction: Rethinking Ecology through Aesthetics“. Acta Europeana Systemica 4 (14.07.2020): 83–86. http://dx.doi.org/10.14428/aes.v4i1.57253.
Kawalec, Anna. „What Philosophical Aesthetics Can Learn from Applied Anthropology“. Symposion 7, Nr. 1 (2020): 41–53. http://dx.doi.org/10.5840/symposion2020714.
Khoroshilov, D. A. „Digital mind: mediatization of social cognition in culture, science and art“. Social Psychology and Society 10, Nr. 4 (2019): 9–22. http://dx.doi.org/10.17759/sps.2019100402.
Hamblin, Sarah. „Exhausted Montage“. Cultural Politics 15, Nr. 3 (01.11.2019): 358–71. http://dx.doi.org/10.1215/17432197-7725507.
Woodward, Ashley. „Dispositif, Matter, Affect, and the Real: Four Fundamental Concepts of Lyotard's Film-Philosophy“. Film-Philosophy 23, Nr. 3 (Oktober 2019): 303–23. http://dx.doi.org/10.3366/film.2019.0118.
Bernstein, J. M. „Kant and Adorno on Mind and World: From Wild Beauties to Spiral Jetty“. New German Critique 48, Nr. 2 (01.08.2021): 107–23. http://dx.doi.org/10.1215/0094033x-8989274.
Zagidullina, Marina. „Mediaesthetics of blank forms: the material basis of cultural nomadism in the era of panmediatization“. Przegląd Wschodnioeuropejski 9, Nr. 2 (30.11.2018): 293–307. http://dx.doi.org/10.31648/pw.3215.
Nepsha, Viktor. „Landscape as a Category of Film Aesthetics: Key Approaches“. Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, Nr. 4 (21.09.2021): 111–21. http://dx.doi.org/10.37482/2687-1505-v122.
Daugelaite, Aurelija, und Indre Grazuleviciute-Vileniske. „The Relationship between Ethics and Aesthetics in Sustainable Architecture of the Baltic Sea Region“. Sustainability 13, Nr. 4 (19.02.2021): 2259. http://dx.doi.org/10.3390/su13042259.
Fritsch-Oppermann, Sybille C. „Metaphors and metaphorical language/s in religion, art and science“. Studia Philosophiae Christianae 56, Nr. 3 (30.09.2020): 31–50. http://dx.doi.org/10.21697/spch.2020.56.3.02.
Hron, Irina. „“Speak your word and break!”“. European Journal of Scandinavian Studies 50, Nr. 2 (25.10.2020): 355–74. http://dx.doi.org/10.1515/ejss-2020-2005.
Werning, Stefan. „Walk-Through Corporate Aesthetics: Design Affordances in Tech Workspaces“. Open Cultural Studies 3, Nr. 1 (01.01.2019): 428–41. http://dx.doi.org/10.1515/culture-2019-0036.
Ouyang, Chao Ying, Ya Jie Xiong und Lin Li. „Application of Traditional Chinese Decorative Patterns in Ceramics Design“. Advanced Materials Research 936 (Juni 2014): 2329–34. http://dx.doi.org/10.4028/www.scientific.net/amr.936.2329.
Gandolfi, Enrico. „Beyond Diagonal Sciences: Applying Roger Caillois’s Concepts of Symmetry and Dissymmetry to Journey“. Games and Culture 12, Nr. 4 (14.09.2016): 361–80. http://dx.doi.org/10.1177/1555412016667342.
Ezepue, Ezinne M. „The New Nollywood: Professionalization or Gentrification of Cultural Industry“. SAGE Open 10, Nr. 3 (Juli 2020): 215824402094099. http://dx.doi.org/10.1177/2158244020940994.
Strukov, Vlad. „The queer coat: Konstantin Goncharov’s fashion, Russian masculinity and queer world building“. Critical Studies in Men???s Fashion 6, Nr. 1 (01.09.2019): 81–102. http://dx.doi.org/10.1386/csmf_00006_1.
Kochetkova, Uliana. „Influence of Philosophical and Aesthetic Concepts on the Description of the Acoustic Characteristics of Vowels (Late 17th – Early 20th Centuries)“. Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, Nr. 3 (August 2020): 144–54. http://dx.doi.org/10.15688/jvolsu2.2020.3.13.
Weychert, Monika. „Zmieścić się w ramach“. Politeja 16, Nr. 4(61) (31.01.2020): 243–55. http://dx.doi.org/10.12797/politeja.16.2019.61.14.