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Zeitschriftenartikel zum Thema "Criticism and interpretationkafka, franz , 1883-1924"
Kızıler Emer, Funda, und Ertuğrul Demir. „A thematological comparison between the texts “Sult” by Knut Hamsun and “Der Hungerkünstler” by Franz Kafka and the film “The Hunger Games” by Gary Ross“. Journal of Human Sciences 20, Nr. 1 (15.02.2023): 65–79. http://dx.doi.org/10.14687/jhs.v20i1.6347.
Der volle Inhalt der QuelleDissertationen zum Thema "Criticism and interpretationkafka, franz , 1883-1924"
McDonald, Timothy E. G. „The space of Kafka /“. Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69777.
Der volle Inhalt der QuelleDeschamps, Bernard 1957. „Schreiben als Form des Gebets : l'écriture en tant que forme de la prière dans l'œuvre de Franz Kafka“. Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115633.
Der volle Inhalt der QuelleIn order to do so, we will first examine the social, political and economic conditions prevailing in Central Europe at the turn of the 20th century, in order to ascertain its tremendous impact on the Jewish communities living in that part of the world, in terms of loss of traditional Jewish identity culminating in many cases in assimilation. Kafka's work will thus firstly be situated in the historical and political context out of which it emerged.
In the course of this work, we have used the concepts of sacre and profane as developed by the historian of religions Mircea Eliade throughout in order to demonstrate that there exists in Kafka's work a constitutive tension articulated between those two poles, not only at the level of the plot, but at the level of language itself.
Since the central element at the root of this tension is expressed in terms of presence and absence, we have also analysed the philosophy of language of Walter Benjamin and Gershom Scholem, which are themselves articulated exactly in those terms.
The use of these categories has helped us show that if Kafka's work is indeed at time very close to that of Scholem and Benjamin, especially in its literary rendition of motives underlining the absence of the divine in language, it also distinguishes itself markedly from the work of the two philosophers by the use of other motives which underline the immediate presence of the message of Revelation, made directly accessible within the modern and profane language, which is also that of literature.
Oyakawa, Eduardo. „A luz brilha nas trevas: um estudo sobre o Deus Absconditus na literatura de Franz Kafka (1912-1924)“. Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/20948.
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This study is dedicated to the knowledge of writer Franz Kafka’s literature, under the egis of the religious mystic interpretation. In order to accomplish this goal, Franz Kafka’s biography is presented, to allow his “personality enclosed by a glass wall” to be accurately exposed. Kafka’s life and work are so inextricably combined that it would not be possible to appropriately enlighten his literature without previously understanding his conflicting relationship with parents and girlfriends, as well as his difficulties with work – done with anxiety and discouragement – and with Judaism, basis of his family formation. Following this, this study comprehends analytical multiple visions, emphasizing the hermeneutic polissemy and difficulties of univocally understanding Kafka, without taking into consideration his “literature astonishment”, responsible for making him one of the authors that were mostly read and commented during XX and XXI centuries. Essential scope of the third session is offering a critical view about the efforts to interpret his writings under the religious mystic harness. For this, “Max Brod case” will be discussed and the hypothesis brought by the religions historian Gershom Scholem who presented Kafka as a heretic cabalist. Last but not least, textual hermeneutics will be made (Die Verwandlung, Der Prozess, Der Brau and Forschungen Eines Hund) under cabalistic perspective, trying to uncover Deus Absconditus who is shown in Kafka’s literature with the diversity of chromatic and sonorous tones as a small light shining in the dark
Este estudo é dedicado ao conhecimento da obra do escritor Franz Kafka, sob a égide da interpretação religiosa-mística. Para que logre esse intento, apresenta a biografia de Franz Kafka, a fim de desvelar acuradamente a sua “personalidade encerrada por uma parede de vidro”. Em Kafka, vida e obra se misturam inextricavelmente, de tal maneira que não se pode esclarecer convenientemente a sua literatura sem antes saber de sua relação conflituosa com os pais, com as namoradas, as suas dificuldades concernentes ao trabalho – realizado sob ansiedade e desalento – e com o judaísmo, constitutivo de sua formação familiar. A seguir, este trabalho estuda as multivisões analíticas, sublinhando a polissemia hermenêutica e as dificuldades de se compreender Kafka de maneira unívoca, isto é, sem levar em consideração o “assombro de sua literatura”, responsável por transformá-lo num dos autores mais lidos e comentados no deambular dos séculos XX e XXI. A terceira sessão tem como escopo fundamental oferecer um olhar crítico sobre as tentativas de interpretar os escritos sob o jaez místico-religioso. Para tanto, discute-se o “caso Max Brod” e a hipótese aventada pelo historiador das religiões Gershom Scholem, segundo a qual teria sido Kafka um cabalista herético. Finalmente, faz-se a hermenêutica textual (O Covil, A Metamorfose, O Processo e Investigações sobre um Cão) sob o ponto de vista cabalístico, ou seja, tentando deslindar o Deus Absconditus que, na diversidade de tons cromáticos e sonoros, incide na obra de Kafka como pequena luz brilhando nas trevas
Deschamps, Bernard. „Das Nichts der Offenbarung : Sprache und Schrift in der Kafka-Deutung Gershom Scholems und Walter Benjamins = The nothingness of revelation : language and text in the Kafka interpretations of Gershom Scholem and Walter Benjamin“. Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30158.
Der volle Inhalt der QuelleCet essai se propose ensuite de demontrer comment Scholem et Benjamin ont trouve dans l'oeuvre de Franz Kafka l'expression litteraire de leurs theories linguistiques.
En conclusion, cet essai se propose de demontrer comment Scholem et Benjamin, a partir de leurs theories linguistiques respectives, et malgre la proximite indeniable de celles-ci, en sont venus a interpreter Kafka d'une facon diametralement opposee. Scholem, en effet, voyait dans cette oeuvre l'expression d'une des theories les plus nihilistes de la Kabbale: Die Unvollziehbarkeit der Offenbarung, une negation de la Revelation divine; Benjamin voyait pour sa part chez Kafka l'expression d'une tres mince possibilite de redemption.
Wright, Andrew James. „Dialecticism and 'negativity' in Melville, Kafka and Blanchot : a literature and language of conflict“. Thesis, The University of Sydney, 2009. https://hdl.handle.net/2123/28213.
Der volle Inhalt der QuelleVrba, Marya. „The literary dream in German Central Europe, 1900-1925 : a selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler“. Thesis, Swansea University, 2011. https://cronfa.swan.ac.uk/Record/cronfa42396.
Der volle Inhalt der QuelleStander, Aletta Sophia. „Taal wat stamel, stotter en struikel : Marlene van Niekerk se "Die sneeuslaper" (2010) as mineurletterkunde“. Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/20061.
Der volle Inhalt der QuelleENGLISH ABSTRACT: The focus of this study will be on the unique way in which language is used in Marlene van Niekerk‟s collection of short stories, Die sneeuslaper (2010). When reading Die sneeuslaper it is impossible not noticing the number of Dutch words, as well as words and phrases from other foreign languages, as Bargoens, Rotwelsch, German, French, Italian, Hebrew, Greek and Maltese. Some of the characters‟ speech, as well as so called sound poems (or nonsense verses) are characterised by a number of newly invented words. However, the meaning of some of these words or phrases remains unclear. Other themes in the four short stories which will be analysed are the so called political responsibility of the artist, as well as music, rhythm and bird-noises. As a theoretical basis of this study, Deleuze and Guattari‟s Kafka Toward a Minor Literature will be used. In Kafka Toward a Minor Literature Deleuze en Guattari formulate their ideas regarding minor literature. They describe a major language as a language of dominance and power, while a minor language is a language without any power. According to them the three characteristics of minor literature are: the minor deterritorializes the major, minor literature is always political, and minor literature always has a collective function. Deleuze and Guattari‟s, as well as Bogue‟s writing regarding the territorialization and deterritorialization of the refrain, is also explored briefly. Deleuze en Guattari‟s theories regarding minor literature is used in this study to read Die sneeuslaper. In the end it is concluded that the unconventional use of language in this short story collection can be associated with the political nature of some of the stories. The unique usage of language in Die sneeuslaper, the way in which Afrikaans is transformed into a language that stammers, stutters and mumbles, can be seen as a subtle form of political protest. Therefore this collection of short stories can be seen as a form of minor literature.
AFRIKAANSE OPSOMMING: Hierdie studie fokus op die vreemde wyse waarop taal in Marlene van Niekerk se kortverhaalbundel, Die sneeuslaper (2010), aangewend word. Met die lees van Die sneeuslaper is die hoeveelheid Nederlandse woorde, asook enkele woorde en frases uit ander vreemde tale, soos Bargoens, Rotwelsch, Duits, Frans, Italiaans, Hebreeus, Grieks en Maltees, opvallend. Verder is daar in die karakters se spraak, sowel as in klankgedigte (of onsinverse), vele nuutskeppings waarvan die betekenis nie altyd so duidelik blyk nie, teenwoordig. Ander temas wat in die vier verhale figureer en ondersoek sal word is kunstenaarskap, die sogenaamde politieke verantwoordelikheid van die kunstenaar, asook musiek, ritme en voëlgeluide. As teoretiese vertrekpunt vir die studie word Deleuze en Guattari se Kafka Toward a Minor Literature, waarin hul idees oor mineurlettekunde geformuleer word, gebruik. Deleuze en Guattari onderskei tussen ‟n dominante majeurtaal en ‟n mineurtaal wat sonder mag is. Volgens Deleuze en Guattari is daar drie kenmerke van mineurletterkunde, naamlik dat die mineur die majeur deterritorialiseer, dat mineurletterkunde altyd polities is, en laastens dat mineurletterkunde altyd kollektief van aard is. Bykomend word daar ook kortliks gekyk na Deleuze en Guattari, sowel as Bogue, se skrywe oor territorialisering en deterritorialisering in die refrein. Deleuze en Guattari se teorie oor mineurletterkunde word in hierdie studie as ‟n agtergrond gebruik om Die sneeuslaper te lees. Daar word uiteindelik tot die gevolgtrekking gekom dat die onkonvensionele taalgebruik in die kortverhaalbundel wel geassosieer kan word met deterritorialisering en dat dit aansluit by die politieke aard van sommige van die verhale. Die wyse waarop Afrikaans in Die sneeuslaper getransformeer word na ‟n taal wat stamel, stotter en struikel, kan dus as subtiele, politieke protes gesien word en daarom kan dié kortverhaalbundel inderdaad as ‟n vorm van mineurletterkunde beskou word.
楊海一. „卡夫卡和魯迅比較研究 = A comparative study on Kafka and Luxun“. Thesis, University of Macau, 2005. http://umaclib3.umac.mo/record=b1636183.
Der volle Inhalt der QuellePrikladnicki, Fábio. „Reinscrevendo a responsabilidade : figurações da alteridade entre o humano e o animal“. reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/131624.
Der volle Inhalt der QuelleFollowing the tenets of the interdisciplinary area of animal studies, this dissertation presents a reading of animal figures in literature against the grain, which means that they are not taken only as metaphors of certain aspects of human life but as textual presences with a status assigned to characters and, in this condition, are interrogated in their alterity. The central question to be explored is: what the animal metaphor says about animals and the relation of animal and human beings and what it means to de-figure the metaphor in order to explore the possibility of re-signifying, in ficcional textualities, the human/animal relation. In order to address these issues, I draw a panorama of animal studies, including the state of the art in Brazil, to contend that this area adds to the possibilities of innovation in the field of comparative literature. Then, I consider a theoretical framework of Jacques Derrida’s animal philosophy, also discussing theoretical positions of Calarco (2008), Krell (2013), Lawlor (2007) and Naas (2010) on this topic. Finally, I propose comparative readings of Franz Kafka’s The metamorphosis (1915) and Marie Darrieussecq’s Pig tales (1996), from the perspective of becoming animal, and of Virginia Woolf’s Flush (1933) and Paul Auster’s Timbuktu (1999), both on domesticating animals.
Bücher zum Thema "Criticism and interpretationkafka, franz , 1883-1924"
Kafka, Franz. The metamorphosis: Translation, backgrounds and contexts, criticism. New York: W.W. Norton, 1996.
Den vollen Inhalt der Quelle finden1939-, Rolleston James, Hrsg. A companion to the works of Franz Kafka. Columbia, S.C: Camden House, 2006.
Den vollen Inhalt der Quelle findenSpeirs, Ronald. Franz Kafka. New York: St. Martin's Press, 1997.
Den vollen Inhalt der Quelle finden1930-, Bloom Harold, Hrsg. Franz Kafka's "The metamorphosis". New York: Chelsea House Publishers, 1988.
Den vollen Inhalt der Quelle finden1950-, Dodd Bill, Hrsg. Kafka: The metamorphosis, The trial, and The castle. London: Longman, 1995.
Den vollen Inhalt der Quelle finden1943-, Udoff Alan, Hrsg. Kafka and the contemporary critical performance: Centenary readings. Bloomigton: Indiana University Press, 1987.
Den vollen Inhalt der Quelle findende, Back Cor, und Bokhove Niels 1946-, Hrsg. Niederländische Autoren über Franz Kafka, 1922-1942. Amsterdam: Rodopi, 1993.
Den vollen Inhalt der Quelle finden1928-, Lazar Moshe, und Gottesman Ronald, Hrsg. The Dove and the mole: Kafka's journey into darkness and creativity. Malibu: Undena Publications, 1987.
Den vollen Inhalt der Quelle findenKafka, Franz. Kafka's selected stories: New translations, backgrounds and contexts, criticism. New York, NY: W.W. Norton & Co., 2006.
Den vollen Inhalt der Quelle findenPraha, Goethe-Institut, Hrsg. Franz Kafka: Wirkung und Wirkungsverhinderung. Köln: Böhlau Verlag, 2014.
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