Auswahl der wissenschaftlichen Literatur zum Thema „Criticism and interpretationgleitzman, morris“
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Zeitschriftenartikel zum Thema "Criticism and interpretationgleitzman, morris"
Etherington, Ben, und Jarad Zimbler. „Decolonize Practical Criticism?“ English: Journal of the English Association 70, Nr. 270 (01.09.2021): 227–36. http://dx.doi.org/10.1093/english/efab017.
Der volle Inhalt der QuelleHastings, Tom. „Robert Morris between art criticism and object making, 1961-66“. Sculpture Journal: Volume 30, Issue 3 30, Nr. 3 (01.11.2021): 345–60. http://dx.doi.org/10.3828/sj.2021.30.3.6.
Der volle Inhalt der QuelleDAYAN, P. „Review. Stephane Mallarme: Twentieth-Century Criticism (1972-1979). Morris, D. Hampton“. French Studies 45, Nr. 3 (01.07.1991): 341. http://dx.doi.org/10.1093/fs/45.3.341.
Der volle Inhalt der QuellePeksan, Selcan. „A Utopian Way of Thinking about Work: Tracing William Morris’ Ideas on the Concept of Work“. Journal of Humanity and Society (insan & toplum) 11, Nr. 2 (20.06.2021): 149–67. http://dx.doi.org/10.12658/m0624.
Der volle Inhalt der QuellePuckett, Kent. „“Postscript: 1976”: E. P. Thompson and the River of Fire“. Victorian Literature and Culture 47, Nr. 4 (2019): 813–34. http://dx.doi.org/10.1017/s1060150319000342.
Der volle Inhalt der QuelleWhalen, Aili. „What, After All, Is Margolis’ Problem With Weitz’ Definition of Art?“ East Asian Journal of Philosophy 2, Nr. 2 (17.04.2023): 57–69. http://dx.doi.org/10.19079/eajp.2.2.57.
Der volle Inhalt der QuelleSizov, Sergey Eugenievich. „Apophatic theological tradition and analytic theology: outlining conflicts and solutions“. KANT 38, Nr. 1 (März 2021): 171–78. http://dx.doi.org/10.24923/2222-243x.2021-38.34.
Der volle Inhalt der QuelleDonovan, Peter. „The Intolerance of Religious Pluralism“. Religious Studies 29, Nr. 2 (Juni 1993): 217–29. http://dx.doi.org/10.1017/s0034412500022216.
Der volle Inhalt der QuelleMoonie, Stephen. „Our Cherished Moments of Involuntary Realism: Charles Harrison, Modernism, and Art Writing“. Arts 11, Nr. 1 (21.01.2022): 23. http://dx.doi.org/10.3390/arts11010023.
Der volle Inhalt der QuelleDurrant, Michael. „The Logic of God Incarnate–Two Recent Metaphysical Principles Examined“. Religious Studies 24, Nr. 2 (Juni 1988): 121–27. http://dx.doi.org/10.1017/s0034412500019223.
Der volle Inhalt der QuelleDissertationen zum Thema "Criticism and interpretationgleitzman, morris"
McColm, Donna. „Opticality and the Work of Morris Louis (1912-1962)“. Thesis, The University of Sydney, 2007. http://hdl.handle.net/2123/2180.
Der volle Inhalt der QuelleMcColm, Donna. „Opticality and the Work of Morris Louis (1912-1962)“. University of Sydney, 2007. http://hdl.handle.net/2123/2180.
Der volle Inhalt der QuelleThis thesis investigates the work of Morris Louis (1912-1962) in relation to ‘opticality’, a theory developed by the prominent American art critic Clement Greenberg. Between the late 1930s and 1950s, Greenberg developed a comprehensive argument concerning the opticality, or the optical illusion, of abstract painting. This theory influenced common approaches towards Abstract Expressionist painting during the 1940s and 1950s, culminating in Greenberg’s writing on ‘Colourfield’ painting in major texts of the 1960s such as ‘Louis and Noland’ (1960). Through research into the development of Morris Louis’ technique, including several of his major series as well as lesser known works, this thesis argues that our understanding of Louis’ work has been constricted by a narrow perception of the opticality of his 'stain' paintings, and explores Louis' technique in light of alternative interpretations of his work.
Jae, Hwan Jung. „DANCING AMBIVALENCE: A CRITICAL ANALYSIS OF MARK MORRIS' CHOREOGRAPHY IN DIDO AND AENEAS (1989), THE HARD NUT (1991), AND ROMEO AND JULIET, ON MOTIFS OF SHAKESPEARE (2008)“. Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/167997.
Der volle Inhalt der QuellePh.D.
Mark Morris is deeply engaged with dance traditions and the classics, but he transforms them into modern, eclectic pieces. He often dissolves the distinctions between reality and fantasy, and good and evil, emphasizing reconciliation and love. Morris sculpts his own story and characters from musical elements within the overarching musical structure, portraying the characters and their emotions through detailed variations of movement quality. Characterizing Morris' dual attitudes as ambivalence, this study aims to highlight the dynamic structure and complexity of meaning in his works. I suggest that Morris' ambivalence is related to his perspective, the way he sees the world.
Temple University--Theses
Morais, Rafael Pinto. „A modernidade em lugar nenhum: o mundo moderno revisitado pelos romances utópicos de William Morris, H. G. Wells e Aldous Huxley“. Pontifícia Universidade Católica de São Paulo, 2011. https://tede2.pucsp.br/handle/handle/3309.
Der volle Inhalt der QuelleConselho Nacional de Desenvolvimento Científico e Tecnológico
Modernity is still alive, but not in the same way it has always been. Nowadays, the condition of the modern world is coldly examined, many of its institutions are analyzed and greatly frowned upon, and, therefore, the need for change is evident. The present dissertation arises from this context and aims at taking part in its discussions from the perspective of literature, more precisely of the genre utopia. The objective of our study is to understand what William Morris, H. G. Wells and Aldous Huxley, in their utopian novels, have to say about the modern civilization and what changes they propose regarding the problems they witness. First, we start the research by adopting the belief that there is a logic that is present in, permeates and moulds the modern practices and existences: the enlightened reason. Second, we take modernity for its reason, describe it in details and try to see it embodied in the material life, in the segments of production and consumption, politics and science. After this characterization of what modernity is, we finally get to the analyses of the novels. By revealing how the writers see modern reason in their books, we achieve our main goal. Briefly speaking, while Wells views the imperatives of the modern world as great principles that must be clung to and spread, Morris e Huxley are much more critical: both see the darkness of our times and show, through their own understanding of the facts, possible ways out of it. The two writers bring us important contributions that should be considered in the path we have been walking on lately
A modernidade ainda está viva, mas não da forma que sempre esteve. Nos dias atuais, examina-se a condição do mundo moderno friamente, jogam-se luzes sobre seus trabalhos sem gostar muito do que se vê e, por fim, percebe-se a necessidade de mudanças. A presente dissertação surge desse contexto e tem como intuito geral tomar parte em suas conversações a partir da literatura, mais precisamente do gênero utopia. O objetivo do trabalho é compreender o que William Morris, H. G. Wells e Aldous Huxley, em seus romances utópicos, dizem a respeito da civilização moderna e propõem como saída para suas contradições. Damos início à pesquisa assumindo a noção de que existe uma lógica que sustenta, permeia e molda as práticas e existências modernas: a razão esclarecida. Logo após, tomamos a modernidade por sua razão, descrevemos esse elemento basilar da civilização moderna e buscamos enxergá-lo corporificado nas esferas da produção e do consumo, da política e da ciência. Feita a delimitação, caracterização e mapeamento do que é a modernidade, chegamos à análise dos romances. Revelando a postura dos autores diante da razão que alicerça o mundo moderno, nosso propósito é alcançado. Em suma, enquanto Wells se prende aos imperativos do período e tenta de todas as formas propagá-los, Morris e Huxley têm uma postura mais crítica, conseguem enxergar a obscuridade de nosso tempo e expor, na própria apreensão dos fatos, possíveis caminhos para fora das trevas. Os dois autores, assim, trazem contribuições que nos auxiliam a pavimentar o caminho que percorremos na atualidade
Coker, Bradley Gene. „The employment of historically informed performance practices in present day tuba performances of two Italian baroque violoncello transcriptions“. Thesis, Recital, recorded June 5, 2006, in digital collections. Access restricted to the University of North Texas campus. connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-6122.
Der volle Inhalt der QuelleSystem requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Nov. 7, 2005, Mar. 20, 2006, June 5, 2006, and Nov. 5, 2007. Includes bibliographical references (p. 80-83).
McFadden, Jane Porter 1972. „Practices of site : Walter de Maria and Robert Morris,1960-1977“. 2004. http://hdl.handle.net/2152/12802.
Der volle Inhalt der QuelleBücher zum Thema "Criticism and interpretationgleitzman, morris"
Jones, Alun R. Lewis Morris. Caerdydd: Gwasg Prifysgol Cymru, 2004.
Den vollen Inhalt der Quelle findenWiens, Ann. Darrel Morris. Winchester: Telos, 2003.
Den vollen Inhalt der Quelle findenZaczek, Iain. William Morris. Bath: Parragon, 2001.
Den vollen Inhalt der Quelle findenWydeven, Joseph J. Wright Morris revisited. New York: Twayne Publishers, 1998.
Den vollen Inhalt der Quelle findenBlonston, Gary. William Morris: Artifacts/glass. New York: Abbeville Press, 1996.
Den vollen Inhalt der Quelle findenDoumato, Lamia. Morris Lapidus: A bibliography. Monticello, Ill., USA: Vance Bibliographies, 1988.
Den vollen Inhalt der Quelle findenWolff, Theodore F. Morris Graves: Flower paintings. Seattle: University of Washington Press, 1994.
Den vollen Inhalt der Quelle findenJordan, Stephanie. Mark Morris: Musician - choreographer. Binstead: Dance Books Ltd., 2015.
Den vollen Inhalt der Quelle findenBird, Roy K. Wright Morris: Memory and imagination. New York: P. Lang, 1985.
Den vollen Inhalt der Quelle findenGrenier, Catherine. Robert Morris à Maguelone. Paris: Ereme, 2003.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Criticism and interpretationgleitzman, morris"
Havenstein, Daniela. „The Resurrection of Morris W. Croll“. In Democratizing Sir Thomas Browne, 88–103. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198186267.003.0006.
Der volle Inhalt der Quelle„John Fletcher, On pastoral tragicomedy (c.1610)“. In English Renaissance Literary Criticism, herausgegeben von Brian Vickers, 502–3. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198186793.003.0026.
Der volle Inhalt der QuelleCerasi, Laura. „Tra nostalgia preindustriale, ghildismo e rinascita nazionale Il pensiero sociale di Ruskin nel dibattito culturale italiano“. In John Ruskin’s Europe. A Collection of Cross-Cultural Essays With an Introductory Lecture by Salvatore Settis. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-487-5/021.
Der volle Inhalt der QuelleStevenson, Randall. „An Age of Theory? Critics, Readers, and Authors“. In The Last of England?, 88–124. Oxford University PressOxford, 2004. http://dx.doi.org/10.1093/oso/9780198184232.003.0004.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Criticism and interpretationgleitzman, morris"
Christie, Robyn. „The Great Debate: Campaigns and Conflicts in London in the 1980s“. In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5016p9v9h.
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