Auswahl der wissenschaftlichen Literatur zum Thema „Criminalité au cinéma“
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Zeitschriftenartikel zum Thema "Criminalité au cinéma"
Bauman, Rebecca. „‘Now you are one of us’: Mafia fashion on-screen“. Film, Fashion & Consumption 11, Nr. 2 (01.11.2022): 155–68. http://dx.doi.org/10.1386/ffc_00045_1.
Der volle Inhalt der QuelleMututa, Addamms Songe. „Reductionism and post-apartheid culture: A critique of building hijacking in Gangsters Paradise: Jerusalema“. Journal of African Cinemas 15, Nr. 1 (01.03.2023): 37–55. http://dx.doi.org/10.1386/jac_00088_1.
Der volle Inhalt der QuelleBoyce, Benjamin. „Lessons from Shawshank: Outlaws, Lawmen and the Spectacle of Punishment“. Humanities 12, Nr. 1 (12.01.2023): 10. http://dx.doi.org/10.3390/h12010010.
Der volle Inhalt der QuelleRobinson, Amy. „Chucho el Roto in Mexico’s Post-1968 Cinema: Banditry, State-Sponsored Violence, and the Alternative National Family“. Mexican Studies/Estudios Mexicanos 30, Nr. 2 (2014): 446–78. http://dx.doi.org/10.1525/msem.2014.30.2.446.
Der volle Inhalt der QuelleBonjour, Mini Mark. „Thuggee and Sati Revisited“. Artha - Journal of Social Sciences 15, Nr. 3 (01.07.2016): 21. http://dx.doi.org/10.12724/ajss.38.2.
Der volle Inhalt der QuelleKuznetsova, Yulia A., und Nadezhda A. Kalmazova. „Representation of the concept 'thief' in the modern mass media“. Verhnevolzhski Philological Bulletin 1, Nr. 24 (2021): 74–80. http://dx.doi.org/10.20323/2499-9679-2021-1-24-74-80.
Der volle Inhalt der QuelleLEVET, Natacha. „Urban Space in Sorogoyen cinema: a Political Deframing of the Gaze“. Les espaces urbains dans les fictions criminelles espagnoles : (dé)cadrer la ville à l’écran et en bande dessinée, Nr. 4 (05.01.2024). http://dx.doi.org/10.25965/flamme.1202.
Der volle Inhalt der Quelle„The death penalty in American cinema: criminality and retribution in Hollywood film“. Choice Reviews Online 52, Nr. 03 (23.10.2014): 52–1315. http://dx.doi.org/10.5860/choice.186086.
Der volle Inhalt der QuelleOngiri, Amy Abugo. „Black “Crime,” Public Hysteria, and the Cinema of Containment: Black Cinema Aesthetics from Willie Dynamite to The Interrupters and a/k/a Mrs. George Gilbert“. Journal of Foreign Languages and Cultures 5, Nr. 1 (28.06.2021). http://dx.doi.org/10.53397/hunnu.jflc.202101003.
Der volle Inhalt der QuelleA.Wilson, Jason. „Performance, anxiety“. M/C Journal 5, Nr. 2 (01.05.2002). http://dx.doi.org/10.5204/mcj.1952.
Der volle Inhalt der QuelleDissertationen zum Thema "Criminalité au cinéma"
Boni, Marta. „De l'intertextualité au transmédial : pratiques de réécriture autour de "Romanzo criminale"“. Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030124/document.
Der volle Inhalt der QuellePresented as a new interpretation of a momentous event in recent Italian history, Romanzo Criminale is a story spread through different types of media; it is a book, a film, a TV series, as well as a number of extra materials. Spin-offs of these products created by users can be found on the Internet as well. Users pay homage to or parody the original media by transforming or remixing its content, thus expanding the story’s universe by putting forward alternative interpretations throughout various communities both on and offline. In this study, we explore the methods available to researchers for analyzing this phenomenon. If, in the first section of the study, the notion of intertextuality can be used as a heuristic tool, in the second, the presence of actual uses requires the researcher to go beyond the narratological perspective and construct a methodology that is adapted to the contemporary context of convergence. In order to understand the multitude of existing practices, it is imperative to carry out an ethnographic investigation of online spaces (blogs, video sharing sites, social networks), and accompany it with a critical examination of the notion of transmediality. In the last section, we examine one of the most typical contemporary features of the studied phenomenon, the one which produces an everexpanding fictional universe created by spectators that will be compared to an "epic work"
Carvalho, Luciana de [UNESP]. „Uma leitura de Cidade de Deus, de Paulo Lins“. Universidade Estadual Paulista (UNESP), 2007. http://hdl.handle.net/11449/91606.
Der volle Inhalt der QuelleO trabalho consiste no estudo e análise do romance Cidade de Deus, de Paulo Lins, relançado em 2002. Tal análise tem como objetivo verificar como esse texto contemporâneo articula sua escrita, sua produção, a partir de uma expectativa de leitura do leitor contemporâneo. O estudo também busca observar os mecanismos discursivos e textuais presentes na constituição da obra em questão, sem deixar de considerar o contexto sóciohistórico em que o romance está inserido. Procura explorar ainda, as condições específicas que despertaram o interesse do público em geral para a leitura da obra e em que medida a transposição do romance para o cinema, no ano de 2002, sob a direção de Fernando Meirelles, influenciou no aumento do número de leitores para esse livro.
This study consists in the investigation anda analysis of Paulo Lins' romance Cidade de Deus, relanced in 2002. This analysis intends to verify as this contemporary text articulates his writings, his production, from one expectative of lecture of a contemporary reader. The study search too to observe the textuals and discoursives mechanisms presentes in the constitution of book in question, without leave to consider the social and historic context in that the romance is inserted. It search still to explore the specific conditions that waked the public interest in general for reader of book and in that measure the transposition of romance for the cinema, in the year 2002, under Fernando Meirelles direction, had influence in the increase number of readers for this book.
Carvalho, Luciana de. „Uma leitura de Cidade de Deus, de Paulo Lins /“. Araraquara : [s.n.], 2007. http://hdl.handle.net/11449/91606.
Der volle Inhalt der QuelleBanca: Maria Lúcia Outeiro Fernandes
Banca: Tieko Yamaguchi Miyazaki
Resumo: O trabalho consiste no estudo e análise do romance Cidade de Deus, de Paulo Lins, relançado em 2002. Tal análise tem como objetivo verificar como esse texto contemporâneo articula sua escrita, sua produção, a partir de uma expectativa de leitura do leitor contemporâneo. O estudo também busca observar os mecanismos discursivos e textuais presentes na constituição da obra em questão, sem deixar de considerar o contexto sóciohistórico em que o romance está inserido. Procura explorar ainda, as condições específicas que despertaram o interesse do público em geral para a leitura da obra e em que medida a transposição do romance para o cinema, no ano de 2002, sob a direção de Fernando Meirelles, influenciou no aumento do número de leitores para esse livro.
Abstract: This study consists in the investigation anda analysis of Paulo Lins' romance Cidade de Deus, relanced in 2002. This analysis intends to verify as this contemporary text articulates his writings, his production, from one expectative of lecture of a contemporary reader. The study search too to observe the textuals and discoursives mechanisms presentes in the constitution of book in question, without leave to consider the social and historic context in that the romance is inserted. It search still to explore the specific conditions that waked the public interest in general for reader of book and in that measure the transposition of romance for the cinema, in the year 2002, under Fernando Meirelles direction, had influence in the increase number of readers for this book.
Mestre
Melani, Tommaso. „La rappresentazione della 'mala' romana nel contesto della serialità televisiva italiana. Il caso Cattleya“. Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022.
Den vollen Inhalt der Quelle findenHamel, Louis-Philippe. „«Cool crime films» : tendance cool de la représentation de la criminalité dans le cinéma des années quatre-vingt-dix“. Thèse, 2017. http://hdl.handle.net/1866/20169.
Der volle Inhalt der QuelleBücher zum Thema "Criminalité au cinéma"
Yi, Su-jŏng. Yi Su-jŏng Yi Ta-hye ŭi pŏmjoe yŏnghwa p'ŭrop'ail. Sŏul T'ŭkpyŏlsi: Minŭmsa, 2020.
Den vollen Inhalt der Quelle findenKoslovsky-Golan, Yvonne. Death Penalty in American Cinema: Criminality and Retribution in Hollywood Film. I. B. Tauris & Company, Limited, 2014.
Den vollen Inhalt der Quelle findenAristodemou, Maria, Fiona Macmillan und Patricia Tuitt. Crime Fiction and the Law. Taylor & Francis Group, 2016.
Den vollen Inhalt der Quelle findenAristodemou, Maria, Fiona Macmillan und Patricia Tuitt. Crime Fiction and the Law. Taylor & Francis Group, 2016.
Den vollen Inhalt der Quelle findenCrime Fiction and the Law. Taylor & Francis Group, 2016.
Den vollen Inhalt der Quelle findenGreen-Simms, Lindsey B. Queer African Cinemas. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478022633.
Der volle Inhalt der QuelleLehnen, Jeremy. Neo-Authoritarian Masculinity in Brazilian Crime Film. University Press of Florida, 2022. http://dx.doi.org/10.5744/florida/9781683402541.001.0001.
Der volle Inhalt der QuelleTsika, Noah. Screening the Police. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197577721.001.0001.
Der volle Inhalt der QuelleBuchteile zum Thema "Criminalité au cinéma"
Weiser, Frans. „Performing Criminality: Immigration and Integration in Foreign Land and Fado Blues“. In Migration in Lusophone Cinema, 93–112. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137408921_6.
Der volle Inhalt der QuelleCairns, Lucille. „Bad Girls: Criminality“. In Sapphism on ScreenLesbian Desire in French and Francophone Cinema, 19–49. Edinburgh University Press, 2006. http://dx.doi.org/10.3366/edinburgh/9780748621651.003.0002.
Der volle Inhalt der QuelleHext, Kate. „Oscar Wilde, Hollywood Rebel“. In Wilde in the Dream Factory, 189–91. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780191987335.003.0008.
Der volle Inhalt der QuellePhillis, Philip E., und Philip E. Phillis. „Neither ‘Good’ nor ‘Bad’: Reinventing Albanian Identities in Eduart and Mirupafshim“. In Greek Cinema and Migration, 1991-2016, 125–44. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474437035.003.0005.
Der volle Inhalt der QuelleMoss, Eloise. „Introduction“. In Night Raiders, 1–20. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198840381.003.0010.
Der volle Inhalt der QuelleMoss, Eloise. „A. J. Raffles“. In Night Raiders, 43–65. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198840381.003.0002.
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