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Thematische Bibliographien / Crime scene investigation on television / Zeitschriftenartikel

Zeitschriftenartikel zum Thema „Crime scene investigation on television“

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Autor: Grafiati

Veröffentlicht am 27. Juli 2024

Zuletzt aktualisiert am 29. Juli 2024

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1

Lam, Anita. „Televisual waiting: Images of time and waiting in CSI“. Time & Society 27, Nr. 3 (30.09.2015): 275–94. http://dx.doi.org/10.1177/0961463x15604517.

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As a massively popular crime drama, Crime Scene Investigation has circulated influential images and narratives that suggest that the processing and analysis of forensic evidence can be done in a swift and timely manner. The claim of such a CSI effect is based on the relative absence of waiting scenes within the series. This article examines the series’ multiple representations of time and waiting, linking the absence of waiting to the construction of forensic scientists as powerful figures of moral authority. In the episode Grave Danger, however, waiting is notably imagined as something that must be experienced and endured as a result of conviction. It is made analogous to death, and embodied through horizontality as well as by feminized waiters. Because the feminization of waiters also characterizes the representation of television viewers, I end by examining how the role of waiting in Crime Scene Investigation is intertwined with the viewer’s experience of watching the planned flow of network television. Ultimately, this article argues that the study of televisual waiting requires a recognition that images and narratives on network television emerge out of and depend on waiting as representation, experience, and performance.

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Angeline, Mia. „Crime As Entertainment or Entertainment as A Crime?“ Humaniora 2, Nr. 2 (31.10.2011): 1025. http://dx.doi.org/10.21512/humaniora.v2i2.3151.

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Article presents one part of pop culture is crime portrayed as entertainment in television shows. Television has the means of information and entertainment, resulting in the shift of crime shows, initially crime was portrayed in the news but due to the high popularity, it becomes part of the entertainment as well. In terms of information, the most famous of crime drama show is Crime Scene Investigation (CSI), and this show gave effect known as the CSI effect, which is people have more appreciation to scientific evidences and DNA testing in trials. On the other hand, with so many shows involving crime resulting in cultivation impact, which is accumulation and the formation of perception of reality. People who are more exposed to this crime show will form the same perception as the one depicted by television and resulted to changes in their behavior. Several proposals to reduce this negative effects are audience learning, the use of rating system and electronic key in television set.

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Frermann, Lea, Shay B. Cohen und Mirella Lapata. „Whodunnit? Crime Drama as a Case for Natural Language Understanding“. Transactions of the Association for Computational Linguistics 6 (Dezember 2018): 1–15. http://dx.doi.org/10.1162/tacl_a_00001.

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In this paper we argue that crime drama exemplified in television programs such as CSI: Crime Scene Investigation is an ideal testbed for approximating real-world natural language understanding and the complex inferences associated with it. We propose to treat crime drama as a new inference task, capitalizing on the fact that each episode poses the same basic question (i.e., who committed the crime) and naturally provides the answer when the perpetrator is revealed. We develop a new dataset based on CSI episodes, formalize perpetrator identification as a sequence labeling problem, and develop an LSTM-based model which learns from multi-modal data. Experimental results show that an incremental inference strategy is key to making accurate guesses as well as learning from representations fusing textual, visual, and acoustic input.

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Atmaja Nr, Ig Punia. „Crime News Broadcasting in the Framework of Protection of the Rights of Suspects/Defendants“. Yuridika 37, Nr. 1 (01.03.2022): 13–36. http://dx.doi.org/10.20473/ydk.v37i1.34704.

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Crime news broadcasts on television are a part of press freedom to disseminate information to the public through printed or electronic media. Information delivery through electronic media such as television, particularly crime news, presents overviews of criminal events as if the audiences witness it straight from the crime scene. It shows the fact that. one on hand, crime news is broadcast widely on private television stations, while on the other hand there are rules for broadcasting crime news as regulated in Law Number 40 of 1999 on Press and Law Number 32 of 2002 on Broadcasting. Laws on press and broadcasting also regulate the establishment of Press Council that determines ‘journalist code of ethics’ and the Indonesian Broadcasting Commission (KPI) which sets the ‘broadcast program standards and broadcasting behavior guidelines’. These institutions supervise news or broadcasting as well as individuals or broadcasters that violate broadcasting rules or code of ethics. Crime news broadcasting that displays the face and identity of suspects or defendants is a violation to the principle of ‘Presumption of innocence’, that an individual should be assumed or considered innocent until the court proves that he/she is guilty. Crime news broadcasts impose effects on the suspects or defendants in receiving ‘due process of law’, and on the public prosecutor and judge investigating the case. Therefore, crime news broadcasting should be sought to not violate the code of ethics or rules as well as the rights of suspects or defendants.

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Gemzøe, Lynge Stegger. „Language, European identity and stereotypical diversity in trans-European crime dramas“. Journal of European Popular Culture 12, Nr. 2 (01.10.2021): 135–47. http://dx.doi.org/10.1386/jepc_00034_1.

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Interrogating two transnational television dramas – Crossing Lines (2013, 2014, 2015, the first season) and The Team (2015, 2018, the second season) – and employing critical, textual and production perspectives, this article investigates representations of national and European identity in the series. In this article, I argue that the series on the one hand picture a diverse Europe uniting when challenges arise, embodying the dominant European narrative of ‘unity in diversity’ and, seen from a certain point of view, facilitate a mediated cultural encounter. On the other hand, the diversity depicted is based on the use of a wide range of well-known cultural stereotypes that may be familiar to the audience, and which may facilitate smooth storytelling, but that does little to broaden the actual cultural knowledge and understanding of the viewer, resulting in stereotypical diversity. The series have different strategies regarding representations of nation states, cultures and languages. The implications of these strategies are analysed. Common ground is often found in ‘American’ crime drama genre tropes associated with a team of often-antagonistic specialists who are put together to solve a problem, including such iconic US series as The A-Team (1983–87), the CSI: Crime Scene Investigation franchise (2000–15) and Scorpion (2014, 2015, 2016, 2017). The contribution ultimately finds that meaningful mediated cultural encounters are a challenge to transnational television drama, and that when it comes to television, ‘European’ and ‘transnational’ means little without ‘national’.

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Schroeder, Kenneth R., und Janet E. Schroeder. „CSI Manhattan: Using the Theme of a Popular Television Series to Enhance Student Learning Beyond the Lecture Hall“. HortScience 40, Nr. 4 (Juli 2005): 1138E—1139. http://dx.doi.org/10.21273/hortsci.40.4.1138e.

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According to brain-based learning theory, learning is enhanced by challenge and inhibited by threat. Effective learning occurs when students are immersed in the educational experience, challenged yet not threatened, and encouraged to actively process information. All of these components are part of simulation or role-play games. With these basic concepts in mind, we approached the challenge of enhancing student learning in a plant identification course taught in a large class setting. Considering that plant identification requires some basic detective skills, and the popularity of criminal investigation television programming, we designed a role-play exercise involving case files, investigation zones, and detective teams. As a spin-off from the television shows “CSI: Crime Scene Investigation” and “CSI: Miami,” the exercise was coined “CSI: Manhattan, Conifer Site Investigation in Manhattan, Kansas.” It was designed to fit into a 50-minute class period. Throughout the exercise, detective teams (students) needed to collectively locate and identify plants based on previous knowledge and clues within the case files and at the sites. Upon completion, plant specimens were checked in and identification logs discussed in order to provide immediate feedback and reinforcement of learning. Students enjoyed the exercise, offering positive feedback and conversations about the exercise throughout the balance of the semester. Six months later, while walking past one of the investigation sites, students remembered the site, exercises performed, and the plant name. The exercise includes both interactive and experiential learning components. This session will discuss the “CSI” exercise and its value in linking action to information.

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Oliveira, Cristina Santana. „A transgressão do personagem detetive nas séries televisivas “elementary” e “csi - crime scene investigation”“. Revista do GELNE 19, Nr. 2 (07.07.2017): 78. http://dx.doi.org/10.21680/1517-7874.2017v19n2id11418.

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Presenciamos um crescente interesse em torno das séries de televisão, em especial as norte-americanas que atingem múltiplos mercados e têm, em sua retaguarda, uma experiência cinematográfica de sucesso. Consolida-se um acervo de pesquisas que relaciona essas séries às narrativas literárias - caso do detetive Sherlock Holmes de Arthur Donan Coyle. Procuraremos analisar como grandes produtores de Hollywood e as novas tecnologias revitalizam esse personagem criando possibilidades de manutenção e incentivo a novos leitores para o gênero policial. A breve reflexão sobre os gêneros de discurso (Bakhtin e Todorov) demonstra que sua maleabilidade pode trazer novos olhares para esse segmento literário, movimentar o cenário editorial, televisivo-cinematográfico e acadêmico.

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D., Rajeshwari, und Victoria Priscilla C. „An Enhanced Spatio-Temporal Human Detected Keyframe Extraction“. International journal of electrical and computer engineering systems 14, Nr. 9 (14.11.2023): 985–92. http://dx.doi.org/10.32985/ijeces.14.9.3.

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Due to the immense availability of Closed-Circuit Television surveillance, it is quite difficult for crime investigation due to its huge storage and complex background. Content-based video retrieval is an excellent method to identify the best Keyframes from these surveillance videos. As the crime surveillance reports numerous action scenes, the existing keyframe extraction is not exemplary. At this point, the Spatio-temporal Histogram of Oriented Gradients - Support Vector Machine feature method with the combination of Background Subtraction is appended over the recovered crime video to highlight the human presence in surveillance frames. Additionally, the Visual Geometry Group trains these frames for the classification report of human-detected frames. These detected frames are processed to extract the keyframe by manipulating an inter-frame difference with its threshold value to favor the requisite human-detected keyframes. Thus, the experimental results of HOG-SVM illustrate a compression ratio of 98.54%, which is preferable to the proposed work's compression ratio of 98.71%, which supports the criminal investigation.

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Gabriel, Matthew, Cherisse Boland und Cydne Holt. „Beyond the Cold Hit: Measuring the Impact of the National DNA Data Bank on Public Safety at the City and County Level“. Journal of Law, Medicine & Ethics 38, Nr. 2 (2010): 396–411. http://dx.doi.org/10.1111/j.1748-720x.2010.00498.x.

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Criminalistics laboratories routinely provide cold hits in police investigations by comparing DNA profiles from crime scenes to offenders residing in the Combined DNA Index System (CODIS). Forensic DNA analysis is often glamorized in popular culture, where the perpetrators are identified and crimes solved within a single television episode. In reality forensic DNA hits can identify perpetrators of violent offenses, link multiple crimes committed by the same individual, or exclude suspects and exonerate the falsely accused. Unlike the media portrayals, downstream activities after a DNA identification or cold hit are often more complex. While the Federal Bureau of Investigation (FBI) cites a national Data Bank of more than 7.2 million DNA profiles and 94,000 identifications nationwide, an in-depth analysis of public safety improvements made with CODIS is currently unavailable to forensic practitioners and public policy analysts. A review of case resolutions for 198 DNA database hits in San Francisco created performance metrics to provide a concrete measure of the effectiveness of DNA databasing efforts at the city and county level.

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Hui, Cora Y. T., und T. Wing Lo. „Examination of the “CSI Effect” on Perceptions of Scientific and Testimonial Evidence in a Hong Kong Chinese Sample“. International Journal of Offender Therapy and Comparative Criminology 61, Nr. 7 (20.10.2015): 819–33. http://dx.doi.org/10.1177/0306624x15611874.

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Television is a powerful medium through which to convey information and messages to the public. The recent proliferation of forensic science and criminal justice information throughout all forms of media, coupled with raised expectations toward forensic evidence, has led some to suspect that a “CSI effect” ( Crime Scene Investigation effect) is taking place. The present study contributes to the literature addressing the CSI effect in two ways. First, it examines whether the CSI effect exists in the Chinese population of Hong Kong. Second, using a mock-jury paradigm, it empirically examines a more integrative perspective of the CSI effect. It was found that, although the amount of media coverage involving forensic evidence does influence participants’ perception of legal evidence to some degree, such a perception does not affect participants’ legal decision making. Viewers of forensic dramas were not more likely to convict the defendant when forensic evidence was presented and not less likely to convict when only testimonial evidence was presented. The only significant predictor of the defendant’s culpability when scientific evidence was presented was participants’ ratings of the reliability of scientific evidence. Results from the present study lend no support to the existence of the CSI effect in Hong Kong.

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Tous-Rovirosa, Anna. „PaleoTV, NeoTV and MetaTV in US Drama Series“. Comunicar 17, Nr. 33 (01.10.2009): 175–83. http://dx.doi.org/10.3916/c33-2009-03-009.

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This paper analyses the paleoTV, neoTV and metaTV features in three US drama series belonging to drama series genres and adventure subgenres: adventures («Lost»), crime («CSI: Crime Scene Investigation») and politics («The West Wing»). The aim of the research is to study these TV series in relation to the three eras which divide the short history of TV up to today, to determine the features that define this media in serial fiction and its relation to its own diachronic moment. The methodology of this work is based on the concepts of several scholars and makes references to other US fiction series. It emphasizes the autoreferenciality and intertextuality as some of metaTV’s most important features. Este artículo analiza las características paleotelevisivas, neotelevisivas y metatelevisivas de las series de ficción estadounidenses contemporáneas pertenecientes al género dramático y a los subgéneros de aventuras («Perdidos»), policíaco («CSI: Las Vegas») y político («El ala oeste de la Casa Blanca»). El objeto de la investigación consiste en estudiar dichas series televisivas estadounidenses dramáticas en relación a las tres eras que dividen la breve historia de la televisión hasta la actualidad, con la finalidad de detectar las características definitorias del medio en la serialidad de ficción y su relación con su propia diacronía. La metodología parte de los conceptos teóricos trabajados por varios estudiosos. Se destacan la autorreferencialidad y la intertextualidad como algunas de las características metatelevisivas predominantes, y se analiza la transmisión ideológica en dichas series.

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Hills, Matt, David Lavery, Kim Akass, Steven Peacock, Diane Negra, Rhonda V. Wilcox, Elke Weissmann et al. „Reviews: The League of Gentlemen, Star Trek, Seinfeld, CSI: Crime Scene Investigation, Reading Lost: Perspectives on a Hit Television Show, Investigating Firefly and Serenity: Science Fiction on the Frontier, Sex and the City, Angel, Masculinity and Popular Television, The Age of Oprah: Cultural Icon for the Neoliberal Era, Seers, Witches and Psychics on Screen: An Analysis of Women Visionary Characters in Recent Television and Film, Entertaining Television: The BBC and Popular Television Culture in the 1950s, the Quiz Show, Television and Criticism, the Age of Television: Experiences and Theories“. Critical Studies in Television: The International Journal of Television Studies 4, Nr. 2 (September 2009): 120–52. http://dx.doi.org/10.7227/cst.4.2.9.

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13

Stow, Karen. „Crime Scene Investigation“. Science & Justice 44, Nr. 4 (Oktober 2004): 237–38. http://dx.doi.org/10.1016/s1355-0306(04)71724-4.

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14

Davenport, G. C., J. W. Lindemann, T. J. Griffin und J. E. Borowski. „Crime scene investigation techniques“. Leading Edge 7, Nr. 8 (August 1988): 64–66. http://dx.doi.org/10.1190/1.1439549.

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15

MacMahon, Thomas. „Profile: Crime scene investigation“. BMJ 328, Suppl S3 (01.03.2004): 0403112. http://dx.doi.org/10.1136/sbmj.0403112.

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Dass, Gitanjali, Nakul Pandoh und Hemanshu Choudhary. „3D Crime Scene Investigation“. International Journal of Research in Engineering, Science and Management 3, Nr. 12 (23.12.2020): 124–26. http://dx.doi.org/10.47607/ijresm.2020.421.

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There are many advancements are there in the technologies are there and one of the things which have become very famous is the 3D imaging of the technologies. There has been a widespread belief that this system is there. In this system there are different hard levels of the crime scenes that are tackled. There are lots of crime scenes which can be reconstructed. The details are kept mainly in the millimeter based techniques which have been used. The system which is used is called the 3D based imaging system. NASA the one of the famous space technologies which are there is also working in the matter to make the crime scenes to be properly investigated.

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Wahyuningsih, Sri Endah, Teguh Prasetya und Muchamad Iksan. „PROCESS OF IMPLEMENTATION AND BENEFITS OF CRIME SCENE INVESTIGATION IN CASE OF CRIMINAL INVESTIGATION IN INDONESIA“. Jurnal Pembaharuan Hukum 5, Nr. 3 (24.10.2018): 277. http://dx.doi.org/10.26532/jph.v5i3.3540.

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The case of crime scene conducted by the investigator is the main part in the disclosure of criminal case because in the crime scene can be found the interaction between the perpetrator of the crime, the evidence used and the witness/victim of crime at the time of the criminal event. Therefore this paper analyzes the implementation process and the benefits of crime scene in the process of criminal investigation in Indonesia. The research method used was sociological juridical, with primary and secondary data sources. Primary data were obtained by conducting interviews with respondents, they were investigators who investigate criminal case. The results of the research on the procedures for the implementation of the Crime Scene Investigation is started from the preparation of the crime scene, the trip to the scene, the first action at the crime scene (TPTKP). The crime scene investigation covers the general observations, photography, sketching, evidence collection, victim handling, and perpetrators of crime scene organization, and the end of the crime scene, which consists of consolidation, opening/exempting the crime scene, the making of investigation report at the scene, and the evacuation of activities. The benefit of crime scene investigation in criminal investigation is as evidence, source of information to look for witness, as source to look for evidence and as saber to find perpetrator, legal basis of investigator in execution of crime scene is JUKLAK (standard operational procedure) Police of Republic of Indonesia with number 04/1982 and JUKNIS Police of the Republic of Indonesia with the number JUKNIS 01/11/1982.

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Stone, Irving C. „Techniques of Crime Scene Investigation“. American Journal of Forensic Medicine and Pathology 14, Nr. 3 (September 1993): 272. http://dx.doi.org/10.1097/00000433-199309000-00023.

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Bush, A. M. „PALEONTOLOGY: Crime Scene Investigation--Permian“. Science 311, Nr. 5769 (31.03.2006): 1868–69. http://dx.doi.org/10.1126/science.1125756.

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Fisher, Barry A. J., Arne Svensson und Otto Wendel. „Techniques of crime scene investigation“. Analytica Chimica Acta 222, Nr. 1 (1989): 401. http://dx.doi.org/10.1016/s0003-2670(00)81930-3.

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Millen, P. „Is crime scene investigation forensic science? Are crime scene investigators forensic scientists?“ Science & Justice 40, Nr. 2 (April 2000): 125–26. http://dx.doi.org/10.1016/s1355-0306(00)71957-5.

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Osman, Khairul, Gina Francesca Gabriel und Noor Hazfalinda Hamzah. „Crime Scene Investigation Issues: Present Issues and Future Recommendations“. Jurnal Undang-undang dan Masyarakat 28, Nr. 2021 (02.04.2021): 3–10. http://dx.doi.org/10.17576/juum-2021-28-01.

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Crime Scene Investigation is the backbone of any criminal investigation. Expert report generated by Crime Scene Investigators are based on scientific evidence and are reported in a standard form. The content, when published should be reviewed rigorously by its peers. The expert report is a document detailing out how the investigation process of a crime scene was performed. The process of collecting and evidence processing do not only entail identifying, collecting and storing evidences for later analysis but it is a step by step process that is well structured in a document called Standard Operating Procedure (SOP) for Crime Scene Investigator. SOP is a complex document and sometimes overwhelmingly technical for the uninitiated. But if understood, it can be a good guide for law practitioners to determine if a piece of evidence should be included in a case. This article details out the SOP which entails groundwork before entering a crime scene, processing of a crime scene and wrapping up of the crime scene investigation. At each step, this paper will look at how it is adopted in current practices, its weakness and suggested improvement that should be adopted to ensure a final quality expert report.

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Vlachopoulos, Konstantinos, Emmanouil Magkos und Vassileios Chrissikopoulos. „A Model for Hybrid Evidence Investigation“. International Journal of Digital Crime and Forensics 4, Nr. 4 (Oktober 2012): 47–62. http://dx.doi.org/10.4018/jdcf.2012100104.

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With the advent of Information and Communication Technologies, the means of committing a crime and the crime itself are constantly evolved. In addition, the boundaries between traditional crime and cybercrime are vague: a crime may not have a defined traditional or digital form since digital and physical evidence may coexist in a crime scene. Furthermore, various items found in a crime scene may worth be examined as both physical and digital evidence, which the authors consider as hybrid evidence. In this paper, a model for investigating such crime scenes with hybrid evidence is proposed. Their model unifies the procedures related to digital and physical evidence collection and examination, taking into consideration the unique characteristics of each form of evidence. The authors’ model can also be implemented in cases where only digital or physical evidence exist in a crime scene.

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Cooper, Martin. „Digital Forensics and Crime Scene Investigation“. ITNOW 64, Nr. 3 (19.08.2022): 38–40. http://dx.doi.org/10.1093/combul/bwac089.

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Abstract You’ve watched the TV shows, but what really happens – or should happen – when a digital forensics professional arrives on a crimescene? Andrew Moore, Lecturer Practitioner at Anglia Ruskin University, shares the facts.

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Frazier, Nancy. „Sources: Encyclopedia of Crime Scene Investigation“. Reference & User Services Quarterly 49, Nr. 1 (01.09.2009): 95–96. http://dx.doi.org/10.5860/rusq.49n1.95.

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Baber, Chris, Paul Smith, James Cross, John E. Hunter und Richard McMaster. „Crime scene investigation as distributed cognition“. Distributed Cognition 14, Nr. 2 (21.09.2006): 357–85. http://dx.doi.org/10.1075/pc.14.2.14bab.

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Crime scene investigation is a form of Distributed Cognition. The principal concept we explore in this paper is that of ‘resource for action’. It is proposed that crime scene investigation employs four primary resources-for-action: (a.) the environment, or scene itself, which affords particular forms of search and object retrieval; (b.) the retrieved objects, which afford translation into evidence; (c.) the procedures that guide investigation, which both constrain the search activity and also provide opportunity for additional activity; (d.) the narratives that different agents within the system produce to develop explanatory models and formal accounts of the crime. For each aspect of distributed cognition, we consider developments in technology that could support activity.

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Millen, Paul. „Crime scene investigation – a defence perspective“. Science & Justice 44, Nr. 2 (April 2004): 104–6. http://dx.doi.org/10.1016/s1355-0306(04)71697-4.

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Pfefferli, P. W. „Crime scene investigation — Best quality practice“. Science & Justice 50, Nr. 1 (März 2010): 27. http://dx.doi.org/10.1016/j.scijus.2009.11.013.

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Sandipkumar Patel, Deep. „Crime Scene Investigation using Advanced Technologies“. International Journal of Science and Research (IJSR) 13, Nr. 1 (05.01.2024): 928–29. http://dx.doi.org/10.21275/sr24112191633.

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Fatima, Fatima. „Forensic Photography: A Visual and Legal Record of Crime Scene“. International Journal for Electronic Crime Investigation 3, Nr. 2 (07.06.2019): 10. http://dx.doi.org/10.54692/ijeci.2019.030234.

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Based on priority forensic photography is a source of documenting crime scenes. Currently it enables to signify a crime scene with every significant pieces of location and evidences. Adding to forensic investigation, crime scene photography provides a true and precise record of original scene and evidences relevant to surroundings. Crime scene photograph can illustrate a crime scene easily than verbal description by an investigator as it freezes time and records the evidences. It records all type of crime scenes such as fingerprints, impressions, injuries or bruises on skin in assault cases, human identification, bloodied body and knife in murder case etc. Scientific photography skills and techniques such as UV, IR and Fluorescence light filters are practiced to discover and preserve the hidden information during investigation. It is an integral part of criminal investigation by providing proper documented focused photographs to present actual story of the scene in the courtroom.

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Dimovski, Darko. „The use of virtual reality in crime scene investigation“. Zbornik radova Pravnog fakulteta Nis 63, Nr. 101 (2024): 31–49. http://dx.doi.org/10.5937/zrpfn0-46034.

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Crime scene investigators are responsible for the identification, collection, packaging and storage of physical evidence discovered at the crime scene, which is the basis for conducting proper investigation. In line with technological development, the crime scene investigation increasingly involves the use of advanced technologies with the aim of creating a virtual reality that should facilitate the investigators' work. In this paper, the author examines the concept of virtual reality (VR) and some types of extended reality (XR, AR, MR). The central part of the paper focuses on different methods of visualization of the crime scene by using VR technology. The last part of the paper focuses on to the use of VR by students for educational purposes.

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Dhingra, Vinod, Rinkal Chaudhary, Harsh Sharma und D. K. Sathpathy. „The resume“. IP International Journal of Forensic Medicine and Toxicological Sciences 6, Nr. 4 (15.01.2022): 164–67. http://dx.doi.org/10.18231/j.ijfmts.2021.034.

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In any case of homicide, proof of corpus delicti is very important, as entirety of corpus and the proof of homicidal death are very essential ingredients for successful prosecution, otherwise due to lack of the vital points the case become weak. Crime scene investigation is very grim in cases where the actual scene of crime is not known. Sometimes the criminal attempt to mislead the investigation by dismembering the victim’s body and disposed it off. The actual crime scene may contain very important clues related to the case but in these types of cases a crime scene investigator may not be able to examine the actual primary scene of crime. Detailed Scientific examination of the secondary location and by putting together seemingly insignificant clues the investigator was able to reconstruct whole sequence of events in the crime and identified the victim and locate all the places and the persons involved in the crime. Present study deals forensic investigation of an important case in which crime was committed at one location and the body parts was disposed off in two different locations.

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Trajanovska, Vesna, und Natasha Peovska. „Crime Scene Investigation and Reconstruction – Criminal Procedure and Criminalistics Aspects in North Macedonia“. Kriminalističke teme 24, Nr. 1-2 (18.07.2024): 79–89. http://dx.doi.org/10.51235/kt.2024.24.1-2.79.

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With the beginning of the criminal procedure, in its first part of the preliminary procedure stage (pre-investigative and investigative), legally relevant facts are determined through evidentiary means, by which we mean sources from which the evidence bases are obtained. The crime scene investigation and reconstruction are integral parts of the evidentiary actions system that are applied within the frame- work of criminal and criminal proceedings with the aim of efficient and effective research, elucidation, and proof of the criminal event. The crime scene investigation is a systematic action by which, by the provisions of the law, objects, traces, and other circumstances important for clarifying the criminal legal event are taken, expertly processed, and in the crime scene investigation documentation registered, and fixed. Crime scene reconstruction is determining or eliminating the events and actions that occurred at the crime scene through analysis of the crime scene pattern, the location and position of the physical evidence, and the laboratory examination of the physical evidence. Reconstruction involves the systematic study of related infor- mation and the logical formulation of a theory.

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Dinesh,, Dr Chandrasekharan. „Criminal Investigation System“. INTERANTIONAL JOURNAL OF SCIENTIFIC RESEARCH IN ENGINEERING AND MANAGEMENT 08, Nr. 05 (11.05.2024): 1–5. http://dx.doi.org/10.55041/ijsrem33811.

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The Criminal Investigation System with represents a significant advancement in the field of law enforcement technology. By leveraging the power of data and predictive analytics, it empowers investigators to solve cases faster, identify suspects more accurately, and ultimately, enhance public safe. Based on the historical crime data suggest that Hashing algorithm. The digital system functions by gathering and classifying different kinds of information, such as crime scene reports, witness statements, forensic evidence, and suspect profiles. It facilitates the work of an officer by allowing him to compile new, vital case details on demand and to monitor the case's progress online. Keywords: Criminal Investigation, System Law, enforcement technology ,Data Predictive, analytics, Solve cases, faster, Identify suspects public safety, Historical crime , data Hashing algorithm , Gathering information Classifying , information Crime ,scene reports, Witness statements ,Forensic evidence ,Suspect profiles , Officer.

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Arifi, Besim. „Documentation of the Crime Scene“. European Journal of Interdisciplinary Studies 1, Nr. 2 (30.08.2015): 32. http://dx.doi.org/10.26417/ejis.v1i2.p32-38.

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Documentation of the scene is one of the most important actions of the investigative group, which performs the examination of the scene. Documentation in itself includes: Taking notes, drawing and photographic team of the site inspection to the crime scene during phase taking notes must pay special attention to this stage, because it includes very important information for the investigation of the crime scene. Based on these information becomes final report on the case, so we can say that taking notes is of particular importance. Another important action is also the sketch. Mapping shows the drawing of the scene and all evidence was found there. Compiler of the sketch doesn’t minds to be definitely professional any painter or designer. It should be a good compiler which presents in detail all the information necessary to include net. This information will be used for testimony in court and to clarify the situation in the scene in case of reconstructions. Photographs of the crime scene investigation is a very important move which reflects the real image of the scene or any part of his and any evidence which has been inserted into focus photography.

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Arifi, Besim. „Documentation of the Crime Scene“. European Journal of Interdisciplinary Studies 2, Nr. 1 (30.08.2015): 32. http://dx.doi.org/10.26417/ejis.v2i1.p32-38.

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Documentation of the scene is one of the most important actions of the investigative group, which performs the examination of the scene. Documentation in itself includes: Taking notes, drawing and photographic team of the site inspection to the crime scene during phase taking notes must pay special attention to this stage, because it includes very important information for the investigation of the crime scene. Based on these information becomes final report on the case, so we can say that taking notes is of particular importance. Another important action is also the sketch. Mapping shows the drawing of the scene and all evidence was found there. Compiler of the sketch doesn’t minds to be definitely professional any painter or designer. It should be a good compiler which presents in detail all the information necessary to include net. This information will be used for testimony in court and to clarify the situation in the scene in case of reconstructions. Photographs of the crime scene investigation is a very important move which reflects the real image of the scene or any part of his and any evidence which has been inserted into focus photography.

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McCarty, Vernon O. „A Review ofTechniques of Crime Scene Investigation“. Journal of Forensic Sciences 33, Nr. 5 (01.09.1988): 12568J. http://dx.doi.org/10.1520/jfs12568j.

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Hoile, Rebecca. „Crime scene investigation: can we detect anthrax?“ Microbiology Australia 27, Nr. 2 (2006): 72. http://dx.doi.org/10.1071/ma06072.

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An act of bioterrorism refers to both the threat to conduct as well as an actual incident involving the use of a biological agent against the civilian population. The detection of potential biological pathogens and toxins can now be conducted at the scene of a biological threat or release of a suspicious substance. Improvements in science and technology have enabled manufacturers of traditional laboratory based equipment to produce smaller, more basic models, enabling microbial testing to be conducted in the field.

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Wagner, Glenn N. „Crime Scene Investigation in Child-Abuse Cases“. American Journal of Forensic Medicine and Pathology 7, Nr. 2 (Juni 1986): 94–99. http://dx.doi.org/10.1097/00000433-198607020-00002.

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40

Marks, Paul. „Blood ballistics model improves crime scene investigation“. New Scientist 207, Nr. 2769 (Juli 2010): 20. http://dx.doi.org/10.1016/s0262-4079(10)61726-5.

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Mateen, Rana Muhammad, und Asma Tariq. „Crime scene investigation in Pakistan: A perspective“. Forensic Science International: Synergy 1 (2019): 285–87. http://dx.doi.org/10.1016/j.fsisyn.2019.06.046.

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Durnal, Evan W. „Crime scene investigation (as seen on TV)“. Forensic Science International 199, Nr. 1-3 (Juni 2010): 1–5. http://dx.doi.org/10.1016/j.forsciint.2010.02.015.

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Bajorath, Jürgen. „Molecular crime scene investigation – dusting for fingerprints“. Drug Discovery Today: Technologies 10, Nr. 4 (Dezember 2013): e491-e498. http://dx.doi.org/10.1016/j.ddtec.2012.06.003.

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Esposito, Massimiliano, Francesco Sessa, Giuseppe Cocimano, Pietro Zuccarello, Salvatore Roccuzzo und Monica Salerno. „Advances in Technologies in Crime Scene Investigation“. Diagnostics 13, Nr. 20 (10.10.2023): 3169. http://dx.doi.org/10.3390/diagnostics13203169.

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Crime scene investigation (CSI) is the complex act of reconstructing the dynamics that led to a crime and the circumstances of its perpetration. Crystallizing the CSI is a difficult task for the forensic pathologist; however, it is often requested by the public prosecutor and many judicial cases remain unsolved precisely for this reason. Recent years have seen an improvement in the ability of 3D scanning technology to obtain dense surface scans of large-scale spaces, for surveying, engineering, archaeology, and medical purposes such as forensics. The applications of this new technology are growing every day: forensic measurement of wounds in clinical reports, for example, reconstruction of traffic accidents, bullet trajectory studies in gunshot wounds, and 3D bloodstain pattern analysis. A retrospective analysis was conducted across all crime scene investigations performed by the forensic staff of the Department of Forensic Pathology of the University of Catania from January 2019 to June 2022. Inclusion criteria were the use of a laser scanner (LS), the use of a camera, a full investigative scene, and collection of circumstantial data thanks to the help of the judicial police. Cases in which the LS was not used were excluded. Out of 200 CSIs, 5 were included in the present study. In case number 1, the use of the LS made it possible to create a complete scale plan of the crime scene in a few hours, allowing a ship to be quickly returned to the judicial police officer. In case 2 (fall from a height), the LS clarified the suicidal intent of the deceased. In case number 3 it was possible to reconstruct a crime scene after many years. In case 4, the LS provided a great contribution in making a differential diagnosis between suicide and homicide. In case 5, the LS was fundamental for the COVID team in planning the study of COVID-19 pathways and areas within a hospital with the aim of reduction of nosocomial transmission. In conclusion, the use of the LS allowed the forensic staff to crystallize the investigative scene, making it a useful tool.

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Patel, Deep. „A Scientific Approach to Crime Scene Investigation“. International Journal of Science and Research (IJSR) 13, Nr. 4 (05.04.2024): 45–49. http://dx.doi.org/10.21275/sr24330182751.

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Bashinski, Jan S. „Review of:Techniques of Crime Scene Investigation, 7th edition, and Techniques of Crime Scene Investigation Interactive Training CD-ROM“. Journal of Forensic Sciences 50, Nr. 1 (2005): 1. http://dx.doi.org/10.1520/jfs2004351.

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Brunsdon, Charlotte. „The New Northern Ireland as a Crime Scene“. Journal of British Cinema and Television 20, Nr. 3 (Juli 2023): 305–28. http://dx.doi.org/10.3366/jbctv.2023.0678.

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This article explores the increased attractiveness of a ‘post-conflict’ Belfast as a television setting for British television police series. The Fall (2013, 2016), Bloodlands (2021) and Marcella (2021) are all set in Belfast, while most of the hit series Line of Duty (2012–) has been filmed in Northern Ireland. How do these new Belfast-set crime dramas negotiate the tropes and iconography of twentieth-century Troubles Belfast, while also participating in the transformation of the city associated with the arrival of transnational audiovisual industries? While recognising that much recent scholarship focuses on the creation of the Titanic Quarter through the redevelopment of the Harland & Wolff shipyard and the production of the HBO-Warner series, Game of Thrones, this article pursues the recent appearances of contemporary Belfast on screen in Bloodlands, Marcella (2021) and Line of Duty. Building on scholarship, such as the work of John Hill, Martin McLoone and Ruth Barton which has established the contours of the Troubles film, the history of Belfast on film and genre in the Northern Ireland context, the existence of an identifiable chronotope ‘Troubles Belfast’ is proposed. Is Belfast recognisable as a specific place outside a Troubles chronotope? What are the stories that can be told of Northern Ireland outside a Troubles chronotope? In particular, which is pertinent to an industry desperate to maintain its attractiveness to transnational productions, the tension between the identification of Belfast as a specific place and the generation of new and different stories is explored in the case studies. To what extent is the televisual use of the new screen Belfast caught in the paradox that it is the old Belfast which makes it an attractive setting for crime drama?

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Harshith, P. R., und P. N. Ramakrishnan. „EXPLORING THE POTENTIAL OF AUGMENTED REALITY FOR FORENSIC CRIME SCENE RECONSTRUCTION: A REVIEW“. International Journal Of Trendy Research In Engineering And Technology 07, Nr. 03 (2023): 28–34. http://dx.doi.org/10.54473/ijtret.2023.7305.

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This paper explores the applications of Augmented Reality (AR) and Virtual Reality (VR) technologies in forensic science, specifically in crime scene investigation and the judiciary system. AR and VR offer immersive and interactive experiences that aid in crime scene reconstruction, evidence collection, and visualization. These technologies have the potential to transform courtroom proceedings by enabling virtual courtrooms, enhancing evidence presentation, and facilitating virtual crime scene reconstructions. AR and VR also have implications in legal research, judicial training, and access to justice. The importance of crime scene investigation and reconstruction in forensic science is highlighted, emphasizing their role in evidence preservation, identification, and the determination of cause and manner of death. The intricacies of conventional crime scene reconstruction, such as evidence collection, interpretation, and reconstruction limitations, are discussed. AR and VR technology can overcome these challenges by providing virtual crime scene tours, training simulations, and interactive courtroom presentations. Overall, AR and VR have the potential to enhance forensic science practices and the judiciary system, offering new tools and capabilities for investigators, legal professionals, and the public.

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Sysoienko, Hryhorii. „INSPECTION AND CRIME SCENE INVESTIGATION IN CRIMINAL PROCEEDINGS“. Criminalistics and Forensics, Nr. 68 (03.07.2023): 212–18. http://dx.doi.org/10.33994/kndise.2023.68.21.

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The article is devoted to the consideration of individual procedural actions, namely the inspection and inspection of the scene of the event. The article examines the historical retrospective of the emergence and peculiarities of the specified procedural actions in the criminal procedural legislation of different years. The article examines the procedure for conducting an inspection and inspection of the scene of events according to the current Criminal Procedure Code, in particular, points out shortcomings and suggests ways to eliminate them. the article examines the historical retrospective of the conduct of investigative search actions as a review and review of the scene of the incident, the specifics of the conduct of these procedural actions in the criminal procedural legislation of different years are determined. The problems in the issues of inspection and inspection of the scene of the incident in the current Criminal Procedure Code were identified and options were proposed to eliminate existing controversial issues by making changes to the Criminal Procedural Code of Ukraine, for the purpose of effective pre-trial investigation.

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Green, Michelle L., Jan Novakofski, Ryan W. Green, Mary Beth Manjerovic und Nohra Mateus-Pinilla. „The Scene of the Crime“. American Biology Teacher 76, Nr. 9 (01.11.2014): 615–19. http://dx.doi.org/10.1525/abt.2014.76.9.8.

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Providing both introductory information and biosecurity protocols in laboratory, farm, and field settings is central to student learning and safety. However, even when clear protocols are provided, students do not fully understand the consequences of their actions. We present a crime scene that requires evidence investigation to improve basic skills and inquiry to identify biosecurity breaches. The crime-scene format engages students and encourages critical thinking about the negative effects of actions when working in various environments. This approach not only improves student skills through forensic microscopy but advances student retention of biosecurity requirements.

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