Thematische Bibliographien / Crime scene investigation on television

Auswahl der wissenschaftlichen Literatur zum Thema „Crime scene investigation on television“

Autor: Grafiati

Veröffentlicht am 27. Juli 2024

Zuletzt aktualisiert am 29. Juli 2024

Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an

Wählen Sie eine Art der Quelle aus:

Machen Sie sich mit den Listen der aktuellen Artikel, Bücher, Dissertationen, Berichten und anderer wissenschaftlichen Quellen zum Thema "Crime scene investigation on television" bekannt.

Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.

Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.

Zeitschriftenartikel zum Thema "Crime scene investigation on television"

Lam, Anita. „Televisual waiting: Images of time and waiting in CSI“. Time & Society 27, Nr. 3 (30.09.2015): 275–94. http://dx.doi.org/10.1177/0961463x15604517.

Der volle Inhalt der Quelle

Annotation:

As a massively popular crime drama, Crime Scene Investigation has circulated influential images and narratives that suggest that the processing and analysis of forensic evidence can be done in a swift and timely manner. The claim of such a CSI effect is based on the relative absence of waiting scenes within the series. This article examines the series’ multiple representations of time and waiting, linking the absence of waiting to the construction of forensic scientists as powerful figures of moral authority. In the episode Grave Danger, however, waiting is notably imagined as something that must be experienced and endured as a result of conviction. It is made analogous to death, and embodied through horizontality as well as by feminized waiters. Because the feminization of waiters also characterizes the representation of television viewers, I end by examining how the role of waiting in Crime Scene Investigation is intertwined with the viewer’s experience of watching the planned flow of network television. Ultimately, this article argues that the study of televisual waiting requires a recognition that images and narratives on network television emerge out of and depend on waiting as representation, experience, and performance.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Angeline, Mia. „Crime As Entertainment or Entertainment as A Crime?“ Humaniora 2, Nr. 2 (31.10.2011): 1025. http://dx.doi.org/10.21512/humaniora.v2i2.3151.

Der volle Inhalt der Quelle

Annotation:

Article presents one part of pop culture is crime portrayed as entertainment in television shows. Television has the means of information and entertainment, resulting in the shift of crime shows, initially crime was portrayed in the news but due to the high popularity, it becomes part of the entertainment as well. In terms of information, the most famous of crime drama show is Crime Scene Investigation (CSI), and this show gave effect known as the CSI effect, which is people have more appreciation to scientific evidences and DNA testing in trials. On the other hand, with so many shows involving crime resulting in cultivation impact, which is accumulation and the formation of perception of reality. People who are more exposed to this crime show will form the same perception as the one depicted by television and resulted to changes in their behavior. Several proposals to reduce this negative effects are audience learning, the use of rating system and electronic key in television set.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Frermann, Lea, Shay B. Cohen und Mirella Lapata. „Whodunnit? Crime Drama as a Case for Natural Language Understanding“. Transactions of the Association for Computational Linguistics 6 (Dezember 2018): 1–15. http://dx.doi.org/10.1162/tacl_a_00001.

Der volle Inhalt der Quelle

Annotation:

In this paper we argue that crime drama exemplified in television programs such as CSI: Crime Scene Investigation is an ideal testbed for approximating real-world natural language understanding and the complex inferences associated with it. We propose to treat crime drama as a new inference task, capitalizing on the fact that each episode poses the same basic question (i.e., who committed the crime) and naturally provides the answer when the perpetrator is revealed. We develop a new dataset based on CSI episodes, formalize perpetrator identification as a sequence labeling problem, and develop an LSTM-based model which learns from multi-modal data. Experimental results show that an incremental inference strategy is key to making accurate guesses as well as learning from representations fusing textual, visual, and acoustic input.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Atmaja Nr, Ig Punia. „Crime News Broadcasting in the Framework of Protection of the Rights of Suspects/Defendants“. Yuridika 37, Nr. 1 (01.03.2022): 13–36. http://dx.doi.org/10.20473/ydk.v37i1.34704.

Der volle Inhalt der Quelle

Annotation:

Crime news broadcasts on television are a part of press freedom to disseminate information to the public through printed or electronic media. Information delivery through electronic media such as television, particularly crime news, presents overviews of criminal events as if the audiences witness it straight from the crime scene. It shows the fact that. one on hand, crime news is broadcast widely on private television stations, while on the other hand there are rules for broadcasting crime news as regulated in Law Number 40 of 1999 on Press and Law Number 32 of 2002 on Broadcasting. Laws on press and broadcasting also regulate the establishment of Press Council that determines ‘journalist code of ethics’ and the Indonesian Broadcasting Commission (KPI) which sets the ‘broadcast program standards and broadcasting behavior guidelines’. These institutions supervise news or broadcasting as well as individuals or broadcasters that violate broadcasting rules or code of ethics. Crime news broadcasting that displays the face and identity of suspects or defendants is a violation to the principle of ‘Presumption of innocence’, that an individual should be assumed or considered innocent until the court proves that he/she is guilty. Crime news broadcasts impose effects on the suspects or defendants in receiving ‘due process of law’, and on the public prosecutor and judge investigating the case. Therefore, crime news broadcasting should be sought to not violate the code of ethics or rules as well as the rights of suspects or defendants.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Gemzøe, Lynge Stegger. „Language, European identity and stereotypical diversity in trans-European crime dramas“. Journal of European Popular Culture 12, Nr. 2 (01.10.2021): 135–47. http://dx.doi.org/10.1386/jepc_00034_1.

Der volle Inhalt der Quelle

Annotation:

Interrogating two transnational television dramas – Crossing Lines (2013, 2014, 2015, the first season) and The Team (2015, 2018, the second season) – and employing critical, textual and production perspectives, this article investigates representations of national and European identity in the series. In this article, I argue that the series on the one hand picture a diverse Europe uniting when challenges arise, embodying the dominant European narrative of ‘unity in diversity’ and, seen from a certain point of view, facilitate a mediated cultural encounter. On the other hand, the diversity depicted is based on the use of a wide range of well-known cultural stereotypes that may be familiar to the audience, and which may facilitate smooth storytelling, but that does little to broaden the actual cultural knowledge and understanding of the viewer, resulting in stereotypical diversity. The series have different strategies regarding representations of nation states, cultures and languages. The implications of these strategies are analysed. Common ground is often found in ‘American’ crime drama genre tropes associated with a team of often-antagonistic specialists who are put together to solve a problem, including such iconic US series as The A-Team (1983–87), the CSI: Crime Scene Investigation franchise (2000–15) and Scorpion (2014, 2015, 2016, 2017). The contribution ultimately finds that meaningful mediated cultural encounters are a challenge to transnational television drama, and that when it comes to television, ‘European’ and ‘transnational’ means little without ‘national’.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Schroeder, Kenneth R., und Janet E. Schroeder. „CSI Manhattan: Using the Theme of a Popular Television Series to Enhance Student Learning Beyond the Lecture Hall“. HortScience 40, Nr. 4 (Juli 2005): 1138E—1139. http://dx.doi.org/10.21273/hortsci.40.4.1138e.

Der volle Inhalt der Quelle

Annotation:

According to brain-based learning theory, learning is enhanced by challenge and inhibited by threat. Effective learning occurs when students are immersed in the educational experience, challenged yet not threatened, and encouraged to actively process information. All of these components are part of simulation or role-play games. With these basic concepts in mind, we approached the challenge of enhancing student learning in a plant identification course taught in a large class setting. Considering that plant identification requires some basic detective skills, and the popularity of criminal investigation television programming, we designed a role-play exercise involving case files, investigation zones, and detective teams. As a spin-off from the television shows “CSI: Crime Scene Investigation” and “CSI: Miami,” the exercise was coined “CSI: Manhattan, Conifer Site Investigation in Manhattan, Kansas.” It was designed to fit into a 50-minute class period. Throughout the exercise, detective teams (students) needed to collectively locate and identify plants based on previous knowledge and clues within the case files and at the sites. Upon completion, plant specimens were checked in and identification logs discussed in order to provide immediate feedback and reinforcement of learning. Students enjoyed the exercise, offering positive feedback and conversations about the exercise throughout the balance of the semester. Six months later, while walking past one of the investigation sites, students remembered the site, exercises performed, and the plant name. The exercise includes both interactive and experiential learning components. This session will discuss the “CSI” exercise and its value in linking action to information.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Oliveira, Cristina Santana. „A transgressão do personagem detetive nas séries televisivas “elementary” e “csi - crime scene investigation”“. Revista do GELNE 19, Nr. 2 (07.07.2017): 78. http://dx.doi.org/10.21680/1517-7874.2017v19n2id11418.

Der volle Inhalt der Quelle

Annotation:

Presenciamos um crescente interesse em torno das séries de televisão, em especial as norte-americanas que atingem múltiplos mercados e têm, em sua retaguarda, uma experiência cinematográfica de sucesso. Consolida-se um acervo de pesquisas que relaciona essas séries às narrativas literárias - caso do detetive Sherlock Holmes de Arthur Donan Coyle. Procuraremos analisar como grandes produtores de Hollywood e as novas tecnologias revitalizam esse personagem criando possibilidades de manutenção e incentivo a novos leitores para o gênero policial. A breve reflexão sobre os gêneros de discurso (Bakhtin e Todorov) demonstra que sua maleabilidade pode trazer novos olhares para esse segmento literário, movimentar o cenário editorial, televisivo-cinematográfico e acadêmico.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

D., Rajeshwari, und Victoria Priscilla C. „An Enhanced Spatio-Temporal Human Detected Keyframe Extraction“. International journal of electrical and computer engineering systems 14, Nr. 9 (14.11.2023): 985–92. http://dx.doi.org/10.32985/ijeces.14.9.3.

Der volle Inhalt der Quelle

Annotation:

Due to the immense availability of Closed-Circuit Television surveillance, it is quite difficult for crime investigation due to its huge storage and complex background. Content-based video retrieval is an excellent method to identify the best Keyframes from these surveillance videos. As the crime surveillance reports numerous action scenes, the existing keyframe extraction is not exemplary. At this point, the Spatio-temporal Histogram of Oriented Gradients - Support Vector Machine feature method with the combination of Background Subtraction is appended over the recovered crime video to highlight the human presence in surveillance frames. Additionally, the Visual Geometry Group trains these frames for the classification report of human-detected frames. These detected frames are processed to extract the keyframe by manipulating an inter-frame difference with its threshold value to favor the requisite human-detected keyframes. Thus, the experimental results of HOG-SVM illustrate a compression ratio of 98.54%, which is preferable to the proposed work's compression ratio of 98.71%, which supports the criminal investigation.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Gabriel, Matthew, Cherisse Boland und Cydne Holt. „Beyond the Cold Hit: Measuring the Impact of the National DNA Data Bank on Public Safety at the City and County Level“. Journal of Law, Medicine & Ethics 38, Nr. 2 (2010): 396–411. http://dx.doi.org/10.1111/j.1748-720x.2010.00498.x.

Der volle Inhalt der Quelle

Annotation:

Criminalistics laboratories routinely provide cold hits in police investigations by comparing DNA profiles from crime scenes to offenders residing in the Combined DNA Index System (CODIS). Forensic DNA analysis is often glamorized in popular culture, where the perpetrators are identified and crimes solved within a single television episode. In reality forensic DNA hits can identify perpetrators of violent offenses, link multiple crimes committed by the same individual, or exclude suspects and exonerate the falsely accused. Unlike the media portrayals, downstream activities after a DNA identification or cold hit are often more complex. While the Federal Bureau of Investigation (FBI) cites a national Data Bank of more than 7.2 million DNA profiles and 94,000 identifications nationwide, an in-depth analysis of public safety improvements made with CODIS is currently unavailable to forensic practitioners and public policy analysts. A review of case resolutions for 198 DNA database hits in San Francisco created performance metrics to provide a concrete measure of the effectiveness of DNA databasing efforts at the city and county level.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Hui, Cora Y. T., und T. Wing Lo. „Examination of the “CSI Effect” on Perceptions of Scientific and Testimonial Evidence in a Hong Kong Chinese Sample“. International Journal of Offender Therapy and Comparative Criminology 61, Nr. 7 (20.10.2015): 819–33. http://dx.doi.org/10.1177/0306624x15611874.

Der volle Inhalt der Quelle

Annotation:

Television is a powerful medium through which to convey information and messages to the public. The recent proliferation of forensic science and criminal justice information throughout all forms of media, coupled with raised expectations toward forensic evidence, has led some to suspect that a “CSI effect” ( Crime Scene Investigation effect) is taking place. The present study contributes to the literature addressing the CSI effect in two ways. First, it examines whether the CSI effect exists in the Chinese population of Hong Kong. Second, using a mock-jury paradigm, it empirically examines a more integrative perspective of the CSI effect. It was found that, although the amount of media coverage involving forensic evidence does influence participants’ perception of legal evidence to some degree, such a perception does not affect participants’ legal decision making. Viewers of forensic dramas were not more likely to convict the defendant when forensic evidence was presented and not less likely to convict when only testimonial evidence was presented. The only significant predictor of the defendant’s culpability when scientific evidence was presented was participants’ ratings of the reliability of scientific evidence. Results from the present study lend no support to the existence of the CSI effect in Hong Kong.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Mehr Quellen

Dissertationen zum Thema "Crime scene investigation on television"

Bull, Sofia. „A Post-genomic Forensic Crime Drama : CSI: Crime Scene Investigation as Cultural Forum on Science“. Doctoral thesis, Stockholms universitet, Institutionen för mediestudier, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-81474.

Der volle Inhalt der Quelle

Annotation:

This thesis examines how the first 10 seasons of CSI: Crime Scene Investigation (CBS, 2000–) engage with discourses on science. Investigating CSI’s representation of scientific practices and knowledge, it explicitly attempts to look beyond the generic assumption that forensic crime dramas simply ‘celebrate’ science. The material is analysed at three different levels, studying CSI’s wider cultural discursive context, genre linkages, and audio-visual form. In order to fully account for the series’ specificity, the thesis undertakes comparative analyses of earlier forensic crime dramas and other relevant audio-visual material. Close textual readings of certain thematic tropes, narrative devices and visual imagery in CSI are thus supplemented by historical studies of their extended generic backgrounds. This textual-historical approach generates a general argument that CSI dramatizes and evokes a number of different, and often contradictory, scientific ideas, perspectives and discursive shifts. The thesis concludes that CSI stages a transnational cultural forum, simultaneously engaging with residual, dominant and emergent discourses on science. Throughout, close attention is paid to the multiple perspectives and viewpoints that allow the series to appeal to a wide and heterogeneous global audience. Furthermore, the thesis asserts that CSI specifically articulates a post-genomic structure of feeling, which begins to express the wider cultural implications of an emergent discursive shift whereby the instrumentalisation of molecular science seemingly offers more possibilities for human intervention into biological processes. Thus, the study demonstrates how CSI’s discourse on science treats recent scientific developments as engendering a cultural process of redefinition, questioning foundational concepts such as truth, identity, body, kinship and emotions.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Strömstedt, Isabelle. „"How do you know all this crap?" : The Representation of Cognitive Processes and Knowledge in CSI: Crime Scene Investigation and Sherlock“. Thesis, Linköpings universitet, Institutionen för studier av samhällsutveckling och kultur, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-122771.

Der volle Inhalt der Quelle

Annotation:

In contemporary crime drama there has been a shift of main character from the forensic scientist to the consultant. This put the representation of knowledge in a different light. In this study the focus is on how, and what kind of cognitive processes and knowledge are represented in two crime dramas with consultants as main characters; CSI: Crime Scene Investigation and Sherlock. Basing the analysis on concepts of cognitive processes and knowledge, it becomes evident that due to the shift in main character the representation of knowledge also has changed; from an institutionalized and science based view on knowledge to the legitimization of a personal, uncritical and fast way of gathering knowledge.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Cama, Mariana Pimenta. „O crime espetáculo na tela: entre a realidade e a ficção“. Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/5267.

Der volle Inhalt der Quelle

Annotation:

Made available in DSpace on 2016-04-26T18:18:19Z (GMT). No. of bitstreams: 1 Mariana Pimenta Cama.pdf: 1094285 bytes, checksum: feaea7b876b6d9926947835492557d27 (MD5) Previous issue date: 2009-10-23
The current research intends to reflect in a critical manner about the ways of representation of criminality on audiovisual media, especially on television. The target of this analysis is to point out media processes that highlight and exemplify the way crime is turned into a spectacle, reconfiguring narrative formats of police drama and news currently active. When it comes down to representing images of violence and criminality, the audiovisual media culture has been showing two main slopes: the news that incorporates construction elements typical of soup operas, and the fictional program that intends realism, showing the routine of police in action in big urban areas. Under the eye of speculation promoted by news media, two cases will be analyzed, which took place in 2008: the case of Isabella Nardoni and the young girl Eloá Pimentel, exhaustingly reproduced and detailed on the internet. In the thin line of the crime-spectacle in the universe of fiction, we ll analyze the narrative of TV series CSI: Crime Scene Investigation, highlighting the episodes "Grave Danger" and "Monster in a box". From the methodic point of view, the research bases itself on the audiovisual analysis provided for television and in its versions for Internet and DVD, willing to investigate the connection between the subject in question and the visible object, interpreting the spectator as a morbid voyeur. From the theoretical point of view, the research lays on "real shock" concept by Beatriz Jaguaribe, on the hypothesis of intimacy spectacle by Paula Sibilia, presented on O Show do Eu: a intimidade como espetáculo", and on the "A Sociedade do Espetáculo" by Guy Debord. The arguments concerning the News are anchored by work of Eugênio Bucci and Maria Rita Kehl, "Videologias". The reflexion regarding the spectator with violent images is based on the work by Susan Sontag, "Diante da dor dos outros", and on the works of Arlindo Machado, "A Televisão levada a Sério" and "O Sujeito na Tela". In the end, it is concluded that the persistent shocking images that infest the many diverse ways of informational communication operate through contagious systems, which lead to dramatization elements of the journalism of the real for the fictional and spectacle of crime for the News universe, on television and internet
A presente pesquisa pretende refletir de forma crítica sobre os modos de representação da criminalidade nas mídias audiovisuais, em especial na mídia televisiva. O objetivo da análise é apontar processos midiáticos que evidenciem e exemplifiquem o modo como o crime é transformado em espetáculo, reconfigurando os formatos narrativos de dramas policiais e do telejornalismo vigentes. A cultura das mídias audiovisuais, no que diz respeito à representação das imagens de violência e criminalidade, vem demonstrando duas vertentes predominantes: o telejornalismo que incorpora elementos de construção típicos das telenovelas e a programação ficcional que se pretende realista, retratando o cotidiano da polícia em ação nos grandes centros urbanos. Sob a ótica da espetacularização promovida pela mídia jornalística, serão analisados dois crimes ocorridos no ano de 2008: o caso da menina Isabella Nardoni e o da jovem Eloá Pimentel, fartamente reproduzidos e detalhados na internet. No que tange ao crime-espetáculo no universo da ficção, analisaremos a narrativa seriada televisiva CSI:Crime Scene Investigation, com destaque para os episódios "Grave danger" e "Monster in a box . Do ponto de vista metodológico, a pesquisa baseia-se na análise dos audiovisuais concebidos para televisão e em suas versões para internet e DVD, a fim de investigar a relação entre o sujeito vidente e o objeto visível, entendendo o espectador como voyeur-mórbido. Do ponto de vista teórico, a pesquisa apoia-se no conceito de "choque do real" de Beatriz Jaguaribe, na hipótese de espetacularização da intimidade de Paula Sibilia, apresentada em O show do eu: a intimidade como espetáculo" e na obra "A sociedade do espetáculo" de Guy Debord. As discussões sobre telejornalismo são ancoradas na obra de Eugênio Bucci e Maria Rita Kehl, "Videologias". A reflexão sobre a relação do espectador com as imagens de violência baseia-se na obra de Susan Sontag, "Diante da dor dos outros", e nas obras de Arlindo Machado, "A televisão levada a sério" e "O sujeito na tela". Ao final, conclui-se que as insistentes imagens de choque e violência que assolam os mais diversos meios informacionais de comunicação operam por sistemas de contágio, que levam elementos da dramatização do real do telejornalismo para o universo ficcional e de espetacularização do crime para o universo do telejornal, na televisão e internet

APA, Harvard, Vancouver, ISO und andere Zitierweisen

McManus, Sarah E. „Influence of the CSI effect on education and mass media“. Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4595.

Der volle Inhalt der Quelle

Annotation:

Forensic science television shows, especially CSI: Crime Scene Investigation, have been said to influence the public's perception of how forensic science is used and create interest in studying forensic science and pursuing jobs in the field. This study investigates this claim through a variety of methods. First, definitions of the CSI effect are discussed, including how it was first used and mentioned in the media. Second, survey data from students in a forensic anthropology course regarding interest in forensic science media and educational and career choices are analyzed. Third, the number and debut dates of forensic science non-fiction books, novels, non-fiction television shows, and television dramas are investigated. Finally, a content analysis of the television show Bones is undertaken in order to understand how the forensic anthropology presented in this show differs from the actual practice of forensic anthropology. Results of this study indicate that, overall, students who wanted to pursue forensic science careers and graduate study did not watch more forensic science television shows and read more forensic science novels than those who did not want to pursue forensic science careers and graduate study. Also, based on the decreased interest in a number of forensic careers, it appears that respondents may have started the course with false perceptions regarding the actual job descriptions of these careers. Regarding the number and debut dates of forensic science media, this study found that the majority of non-fiction forensic anthropology books, non-fiction television shows, television dramas debuted after CSI appeared, corroborating the claim that CSI led to an increase in interest in forensic anthropology. In addition, this study found that while much of Bones is fictionalized for entertainment purposes, many of the techniques and analyses presented on the show have a peripheral basis in scientific methods.
ID: 029094425; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Thesis (M.A.)--University of Central Florida, 2010.; Includes bibliographical references (p. 129-130).
M.A.
Masters
Department of Anthropology
Sciences

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Fish, Jacqueline T., Larry S. Miller, Michael C. Braswell und Edward W. Jr Wallace. „Crime Scene Investigation“. Digital Commons @ East Tennessee State University, 2015. http://amzn.com/1455775401.

Der volle Inhalt der Quelle

Annotation:

Crime Scene Investigation offers an innovative approach to learning about crime scene investigation, taking the reader from the first response on the crime scene to documenting crime scene evidence and preparing evidence for courtroom presentation. It includes topics not normally covered in other texts, such as forensic anthropology and pathology, arson and explosives, and the electronic crime scene. Numerous photographs and illustrations complement text material, and a chapter-by-chapter fictional narrative also provides the reader with a qualitative dimension of the crime scene experience.
https://dc.etsu.edu/etsu_books/1085/thumbnail.jpg

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Burrow, J. Gordon. „Crime scene investigation : bare footprint collection and analysis“. Thesis, Glasgow Caledonian University, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.701002.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Taskin, Kasim. „Evaluating Augmented Reality and Computer Vision for Crime Scene Investigation“. Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-280783.

Der volle Inhalt der Quelle

Annotation:

When investigating a crime, investigators often need to revisit the crime scene to get a better understanding of the crime. However, all traces of crime and objects of interest are quickly removed from the scene. Using augmented reality, one can allow investigators to visit crime scenes in their original state readily. Importantly, as the solution is designed to be used within the judicial system, accuracy is crucial. The thesis evaluates different positioning methods for virtual objects by comparing against ground truth positions as well as the perceived movement of the objects. The findings show that in specific scenarios, anchored positioning methods are preferred. Moreover, reconstructing a crime scene is a very tedious process. To simplify the process the paper presents a novel method for raising a 2D bounding box to 3D. The results show a poor estimation of 3D bounding boxes, with mean IoU values for a cup and bottle being 0:3 and 0:1 respectively. However, it is noted that the system is adequate to assist in reconstruction a crime scene, but not replace it.
När man utreder ett brott måste utredare ofta besöka brottsplatsen för att få en bättre förståelse av brottet. Däremot tas alla spår av brott och viktiga föremål snabbt bort från brottsplatsen. Med hjälp av förstärkt verklighet (AR) möjliggör man för utredare att besöka brottsplatser i sitt ursprungliga skick. Eftersom systemet är utformat för att användas inom rättsväsendet, är noggrannhet avgörande. Examensarbetet utvärderar olika positioneringsmetoder för virtuella objekt genom att jämföra positioner mot sann data samt den uppfattade rörelsen av de virtuella objekten. Resultaten visar att i vissa scenarier är förankrade (eng. anchored) positioneringsmetoder att föredra. Dessutom är det mycket tidskrävande att rekonstruera en brottsplats. För att förenkla processen presenteras en ny metod för att höja en 2D bounding box till 3D. Resultaten visar dock en dålig noggrannhet för metoden, där medelvärdet för IoU-värden för en kopp och flaska är 0:3 respektive 0:1. Samtidigt noteras att systemet är tillräckligt för att underlätta rekonstruktioner av brottsplatser men kan inte helt ersätta dem.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Wyatt, David Mark. „Accomplishing technical and investigative expertise in everyday crime scene investigation“. Thesis, University of Exeter, 2014. http://hdl.handle.net/10871/17904.

Der volle Inhalt der Quelle

Annotation:

This research, situated at the intersection of sociology, science and technology studies and police studies, provides the first sociological account of Crime Scene Investigator (CSI) training in England and Wales. Focusing on the acquisition and everyday enactment of CSI expertise, this qualitative, ethnographic investigation asks (1) what are the roles, practices and expertise of the CSI and (2) how is the CSI’s expertise developed in training and enacted in everyday work. These questions are explored through participant observation at the main training centre for UK CSIs, observation at crime scenes, interviews with trainees during and after their training and visual methods. By unpicking the visible and invisible components of CSI work, I analyse how CSIs are trained to document crime scenes and explore the practices of transforming a potentially relevant object from these locations into artefacts that meet the requirements of courtroom scrutiny. I demonstrate how CSIs engage actively and reflexively with the requirements of different conceptions of objectivity and the changing demands placed on them. They continually and performatively negotiate and delimit multiple boundaries, from the very literal in demarcating a crime scene to claiming their position within the investigative hierarchy in each interaction. Unlike other discussions of boundary work, for the CSI this is iterative, requires constant effort and is embedded in their routine practice. Within police environments, the CSI has scope for such boundary work. In the courtroom, however, crime scene investigation is narrowly defined. This thesis develops our understanding of the CSI and crime scene investigation as a practice. It stresses the significance of taking this actor seriously in any account of forensic science and investigative practices. By viewing the CSI as simply an evidence collector, or not considering her work at all, the expertise and pivotal role of this actor in the meaningful and efficient use of science in policing is blackboxed. My detailed qualitative analysis of the CSI’s role, work and specialist expertise contributes a necessary account of a key actor in the police and criminal justice system.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Bull, Sofia. „Kroppen, sanningen och döden : En utredning av CSI: Crime Scene Investigation“. Thesis, Stockholm University, Department of Cinema Studies, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-897.

Der volle Inhalt der Quelle

Annotation:

Uppsatsens syfte är att undersöka vilken funktion och betydelse kroppen har i första säsongen av CSI: Crime Scenen Investigation (CBS, 2000-). Detta eftersom det kan ge en ökad förståelse för de föreställningar som omgärdar kroppen i vår kultur idag. Författaren gör närläsningar av analysobjektet som relateras till relevant litteratur, såväl som tidigare praktiker och representationer av kroppslighet.

I den första delen undersöker författaren vilken roll kroppen spelar i utredningsarbetets sökande efter en säker sanning. Författaren konstaterar att utredarna använder sig av en kroppslig utredningsteknik och att kroppen dessutom ses som en privilegierad form av bevis, vars tillgänglighet ökar med hjälp av obduktionsförfarandet och olika teknologiska hjälpmedel. Vidare ifrågasätter författaren hur långsökta slutsatser om individen dras från kroppen. Till sist föreslår författaren att tron på säker kunskap känns betryggande i en tid då kroppen ses som föränderlig och där begrepp som verklighet och sanning blivit flytande.

I den andra delen undersöker författaren hotfull kroppslighet och hur dessa hot eventuellt neutraliseras. Författaren drar här fyra huvudsakliga slutsatser:

1. Den uppstyckade kroppen är skrämmande eftersom den uppfattas som gränsöverskridande och utredarnas ihopsamlande av kroppsdelar är ett sätt att återskapa de ursprungliga gränserna.

2. Döden är ytterligare en gränsöverskridande praktik som dessutom innebär kroppens totala förintelse, utredningsarbetet är en kamp mot döden som strävar efter att återupprätta livet.

3. Utredarnas förhållande till den döda kroppen är synnerligen komplext eftersom de bör förbli objektiva, men samtidigt inte får riskera att objektifiera den döda kroppen.

4. Själva filmmediet kan ses som ett hot mot kroppen genom sitt fragmenterande bildspråk, men också som ett försvar mot döden genom förmågan att skildra rörelse.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Spichler, Anne, Bonnie L. Hurwitz, David G. Armstrong und Benjamin A. Lipsky. „Microbiology of diabetic foot infections: from Louis Pasteur to 'crime scene investigation'“. BioMed Central Ltd, 2015. http://hdl.handle.net/10150/610294.

Der volle Inhalt der Quelle

Annotation:

Were he alive today, would Louis Pasteur still champion culture methods he pioneered over 150 years ago for identifying bacterial pathogens? Or, might he suggest that new molecular techniques may prove a better way forward for quickly detecting the true microbial diversity of wounds? As modern clinicians faced with treating complex patients with diabetic foot infections (DFI), should we still request venerated and familiar culture and sensitivity methods, or is it time to ask for newer molecular tests, such as 16S rRNA gene sequencing? Or, are molecular techniques as yet too experimental, non-specific and expensive for current clinical use? While molecular techniques help us to identify more microorganisms from a DFI, can they tell us ‘who done it?', that is, which are the causative pathogens and which are merely colonizers? Furthermore, can molecular techniques provide clinically relevant, rapid information on the virulence of wound isolates and their antibiotic sensitivities? We herein review current knowledge on the microbiology of DFI, from standard culture methods to the current era of rapid and comprehensive ‘crime scene investigation' (CSI) techniques.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Mehr Quellen

Bücher zum Thema "Crime scene investigation on television"

Flaherty, Mike. CSI: crime scene investigation. New York: Pocket Books, 2004.

Den vollen Inhalt der Quelle finden

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Cox, Greg. CSI: Crime scene investigation : shock treatment : a novel. New York: Pocket Star Books, 2010.

Den vollen Inhalt der Quelle finden

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Ramsland, Katherine M. The forensic science of C.S.I. New York: Berkley Boulevard Books, 2001.

Den vollen Inhalt der Quelle finden

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Ramsland, Katherine M. Forensic Science of C. S. I. New York: Penguin USA, Inc., 2009.

Den vollen Inhalt der Quelle finden

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Salvoldi, Alessandra. Anatomia di CSI: Echi letterari e culturali di un fenomeno televisivo. Roma: Bel-Ami edizioni, 2015.

Den vollen Inhalt der Quelle finden

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Donn, Cortez, und Wilson Leah, Hrsg. Investigating CSI: Inside the crime labs of Las Vegas, Miami, and New York. Dallas, TX: BenBella Books, 2006.

Den vollen Inhalt der Quelle finden

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Ramsland, Katherine M. True stories of C.S.I.: The real crimes behind the best episodes of the popular TV show. New York: Berkley Boulevard, 2008.

Den vollen Inhalt der Quelle finden

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Ramsland, Katherine M. True stories of C.S.I.: The real crimes behind the best episodes of the popular TV show. New York: Berkley Boulevard, 2008.

Den vollen Inhalt der Quelle finden

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Ramsland, Katherine M. True stories of C.S.I.: The real crimes behind the best episodes of the popular TV show. Waterville, Me: Thorndike Press, 2008.

Den vollen Inhalt der Quelle finden

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Claggett, Kara J. The CSI effect: How does television distort forensic science in criminal investigations? [San Diego, California]: National University, 2013.

Den vollen Inhalt der Quelle finden

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Mehr Quellen

Buchteile zum Thema "Crime scene investigation on television"

Osterburg, James W., Richard H. Ward und Larry S. Miller. „The Crime Scene“. In Criminal Investigation, 91–120. 8 Edition. | New York : Routledge, 2019. | Revised edition of Criminal investigation, [2014]: Routledge, 2019. http://dx.doi.org/10.4324/9780429259692-5.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Trestrail, John Harris. „Crime Scene Investigation“. In Criminal Poisoning, 65–75. Totowa, NJ: Humana Press, 2000. http://dx.doi.org/10.1007/978-1-59259-023-0_5.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Parmalee, Kevin. „Crime Scene Investigation“. In Veterinary Forensics, 23–52. Boca Raton, FL : CRC Press, 2018.: CRC Press, 2017. http://dx.doi.org/10.4324/9781315153421-2.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Rutty, Guy N., und Frances E. Hollingbury. „Crime Scene Investigation“. In Asphyxiation, Suffocation,and Neck Pressure Deaths, 80–87. Boca Raton : CRC Press, [2020]: CRC Press, 2020. http://dx.doi.org/10.1201/9780429188947-7.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Merck, Melinda D. „Crime Scene Investigation“. In Veterinary Forensics: Animal Cruelty Investigations, 17–35. West Sussex, UK: John Wiley & Sons, Inc.,, 2013. http://dx.doi.org/10.1002/9781118704738.ch2.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Fenoff, Roy, Jacqueline T. Fish, Larry S. Miller, Edward W. Wallace und Michael C. Braswell. „Death Investigation“. In Crime Scene Investigation, 323–72. 4. Aufl. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780429261657-13.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Fenoff, Roy, Jacqueline T. Fish, Larry S. Miller, Edward W. Wallace und Michael C. Braswell. „Documenting the Actions of the CSI and Presenting Facts in Court“. In Crime Scene Investigation, 401–20. 4. Aufl. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780429261657-15.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Fenoff, Roy, Jacqueline T. Fish, Larry S. Miller, Edward W. Wallace und Michael C. Braswell. „The Electronic Crime Scene“. In Crime Scene Investigation, 237–63. 4. Aufl. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780429261657-10.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Fenoff, Roy, Jacqueline T. Fish, Larry S. Miller, Edward W. Wallace und Michael C. Braswell. „Documentary Evidence“. In Crime Scene Investigation, 265–99. 4. Aufl. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780429261657-11.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Fenoff, Roy, Jacqueline T. Fish, Larry S. Miller, Edward W. Wallace und Michael C. Braswell. „The First Response and Scene Search“. In Crime Scene Investigation, 31–58. 4. Aufl. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780429261657-2.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Konferenzberichte zum Thema "Crime scene investigation on television"

Murynets, Ilona, und Roger Piqueras Jover. „Crime scene investigation“. In the 2012 ACM conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2398776.2398822.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Cross, James, Chris Baber und Paul Smith. „Multi-Platform Crime Scene Investigation Field Tool“. In 2007 11th IEEE International Symposium on Wearable Computers. IEEE, 2007. http://dx.doi.org/10.1109/iswc.2007.4373779.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Booth, John F., Jeffrey M. Young und Paul Corrigan. „Crime scene investigation, reporting, and reconstuction (CSIRR)“. In Enabling Technologies for Law Enforcement and Security, herausgegeben von John Hicks, Peter R. De Forest und Vivian M. Baylor. SPIE, 1997. http://dx.doi.org/10.1117/12.266304.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Datcu, Dragoş, Stephan G. Lukosch und Heide K. Lukosch. „Handheld Augmented Reality for Distributed Collaborative Crime Scene Investigation“. In GROUP '16: 2016 ACM Conference on Supporting Groupwork. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2957276.2957302.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Rane, Disha, Bhavesh Shinde, Sidhesh Vaity und Priyanka Shingane. „Smart Image Storage and Retrieval For Crime Scene Investigation“. In 2022 10th International Conference on Emerging Trends in Engineering and Technology - Signal and Information Processing (ICETET-SIP-22). IEEE, 2022. http://dx.doi.org/10.1109/icetet-sip-2254415.2022.9791537.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Liu, Ying, Dan Hu, Jiulun Fan, Fuping Wang und Dengsheng Zhang. „Multi-Feature Fusion for Crime Scene Investigation Image Retrieval“. In 2017 International Conference on Digital Image Computing: Techniques and Applications (DICTA). IEEE, 2017. http://dx.doi.org/10.1109/dicta.2017.8227466.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Jegatheswaran, Reshiwaran, Haidhar Athir Mohd, Julia Juremi, Vinesh Thiruchelvam und Alvin Yap Chee Wei. „Utilization of Virtual Reality Technology in Crime Scene Investigation“. In 2023 International Conference on Integrated Intelligence and Communication Systems (ICIICS). IEEE, 2023. http://dx.doi.org/10.1109/iciics59993.2023.10421600.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Datcu, Dragoş, Thomas Swart, Stephan Lukosch und Zoltan Rusak. „Multimodal collaboration for crime scene investigation in mediated reality“. In the 14th ACM international conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2388676.2388739.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Werukanjana, Phornvipa, Norapattra Permpool, Prush Sa-Nga-Ngam und Weerachai Muttitanon. „Pose Detection of Dead Body in Crime Scene Investigation“. In ICCPR 2023: 2023 12th International Conference on Computing and Pattern Recognition. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3633637.3633662.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Onnoom, Boonyarin, Sirapat Chiewchanwattana, Khamron Sunat und Nutcharee Wichiennit. „An ontology framework for recommendation about a crime scene investigation“. In 2014 14th International Symposium on Communications and Information Technologies (ISCIT). IEEE, 2014. http://dx.doi.org/10.1109/iscit.2014.7011895.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Berichte der Organisationen zum Thema "Crime scene investigation on television"

Keatts, Lucy, Wayne Boardman und Anne-Lise Chaber. Standard Operating Protocols to Support Conservation, Health, Welfare and Successful Prosecution of Wildlife Crimes Part 2: Live Wildlife Crime Scene Investigation. Wildlife Conservation Society, 2022. http://dx.doi.org/10.19121/2022.report.45212.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Wir bieten Rabatte auf alle Premium-Pläne für Autoren, deren Werke in thematische Literatursammlungen aufgenommen wurden. Kontaktieren Sie uns, um einen einzigartigen Promo-Code zu erhalten!