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Witt, Susanna. „Creating creation : readings of Pasternak's Doktor Zivago /“. Stockholm : Almqvist och Wiksell international, 2000. http://catalogue.bnf.fr/ark:/12148/cb39183263m.
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Witt, Susanna. „Creating creation readings of Pasternak's Doktor Živago /“. Doctoral thesis, Stockholm : Almqvist och Wiksell International, 2000. http://catalog.hathitrust.org/api/volumes/oclc/46340409.html.
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Spiegel, Flora Elise. „Creator and creation in Anglo-Saxon literary traditions“. Thesis, University of Cambridge, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.613911.
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Gotkin, Joseph Daniel. „Creation“. Thesis, The University of Arizona, 2013. http://hdl.handle.net/10150/297617.
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What drives creation in art? What differs in this between artists, and more specifically? What comes from letting that creativity flow out, unhampered yet guided? What are the influences that inspiration plays in creation? These questions are what I want to explore for myself visually, creating compositions that are continually inventive. I explored these questions through a process driven by as pure an inspiration as I could obtain using the medium that is the most natural - and thus the smallest impediment to my thought process - and adding cohesiveness at the end to create a full, technical, interesting, and thought provoking composition. I think in ink, so to speak, and I used this quality to help me just draw; each piece evolved from one stroke to the next, growing and building with the simple joy of drawing guided by subconscious and experiential cues. As the drawings neared their completion, much more consideration was taken in order to form the complete gestalts. In the end, 3 completely unique character interactions took form, whose detail and oddity allow the viewer to explore the depths of my mind and make inferences of their own creation upon them.
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E, Cascante Quirós María Jesús, und Natalia Schlothauer. „From Sole-Creation to Co-Creation : Social Marketing Value Creation through Corporate-NPO Collaboration“. Thesis, Högskolan i Gävle, Företagsekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-23453.
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Aim: The aim of this study was to investigate the structure of social marketing within a collaboration between non-profit organisations (NPOs) and business organisations as well as whether this collaboration facilitates the process of social marketing for the NPOs. For this purpose, Austin and Seitanidi´s (2012a, 2012b, 2014) Collaborative Value Creation (CVC) framework was applied to social marketing as value outcome by combining it with Andreasen and Kotler´s (2003) model of the social marketing process in NPOs. Method: A qualitative study was conducted based on secondary and primary data. Hereby, primary data was gathered from a total of seven NPOs and twelve respondents across Sweden by the use of face-to-face and phone interviews. Result & Conclusions: Two main findings were identified in this study. Firstly, within the process of social marketing in a corporate-NPO collaboration the NPOs predominantly plan and design the campaigns independently. Hereby, it is shown that the NPO´s organisational model of operation influences the collaboration structure. Secondly, it is demonstrated that the corporate-NPO collaboration facilitates the NPOs social marketing process. Suggestions for future research: Further investigations of NPOs could be undertaken by distinguishing between their organisational model and area of operation in order to complement the presented theoretical model of the social marketing process in the corporate-NPO collaboration. Additionally, the perspective of business organisations could be considered. Contribution of the thesis: The present study contributes to literature by providing a theoretical model based of the social marketing process in the corporate-NPO collaboration. It demonstrates that this collaboration facilitates the social marketing process of the NPOs.
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McCabe, Gordon. „Universe creation“. Thesis, University of Reading, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.394235.
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Holmes, Thomas W. „Creation Myths“. Ohio University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1243973511.
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Eveler, Jesse B. „Knowledge Creation“. University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242833183.
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Dorman, Daniel. „Creation Myth“. Cleveland State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=csu1493918336967034.
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Doyle, Alexandra. „Developing a Choreographic Process: Instinctual Creation vs. Premeditated Creation“. Thesis, The University of Arizona, 2015. http://hdl.handle.net/10150/579302.
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This thesis is a research project undertaken in order to develop a personal process of choreography. As a dance major at a university with a heavy emphasis on choreography, I feel it is important to identify and develop my own choreographic process. I am trying to find my own voice as a choreographer, so I am testing different recognized methods of movement creation in order to develop a process. Each semester, fall and spring, I choreographed separate pieces that were driven by a different process. Fall semester I choreographed driven by instinctual creation; spring semester I choreographed driven by premeditated creation. Throughout each process, I kept detailed journals on what choreographic tools and techniques I used to develop each piece. The largest products of my research were the two dances created, so the bulk of my thesis is videos of my dances. However, I wanted to document the processes to learn which techniques worked and which didn't. To close out my time here at the university, I will choreograph a solo using the information gathered from my research.
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Earnshaw, Rebekah [Verfasser], und Herman J. [Herausgeber] Selderhuis. „Creator and Creation according to Calvin on Genesis / Rebekah Earnshaw“. Göttingen : Vandenhoeck & Ruprecht, 2020. http://www.v-r.de/.
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Earnshaw, Rebekah [Verfasser], und H. J. [Herausgeber] Selderhuis. „Creator and Creation according to Calvin on Genesis / Rebekah Earnshaw“. Göttingen : Vandenhoeck & Ruprecht, 2020. http://nbn-resolving.de/urn:nbn:de:101:1-2020092723405226066309.
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Jungmann, Manuela. „Embodied creativity : a process continuum from artistic creation to creative participation“. Thesis, University of Sussex, 2011. http://sro.sussex.ac.uk/id/eprint/7374/.
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This thesis breaks new ground by attending to two contemporary developments in art and science. In art, computer-mediated interactive artworks comprise creative engagement between collaborating practitioners and a creatively participating audience, erasing all notions of a dividing line between them. The procedural character of this type of communicative real-time interaction replaces the concept of a finished artwork with a ‘field of artistic communication'. In science, the field of creativity research investigates creative thought as mental operations that combine and reorganise extant knowledge structures. A recent paradigm shift in cognition research acknowledges that cognition is embodied. Neither embodiment in cognition nor the ‘field of artistic communication' in interactive art have been assimilated by creativity research. This thesis takes an interdisciplinary approach to examine the embodied cognitive processes in a ‘field of artistic communication' using a media artwork called Sim-Suite as a case study research strategy. This interactive installation, created and exhibited in an authentic real-world context, engages three people to play on wobble-boards. The thesis argues that creative processes related to Sim-Suite operate within a continuum, encompassing collaborative artistic creation and cooperative creative participation. This continuum is investigated via mixed methods, conducting studies with qualitative and quantitative analysis. These are interpreted through a theoretical lens of embodied cognition principles, the 4E approaches. The results obtained demonstrate that embodied cognitive processes in Sim-Suite's ‘field of artistic communication' function on a continuum. We give an account of the creative process continuum relating our findings to the ‘embedded-extended-enactive lens', empirical studies in embodied cognition and creativity research. Within this context a number of topics and sub-themes are identified. We discuss embodied communication, aspects of agency, forms of coordination, levels of evaluative processes and empathetic foundation. The thesis makes conceptual, empirical and methodological contributions to creativity research.
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Hassani, Mehraban Farhad. „Supply chain knowledge creation : applications of organizational knowledge creation theory“. Thesis, King's College London (University of London), 2014. https://kclpure.kcl.ac.uk/portal/en/theses/supply-chain-knowledge-creation(02eaeb75-2fad-494b-ac4d-20e82dddfc60).html.
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Scholars argue that knowledge is a fundamental source for retaining competitive advantage, as value creation depends fundamentally on the competence of a firm to create new knowledge (Nonaka and Toyama, 2002). Knowledge creation is based on conversion of two types of knowledge: tacit knowledge, which is constituent to the comprehensiveness of an individual’s consciousness, and explicit knowledge, which can be readily communicated. Based on the framework by Nonaka and Takeuchi (1995), one of the most significant and cited models, the motivation of this research is to expand knowledge creation model from intra- to inter-organizational relationships theoretically and explore supply chain knowledge creation process in practice to examine the sequences of this extension. Studying three firms in the fashion industry, this thesis contributes to research on knowledge creation by taking a socio-technological perspective through a qualitative study of supply chain management. The research findings provide support for the proposed theoretical model in which social relationships and technology interact in the knowledge creation process to diminish supply chain complexities. While many supply chain relationships I observed appear to be influential in creating knowledge, one similarity among the cases here is that the effectiveness of the knowledge creation process has been limited due to the lack of harmony in employing knowledge resources. Knowledge creation process may be superficial due to the fact that they require a large revolution in work routines regarding the use of technology. Even where there is some degree of socialization, the process is partial because of incongruities between individuals understanding and corporate supply chain strategies.
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Braddon, Denise. „God, humanity and creation the relationship between worship and creation /“. Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.
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Fanwar, Wann. „Creation in Isaiah /“. Sarbrücken : Müller, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=017068499&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
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Vcislo, Mark Vance. „Sartre's creation myth“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0016/MQ27551.pdf.
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Laffey, Desmond Joseph. „Online value creation“. Thesis, University of Kent, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.593897.
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This thesis is based on a related set of nine papers I published between 2004 and 2010. Six of these papers are sole authored and I was the lead author for the three joint authored papers. Four underlying themes are identified which underpin the research I have done. Firstly, market entry through the dot com model which was covered in my first published paper (Laffey, 2004). This paper identified my second research theme, network effects in entrepreneurial markets, covered in Laffey (2005.; 2007b) which examined gambling markets and my third theme, the importance of search and paid click concepts, analysed in Laffey (2007a), Laffey and Sharp (2008) and Laffey et al (2009). My third theme of search then led naturalIy to my final theme, the development of online value creation concepts, which was explored through research into comparison websites (Laffey, 2009c, 2010; Laffey and Gandy, 2009b). The thesis shows how these research themes emerged through the selected papers, how they have developed into my current research and how they offer opportunities for further research. Page
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Sullivan, Rodney Thomas. „Haberek wetland creation“. Virtual Press, 1992. http://liblink.bsu.edu/uhtbin/catkey/835836.
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Wetlands in the United States have been decreasing in number from the time European settlers began draining them for agricultural purposes to the present. Wetlands serve many important ecological functions such as waterfowl habitat.The purpose of this project was to investigate wetland creation literature in order to develop a process which could be applied to a particular site to attract waterfowl. The topics reviewed for this project were goal setting, for wetland creations, wetland creation methodologies and waterfowl habitat criteria. The major portion of the project was devoted to the construction process of the wetland. The criteria used to direct the wetland construction were hydrology, topographic contour design, revegetation, and protective buffers. Trail development to provide public access for educational purposes was also an important component of the wetland design. Waterfowl habitat criteria was also researched and applied to the project in order it insure that waterfowl would be attracted to the wetland.The process developed from the research was applied to Jim Haberek's property located in Anderson, Indiana. The product was a masterplan which included a site analysis, a water level management plan, a contour design, a revegetation plan, protective buffers and a trail design for the public.Department of Landscape Architecture
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Walker, George. „Creation and destruction“. Thesis, King's College London (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271651.
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Palmer, Geoffrey. „Essays in creation“. Thesis, University of Bristol, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.389097.
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Baudasse, Thierry. „Social capital creation“. Universidad Peruana de Ciencias Aplicadas (UPC), 2014. http://hdl.handle.net/10757/333778.
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Si capital social es una fuente de desarrollo económico, es importante crear mecanismos de inversión social que sean capaces de alimentar el Si capital social es una fuente de desarrollo económico, es importante. En la tercera parte se evalúa el rol del capital social en la educación capital social, particularmente en países en vías de desarrollo económico,superior en lo concerniente a la formulación de políticas publicas en el sector educación.
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Riley, Nathan T. „Decadence and creation /“. Available to subscribers only, 2007. http://proquest.umi.com/pqdweb?did=1453232581&sid=8&Fmt=2&clientId=1509&RQT=309&VName=PQD.
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Zhanje, Taurayi William. „Creation ex nihilo“. Theological Research Exchange Network (TREN), 1996. http://www.tren.com.
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Luko, Sarah Suzanne. „Substrate for creation“. Thesis, University of Iowa, 2018. https://ir.uiowa.edu/etd/6184.
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Kattula, Steven R. „motus et re-creation: Movement and re-creation on accotink creek“. Thesis, Virginia Tech, 2011. http://hdl.handle.net/10919/36431.
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Speed has long been equated with "progress". The Romans' paved roads begot much of this concept, allowing faster travel that improved communication, commerce, and enabled control over vast territories. Additionally paved surfaces whisked insect-breeding water away from homes, improving the health of those in town. Today, part-and-parcel of the definition of the developed world are tremendous amounts of solid surfaces, mostly asphalt and concrete, to move mechanized devices and water quickly. Even the shoes we wear could be seen as complementary technological devices, cushioning our feet to allow us to barrel forward more quickly along firm, manmade foundations. But the push towards this progress has had destructive consequences on our environment, including, but not limited to, our stream valleys.
Often abutting intense, impervious development, the stream valley watersheds have morphed from spongy spines dense with aquatic life to de-facto storm sewers, with thick foliage merely masking severe erosion and paltry ecosystems. Quite simply, the speed at which the water is pushed down the ever-narrowed corridors as paved development encroaches, coupled with pollution from this fast runoff, renders the former fish streams dead.
The recent advent of nature trails (following a mix of old hunting paths and former gristmill horse-cart ways), along unbuildable flood plains has exposed this problem in the Accotink stream valley in Northern Virginia. This thesis addresses the topic of water runoff of the Accotink stream valley and trail network. After analyzing and studying the area as a whole, the thesis focused on two scales: the larger scale of Fairfax Circle in Fairfax City in suburban Northern Virginia and a piece of this area -- a small section that acts as a threshold from urban village to natural park/trail/creek bed. This smaller section is also along the most eroded section of the Accotink Creek. At the "master plan" scale, the thesis transforms Fairfax Circle to a "village" using environmental remediation design principals to repair and regenerate this environmentally-degraded area. At the architectural scale, the thesis examines the site through the lens of the regional trail network along the stream valleys and the potential urban village at Fairfax Circle to design a trail-stop fitness center that straddles the break between conceptual urban space and repaired, stormwater-soaking stream valley.Master of Architecture
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Dou, Josef Kalasansius. „God as creational event and vice versa a critical-complementary dialogue between Greshake's integrative theology of creation and Suchocki's relational theology of creation /“. Theological Research Exchange Network (TREN), 1999. http://www.tren.com.
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Richtnér, Anders. „Balancing knowledge creation : examining organizational slack and knowledge creation in product development“. Doctoral thesis, Handelshögskolan i Stockholm, Management av Innovation och Produktion (T), 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:hhs:diva-533.
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Over the last few years there has been a downturn in business. As a response, many companies have initiated various downsizing activities – often on a short-term financial basis – in order to improve the competitive position of the company. Yet, at the same time, innovation is often cited as the key to long-term success by the very same companies. The central problem examined in this book is whether downsizing and innovation are compatible. The problem was studied during a two year exploratory case research in six cases – selected from a well-defined reference population consisting of 37 companies – facing the exact challenge of simultaneously downsizing and trying to sustain its high level of innovation. The simple answer found in the study is yes. Companies can simultaneously downsize and still maintain a high level of innovation, but it is difficult and challenging and it depends on the company’s ability to handle the knowledge creation process. So what is needed? Create an understanding in the company, at all levels, that balancing knowledge creation – the ability to share and transfer knowledge – is one of the most important tasks in order to remain innovative over time. This is done by building a commitment to knowledge creation. This commitment is achieved through making knowledge creation a visible and central element of the strategic intent, and organizing the company so that ideas can be generated and generalized. Examples of activities include: At an organizational level there is a need to create boundary spanning activities to facilitate knowledge creation between various part of the organization, but also to other organizations. At a top management level shared visions and values need to be created; exemplified in words and action. Important is that the top management not get involved into micro-management. Avoid cutting-down on initial activities – where visualization and brainstorming are in focus – in projects aiming for innovation, as these activities are the foundations the rest of the project. This book is useful for those who are faced with the challenge of finding a balance between short-term activities, often focusing on downsizing, and the more long-term activity of being innovative.Diss. Stockholm : Handelshögskolan, 2004
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Cord-Landwehr, Andreas [Verfasser]. „Selfish network creation : on variants of network creation games / Andreas Cord-Landwehr“. Paderborn : Universitätsbibliothek, 2016. http://d-nb.info/1082624322/34.
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Tournier, Marianne. „La creation artistique et la creation verbale dans l'oeuvre de claude simon“. Paris 3, 2001. http://www.theses.fr/2001PA030005.
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L'oeuvre de claude simon invite a etablir une comparaison entre la creation artistique et la creation verbale. Non parce que les arts plastiques y sont largement mis en scene; mais d'abord parce que cette mise en scene est dirigee par un ecrivain qui a une formation, un regard, de peintre; et que ce regard specifique intervient dans son travail sur le verbe. Et plus encore, parce que ce regard s'inscrit dans un parallele a l'art moderne, des impressionnistes aux abstraits. Dans son intention, il en porte les memes refus : refus du sujet "noble", refus d'une figuration dite "realiste", et refus de la notion meme de representation. Et dans sa realisation, il en porte de semblables procedes, tels : la deconstruction de la perspective classique, la fragmentation et la dispersion des objets, la juxtaposition de couleurs premieres, et le collage-montage d'elements heterogenes. C'est dans une double relation ecriture/peinture et classique/moderne, qu'est conduite ici l'etude de ces procedes. Elements tangibles, ils permettent d'observer les relations, influences et transpositions de la peinture a l'ecriture. Comme ils permettent d'observer la distance irreductible entre ces deux langages. De voir que, malgre son desir d'abstraction, le verbe de l'auteur est non seulement eminemment signifiant, mais que, fort orne et fort sinueux, il peut meme passer pour etre d'une expressivite neo-baroque.
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Klimpel, Oliver. „Scenes of constant creation“. Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2011. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-69809.
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Design is reemerging again as an active system of enquiry for cultural production with a wide ranging set of methods - not only to address short-term formal problems and limited functions, but as a discipline that is uniquely placed in its relations to other fields of visual culture, special settings and textual production. A new generation of designers are currently reassessing the positions within graphics, product design and architecture and picking up loose ends of progressive historic developments.
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Jang, Sun-Hee Chen Yi. „The creation for orchestra“. Diss., UMK access, 2006.
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Thesis (D.M.A.)--Conservatory of Music. University of Missouri--Kansas City, 2006."A dissertation in music composition." Advisor: Chen Yi. Duration: 9:45. Typescript. Vita. Title from "catalog record" of the print edition. Online version of the print ediiton.
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Haers, Jacques. „Creation theology in Origen“. Thesis, University of Oxford, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.335752.
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Ross, Simon Frederick. „Black hole pair creation“. Thesis, University of Cambridge, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.627545.
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Josephides, Dimitris Noel. „Optimising monodisperse emulsion creation“. Thesis, King's College London (University of London), 2015. http://kclpure.kcl.ac.uk/portal/en/theses/optimising-monodisperse-emulsion-creation(399fe892-a5e6-4dab-941a-457e620d651f).html.
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Monodisperse emulsions are a special class of emulsion where all droplets are of uniform size. The properties of emulsions (rheology, appearance, stability, reaction kinetics) are determined by the properties of both continuous and dispersed phases but also by the characteristics of the droplets themselves. It is for this reason that monodisperse emulsions are often sought after, as droplet size can have such a large influence upon emulsion behaviour. Having a uniform emulsion results in more predictability and allows for easier design in emulsion properties. Monodisperse emulsions find uses in many academic and industrial fields including pharmaceuticals, food science, paints, and coatings. This work covers two broad approaches to monodisperse emulsion creation; microfluidics and controlled shear. Microfluidics is a rapidly emerging technology where liquid flows are constrained to sub-millimetre channel sizes thus creating highly laminar and controllable flows. The methods are used in various lab on chip, and droplet creating applications. A study is undertaken on the nature of buoyancy-driven formation of drops from microchannels, attempting to further understand the fundamental principles of monodisperse drop generation at nozzles. Droplet producing microfluidic devices often suffer, however, from jetting when the desired emulsions are viscous or have low interfacial tensions, resulting in polydispersity. This work introduces two methods to overcome this, surfactant shielding and core-shell templating. Surfactant shielding is a method by which the nozzle of a droplet producing capillary tip is protected from surfactants by a tertiary, pure continuous phase thus limiting the reduction of interfacial tension at the point of droplet creation. Core-shell templating is a method of introducing water droplets into the stream of a would-be jetting system. These water droplets introduce regular instabilities which have the effect of forcing the system into a quasi-dripping regime and thus create highly monodisperse viscous emulsions. Controlled shear is another method for creating monodisperse emulsions whereby a coarse emulsion is subjected to a uniform shear stress resulting in a smaller more monodisperse emulsion. The work investigates two geometries for doing this, a cylinder-curved plate and a cylinder-flat plate. Both these designs are shown to have higher throughput rates than conventional shear methods. In the final part of this work, microfluidics and controlled shear are combined in an attempt to utilise the contrasting benefits found in both techniques. A study is undertaken in the possibility of shearing monodisperse precursor emulsions created via microfluidic techniques, to obtain uniform emulsions of much smaller size. A microfluidic shear cell is also introduced which aims to combine the benefits of a shear device (increased throughput rates, ability to handle viscous fluids) with the benefits of microfluidics (no moving parts, more control).
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Terokhina, P. I., und A. M. Tkalenko. „Creation of successful brands“. Thesis, ГО "Інститут інноваційної освіти", 2021. https://er.knutd.edu.ua/handle/123456789/18991.
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Simonson, Karina. „Creation of fictional community“. Master's thesis, University of Cape Town, 2008. http://hdl.handle.net/11427/8127.
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Does not include abstract.Includes bibliographical references (p. 62-68).
This essay explores how the creation of a fictional community is expressed through my body of work. These works do not reference an actual community as such, but are an "imagining"of a nonexisting one, so that they can be understood as a "fictional" or "imagined" community. The dynamic of this imagining is located in the exchange between the memories of my real-life Lithuanian community, and my investigation of the ways in which symbolic objects and group interactions create a sense of community. In this way, my work can be said to reference actual communities, but emphasise the symbolic, or"imaginary"ways in which they hang together.
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Ng, F. „Creation of seamless fashion“. Thesis, Royal College of Art, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494365.
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Hsien-yi, Yang, und 楊欣怡. „The Creator of Creation- Self interpretation of Yang Hsin-yi's Ceramic Creations“. Thesis, 2008. http://ndltd.ncl.edu.tw/handle/15202008117207202460.
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碩士國立臺灣藝術大學
工藝設計學系
97
Due to the burdens of art painting, I chose clay as a material to seek for another way out in art creation, moreover, taking this burden to confer the issue of art creation as my concept for creating. Through this process, I was inspired by the experience of children teaching, and started to realize that creativity of children was not actually what most people considered to be “creative”, instead, creation was affected by different causes of teacher, classmates, family and society. The behavior of “creation” is constructed by many unseen elements; therefore, the “Creator of Creation” indicates the visible and invisible limitations of our behavior in creation. This research is to understand the limitation in the process of art creation and expressing this concept through ceramic art work, thus, creating two series: “Bestowed” and “Infusion”, a total of seven pieces. The inspiration of the “Bestowed” series comes from Friedrich Froebel, the creator of toy blocks. He believed that toy blocks could train children to possess the abilities of god’s creation, which actually, in my opinion, is just a process of artificial construction that conditioned our minds and behavior. And as for the “Infusion” series, continued the concept of the first series, furthermore, combing clay and glass to express how the visible environment will always restrict and condition the invisible inner mind.
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LIANG, DENG-HAO, und 梁登豪. „The creator─LIANG,DENG-HAO Creation Discourse“. Thesis, 2019. http://ndltd.ncl.edu.tw/handle/62s7ap.
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碩士國立高雄師範大學
美術學系
107
[Creator] this is the word that reflect both on my style and in my works’ main contants. Disscussing the good and evil of human actions could impact our environment in what ways,and will my wish of ecologyical revival become true? This discussion is divided into five chapters: Chapter One－Preface: The source of creative power, to talk about the transformation of education and personality for the school experience from childhood to the present, affecting the perception of things. Chapter Two－Creative literature: Find similar people in the style of creation,for the later study in the post-production period,The experience made is the integration of style. Chapter Three－Process of Creative and Thinking: Converging the origin of the creative material and defining the origin of the creative style, setting the current style and establishing a current art. Chapter Four－Analysis of works: Explain the transformation of the experience of the work and the changes in the theme, and analyze the expression of the details of the content Chapter Five－Conclusion: For future creative goals and improvements, find suitable media to match,Study the combination of color and linear style.
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Chen, Kuo-Hua, und 陳國華. „Taiwan Magazine Industry Creative Value Creation Cycle Research“. Thesis, 2008. http://ndltd.ncl.edu.tw/handle/86747080568439549864.
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碩士國立臺灣大學
高階公共管理組
96
The magazine industry operates on a scale of more than 25 billion NTD per annum in Taiwan. In recent years, the proliferation of broadband Internet and an increase in Internet users have altered the methods and means by which consumers receive information. Faced with the challenges and opportunities brought about by the Internet, magazine publishers have attempted to incorporate their content onto the Internet in various ways, but the effects have been fairly limited. Analysis conducted in accordance with “The Long Tail” concept suggests that there is a market for past issues of magazines, but currently, a suitable means of accessing them does not exist yet. By integrating three forces of “Long Tail”, a market for past issues of magazines can be established. Research done for this paper reveals that by utilizing three key elements: past issues, paper copy scans, and subscription model, Internet platforms will be able to cooperate with magazine publishers and place content on the Internet. By practicing the Creative Value Creation Cycle’s framework, along with applying the three key elements: surf by units, search by keywords, and deliver content of past issues to the Internet, a different magazine industry value chain can be established. Actualization took place in April, 2008. Initially participation consisted of 50 magazines, but the number of participants is rapidly increasing. In terms of the Taiwanese market, revenue per annum is projected to reach 600 million NTD, with more than 500,000 subscribers. In the future, this platform will be able to combine forces with magazine publishers to enter the Internet advertisement market and create an entirely different magazine industry value chain. The closing conclusions of this paper are: 1. Paper magazines experience a “Long Tail” effect through digitalization. 2. Through digitalization, magazine content will be able to reach new readers and new markets. 3. A completely creative magazine industry value chain can be established through the Internet. Key word: Internet, Magazine, Long Tail, Creative, Value Chain, CVCC
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Ju-ChingHsueh und 薛如晴. „Does Creative Award Matter in Firm Value Creation?“ Thesis, 2019. http://ndltd.ncl.edu.tw/handle/w5rkjy.
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碩士國立成功大學
國際企業研究所
106
Advertising is a common marketing strategy in our daily life. It can attract customers’ interest and purchase intention easily. However, the advertising spending is also a huge number. Firms desire to figure out what kind of advertising is worth to spend on. A wide variety of advertising, one is the creative advertising. The creative advertising is believed can push the message into viewers’ minds. In this study, I choose two internationally recognized awards: the Clio Awards and the One Show Awards as the rating indicator of creativity. Investigating the impact of winning of advertising award would increase the firm value or not. In addition, I try to figure out the initial signs carried by advertising awards. In this study, I use event study methodology to estimate the market reaction to announcements of winning creative award and develop regression models to explain the relationship between firms’ abnormal returns and selected variables. The sample firms are collected from 2009 to 2017 on The Clio Award and The One Show Award official websites. The study result shows that stock market has a consistent positive reaction to several factors like award rank. However, the abnormal return is significantly negative on the award announcement date. The creative awards may not generate much attention from the investment community.
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Heng-Chien, Chen, und 簡禎恆. „Creative Field－Creation Exposition of Chen Heng-Chien’s Painting“. Thesis, 2013. http://ndltd.ncl.edu.tw/handle/25806214249711457426.
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碩士國立嘉義大學
視覺藝術研究所
101
“Creative Field” is to discover author’s internal motivation on creation, and reflection of his thoughts to the realistic life and environment. Through creation, based on the skill and spirit of traditional Landscape Painting, “Creative Field” integrates soul-searching and external watching and is to pursue the balance between psyche and flesh. Replying upon external observation and the projection of reality, this creation artwork perfectly performs his self-inspiring and thought. Based on theoretical consideration, this artwork discussion contents 5 chapters, the first chapter focuses on the motivation, objective and the research method of this study. The second chapter discusses the ancient Chinese cosmology, “Heaven Thinking”, which influences the development of the theory of artistic creations, such as “spirit of mind, spirit of comfortable, lively spirit and Charm”. The third chapter stresses the concept of author’s creation and practices. Chapter 4 is the interpretation of the study. Chapter 5 focuses on author’s future development and expectation. “Harmony of humanity and heaven” and “lively spirit and Charm” are the central thought and spirit of these artworks. Referring to ancient Chinese cosmology “Creative Field” is actually the presentation of author’s observation to the value of life. This series work connects to the spirit of traditional Landscape Painting and reflects the relationship between life and realistic environment. Therefore, “Creative Field” perfectly exhibits author’s personal life to the image of thinking.
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Shih, Li-Chun, und 施麗君. „The Research of Banknotes creative design Media Application Creation“. Thesis, 2013. http://ndltd.ncl.edu.tw/handle/31484792881479102467.
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碩士國立臺灣師範大學
美術學系在職進修碩士班
101
With the progress of the technology, the” convergence” and “Interdisciplinary” become the key of changing the world, including Visual Media Design.The field of Visual Media Design including contents ,form and style. After the time government define cultural and creative as the industries, we are actively looking for the culture elements which can on behalf of Taiwan. The “originality” will be the core of this thesis. We start with the “originality” and comes to “form”. At the end, we will discuss the way of Media. We use the "Evolution Beyond Money" as the target case , and combine "2010 Taipei International Flora Exposition", "32nd Young Designers' Exhibition", " Body - interface Digital Art" , "A Dream Exhibition 100 years before the birth " and the "Visual Media Design" to compare the difference. The creations of course also associated with this context steadily, .In the form of "money" as the creative elements, interactive video display combined with innovations such as the use of digital interaction with the audience. Combined with the concepts and architecture, presenting specific creation Research. The creation of the final conclusion, there are four points summarize, 1 discussed the content of the material propensity new and the old way of the pattern; 2. The form of Taiwan today to cultural and creative application; 3. Creative Media applications received by the target bias who may be, most of the emphasis on creative forms of Media performances; 4 theoretical context parsing process of Visual Media Design rational to follow.
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Ho, Kuan Ting, und 何冠廷. „Creation behind curation: creative response to constraints through brokerage“. Thesis, 2011. http://ndltd.ncl.edu.tw/handle/20250715162167975316.
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碩士國立政治大學
科技管理研究所
100
When innovation is regarded as resources combination rather than novel invention, recombination therefore becomes the origin of innovation. One school demonstrated the concept of 『Bricolage』, which transfers existed resources into new values, however, it would be limited if resources are insufficient. The other school referred to 『Brokerage』, which brokers the resources outside the organization and creates new combinations through diversified resources. Nevertheless, most of relative researches focus on the process of recombination, which led to disregarding the constraints met by enterprises. Unlike normal barriers or challenges, constraints in the context are hard to removed for enterprise with insufficient resources. Due to the pervasive effectiveness of constraints, the problem-solving concept may not work well when it is applied to this issue. That is to say, how enterprises innovate under constraints is the issue neglected by past researches. Hence, this research mainly focuses on how innovator brokers diversified resources to respond to constraints creatively. Then we find that a type of brokerage named 『leverage through brokerage』. By this type of brokerage, innovators could respond to the effectiveness of constraints, and create new values through the recombination of existing resources. This research chooses B group, which belongs to a leading media company in Taiwan, as our research case. Rather than ineffective problem-solving ability of enterprise, this research cuts to the point from the effects to innovators in such constraints. B group has devoted into curation industry for many years, it tends to be easier to broker resources from different stakeholders and develop unique creativity since its media background and wide social networks. This research explains: When an enterprise confronts constraints, how does it broker resources to respond such constraints? This research chose 『Van Gogh exhibition』 held from 2009 to 2010 as a case study, adopting deeper research by interviews and using interpretation as qualitative research method, trying to analyze how curator broker resources from different stakeholders and leverage them to respond constraints. Finally, this research generalizes three creative responses as design principles from the curator's responding process to the constraints. The findings of this research demonstrate two academic contributions: (1) Different from past research, this case focuses more on the process of the brokerage when an enterprise try to innovate under constraints, therefore enriches the Brokerage theory. (2) This case concludes the process of curator's responding to constraints through brokerage as a way of creative response, hence complements the creative response theory.
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JI, SIN-SIAN, und 紀昕賢. „By creating, life exist.THE CREATION STATEMENT OF JI,SIN-SIAN“. Thesis, 2017. http://ndltd.ncl.edu.tw/handle/jj9hhz.
Der volle Inhalt der QuelleAnnotation:
碩士國立高雄師範大學
美術學系
105
The title, “By Creating, life exist.”, is the core value from the inspection of my creating principles. When I graduated from my college lives without worries, I worked my way through my graduate life. Looking back to the three years in my graduate school life, I finally found the balance between work and study. There are two self-explored steps in this study. First, the implicit creations are the explanation of the alienation that affect me. In this step, I leverage the alienation theory of Karl Marx (May 5th, 1818 – March 14th, 1883) and “One Dimensional Man” of Herbert Marcuse (2015) to describe and bring out the problems I have encountered in my creating life. Second, the explicit creations are the solution of those problems which are identified in first step that the environment interacted with. Here, I adjusted my creating method through the confliction between concrete practice and the real life. The first chapter in this study introduced the background and pointed out the questions and problems in my creating life. In the second chapter, I identify this state as “alienation” and leverage the alienation theory of Marx (1818) and Marcuse’s (2015) “One Dimensional Man” to elaborate my questions. The third and fourth chapter are the discussion of the issues in two different ways. Especially in chapter three, most of the creations are reflecting myself to the world and society and how alienation affect me. Then, the fourth chapter discuss how to find a creating method to backfill the consumption while creating through the outdoor installation which accomplished with audience, publics and creating partner. Finally, the creating methods and the state of alienation no only coexist but became part of my art life. Therefore, by creating, life exist. Keywords : Alienation, Self
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SU, CHIAO-YU, und 蘇巧玉. „Legacy・Creative x Portraits — Revealing the Creation of Death Images“. Thesis, 2019. http://ndltd.ncl.edu.tw/handle/fpj2nu.
Der volle Inhalt der QuelleAnnotation:
碩士崑山科技大學
視覺傳達設計研究所
107
Once, I saw a series of portraits of the deceased hanging on the worship hall; an indescribable feeling comes up to my mind. It looks like this series of portraits are harmony, and it doesn’t give people any feelings of death. The display of the portraits is from right to left; from the friend’s great great-grandfather to grandfather. Looking at these similar faces, it is not hard to tell that they all have the same blood relation. If we look at the first portrait, then jump to the fifth one, there are no connection between each other. It’s like the rainbow theory that you can’t see the obvious dividing line. It has an interesting connection; also, it has an irreversible affection that you have to only view and admire it one by one. In the era of time, the portrait of the deceased used to be a full length photo. What’s interesting is, people only had to take the photo of their faces, and the body could be drawn up. That “body” doesn’t belong to anyone; you never knew who had used the same body before. The body belongs to everyone. Death is a common and fearful thing that people couldn’t have imagined. However, it happens every day, and it could be the closest people around us. It could be he or she, or even ourselves. Facing at such a natural life cycle truth, what do people fear for? What do people anxious for? Or the basis reason why people avoid the situation “death” is because it is the only thing that we can’t regret or start over. Researchers ponder how to express and to cut to the chase of the concept “death” via photography creation or writing to make death a usual thing to everyone. Since it is a part of the life cycle that is unavoidable, we should face the fear that “death” creates with a more holistic mind, to change our attitude towards death also to respect the truth of death practically.
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Richards, Sarah P. „Artist's block : the creation of a workshop to re-engage visual artists with their creative process by using the natural environment as a facilitator“. Thesis, 2008. http://hdl.handle.net/10321/2181.
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Thesis submitted in partial compliance with the requirements for the Masters Degree in Technology: Fine Art in the Department of Fine Art, Durban Institute of Technology, 2008.The aim of this thesis is to research and create a workshop which will assist artists to engage with their creative process. I explore the possibility that by being in a natural environment the blocked artist can reengage with their creative process and unblock the debilitating effects of artist's block. I chose to complete this study through the Durban University of Technology, to engage myself in the focused task of reengaging myself with my creative process, to create a workshop through experience and related yet varied data that could assist others through my experience and reflections. The term 'artist's block', also known as 'creative block' or 'writer's block', is used to describe a visual artist's or a writer's inability to engage with their creative process. I refer to a variety of literary resources as well as the observations made through interviews, by a selection of South African artists about this debilitating and frustrating situation. I also examine what is meant by being engaged in a creative process, and examine various theories and suggestions from a broad selection of literature. I explore a selection of literary recourses and reflect on personal experiences to ascertain whether the notion that the natural environment can assist an artist in finding the necessary inspiration to reengage them with their creative process and is therefore a suitable environment to facilitate a workshop. To assist with this study I facilitated two workshop, one for Students of the Durban University of Technology and the other for a diverse group of artists. The facilitation ofa workshop needs to be a creative process and I use the analogy of an alchemical process to highlight the unfolding of a workshop experience. This study also takes a look at the skills required by a facilitator, the role of the participant and how a workshop may unfold as a creative process. I observe that Artist's block is part of the creative process, that a workshop can be facilitated to assist artists with 'artist's block' and reengage them with their creative process, and that the natural environment is a suitable facilitator for the creative process. Although not quantifiable, it was established that students could benefit from workshops which gave them a better understanding of their creative process and how to move past artist's block. This thesis reflects briefly on my paralleled experiences over this four year period as I reengaged with my creative process and created a body of work to be exhibited as partial requirement for the Master's qualification.
M
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Chang, Yu-Chin, und 張郁菁. „Discussion of My Creation From Vuillard''s Art Creation“. Thesis, 2004. http://ndltd.ncl.edu.tw/handle/45701875593048489767.
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碩士中國文化大學
藝術研究所
92
The introduction will discuss the nature of artistic crea-tion should be cased on knowledge and learning to record the most truthful aspect of humans and the nature. This paper is expected to help me exploring a clearer thinking path in face of the artistic creation in the future. In early 20th century, modern collectors recognized Vuillard and Bonnard equally. In Taiwan, the recognition of Bonnard surpassed that of Vuillard. Chapter 2 and Chapter 3 introduce the background of Vuillard, and attaches his chronicle to this paper. During his art creation, Vuillard expressed his rich emotions on painting through chromatics and building of aura. Researches on review of Vuillard’s work were studied to restore the creative thinking of Vuillard and verify with his creation style. From Chapter 4 to Chapter 6, I will discuss the Art to me, the function of artistic creation is to understand this world and pursue internal tranquility. Therefore, only when I could extract myself from the bustling world could I attain simplicity and existence of true self. Those conceptions are afterthoughts and experiences learned from Vuillard’s creation and words, and are blended into my own creation. This paper constructs a self-concept structure to establish the foundation of sketch from the tradition and project the personal feeling on the painting through intuition toward artistic expression. In spite of the technological advancement and democratic freedom, abuse and inappropriate expansion of the Internet resulted in drastic elimination and renovation, even distor-tion of the social norms. People have lost in the rush and pressure, and have not spare energy to appreciate the spiri-tual world of self-purification, not talking about listening to the inner voice or experience personal feelings. Artistic creation under such phenomenon is filled with unnecessary images and noises. Such art may contain its own charact-eristics in time and freedom in creation, yet it is hard to offer spiritual sublimation to the audience.In this work, I hope to explore the conservation of art and pursue the truth of life through the simplest theme and content. I was present at Vuillard’s retrospective show in the contemporary art museum in Germany（der Neuen Pinakothek München）. It was meeting by chance, but also a priceless encounter. Through appreciating Vuillard’s work and studying the albums of painting, I learned about Vuillard’s work, and found a unique vibe in his humble and undertone painting. Inspired by Vuillard’s rich artistic language, I was able to gain breakthrough advancement and develop-ment in artistic thinking and creation. Although my art works are simple scenes of life, I was able to capture my inner energy and enhance my con-fidence and self-realization in art creation.
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LiuHsiang-Hsiu und 劉相秀. „From a Creation to Creator: Elizabeth Siddal’s Character Painting Research“. Thesis, 2018. http://ndltd.ncl.edu.tw/handle/tjeubu.
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碩士國立成功大學
藝術研究所
106
Elizabeth Eleanor Siddal was a British Pre-Raphaelite female artist in the 19th century, Victorian era. Siddal was not only a gorgeous and talented artist, but also a model as well as a poet. Her short life was end up at age 33. Most of Siddal’s artworks were Character Painting and were themed either from literature or poetry in oil paint, watercolor, pencil sketch and ink sketch. Her paintings expressed the thought of female under the repressive time to praise the desire and eternal love that conveyed sincere and unique emotions. There are three chapters. In the first chapter, we focus on the Siddal’s living background, Victorian era, to discuss the connection between women and art, the style of female paints, and affairs between model and artist. The second chapter is to discuss the invention progress and “Symbol Siddal” from her life and social relationship. In the end, we discuss the theme of her paints from her Character Painting. Based on discussion of Siddal’s living environment, papers about Siddal’s, and her paints collection, we analysis the theme, thoughts, and characteristic in paints to re-evaluate the importance of Siddal in art history.