Auswahl der wissenschaftlichen Literatur zum Thema „Craig Owens“
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Zeitschriftenartikel zum Thema "Craig Owens"
Weinstock, Jane. „Craig Owens, 1950-1990“. Afterimage 18, Nr. 2 (01.09.1990): 3. http://dx.doi.org/10.1525/aft.1990.18.2.3.
Der volle Inhalt der QuelleStephanson, Anders, und Craig Owens. „Interview with Craig Owens“. Social Text, Nr. 27 (1990): 55. http://dx.doi.org/10.2307/466307.
Der volle Inhalt der QuelleTeraha, Sarah. „Craig Owens, Le Discours des autres“. Marges, Nr. 36 (19.04.2023): 186–87. http://dx.doi.org/10.4000/marges.3314.
Der volle Inhalt der QuelleBurr, Tom. „Architecture of influence: Thinking through Craig Owens“. Women & Performance: a journal of feminist theory 26, Nr. 1 (02.01.2016): 95–100. http://dx.doi.org/10.1080/0740770x.2016.1194013.
Der volle Inhalt der QuelleJappy, Tony. „Fond et forme dans l'image allégorique“. Protée 33, Nr. 1 (12.05.2006): 9–23. http://dx.doi.org/10.7202/012263ar.
Der volle Inhalt der QuelleWong, Jack. „Remapping the Constellation of Walter Benjamin’s Allegorical Method“. American, British and Canadian Studies Journal 25, Nr. 1 (01.12.2015): 37–59. http://dx.doi.org/10.1515/abcsj-2015-0007.
Der volle Inhalt der QuelleNoys, Benjamin. „Dialectical Passions: Negation in Postwar Art Theory, Gail Day, New York: Columbia University Press, 2010“. Historical Materialism 20, Nr. 3 (2012): 137–44. http://dx.doi.org/10.1163/1569206x-12341257.
Der volle Inhalt der QuelleNowak, Magdalena. „Bill Viola’s “The Passions” and Aby Warburg’s “Survival” theory : Post-modernism, empathy and déjà vu“. Recherches anglaises et nord-américaines 47, Nr. 1 (2014): 31–45. http://dx.doi.org/10.3406/ranam.2014.1465.
Der volle Inhalt der QuelleDe Freitas Pereira Paiva, Pedro, und Gabriela Kremer da Motta. „Matéria e memória“. Revista Estado da Arte 1, Nr. 1 (08.07.2020): 183–97. http://dx.doi.org/10.14393/eda-v1-n1-2020-55485.
Der volle Inhalt der QuelleKim, Mi-Hyun. „Study on Fashion Illustration as Viewed from the Allegorical - Based on the theory of Craig Owens -“. Korean Society of Costume 62, Nr. 4 (30.06.2012): 81–90. http://dx.doi.org/10.7233/jksc.2012.62.4.081.
Der volle Inhalt der QuelleDissertationen zum Thema "Craig Owens"
Seifferth, Craig S. „John Owen a Puritan critique of the exchanged life / by Craig S. Seifferth“. Theological Research Exchange Network (TREN), 1997. http://www.tren.com.
Der volle Inhalt der QuelleForster, Lou. „Page à la main. ː : Lucinda Childs et les pratiques de danse lettrée“. Electronic Thesis or Diss., Paris, EHESS, 2024. http://www.theses.fr/2024EHES0015.
Der volle Inhalt der QuelleLucinda Childs is a major figure in twentieth-century dance. In the early 1960s, she was one of the founding members of the Judson Dance Theater, a group of dancers, choreographers, artists and composers in New York City who reinvigorated dance forms and practices. With the establishment of her company in 1973, she emerged as one of the leading figures of American minimal dance and postmodern dance, while collaborating from the 1980s onward with major ballet companies in Europe and the United States. Whether with her own company, with repertory dance companies, or at Judson, literacy plays a crucial role in the conceiving, embodying, and performing of her dances. Through an anthropological investigation within dance studios, Lou Forster demonstrates that the technical gesture of dancing, page in hand, is constructed at the intersection of two parallel histories. In the 1950s, John Cage and Merce Cunningham devised a range of reading and writing practices in order to oppose, divert and reconfigure academic methods in which literacy serves as a foundation to establish disciplinary divisions and hierarchies. This neo-avant-garde approach played a crucial role at Judson. Among the members of this group, Childs was one of the choreographers who paid the most attention to these literacy practices, as they tied in with a lesser-known aspect of her dance training. From 1955 to 1962, she studied modern dance within the extensive network of the German diaspora in New York. Specifically, she attended the school run by the choreographer Hanya Holm (1893-1992), where an Americanised form of dance of expression (Ausdruckstanz) was taught. There Childs discovered Kinetography Laban or Labanotation, the system of analysing and writing movement developed by the Austro-Hungarian choreographer Rudolf Laban (1879-1958), in which dancers rehearse with page in hand. Fifteen years later she turned toward this literacy event, unusual for the dance world, to work with her company. Art history and dance history dissociated these two aspects of choreographic modernity when, from 1933, part of the dance of expression became involved with the Nazi regime. In the United States, the myth of the originality of American Modern dance began to take shape, further emphasized during the Cold War. Childs' unique position in this connected history meant that graphic practices became a matrix for postmodernism. Since 1973, she embraced all canonical techniques of Western dance, moving over the years from dance of expression to pedestrian activities, to Neoclassical and then to the Baroque. Positioning herself as an appropriationist, she developed a historical and critical perspective on these borrowed techniques. In her pieces, she seeks to bring together practices, genres and histories of dance that have been separated and disjointed, crafting a genuine poetics of relation
Bücher zum Thema "Craig Owens"
interviewee, Owens Craig, und Horsfield, Kate, writer of preface, Hrsg. Craig Owens: Portrait of a young critic. 2018.
Den vollen Inhalt der Quelle findenSearcy, Timothy Owen. The geology, petrography and PGE geochemistry of the Craig Mine, Sudbury, Ontario /cby Timothy Owen Searcy. 1995, 1995.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Craig Owens"
„Memorial for Craig Owens“. In Tendencies, 104–6. Duke University Press, 1993. http://dx.doi.org/10.1215/9780822381860-005.
Der volle Inhalt der Quelle„MEMORIAL FOR CRAIG OWENS“. In Tendencies, 115–20. Routledge, 1994. http://dx.doi.org/10.4324/9780203202210-7.
Der volle Inhalt der Quelle„Memorial for Craig Owens“. In Tendencies, 104–6. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822381860-006.
Der volle Inhalt der Quelle„MEMORIAL FOR CRAIG OWENS“. In Tendencies, 104–6. Duke University Press, 1993. http://dx.doi.org/10.2307/j.ctv11hpmxs.8.
Der volle Inhalt der Quelle„Walla Crag. – Owen of Lanark“. In Sir Thomas More: Or, Colloquies on the Progress and Prospects of Society by robert Southey, herausgegeben von Tom Duggett und Tim Fulford, 67–82. Abingdon, Oxon ; New York, NY : Routledge, 2017. | Series: The Pickering masters series: Routledge, 2018. http://dx.doi.org/10.4324/9781315101439-7.
Der volle Inhalt der Quelle„Walla Crag. – Owen of Lanark“. In Sir Thomas More: Or, Colloquies on the Progress and Prospects of Society by robert Southey, herausgegeben von Tom Duggett und Tim Fulford, 67–82. Abingdon, Oxon ; New York, NY : Routledge, 2017. | Series: The Pickering masters series: Routledge, 2018. http://dx.doi.org/10.4324/9781315103464-7.
Der volle Inhalt der QuelleBenninga, Sara. „The Age of Allegory“. In Connecting & Sharing: The Book of Selected Readings 2023, 17–25. International Visual Literacy Association, 2023. http://dx.doi.org/10.52917/ivlatbsr.2023.012.
Der volle Inhalt der QuelleEhnes, Caley. „The New Shilling Monthlies: Macmillan’s Magazine and The Cornhill“. In Victorian Poetry and the Poetics of the Literary Periodical, 58–104. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474418348.003.0003.
Der volle Inhalt der QuelleBenjamin, Martin, und Joy Curtis. „Cost Containment, Justice, and Rationing“. In Ethics in Nursing, 188–215. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195067484.003.0007.
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