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Sudana, I. Wayan, Hasdiana Hasdiana und Isnawati Mohamad. „Pembentukan Desa Kreatif Rintisan Berbasis Seni Kerajinan Lokal“. Jurnal Sibermas (Sinergi Pemberdayaan Masyarakat) 11, Nr. 3 (18.06.2022): 710–26. http://dx.doi.org/10.37905/sibermas.v11i3.14448.
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The formation of creative villages is one of the instruments in improving the economy of rural communities in the creative economy sector. Creative villages can be formed in stages with a certain basis as superior according to the potential of the village. This activity aims to form a pioneering creative village based on local crafts as superior. The implementation of activities using participatory methods and workshops goes through: program socialization, formation of crafter groups, provision of knowledge related to crafts, manufacture of local crafts products, and planning follow-up activities. The results are: 1) increasing public interest in developing local crafts; 2) the formation of a crafter group in the village; 3) increasing community knowledge and skills in making local craft products according to village potential; 4) agreed on a program for continued activities in the development of local crafts in a sustainable manner. The results achieved are an indicator of the formation of a pioneering creative village based on crafts as a superior, which has the opportunity to improve the economy of rural communities in the creative economy sector.
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Groot, Piet, und Ruben Schalk. „Journeymen Migration and Settlement in Eighteenth-century Holland“. Continuity and Change 37, Nr. 2 (August 2022): 199–232. http://dx.doi.org/10.1017/s0268416022000157.
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AbstractMany crafts in premodern Europe depended on migratory journeymen. Little is known about these workers, or how craft guilds and urban authorities affected their movement. By employing novel data on thousands of journeymen from different crafts and cities in Holland, we provide the first systematic overview of journeymen migration and settlement patterns in The Dutch Republic. We find that migration and settlement patterns differed significantly by occupational sector, marital status, and skill level. The stance of urban authorities towards migrants significantly affected settlement patterns as well. This interrelation of group-level characteristics, craft guilds, and urban regulation demonstrates the significance of examining these elements in tandem.
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Chang, Anni, und Yanfa Wu. „The new inheritance of traditional craft in the form of cultural and creative souvenirs“. Highlights in Art and Design 1, Nr. 3 (02.01.2023): 138–41. http://dx.doi.org/10.54097/hiaad.v1i3.4150.
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With the development of the times, more and more people are willing to go to museums to feel the charm of historical precipitation compared with entertainment places. Museums have also adopted various ways to publicize, such as cultural souvenirs. Cultural relics break the stereotype that can be seen from afar but not obscene, and integrate with the vitality of contemporary life, and are accepted by the young group. On the contrary to the “hot” of the museums is the “cold” of traditional arts and crafts. The change of social aesthetic tendency makes traditional arts and crafts face a severe test. How to promote the inheritance of traditional arts and crafts has become an issue that cannot be ignored. In view of the problem of the combination of traditional craft innovation and development are discussed, so that the traditional craft will continue to shine in the new era.
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Chavraiparn, Maturose, Jirawat Phirasant und Maria de Correa. „Arts and Crafts Management Model of Baan Huai Ta Community, Utttaradit Province“. Revista de Gestão Social e Ambiental 18, Nr. 5 (13.03.2024): e05183. http://dx.doi.org/10.24857/rgsa.v18n5-008.
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Purpose: The objectives of the present research on the arts and crafts management model of Baan Huai Ta community, Uttaradit province were to analyze the community arts and crafts management model; develop the community arts and crafts management model; and evaluate the community arts and crafts management model of Baan Huai Ta, Uttaradit Province. Theoretical Framework: This study employs the concept of local wisdom and product development and design. Design/Methodology/Approach: The procedures involved building a network, acquiring knowledge, developing a community arts and crafts management model, developing community arts and crafts, evaluating the community arts and crafts management model. A qualitative research was employed consisting of observation, in-depth interviews, focus group discussion, and participatory action. Findings: The analysis of community arts and crafts management model suggested the area-based potential of Baan Huai Ta with arts and crafts abilities including weaving, wickerwork, and wood carving. Her Majesty Queen Sirikit had graciously supported people in the community to receive career development trainings in arts and crafts intended to offer extra jobs for generating more income. Their products were delivered for distribution to the Bureau of the Royal Household and the Arts and Crafts Promotion Foundation. Research Practical and Social Implication: Evaluation results of community arts and crafts works were as follow: increased value at a highest level; design concept at a highest level; selection of raw materials at a highest level; production process at a highest level; quality and beauty at a highest level; increased value added at a very high level; creating identity at a very high level; and generating value added at a very high level. The arts and crafts management model of Baan Huai Ta community, Uttaradit province comprised 4 components namely: analysis of community context; analysis of community management//network building; development of arts and crafts; and evaluation of arts and crafts management model. Originality/Value: The development of community arts and crafts management models focused on the designs with applied local wisdom to provide community products. The design concept is based on the link of science and knowledge in coordination with applied local materials to develop community products with an aim to bring about value added, self-reliance, as well as group forming. This had led to the development of products consisting of 12 pieces of fabric art and craft products, 2 pieces of carving art and craft products, and 8 pieces of wickerwork arts and crafts products, totaling 22 products.
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DEWI, ASIH PERWITA, NUNIK SRI ARIYANTI und EKO BAROTO WALUJO. „DIVERSITY OF PLANTS USED FOR PLAITED CRAFTS BY THE DAYAK IBAN-DÉSA IN KABUPATEN SINTANG, KALIMANTAN BARAT, INDONESIA“. REINWARDTIA 15, Nr. 2 (22.12.2016): 67. http://dx.doi.org/10.14203/reinwardtia.v15i2.2941.
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DEWI, A. P., ARIYANTI N. S. & WALUJO, E. B. 2016. Diversity of plants used for plaited crafts by the Dayak Iban-Désa in Kabupaten Sintang, Kalimantan Barat. Reinwardtia 15(2): 67 – 79. — Many plants are used for making plaited crafts such as basketry and woven mats by the Dayak Iban-Désa, a sub-tribe of the Dayak in Kalimantan Barat, Indonesia. The Dayak Iban-Désa gather the craft materials mostly from the plants in the forest. However, the habitats of these plants are being threatened by deforestation. The diversity of plants used for crafts is here documented. This study recorded the scientific names of plant species used for the craft plaiting, and observed abundance of plants used for craft. Information about the plants used were gathered using non-structural interview and focus group discussion (FGD) with the informants and participants. The abundance of plaited plants was observed in 46 plots of 10 × 10 m2 plots by participative ecological method. Nineteen plants species were used as plaited material, belonging to four families: Arecaceae, Poaceae, Pandanaceae and Zingiberaceae. Two species of rattan (Calamus sp. and Plectocomiopsis wrayi Becc.) have the highest Index Cultural Significance (ICS) value. Those species were considered as the most valuable plant materials because of the quality of fiber, intensity on harvesting, and the resulting quality of plaited craft products. However, the demand for high quality products is not always supported by the availability of plant materials in the forest. Therefore, the cultural significance of plants (the ICS values) and their availability should be considered when determining the conservation strategy for each of these species.
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Rauhut, Anna, Simon Hiller, Georg Nawroth, Lukas Keicher und Heiner Lasi. „Methoden zur Geschäftsmodellinnovation im Handwerk“. ZfKE – Zeitschrift für KMU und Entrepreneurship 69, Nr. 3 (01.07.2021): 187–206. http://dx.doi.org/10.3790/zfke.69.3.187.
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Das Handwerk ist ein wichtiger Teil der deutschen Wirtschaft. Die digitale Transformation konfrontiert viele Handwerksbetriebe mit neuen Chancen und zahlreichen Herausforderungen. Eine Möglichkeit, den komplexen Auswirkungen der digitalen Transformation zu begegnen, sind neue Geschäftsmodelle. In Industrieunternehmen sowie der Startup-Szene sind Methoden zur gezielten Geschäftsmodellinnovation, wie z.B. der Business Model Navigator von Gassmann etabliert. In Handwerksbetrieben finden solche Konzepte bislang wenig Anwendung. Diese Beobachtung motivierte die hier vorgestellte explorative Untersuchung, ob bestehende Methoden im Handwerk anwendbar sind und wie ggf. relevante Anpassungen zu gestalten sind. Ziel ist ein zielgruppengerechter Methodenbaukasten für Handwerksbetriebe. The skilled crafts sector is an important part of the German economy. The digital transformation confronts many craft businesses with new opportunities and numerous challenges. One way to counter the complex effects of the digital transformation is business model innovation. In industrial companies and the startup scene, methods for business model innovation, such as Gassmann’s Business Model Navigator, are well established. In craft businesses, such concepts have so far found little application. This observation motivated the exploratory study presented here. The study aims at determining whether existing methods are suitable for skilled crafts and, if needed, how relevant adaptations should be made. The goal is to develop a target-group-oriented toolbox of methods for craft businesses.
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Amrita, Nyoman Dwka Ayu, und I. Dewa Gede Putra Sedana. „Revitalization Palm Leaf Craft Business“. International Journal of Community Service Learning 6, Nr. 1 (21.03.2022): 37–43. http://dx.doi.org/10.23887/ijcsl.v6i1.43439.
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Palm leaf craft is one of the crafts that has good prospects and is in great demand by tourists because it is made of natural materials and has a very artistic shape. The palm leaf craft business is the economic foundation of the community in Madangan Kelod, Gianyar. However, the prospect of this palm leaf craft business is still not optimal. Based on observations, there are palm leaf craft business groups that really need help to overcome the problems they face. The problems faced by this craft business group are inadequate production equipment, lack of insight into online marketing, lack of knowledge of group management, division of tasks members and recording the administration of financial statements carefully and thoroughly. The purpose of this program is create availability of adequate equipment and partners being able to increase the amount of handicraft production by 30%, partners being able to increase sales by 30%, and all members of the craftsman group being able to understand group management and be able to make group bookkeeping. The method of implementing this activity is preceded by collecting information from partners' conditions, designing activities to be carried out, followed by program socialization, conducting training, mentoring and evaluation.
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Cho, Wan Hee. „A Study on Art Therapy Utilizing Metal Crafts and Its Effects on Depression and Stress Relief“. Korea Institute of Design Research Society 7, Nr. 3 (30.09.2022): 82–92. http://dx.doi.org/10.46248/kidrs.2022.3.82.
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The current study is to explore the effects of art therapy that conjugate metal craft on depression and stress relief. According to mental health survey reported by the Ministry of Health and Welfare (2021), one out of every four adults go through events that disturb their psychological wellbeing at least once at some point in their life. Stress and depression can be triggered when we run into unpleasant situations such as interpersonal conflicts, job unsatisfactory and salary issues while we go through our daily businesses. According to the study, if these triggered stress and possible signs of depression are left unattended and unsettled, it could lead to decline in enthusiasm and reduced confidence and even lead to some extreme cases involving serious mental diseases.
From April to July of 2022, six trainees from J studio located in city A were selected and set up as a group, from which 6 teams of study subjects were selected for the study. Prior to the study, all participants were asked to complete surveys for depression and stress, which were used for further analysis. The program was divided into three phases: metal craft fundamentals; crafting rings and necklaces; and jewelry setting. The participants were cross-examined during each phase for any changes in their thoughts or behaviors while being exposed to depression and stress. During their metal craft program, participants went through repeated process such as filing and sanding and obtained psychological stability; and using crafted products such as finished jewelry to arouse interests to study its positive effects on stress and depression. The study holds significance as it explores ways to enable art therapy utilizing crafts and study the need for therapy with crafting techniques.
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Mardiansyah, Yopy, Yopy Mardiansyah, Taufiq Rahman, Sadiq Ardo Wibowo, Ria Sapitri, Citra Indah Asmarawati, Adi Bagus Prasetiyo, Reant Egie Fahruddini und Selly Putri Anggraini. „PELATIHAN MANUFAKTUR KOMPOSIT HASIL LIMBAH LAUT BAGI KELOMPOK PKK UNTUK MENINGKATKAN KETERAMPILAN WIRAUSAHA MANDIRI“. Jurnal Penelitian dan Pengabdian Kepada Masyarakat UNSIQ 11, Nr. 01 (31.01.2024): 94–98. http://dx.doi.org/10.32699/ppkm.v11i01.5815.
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The Riau Islands region is one of the archipelago areas in Indonesia where most of the people depend on marine products, one of which is shellfish, which have various colors and beauty. In various regions, people have Using seashells to improve the quality of life. Shells can be used as building materials, collections, clothing, furniture decoration, and as souvenirs, both for functional purposes and interior decoration. The use of goods that are not economical but can produce high economic value is currently attracting the attention of craft market players. If made into crafts or souvenirs, seashells, which are a product of marine waste, can be very valuable. Various types of crafts are developing in today's society, one of which is crafts that use resin as the main material. The manufacturing process with this composite material can be carried out easily by all groups. This composite manufacturing training was given to the Family Welfare Empowerment (PKK) group in the Cipta Garden housing complex which is approximately 10 km from the ITEBA campus. This group actively gathers every month, but no productive activities are carried out. In principle, this activity provides knowledge and skills for this PKK group to be productive by producing various types of crafts with high selling value. So it is hoped that later it can become an idea for entrepreneurship
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Bilgrami, Noorjehan. „A Timeless Journey: Reflections on the Crafts Heritage of Pakistan“. Journal of Heritage Management 5, Nr. 2 (Dezember 2020): 121–43. http://dx.doi.org/10.1177/2455929620966848.
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Despite an immensely rich craft legacy that stretches back more than 7,000 years, Pakistan is losing many of its precious craft traditions to the modern world. As an artist, designer and educator, Noorjehan Bilgrami has spent the best part of five decades working with craftsmen in an effort to document, revive and sustain these traditions. The journey that began with a chance visit to an old block-printing workshop in her home town Karachi in the 1970s has since taken many turns. This article is a personal reflection of her experiences, including building local and international markets for Pakistani crafts, teaming up with a group of visionaries to establish one of Pakistan’s leading art and architecture schools and her interventions in public spaces. Her reflections provide an insight into the challenges and opportunities of championing Pakistan’s craft traditions and the urgent need to support them on a national scale.
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Mohammad Zaher, Ehab. „Industries and crafts in Baghdad during the second Abbasid era 232-861 AD / 334 AH-946 AD“. Journal of Historical Archaeology & Anthropological Sciences 8, Nr. 3 (30.10.2023): 162–66. http://dx.doi.org/10.15406/jhaas.2023.08.00288.
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This study aims to address an important cultural heritage, which is the industrial and craft achievements in the city of Baghdad, who are the people of industries, crafts, and artisans who lived during the Second Abbasid Era (334-447 AH/945-1055 AD). Because this group played a role in political, economic and social stability at the same time. The study dealt with the issue of the regulations in place among craftsmen and craftsmen within sects that followed a specific professional hierarchy and binding rules for people of one craft. The study also addressed the economic and social role of craftsmen and the extent of its impact on political stability in the city of Baghdad. In summary; In the second Abbasid era, Iraq witnessed a development in industries and crafts, as several factors helped in its activity, including the availability of various raw materials, as well as commercial activity that provided the industry with raw materials, so multiple industries were established that included various cities, each of which specialized in A specific quality that you are famous for, each This helped the industry flourish at the internal and external levels, such that the Iraqi product reached different regions of the world.
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Ji, Linchong, und Zhiyong Liu. „Analysis of the Effects of Arts and Crafts in Public Mental Health Education Based on Artificial Intelligence Technology“. Journal of Environmental and Public Health 2022 (31.08.2022): 1–12. http://dx.doi.org/10.1155/2022/9201892.
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Arts and crafts, with their very different styles due to many factors such as times, regions, technologies, and cultures and nationalities, have undergone an extremely long process, and it is only through continuous superimposition, development, and innovation that they have gradually formed the posture of today’s arts and crafts. Public mental health education is the main way to promote the psychological health development of the public in colleges and universities at present. And among them, sound personality and good self-awareness is one of the important standards of psychological health of the large public and one of the important tasks of mental health education. As an effective psychological test and treatment method, arts and crafts analysis are an important part of mental health education. It has a certain role in improving the level of self-awareness and promoting the integration of personality. Art and craft analysis has advantages in mental health and educational group counseling that cannot be replaced by other words and activities, so it can be used in mental health education courses. It can be used in teaching self-awareness. In order to combine the development of arts and crafts with the development concept and promotion ideas of public mental health education, this article proposes an analysis of the role of arts and crafts in public mental health education based on artificial intelligence computing to enhance the development of arts and crafts from a new perspective and seek the inheritance and innovation of arts and crafts and public mental health education in the new historical period, and proves the proposed method in the relevant dataset. The validity of the proposed method is demonstrated in the relevant dataset.
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Sugiarti, Rara, Margana Margana, Muthmainah Muthmainah und Laela Rizki Fauzia. „Leather Craft Industry and Tourism: A Symbiotic Relationship? (A Case Study of Magetan East Java Indonesia)“. Harmonia: Journal of Arts Research and Education 19, Nr. 2 (13.12.2019): 141–51. http://dx.doi.org/10.15294/harmonia.v19i2.21124.
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This article examines how leather craft industry contributes to tourism development in Magetan East Java Indonesia and vice versa. This study applied a qualitative approach and is descriptive in nature. Techniques of collecting data include site observation, interview, document review, and focus group discussion. Data were analyzed using the interactive model and thematic analysis. Research results indicate four themes. First, leather craft industry in Magetan that is mostly home industry has been empowered in many ways. Several aspects, including a high number of tourist visits, local government policy, abundant human resources, and industrious businessmen have strengthened the industry. Some local government policies have been implemented in several programs to develop the industry. Second, quality products and new design innovation for leather crafts are limited. Most products that are dominated by shoes and sandals are created for lower-middle-income consumers. Third, leather craft industries in Magetan have contributed to the establishment of local entrepreneurship, small-medium enterprises, and tourism. They create job opportunities for the locals and boost the local economy. Fourth, the relationship between leather craft centers and tourism activities is dominated by tourists’ purchase of leather craft products for souvenirs. However, tourism activity in the area is not yet aimed at watching and involving tourists in the process of craft making for educational tourism purposes.
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Bajard, Flora. „The Unfinished Artification of Ceramics in France: Reversing Stigma and Creating a New Artistic Norm“. Cultural Sociology 13, Nr. 3 (02.08.2019): 276–92. http://dx.doi.org/10.1177/1749975519852828.
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Ceramic artists emerged as a professional group in France in the second half of the 20th century by shunning industrial standards and basing their practice on the notion of singularity. They also reappropriated the craft legacy of the small pottery companies that began disappearing in the 1940s, embracing principles such as seriality and functionality, and defining a specific bundle of tasks. Ceramicists underwent a partial artification process, rendering their practice discordant with what institutionally and legally constitutes art, as well as diverging from the standard definition of craft. Certain art ceramicists contest the cultural ranking that policymakers apply which excludes art-crafts from the purview of art. To claim recognition for the composite nature of their practice, they seek recourse to the courts to create new legal norms. They also strive to expand the definition of art. The article demonstrates how shifts in the balance of power both inside a professional group and between the group and government agencies can influence institutional definitions of art.
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Everhart, Timothy D., und Bret J. Ruby. „Ritual Economy and the Organization of Scioto Hopewell Craft Production: Insights from the Outskirts of the Mound City Group“. American Antiquity 85, Nr. 2 (10.03.2020): 279–304. http://dx.doi.org/10.1017/aaq.2019.105.
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This article offers insights into the organization of Scioto Hopewell craft production and examines the implications of this organization through the lens of ritual economy. We present a novel analysis of investigations at the North 40 site, concluding that it is a craft production site located on the outskirts of the renowned Mound City Group. High-resolution landscape-scale magnetic survey revealed a cluster of three large structures and two rows of associated pits; one of the buildings and three of the pits were sampled in excavations. Evidence from the North 40 site marks this as the best-documented Scioto Hopewell craft production site. Mica, chert, and copper were crafted here in contexts organized outside the realm of domestic household production and consumption. Other material remains from the site suggest that crafting was specialized and embedded in ceremonial contexts. This analysis of the complex organization of Scioto Hopewell craft production provides grounds for further understanding the elaborate ceremonialism practiced by Middle Woodland (AD 1–400) societies and adds to the known complexity of craft production in small-scale societies. Furthermore, this article contributes to a growing body of literature demonstrating the utility of ritual economy as a framework for approaching the sociality of small-scale societies.
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Nurhabibah, Nurhabibah, und Syur'aini Syur'aini. „Empowerment of Bamboo Rattan Weaving Craftsmen to Increase The Activities of Housewives in The Pasaman Regency“. KOLOKIUM Jurnal Pendidikan Luar Sekolah 11, Nr. 3 (31.12.2023): 1079–88. http://dx.doi.org/10.24036/kolokium.v11i3.781.
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One Desa Tingkarang, Jorong VIII, Nagari Tarung-tarung Selatan, Kecamatan Rao, Kabupaten Pasaman, Provinsi Sumatera Barat, has abundant natural bamboo potential. Up to now, the utilization of bamboo has not been optimal in terms of both quantity and quality, even though bamboo can be used for various woven and non-woven crafts. Based on this, the village of Tingkarang, Jorong VIII, Nagari Tarung-tarung Selatan, Kecamatan Rao, Kabupaten Pasaman, Provinsi Sumatera Barat was chosen as the location to implement Community Empowerment (Pemberdayaan Kepada Masyarakat - PKM).The goal of the service is to produce bamboo woven crafts called "Tampah" with innovations in weaving techniques and colors. The partner group involved in the activity can apply bamboo craft weaving techniques for "Tampah" with various weaving styles and attractive colors. Through product innovation, the selling value of the products will increase, and there will be an improvement in the partners' ability to manage their business, including product innovation, marketing, and business bookkeeping.
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Boonyasurat, Woralun, Grit Piriyatachagul, Panupong Thammawong und Nichapa Niratsayaputi. „Crafts and Folk Art Tourism Development in Chiang Mai Towards UNESCO Creative Cities Network Membership“. Journal of Sustainable Development 15, Nr. 4 (16.06.2022): 84. http://dx.doi.org/10.5539/jsd.v15n4p84.
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The purposes of research were 1) to survey resources and to create a location map of crafts and folk art communities in Chiang Mai Province; 2) to assess tourism potential and readiness of community capital as creative tourist attractions in Chiang Mai Province; 3) to propose the guidelines for the model craft community development in Chiang Mai towards UNESCO creative cities network membership for supporting creative tourism; and 4) to propose the guidelines for the development of community and network management towards UNESCO creative cities network membership for supporting creative tourism. This research was a mixed method study by using the qualitative study method for collecting the data from interview, focused group, and participatory and non-participatory observation; and the quantitative method for collecting the data from a questionnaire according to the study objectives. The study results are presented in a descriptive form and are summarized as follows.
1) Survey on resources and creation of a location map of crafts and folk art communities in Chiang Mai Province: The distinctive resources in crafts and local art of each community are classified into 7 categories: 1) pottery and casting work, 2) fabric and embroidery, 3) wood carving and products, 4) basketry, 5 paperwork, 6) metal embossment, and 7) lacquerware. The locations of the craft communities in Chiang Mai are in 3 areas: 1) location in Chiang Mai City (inner area of the city wall), 2) location near Chiang Mai City (outer area of the city wall), and location far from Chiang Mai City (outer area of Mueang District).
2) Assessment on tourism potential and readiness of community capital for being creative tourist attractions in Chiang Mai Province: The overall result of all 4 aspects in tourism potential and readiness of community capital as creative tourist attractions in Chiang Mai Province was found at the high level (x = 3.69). In each aspect, the highest mean was in management (x = 3.79), followed by cultural identity (x = 3.78), creative entrepreneurs (x = 3.62), and space and facility (x = 3.56) respectively.
3) Proposed guidelines for the model craft community development in Chiang Mai Province towards UNESCO creative cities network membership for supporting creative tourism: The guidelines for the model craft community development towards UNESCO creative cities network membership for supporting creative tourism consist of 4 factors.
4) Proposed guidelines for the development of community and network management towards UNESCO creative cities network membership for supporting creative tourism: The model for the development of community and network management towards UNESCO creative cities network membership for supporting creative tourism is known as “POLC of CM CREATION Model”.
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Mudjijah, Slamet, und Astrid Hakim. „TRAINING OF E-COMMERCE IMPLEMENTATION AS ONLINE MEDIA SELLING TO GROUP OF BATIK “ARIMBI” CRAFTSMAN AT KEDUNGKAMAL VILLAGE, GRABAG, PURWOREJO“. ICCD 1, Nr. 1 (21.12.2018): 552–56. http://dx.doi.org/10.33068/iccd.vol1.iss1.83.
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KedungKamal Village at GrabagPurworejo become one of reliable object to create ecotourism for local government. Local government of Purworejo develop location for Batik crafts based on local sources. One of the obstacle had been experienced business is not familiar. The community development as an e-commerce training as media of marketing online is expected able to win the business and sale product. As a whole become a local potency has owned opportunity to elevate the welfare especially local people. The activity of training as a online marketing media is expected giving effect to buy and sale of efficient marketing by using e-commerce will show the ease on transaction, reduce cost and accelerate transaction process. This activity is expected to increase the respectfulness of batik craft activity by local people particularly as one of the icon in Purworejo.
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Maidment, Jane, und Selma Macfarlane. „Craft groups“. Groupwork 19, Nr. 1 (01.01.2009): 10–25. http://dx.doi.org/10.1921/095182409x471802.
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Maidment, Jane, und Selma Macfarlane. „Craft groups“. Groupwork 19, Nr. 1 (20.12.2012): 10–25. http://dx.doi.org/10.1921/gpwk.v19i1.661.
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This article reports on a qualitative research project conducted in Victoria, Australia, with nine older women. The purpose of the research was to explore the women’s experience of involvement in craft groups, and specifically, the impact of this involvement on their sense of well-being. Traditionally the health of older people has been examined in relation to medical markers of physical well-being, and often, decline. We were interested to widen this perspective to understand the impact of social connection, belonging and ongoing learning and development on the ageing experience. While the focus of the groups was on domestic craftwork, the process of coming together as a collective appeared to have significant bearing on the holistic health of the women involved. Consistent with feminist groupwork literature, the findings indicated that the women we interviewed experienced the group setting as affirming and generative in a number of ways. These include providing an avenue for mutual aid, addressing isolation, affirming individual and collective strength and wisdom, while acquiring new skills, and normalising concerns regarding health and family.
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Fauziyah, Fauziyah, Prima Noermaning Attarie, Fatimah Nursandi, Untung Santoso und Wahyuni Sri Astutik. „Pendampingan Kelompok Usaha Kerajinan Bambu Untuk Peningkatan Produktivitas UMKM Di Desa Pehkulon Kabupaten Kediri“. Jurnal ABM Mengabdi 10, Nr. 1 (02.06.2023): 1. http://dx.doi.org/10.31966/jam.v10i1.1201.
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Bamboo as a natural resource must be utilized as well as possible and its existence is maintained so that it does not run out. Bamboo products actually have a high aesthetic value. If bamboo is transformed into a beautiful craft, it will add high economic value and is a bright industrial prospect. In addition, bamboo material does not damage the environment, so it helps to protect nature and reduce theoccurrence of Global Warning. Consumers will be more observant in choosingenvironmentally friendly products. The existence of Bamboo Craftsmen in PehkulonVillage grows slowly and their products are considered unattractive in thecommunity. This is because many craftsmen have switched professions, besides thelack of production tools owned by bamboo craftsmen. So far, craftsmen makebamboo crafts using only very simple tools, namely knives and machetes. Besidesthat, craftsmen do not understand management science, such as financialmanagement, production management, marketing management, accounting andhave never received entrepreneurship coaching and training. Prior to communityservice activities, the products produced by the bamboo craft business group wereo nly bamboo fences and woven bamboo. After carrying out community service activities, now the bamboo craftsman business group has been able to make various product diversification and innovations such as: bamboo decorative lights, bamboo lap top cases, bamboo keyboards, bamboo mice, bamboo furniture, bamboo fountains, bamboo decorations, etc. With mentoring, training, discussion and participatory activities, bamboo craft business groups can produce varied products and innovations so that they can compete and increase people's income
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Burgess, Joanne. „The Growth of a Craft Labour Force: Montreal Leather Artisans, 1815‑1831“. Historical Papers 23, Nr. 1 (26.04.2006): 48–62. http://dx.doi.org/10.7202/030981ar.
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Abstract This study calls into question the view that immigration from the British Isles in the first half of the nineteenth century dramatically altered the ethnic composition of the urban crafts of Lower Canada and resulted in the marginalisation of French-Canadian artisans. Unlike earlier studies, which relied essentially on the snapshots provided by the manuscript censuses of 1831 and 1842, this case study combines a variety of sources in order to reconstitute the entire population of Montreal's leather trades between 1815 and 1831. The evidence provided by this important group of crafts shows that, while the British presence increased, it was primarily confined to the most transient elements of the anisan population. A mong craftsmen who settled in Montréal for extended periods of time, French Canadians remained dominant. Although their relative importance declined, their absolute numbers grew. Vital craft traditions ensured that skills were transmitted from father to son and that apprenticeship thrived. While the local ecomony was the major source of new manpower throughout this period, there was a steady increase in the flow of young men into Montréal from the surrounding countryside.
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Hulme Kozey, Emily. „ANOTHERPERI TECHNESLITERATURE: INQUIRIES ABOUT ONE'S CRAFT AT DODONA“. Greece and Rome 65, Nr. 2 (17.09.2018): 205–17. http://dx.doi.org/10.1017/s0017383518000153.
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Elite, Athenian, male – all three adjectives usually apply to our sources on the ancient world, and the study of ancient ethics (including even so-called ‘popular morality’) is no different in this respect. There are, however, a few exceptional sources that provide a window into a more diverse population and their hopes, desires, values, and insecurities. In the following, I wish to highlight one of these – the corpus of oracularlamellaefrom Dodona – and demonstrate how this body of evidence can shed new light on an old question. Specifically, I will consider what we can learn abouttechne(art, craft, profession) from these tablets; but in addition I hope readers with an interest in ancient ethics will see how promising this source is for further study on other topics. As I will show, alongside the better knownperi technesliterature – a group of texts from the fifth and fourth centuriesbcethat discuss medicine and other crafts from a theoretical standpoint – there is a small corpus of texts from Dodona that uses this same phrase and discusses the crafts from a far more practical perspective. The object of this article will be to show how these two corpora are mutually enlightening.
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Obie, Muhammad, Asna Usman Dilo, Syilfi . und Ita Meiyarni. „Utilization of Coconut Fiber as a Poor Households Empowerment Base (A Case in Bongomeme District of Gorontalo Regency, Indonesia)“. Modern Applied Science 13, Nr. 6 (30.05.2019): 68. http://dx.doi.org/10.5539/mas.v13n6p68.
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Poor households have not utilized coconut fiber that is very potential to improve their welfare. This study analyzed the root causes of poor households not yet utilizing the potential of coconut fiber craft as a source of livelihood. The potential of crafts that can be developed from coconut fiber and the strategy of building institutional, commercial business groups of poor households are based on the manufacture of coconut fiber crafts to be competitive and sustainable. The researchers collected data through observation, in-depth interviews, focused group discussion, and literature review. The results show that lack of knowledge is at the root of the leading cause of poor households not utilizing coconut fiber as their livelihood. The other causes are lack of skills, low education, weak access to information, lack of collective awareness, and a false understanding that coconut fiber handicraft products are not sold in the market. Even though the facts show that if processed into handicraft products, coconut fiber can be used by poor households to improve their welfare so that they can be economically empowered. Various strategies can be carried out to build the institutional economic business groups of poor households based on the manufacture of coconut fiber crafts, namely critical awareness, strengthening the capacity of poor households, both through skills training, on the job training, and in-service training. Besides, comparative studies of entrepreneurship can also be carried out, opening up access to information, opening access to micro-business financing, and building networks of poor households to the outside world.
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Graff, Elissa R. „Preserving Traditional Culture in the Cumberland Gap Region“. Journal of Appalachian Studies 18, Nr. 1-2 (01.04.2012): 234–43. http://dx.doi.org/10.2307/23337717.
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Abstract In 2010, Lincoln Memorial University completed two cycles of an Appalachian College Association and University of North Carolina, Asheville (ACA-UNCA) undergraduate research project partnership. The focus of the grant was incorporated into a class entitled Crafts to Culture. The primary mission of the course was to record and preserve the stories and work of craftspeople identified in Bell County, Kentucky; Claiborne County, Tennessee; and Lee County, Virginia. Students explored and analyzed traditional art from the Cumberland Gap region with an emphasis on family traditions, techniques, and the unique characteristics of each craft. An additional course objective was to give students practical skills in the areas of history, art, and communications. Three different academic disciplines were combined with independent goals as students worked together as a group. First, history students gained oral history experience—through interview preparation and practice, recording, transcription, and publications. Second, art students gained art experience by learning the craft traditions from an expert and by replicating a product using the learned technique. Third, broadcast communication students gained communications experience through audio and video recording, editing, and publishing. Teamwork was a byproduct of this project as all of the students needed to work together. This paper reports on an Undergraduate Research Grant Project advisor’s mentoring experience.
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Dmitrieva, Maria N. „WAYS OF INTERACTION OF ILLUSTRATIONS AND TEXT IN THE POPULAR SCIENCE DESCRIPTION OF GERMAN CRAFTS“. German Philology at the St Petersburg State University 12 (2022): 390–402. http://dx.doi.org/10.21638/spbu33.2022.120.
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The paper focuses on the mechanisms of interaction between graphic images and text descriptions, including historical and cultural information about ancient German crafts. The purpose of the article is to show the different types of interrelation of graphic images and verbal text. The concept of multimodality and discourse analysis serves as the theoretical and methodological basis of the research; selected works of recent years devoted to a given problem are presented in an overview. The methods of discourse analysis allow us to implement an extended approach to the discussion of different types of graphic sign systems and mechanisms of their interaction. The research material is a book about German crafts related to national architecture and construction technologies. Three ways of image and text interaction were identified. The first, the simplest, covers cases when the caption directly displays what is shown in the figure. In such cases, the image serves to clarify and concretize the text accompaniment. The second extensive group consists of examples when the text contains related information about the history of craft, the degree and causes of its prevalence in a certain area, etc. The third group consists of a few examples when the illustration is given an exclusively decorative function, and the text located next to it does not reveal a direct connection with the image. The three selected groups are nothing more than a research technique. In general, the image and text appear in the book as a holistic, communicatively indivisible unity.
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Kokko, Sirpa, und Patrick Dillon. „Crafts and craft education as expressions of cultural heritage: individual experiences and collective values among an international group of women university students“. International Journal of Technology and Design Education 21, Nr. 4 (06.07.2010): 487–503. http://dx.doi.org/10.1007/s10798-010-9128-2.
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MOORE-COLYER, R. J. „A Voice Clamouring in the Wilderness: H. J. Massingham (1888–1952) and Rural England“. Rural History 13, Nr. 2 (Oktober 2002): 199–224. http://dx.doi.org/10.1017/s0956793302000110.
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H. J. Massingham was one of a group of writers flourishing between the wars who were concerned with recording the disappearing cultural traditions of an older rural world, describing the English countryside, and setting into motion a move to revitalise and regenerate that countryside from the desuetude and depression into which it had declined. Distrustful of reductionist science and mechanistic economics, Massingham championed what he perceived as the virtues of localism, organicism, the crafts and the culture of ‘peasant’ farming. In offering biographical details and in considering a range of his work, this article seeks to locate Massingham within the context of his times. Moreover, despite the criticism of his contemporary detractors who regarded his preaching of traditional values in husbandry, craft and land as escapist and antiquarian, the article concludes that many of Massingham's writings foreshadow twenty-first century concerns for organic holism, sustainability, food quality and environmental issues.
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Matasik, Ade Lisa, Verti To’alla’, Agustinus Mantong und Randi Tangdialla. „Analisis dampak pandemi covid-19 terhadap usaha kerajinan tenun Toraja“. Fair Value: Jurnal Ilmiah Akuntansi dan Keuangan 4, Nr. 12 (25.07.2022): 5858–64. http://dx.doi.org/10.32670/fairvalue.v4i12.2207.
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This study aims to determine the impact of the Covid-19 pandemic on the Toraja weaving craft business in the Unnoni weaving group, Lembang Sa'dan Tiroallo, Sa'dan District, North Toraja Regency. By using this type of quantitative research, data collection techniques are carried out by means of observation, interviews and documentation by comparing the income data of the Unnoni weaving group before and during the Covid-19 pandemic using trend analysis from 2018-2021. The results show that the impact of the Covid-19 pandemic has caused a decrease in income for the Toraja Weaving handicraft business of the Unnoni Group which has also affected the performance of the business. The chain of Covid-19 distribution has resulted in the Toraja people having to stop all their activities, especially at the rambu tuka' and rambu solo' events which usually make their weaving crafts much in demand by buyers, but because of this, there are no orders for cloth and it creates business income. weaving craftsmen decreased and hampered the business.
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Badowska, Katarzyna, und Wojciech Rutkowski. „‘Historical Craft from the Artisan’s Point of View’. Analysis of the Results of the Survey Conducted Among Craftsmen Specialising in Historical Reconstruction“. Acta Universitatis Lodziensis. Folia Archaeologica, Nr. 34 (30.12.2019): 243–53. http://dx.doi.org/10.18778/0208-6034.34.14.
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The paper presents the results of the survey carried out by the authors of this paper, the subject of which was experimental archaeology. We asked a group of artisans that deal with historical reconstruction a set of questions about the difficulties they encounter during their reconstruction work. What is their biggest problem? Where do the craftsmen derive information about the ancient technology from? How are their products received by recipients? The chronological framework of the reconstruction industry was narrowed down to one historical period (the time of the Przeworsk culture, that is the Pre-Roman Iron Age, the Roman Iron Age and Migration Period). This clearly showed some connections between a small group of craftsmen using ancient methods in their work and the academic world, and how important it is to acquire historical and archaeological knowledge and to find ethnographic inspirations in order to solve the problems of craft techniques. The survey covered artisans practising various crafts, from metalwork to pottery, which added a broader perspective to the issues studied.
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Sharma, Alok, Roumi Deb und Sanjay K. Manjul. „Crafting Heritage: Exploring the Socio-Economic Dynamics of Pottery-Making in Nohar, Rajasthan“. Scientific Temper 14, Nr. 04 (29.12.2023): 1465–73. http://dx.doi.org/10.58414/scientifictemper.2023.14.4.60.
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Pottery-making is one of the oldest crafts deeply rooted with India’s rich cultural heritage. Nohar, a town in Rajasthan and a rich pottery centre is renowned for unique pottery styles. With the objective of assessing the socio-economic status of potters in Nohar and understanding the awareness about government initiatives like KSY and PMAY among the potter community, 56 potters were selected through purposive and snowball sampling and were personally interviewed. The study concludes that the majority of participants fall under lower middle group in Kuppuswamy Socioeconomic Status (SES) scale emphasizing the importance of tailored policies for socio-economic development. The dual role of potters engaging in agricultural activities and the migration to semi-rural settings indicates the craft's adaptability to changing lifestyles while preserving its traditional essence. Low awareness about the schemes like KSY and the PMAY indicates the need to enhance awareness and understand potential gaps in implementation.
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Zahrotun, Lisna, Yosyadi Rizkika Amanatullah, Utaminingsih Linarti und Anna Hendry Soleliza Jones. „Strategy for improving and empowering MSMEs through grouping using the AHC method“. Jurnal Sisfokom (Sistem Informasi dan Komputer) 13, Nr. 1 (12.02.2024): 130–36. http://dx.doi.org/10.32736/sisfokom.v13i1.2021.
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The high number of migrants in the city of Yogyakarta has resulted in increased opportunities for Micro, Small and Medium Enterprises (MSMEs) in Culinary and Handicrafts. The large amount of data collected by the Cooperative Office, which reached thousands, caused inas to have difficulties in determining what training was needed by MSMEs and also difficulties in choosing which MSMEs would receive training held by the Cooperative Office. In addition, the Yogyakarta Cooperatives and UMKM Office had difficulties in selecting which UMKM needed to receive these trainings. Grouping can be used as a strategy in selecting MSMEs and determining training according to their individual needs. The purpose of this study was to group SMEs using the Agglomerative Hierarchical Clustering Single Linkage method and its application to provide recommendations for MSME groups to the Yogyakarta Cooperative and MSME Office. The results of the recommendations for the number of groups can be used in providing implementation, design, and evaluation of the development and empowerment of MSME data in the City of Yogyakarta. This study uses the Agglomerative Hierarchical Clustering Single Linkage method. The stages in this research are Load Data, Cleaning Data, Data Selection, Transformation Data, Clustering Process with AHC single linkage, Silhouette Coefficient, and Knowledge Representation. This research resulted in 2 group recommendations from a total of 1336 Culinary MSME data and 3 group recommendations from a total of 145 Handicraft MSME data. The results of the silhouette score test in the Culinary Sector are included in the strong structure category with a value of 0.79 and the Crafts Sector is included in the Medium Structure category with a value of 0.615. From the number of these groups, recommendations were obtained for improving a service in increasing MSMEs, especially those with a turnover of less than 10 million, marketing purposes within the Yogyakarta area, and not having financial assistance from the government. The high number of immigrants in the city of Yogyakarta has resulted in increased opportunities for Micro, Small and Medium Enterprises (MSMEs) in the Culinary and Crafts sector. The large number of MSMEs creates increasingly higher competitiveness. Apart from that, the large amount of data collected by the Department of Cooperatives and MSMEs, which reaches thousands, causes the Department to have difficulties in efforts to improve and empower these MSMEs. Grouping is one method that can be used as a strategy in mapping MSMEs, especially in efforts to improve and empower MSMEs through training conducted by the Department. The aim of this research is to group MSMEs using the Agglomerative Hierarchical Clustering (AHC) method in an effort to achieve strategies for improving and empowering MSMEs. The focus of this research is[a1] MSMEs in the craft sector and MSMEs in the culinary sector. The results of this research provide 2 group recommendations from a total of 1336 Culinary MSME data and 3 group recommendations from a total of 145 Craft MSME data. The silhouette score test results in the Culinary Sector are in the strong structure category with a value of 0.79 and in the Crafts Sector are in the Medium Structure category with a value of 0.615. From the number of groups in the two MSMEs, strategies were obtained to improve and empower MSMEs, especially those with a turnover of less than 10 million, marketing objectives within the Yogyakarta area, and not having capital assistance from the government. [a1]the result of the revision of the Abstract
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Keativipak, Kittipong, Somchai Seviset und Songwut Eakwutvongsa. „Study of Paradigm and Theories that are Factors Influencing the Development and Creation of Industrial Crafts Products in Thailand“. Mediterranean Journal of Social Sciences 10, Nr. 5 (01.09.2019): 115–21. http://dx.doi.org/10.2478/mjss-2019-0072.
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Abstract This research is to study the paradigm and theories related to handicraft design, guidelines, culture and intellect, philosophical concepts, and the concept of promoting the direction of creativity to be used as specifications in the design and development of industrial crafts products. This research is qualitative research by interviewing the experts by conducting Individual Depth Interview and Focus Group using a purposive sampling method. The results are categorized concepts and theories to be used in analyzing and creating creativity correctly. Concepts and theories can be concluded in 4 elements as follow: 1.Understanding universal design (Style and needs in society) 2. It is feeling and believing in the roots of local wisdom and culture (Study of objects to understand cultures, set of beliefs, concepts and attitudes of the community or society when producing the objects that are necessary for education) 3.Learning the context of culture and wisdom of the community (the skills, techniques, and ability of people in the community) from Grounded Theory 4.Characteristics of change and continuity in the creation of handicraft (old as the world and new with appropriateness). The study of concepts and theories that are factors influencing the development and creation of industrial crafts is considered as a set of information which can be used in the development of industrial craft appropriately. Studying important principles and applying theories to use in the study and design guideline will narrow the concept of development or capture the main issues of the selection of conceptual data and the analysis of data to use appropriately. The four principles and theories above explain the process of getting the answer systematically.
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RETNONINGSIH, Amin, Widowati Widowati, Muhammad KHAFID und Sucihatiningsih Dian Wisika PRAJANTI. „JEJARING USAHA “RASENDRIYA KRIYA TULANG DAUN†SEBAGAI STRATEGI KEBERLANJUTAN PROGRAM PENGEMBANGAN USAHA PRODUK INTELEKTUAL KAMPUS“. Diseminasi: Jurnal Pengabdian kepada Masyarakat 3, Nr. 1 (01.03.2021): 35–43. http://dx.doi.org/10.33830/diseminasiabdimas.v3i1.1342.
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Woody tree leaves have diverse shapes and repeats. The skeleton leaves in the woody plant group are quite strong and have a unique shape so that they can become as the raw material for making exclusive crafts. Raw materials of skeleton leaves have been used by the business unit "Rasendriya Kriya Tulang Daun" as the main ingredient in making six types of crafts. This business unit was born from the service community of the Campus Intellectual Product Development Program (PPUPIK) at Universitas Negeri Semarang (UNNES). In addition to producing crafts, Rasendriya also provides training services ranging from the manufacturing and coloring of skeleton leaf to make craft products. Rasendriya's goal is to become an innovative business unit that is able to motivate students to become entrepreneurs while contributing income generating for UNNES. One of the craft products that is in great demand by consumers is painting on skeleton leaves. This product marketing can reach various consumers from individuals to government and private institutions. The key to successful marketing is a wide network of institutions such as banks, the Department of Trade and the Office of Cooperatives. These institutions routinely provide training to improve managerial skills and facilitate exhibitions for promotion so that Rasendriya products are widely known at local, national and international events, as well as they become customers of painting products on skeleton leaves as souvenirs of the company/institution. An extensive network encourages Rasendriya to continue to increase the quantity of quality products so that the sustainability of the campus business as income generating can be predicted.
Daun pohon berkayu memiliki bentuk dan pertulangan yang beranekaragaman. Tulang daun pada kelompok tanaman tersebut cukup kuat dan bentuknya unik sehingga dapat menjadi bahan baku pembuatan kriya/kerajinan yang eksklusif. Bahan baku tulang daun telah digunakan unit usaha “Rasendriya Kriya Tulang Daun†sebagai bahan utama pembuatan enam jenis kriya. Unit usaha ini lahir dari skema pengabdian Program Pengembangan Usaha Produk Intelektual Kampus (PPUPIK) di Universitas Negeri Semarang (UNNES). Selain memproduksi kriya, Rasendriya juga menyediakan jasa pelatihan mulai dari pembuatan dan pewarnaan tulang daun hingga pembuatan produk kriya. Tujuan Rasendriya adalah menjadi unit usaha inovatif yang mampu memotivasi mahasiswa menjadi wirausaha sekaligus memberikan kontribusi income generating untuk UNNES. Salah satu produk kriya yang sangat diminati konsumen adalah lukisan di atas tulang daun. Pemasaran produk ini dapat menjangkau berbagai lapisan konsumen mulai perseorangan hingga lembaga pemerintah maupun swasta. Kunci keberhasilan pemasarannya adalah jejaring yang luas dengan berbagai lembaga yang relevan seperti bank, Dinas Perdagangan dan Dinas Koperasi. Lembaga-lembagl tersebut secara rutin memberikan pelatihan untuk meningkatkan kemampuan manajerial dan memfasilitasi pameran untuk promosi sehingga produk Rasendriya dikenal luas, baik pada event lokal, nasional, maupun internasional, sekaligus mereka menjadi pelanggan produk lukisan di atas tulang daun sebagai souvenir perusahaan/lembaga tersebut. Jejaring yang luas mendorong Rasendriya untuk terus meningkatkan kuantitas produk berkualitas sehingga keberlanjutan usaha kampus sebagai income generating dapat diprediksikan.
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Hulu, Meitolo, Diena M.Lemy, Amelda Pramezwary, Juliana und Josep Dudedes Timba. „Batam City Coastal Tourism Management: Economic Opportunities for SMEs in Tourism“. 14th GCBSS Proceeding 2022 14, Nr. 2 (28.12.2022): 1. http://dx.doi.org/10.35609/gcbssproceeding.2022.2(85).
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This research focuses on the involvement of local communities as SMEs in the tourism sector in the coastal tourism area of Batam City. This study is based on the argument that MSMEs offer welfare to local communities and at the same time become an attraction in tourist destinations. This research was conducted using a descriptive qualitative approach with primary and secondary data collection. Primary data collection was carried out through focus group discussions and interviews with local governments and communities as MSME actors, as well as field observations in four coastal areas. While secondary data is collected through the collection of documents related to the research focus. The results of this study indicate that (1) local communities are still not optimally involved in becoming MSME actors in the tourism sector in coastal tourism areas, due to limited knowledge of exploiting economic opportunities (2) culinary potential, crafts and tourist attractions have the opportunity to be developed as attractions in the area coastal tourism in Batam City. Curation of culinary and craft products, as well as packaging of local culture as tourist attractions (3) local communities have limited access to local government programs related to human resource training and improving service quality at destinations. Tourism awareness groups in the four coastal tourism areas that were observed continue to work to mobilize local communities to get involved. Exploring the potential of culinary, craft and tourist attractions requires optimal local government involvement. The role of local government and local communities jointly synergizes in improving the quality of coastal tourism areas through the involvement of local communities as SMEs in the tourism sector. Keywords: Coastal Tourism Areas, Tourism Smes, Local Community Involvement
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Hartono, Hartono, Abdur Rahim und Anjar Sulistyani. „Partisipasi Guru Sekolah Tingkat Dasar Dalam Sanggar Seni Karawitan Sekar Madu Pada Pembelajaran Seni Budaya dan Prakarya“. SALAM: Jurnal Sosial dan Budaya Syar-i 7, Nr. 12 (25.09.2022): 1217–32. http://dx.doi.org/10.15408/sjsbs.v7i12.28257.
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Karawitan is an art work living, surviving and developing in Java, Indonesia. It has a very important function in people's lives. From the Karawitan learning activities at the art group of “Seni Karawitan Sekar Madu”, it is expected to promote and increase students interest to love the culture of Indonesia through the implementation of Cultural Arts and Crafts lesson. This study aims to describe: (1) the practice of Karawitan musical art training by elementary school teachers (2) implementation of cultural arts and crafts lesson (3) supporting and inhibiting factors of Karawitan musical learning at "Seni Karawitan Sekar Madu" art group. This research is a descriptive study with a qualitative approach. The management of the art group and elementary school teachers who are the participans of Karawitan were the informers of study. The interviews and observation equipped with the list of questions and also docomentation were conducted to collect the data. The results showed that (1) the elementary school teachers carry out the Karawitan musical arts as the stages of the learning. (2) This elementary level school teacher is able to implement it in learning Cultural Arts and Crafts. (3) Supporting factors are the desire and motivation, support and motivate the family, complete facilities and infrastructure. Inhibiting factors include intelligence, and talent.Keywords: Participation; Karawitan; Elementary School Teachers; Learning Arts; Culture And Craft AbstrakSeni Karawitan sebagai salah satu cabang seni yang hidup, bertahan, dan berkembang di Jawa (Indonesia), mempunyai fungsi yang sangat penting dalam kehidupan masyarakat. Kegiatan pelatihan karawitan di Sanggar “Seni Karawitan Sekar Madu” diharapkan dapat menumbuhkan cinta terhadap budaya, dipertahankan dan ditumbuhkembangkan pada siswa-siswa di sekolah melalui implementasi pembelajaran Seni Budaya dan Prakarya. Penelitian ini bertujuan untuk mendeskripsikan: (1) Praktik pelatihan kesenian karawitan oleh Guru Sekolah Tingkat Dasar (2) Implementasi pada pembelajaran Seni Budaya dan Prakarya (3) Faktor pendukung dan penghambat pelatihan karawitan di Sanggar “Seni Karawitan Sekar Madu.” Penelitian ini merupakan penelitian deskriptif dengan pendekatan kualitatif. Informan dalam penelitian ini adalah pengurus dan peserta pelatihan Sanggar “Seni Karawitan Sekar Madu. Metode pengumpulan data dilakukan dengan menggunakan wawancara, dan observasi yang dilengkapi dengan daftar pertanyaan serta dokumentasi. Hasil penelitian menunjukkan bahwa, (1) Praktik pelatihan kesenian karawitan oleh Guru Sekolah Tingkat Dasar terlaksana dan sesuai dengan tahap-tahap pelatihan (2) Guru Sekolah Tingkat Dasar ini mampu mengimplementasikan dalam pembelajaran Seni Budaya dan Prakarya (3) Faktor Pendukung adalah keinginan dan motivasi, dukungan dan motivasi keluarga, sarana dan prasarana yang lengkap. Faktor penghambat meliputi faktor inteligensi, dan bakat.Kata Kunci: Partisipasi; Karawitan; Guru Sekolah Tingkat Dasar; Pembelajaran Seni Budaya Dan Prakarya
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Kamlangkuea, Thachamon, und Amnouy Yussayotha. „Nora Bead Crafting in Nakhon Si Thammarat, Thailand: A Cultural Reproduction for Sustainability“. Asian Journal of Arts and Culture 23, Nr. 1 (09.02.2023): 260142. http://dx.doi.org/10.48048/ajac.2023.260142.
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The Nora show started in 1820, using Nora beads to decorate the Nora costumes. Today, Nora beads are created as crafts for ornament in response to the needs of society and consumers. However, due to the changes affecting the social and economic aspects, the preservation and maintenance of crafts like Nora are crucial for sustainability. This article, which is part of a larger study on “Nora Bead Crafting: Cultural Capital and Creative Folklore”, is designed as analytical descriptive research with qualitative data analysis. The data for this study was collected using in-depth interviews and focus group discussions participated by Nora bead crafters in Muang District, Nakhon Si Thammarat Province. The findings revealed that Nora, a local performing art of the Southern part of Thailand, preserved and maintained the Nora identity and numerous belief systems. The crafters designed their products by changing the colours, shapes, and patterns and using the materials in stringing or embroidering the beads. The creation of the Nora beads in these new ways is considered a reproduction of culture in four aspects—production, dissemination, consumption, and reproduction.
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Wolok, Tineke, Ismet Sulila und Weny Almoravid Dungga. „Implementasi PPDM Tahun Pertama bagi Masyarakat Pesisir Danau Limboto melalui Penguatan Sumber Daya Manusia dan Iptek Manajemen Pemanfaatan Eceng Gondok sebagai Produk Unggulan“. Jurnal Pengabdian Pada Masyarakat 4, Nr. 1 (30.04.2019): 71–80. http://dx.doi.org/10.30653/002.201941.120.
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THE IMPLEMENTATION OF PPDM FIRST YEAR FOR PEOPLE OF COAST OF LAKE LIMBOTO THROUGH ENFORCEMENT OF HUMAN RESOURCE AND SCIENCE AND TECHNOLOGY (IPTEK) OF MANAGEMENT OF WATER HYACINTH USE AS EXCELLENT PRODUCT. Iluta Village is situated in coastal of Limboto Lake and frequently encounters flood problem in the rainy season and also serious problem namely siltation of Limboto Lake as caused by the massive growth of water hyacinth. There were three main problems handled by this program at the first year, namely: 1) effort of reducing siltation of Limboto Lake sustainably through removal and use of the water hyacinth as craft material, 2) empowerment of community economic through capacity building of business management of varied water hyacinth woven crafts, and 3) capacity building of human resource of local community as target group. The applied method encompassed: 1) determining problems priority to be solved and divided them into three-year activity, 2) doing reconstruction and improvement based on the problems gradually for every year, 3) improvement was performed based on local community character approach. The findings showed: 1) use of water hyacinth as handicrafts product could help reducing Lake Siltation, 2) management ability in business management started to grow, and 3) improvement of human resource ability for the coastal community as the target group.
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Siti Aminah, Fameira Dhiniati und Barrorotul Azizah. „Pemberdayaan BATAKUM (Budaya Wisata Megalithikum) Melalui Pelatihan Digitalisasi Karang Taruna Desa Gunung Megang“. KREATIF: Jurnal Pengabdian Masyarakat Nusantara 4, Nr. 1 (19.02.2024): 127–37. http://dx.doi.org/10.55606/kreatif.v4i1.2878.
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The aim of this activity is to empower the youth of Gunung Megang village by promoting megalithic tourism culture and traditional food in Gunung Megang village by carrying out innovation and digitalization training. The community has a strong desire for entrepreneurship, so it needs to be facilitated to increase the productivity of crafts and the number of tourist visits. Efforts to increase these skills cannot be carried out independently by the people of Gunung Megang village, so the role of academics is to develop the traditional snacks and tourism industries. This activity has the urgency of encouraging a group of people to be able to adapt to technology. Currently, the people of Gunung Megang village have a lot of promotion of tourism attractions and local snacks, but the marketing of craft industry products and tourism potential has not been spread through advanced technology because it is still limited to direct information. Community service is produced as a result of more modern food packaging and social media accounts in the form of Instagram, TikTok, and Facebook, which are expected to become media for promoting tourism resources in Gunung Megang village.
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Watters, D. A. K., G. Campbell, B. Pennington, G. Richardson, A. Lowe und J. Graham. „RS05 CRAFT GROUP AUDIT FOR RURAL SURGEONS“. ANZ Journal of Surgery 77, s1 (Mai 2007): A74—A75. http://dx.doi.org/10.1111/j.1445-2197.2007.04128_5.x.
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Terenina, Natalya. „Socio-geographic aspects of conservation of ethnocultural identity and traditional forms of natural use in Setomaa“. Pskov Journal of Regional Studies 17, Nr. 4 (2021): 47. http://dx.doi.org/10.37490/s221979310017152-0.
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The systems of traditional intercommunal interaction, the peculiarities of settlement and the features of the ethno-territorial economic specialization of Setos that have developed over the centuries allow highlighting the most significant factors that are important for the preservation of their cultural identity. Currently, the territorial specificity of ethnocultural unity was strongly influenced by three factors: firstly, this is the division of the traditional territory of residence of the ethnic group by state borders, and the difficulties of cross-border interaction have significantly increased during the COVID-19 pandemic, and secondly, these are trends in demographic processes — depopulation and migration outflow from rural areas, thirdly, determined by changes in the economic and technological structure of the craft traditions of the ethnos to the needs of the tourism sector. The purpose of the study is to identify, systemize and substantiate modern forms of transmission from generation to generation of the traditions of Seto trades and crafts in conditions of territorial and partly social disunity of the ethnic group. The methods of socio-economic and cultural interaction within and outside the traditional territory of settlement of this ethnic group were also studied. It is important to identify the elements of the traditional culture of Seto that have retained their relevance in the modern way of life, and along with them — meaningfully new types of economic activity of local and network Seto ethnocultural communities.
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Richardson, Emma V., Brett Smith und Anthony Papathomas. „Collective Stories of Exercise: Making Sense of Gym Experiences With Disabled Peers“. Adapted Physical Activity Quarterly 34, Nr. 3 (Juli 2017): 276–94. http://dx.doi.org/10.1123/apaq.2016-0126.
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Using a dialogical narrative approach, we explored how disabled people made sense of their gym experiences as part of a peer group. Interviews were conducted with 18 disabled people (10 men and 8 women, aged 23–60) who had experience exercising in the gym as part of a group. Data were rigorously analyzed using a dialogical narrative analysis. Within their peer group, participants crafted a collective story that they used to resist disablism in the gym. The dialogical components of the collective story functioned to (a) validate participants’ experiences of oppression in the gym, (b) forge an unspoken understanding with peers, (c) craft a more affirmative identity, and (d) instill a sense of empowerment in participants so that they can tell their own story. This study extends knowledge in the field of exercise and disability by showing that despite the oppression disabled people experienced in the gym, they can create a collective story, which is useful for helping to promote and sustain exercise in this space.
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Mubarat, Husni, Aji Windu Viatra und Mukhsin Patriansah. „PELATIHAN KELOMPOK USAHA INDUSTRI KERAJINAN BAMBU RUKUN MAKMUR DI DESA PANCA TUNGGAL KECAMATAN SUNGAI LILIN KABUPATEN MUSI BANYU ASIN PROVINSI SUMATERA SELATAN“. SELAPARANG Jurnal Pengabdian Masyarakat Berkemajuan 5, Nr. 1 (10.12.2021): 695. http://dx.doi.org/10.31764/jpmb.v5i1.6044.
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ABSTRAKPengabdian kepada Masyarakat dengan tema Pelatihan Kelompok Usaha Industri Kerajinan Bambu Rukun Makmur ini dilaksanakan di Desa Panca Tunggal Kecamatan Sungai Lilin Kabupaten Musi Banyu Asin. Kegiatan ini berlangsung selama dua hari, yaitu dari tanggal 1-2 November 2021. Adapun tujuan kegiatan ini adalah memberikan keterampilan dasar bagi pemula dalam membuat kerajinan bambu, memberikan pengetahuan tentang pemakaian alat-alat mesin dan manual, memberikan pengetahuan tentang pengembangan desain produk bagi pengrajin yang sudah melewati tahap pemula. Metode kegiatan pelatihan ini menggunakan metode ceramah dalam bentuk penyampaian materi teori, praktik, dan evaluasi. Adapun hasil pelatihan selama kegiatan ini yakni pengetahuan secara teoritik dan praktek. Secara teori peserta mendapatkan pengetahuan tentang industri kerajinan dan tahap-tahap pengembangan desain. Secara praktek kegiatan ini menghasilkan produk kreasi lampu hias dari bahan bambu dan stand handphone yang dilengkapi dengan tempat pena. Pelatihan ini memberikan peningkatan dan pengembangan dari jenis produk, yang mana sebelumnya mitra hanya menghasilkan produk seperti miniatur kapal. Kegiatan ini sangat efektif dalam meningkatkan keterampilan mitra, yang mana mitra dapat mempraktikkan secara langsung dalam pembuatan produk kerajinan bambu. Kata kunci: industri; kerajinan; bambu; panca tunggal. ABSTRACTCommunity Service with the theme of the Rukun Makmur Bamboo Craft Industry Business Group Training was held in Panca Tunggal Village, Sungai Lilin District, Musi Banyu Asin Regency. This activity lasts for two days, from November 1-2, 2021. The purpose of this activity is to provide basic skills for beginners in making bamboo crafts, provide knowledge about the use of machine tools and manuals, provide knowledge about product design development for craftsmen who have passed the beginner stage. The method of this training activity uses the lecture method in the form of delivering theoretical, practical, and evaluation material. The results of the training during this activity are theoretical and practical knowledge. In theory, participants gain knowledge about the craft industry and the stages of design development. Practically, this activity produces decorative lighting products from bamboo and a mobile phone stand equipped with a pen holder. This training provides improvement and development of product types, where previously partners only produced products such as miniature ships. This activity is very effective in improving the skills of partners, which partners can practice directly in the manufacture of bamboo handicraft products. Keywords: industry; craft; bamboo; panca tunggal.
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BETI, Fince Orita, David B. W. PANDA und Pius Bumi KELEN. „The Role of the Regional National Crafts Council of East Nusa Tenggara Province in Empowering Woven Fabric Crafts Groups“. Journal of Social Sciences and Cultural Study 1, Nr. 1 (30.11.2023): 65–71. http://dx.doi.org/10.61857/jsscs.v1i1.49.
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This research aims to determine the role of the NTT Dekranasda in empowering woven fabric craft groups. This research uses a qualitative descriptive method with combined data collection techniques through interviews, observation, documentation and focus group discussions (FGD). The results of the research show that Dekranasda NTT has played a role in empowering woven fabric craft groups, including Dekranasda NTT acting as a motivator in human development and institutional development, a communicator in business development and institutional development, and a dynamist in business development and institutional development. However, in carrying out its role, Dekranasda NTT experienced several obstacles, including limited capital to carry out woven fabric craft development activities again and obstacles faced by craft groups, namely lack of capital and raw materials in the weaving process, resulting in delays in every activity. Craft groups still need to issue business permits and copyrights for each of their businesses and weavings; this could be a waste of money for anyone who is not responsible for plagiarizing the weaving that the craft group has weaved.
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Nagumo, Shinji, Hisashi Takada, Eiko Yasui, Yui Sahara, Yūki Chinen, Hirotoshi Tanaka, Yusuke Morita et al. „Friedel-Crafts Reactions of Vinylaziridine Linked to an Ester Group“. HETEROCYCLES 83, Nr. 3 (2011): 555. http://dx.doi.org/10.3987/com-10-12115.
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Shuzhong, He, und Lyndel Prott. „Survival, Revival and Continuance: The Menglian Weaving Revival Project“. International Journal of Cultural Property 20, Nr. 2 (Mai 2013): 201–19. http://dx.doi.org/10.1017/s0940739113000052.
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AbstractRecent efforts to ensure the survival of cultural diversity in a globalized world have led to efforts to preserve, revitalize, and continue craft traditions in marginal communities. This article records an effort to support the distinctive Dai culture in the province of Yunnan, China, by first establishing an archive of documents, photographs, and oral records of the traditions of a Dai community in the county of Menglian and following that by reviving and expanding the traditional weaving carried out by Dai women. It shows the complexity of this kind of activity, the need to encourage younger members of the community to learn the distinctive techniques of weaving and to develop a niche market for its products. Group crafts and traditions have often developed and varied over centuries; further adaptations may be needed to restore viability. Reinstatement of quality improved its value by adopting wider looms, better dyeing techniques, higher quality thread, and by encouraging new creative efforts in the development of the final product, thus providing better economic returns to the weavers and the community in general. In providing an exemplary process for isolated and dispirited communities to improve their economic circumstances and reinvigorate their ethnic traditions, it demonstrates the significant contribution that nongovernmental organizations can make to this kind of work.
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Dewi, Chintia Kurnia, und Cyrenia Novella Krisnamurti. „Ethnomathematics on bamboo woven crafts in Dusun Brajan, Yogyakarta and implementation in mathematics learning“. PYTHAGORAS: JURNAL PROGRAM STUDI PENDIDIKAN MATEMATIKA 12, Nr. 1 (30.04.2023): 63–70. http://dx.doi.org/10.33373/pythagoras.v12i1.5009.
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. Indonesia is a country that is rich in natural and cultural resources. One of the cultures they have is fine arts. Fine art is one of the diverse cultures. This study examines one of the fine arts from Yogyakarta, namely woven bamboo. The famous woven bamboo handicraft industry comes from Dusun Brajan, Sendangagung, Kecamatan Minggir, Kabupaten Sleman, Yogyakarta. This study aims to determine the history of bamboo weaving activities, mathematical fundamental activities and implementation of bamboo weaving in Dusun Brajan in learning mathematics for junior high school students. The research method used is descriptive qualitative research with an ethnographic approach that aims to describe and assess the pattern of the bamboo craftsman group in Dusun Brajan. Data collection methods used were observation, documentation and interviews with the administrator of the Desa Wisata Brajan and the Dusun Brajan bamboo weaving craftsmen. The results of this study indicate the beginning of the development of woven bamboo crafts until now it has become a well-known craft centre. Through this woven bamboo, students can learn six basic math activities: counting, finding, measuring, designing, playing, and explaining. Implementation in learning mathematics in junior high schools is a contextual problem that can be used as discussion material for students.
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Niedderer, Kristina, und Katherine Townsend. „Empowering crafts – intangible heritage, women and socially disadvantaged groups“. Craft Research 6, Nr. 1 (01.03.2015): 3–8. http://dx.doi.org/10.1386/crre.6.1.3_2.
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Morgan, David L., und Joan L. Bottorff. „Advancing Our Craft: Focus Group Methods and Practice“. Qualitative Health Research 20, Nr. 5 (20.04.2010): 579–81. http://dx.doi.org/10.1177/1049732310364625.
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Hardison, Joyce, und Lela A. Llorens. „Structured Craft Group Activities for Adolescent Delinquent Girls“. Occupational Therapy in Mental Health 8, Nr. 3 (05.12.1988): 101–17. http://dx.doi.org/10.1300/j004v08n03_07.
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