Auswahl der wissenschaftlichen Literatur zum Thema „Couturière/Couturier“
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Dissertationen zum Thema "Couturière/Couturier"
Divert, Nicolas. „De la couturière au grand couturier. Du lycée professionnel aux écoles de stylisme“. Thesis, Paris 10, 2010. http://www.theses.fr/2010PA100080.
Der volle Inhalt der QuelleThis dissertation is based on the analytical patterns developed in sociology on labor and in sociology on education, in order to study the rise and evolution, and eventually the loss, of the fashion industry professions and its vocational schools. It is supported by a survey pursued through three educational institutions representing three different levels of education in the hierarchy of the school system : a private fashion designer school, a technical High school and a secondary school for vocational training. The methodology used associates long-term observations – 104 interviews with students, teachers and actors of the fashion world – as well as a commentary based on documents. The sociohistorical perspective adopted here allows us to observe the structure of a social world as well as the panel of professional trainings it offers. It rises through the 20th century allowing women to get access to a technical education ; it follows the evolutions of the activity that grows progressively from a blue-collar schooling to a higher level of education with an orientation towards creativity (Part 1). The analysis of the sociological structure of curriculum allows us to show the diversity of these institutions and to ask the question of the existence of a career path towards the fashion industry professions (Part 2). The Private schools, the most numerous in the field of fashion design, emphasize the trade to obtain these diplomas. The Professional insertion following these trainings challenges the relations between the school and the work spheres and shows the privileged place granted to young men in the world of fashion design and creation (Part 3)
Arzatian, Céline G. „Mode et cinéma en france de 1896 à 1930. Comment habille-t-on les actrices et acteurs ?“ Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030022.
Der volle Inhalt der QuelleThrough a general study of organisation and evolution of costumes in cinema in France, from the birth of the cinematograph to the end of the silent film era, the ambition of this thesis is to study the created links between fashion and cinema, looking at fashion houses participating in creating the costumes of the main movie star. It is also about highlighting what the impact of the costume designer in the costume conception of a character is. This thesis analyses the creation and the evolution of the costume in cinema, through the historical, human, economical and aesthetical perspectives.The first part tackles the birth of the cinematograph and the Lumiere’s operators capturing their first shots, created with the methods inherited from the theatre. Then, this thesis highlights how Georges Méliès styled his stars and extras at the Star Film. Moreover, it points out to the first movie stars realizing that their costumes begin to create their characters for Max Linder, Charles Chaplin and Pearl White. The second part addresses the way French cinema used fashion to try and compete with the American cinema. Then, in a third and fourth part, the analysis focuses on the work of the fashion house when it is called to create and lend (in response to the director) or to only execute (in response to the costume designer) the clothes of the lead actress, for costume movies or with a contemporary subject.Finally, the fifth part points out the convergence points between these two arts: fashion and cinema at a specific time, the end of WW1 where arts stimulate each other and create together the new style of this era. It’s also Louis Delluc’s project, inspired by a fashion review to create a cinema magazine, it’s the introduction of the Fashion Autumn Salon followed by the cinema one, it’s the realization that L’Inhumaine is the tilted point towards this new style and it’s the Art Deco Exhibition confirming fashion and cinema as arts, in this era called the Années folles
Bücher zum Thema "Couturière/Couturier"
Tank, Dan. Carnet de Note: Couture, Couturière, Couturier. Independently Published, 2020.
Den vollen Inhalt der Quelle findenCouture à Couture à Remplir. Carnet de Couture à Remplir: Journal de Bord Pour Couturière et Couturier , Parfait Cadeau Original et Pratique Pour Couturière et Couturier. Independently Published, 2021.
Den vollen Inhalt der Quelle findenCouture à Couture à Remplir. Mon Journal de Couture: Journal de Bord Pour Couturière et Couturier , Cahier Pour Noter et Suivre Ses Projets de Couture. Independently Published, 2021.
Den vollen Inhalt der Quelle findencarnet, Joli. Carnet de Couture : Grand Format A4/ Journal de Couturière et Couturier Professionnel, étudiant OU Amateur : Cahier Pour Noter Ses OEuvres, et Dessiner, Croquis. Stylistes : Design Personnel: Organisateur Pratique Pour Noter et Organiser des Model. . Independently Published, 2021.
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