Zeitschriftenartikel zum Thema „Costume in literature“
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Roy, Suddhabrata Deb. „The Indian Superheroine costume: Analysing Indian comics’ first superheroine“. Film, Fashion & Consumption 10, Nr. 1 (01.04.2021): 313–24. http://dx.doi.org/10.1386/ffc_00027_7.
Bond, Katherine. „Mapping Culture in the Habsburg Empire: Fashioning a Costume Book in the Court of Charles V“. Renaissance Quarterly 71, Nr. 2 (2018): 530–79. http://dx.doi.org/10.1086/698140.
Jumantri, Muhamad Caesar, und Trianti Nugraheni. „Pengkajian Gaya Busana Tari Jaipongan Karya Sang Maestro“. Gondang: Jurnal Seni dan Budaya 4, Nr. 1 (14.04.2020): 9. http://dx.doi.org/10.24114/gondang.v4i1.16324.
Croizat-Glazer, Yassana. „The Role of Ancient Egypt in Masquerades at the Court of François Ier*“. Renaissance Quarterly 66, Nr. 4 (2013): 1206–49. http://dx.doi.org/10.1086/675091.
Zhabreva, Anna E. „Male Costume of Serbia and Montenegro on the Frontispieces of 19th Century Books (From the Slavic Literature Fund of the Russian Academy of Sciences Library)“. Vestnik of Saint Petersburg University. Arts 11, Nr. 1 (2021): 83–101. http://dx.doi.org/10.21638/spbu15.2021.106.
Langi, Kezia Clarissa, Setiawan Sabana, Hafiz Aziz Ahmad und Dian Widiawati. „Killer’s Fashion: Transforming the Potential of Nias Saber’s Amulets into Indonesian Fashion Accessories“. Humaniora 11, Nr. 2 (30.07.2020): 121–28. http://dx.doi.org/10.21512/humaniora.v11i2.6416.
Worman, Nancy. „The Ties that Bind: Transformations of Costume and Connection in Euripides' Heracles“. Ramus 28, Nr. 2 (1999): 89–107. http://dx.doi.org/10.1017/s0048671x00001739.
Stillman, Yedida K., und Nancy Micklewright. „Costume in the Middle East“. Middle East Studies Association Bulletin 26, Nr. 1 (Juli 1992): 13–38. http://dx.doi.org/10.1017/s0026318400025025.
Adzovie, Daniel Edem, Abdul Bashiru Jibril, Rita Holm Adzovie und Divine Narkotey Aboagye. „Sex Sells! Could Sex Scenes in Ghanaian Video Films be used to Market Culture through Costume?“ Technium Social Sciences Journal 10 (23.07.2020): 133–41. http://dx.doi.org/10.47577/tssj.v10i1.1266.
Holderness, Graham. „Introduction“. Critical Survey 33, Nr. 1 (01.03.2021): 1–7. http://dx.doi.org/10.3167/cs.2021.330101.
Peacock, Noēl A. „Verbal Costume in Le Misanthrope“. Seventeenth-Century French Studies 9, Nr. 1 (01.01.1987): 74–93. http://dx.doi.org/10.1179/026510687793648710.
Ji, Zhe, Wei-Hsin Huang und Mengyi Lin. „Design Mode Innovation of Local Color Cultures: A Case Study of the Traditional Female Costume of Yi Nationality“. Designs 4, Nr. 4 (17.12.2020): 56. http://dx.doi.org/10.3390/designs4040056.
Saatsoglou-Paliadeli, Chryssoula. „Aspects of ancient Macedonian costume“. Journal of Hellenic Studies 113 (November 1993): 122–47. http://dx.doi.org/10.2307/632401.
Raw, Lawrence. „Rethinking the Costume Drama: Agnieszka Holland's Washington Square (1997)“. Henry James Review 24, Nr. 1 (2003): 69–81. http://dx.doi.org/10.1353/hjr.2003.0005.
Masuoka, Susan, und Margot Blum Schevill. „Costume as Communication: Ethnographic Costumes and Textiles from Middle America and the Central Andes of South America“. African Arts 21, Nr. 3 (Mai 1988): 81. http://dx.doi.org/10.2307/3336461.
Garland, Liz, und Kevin Almond. „Second Skin: Investigating the Production of Contoured Patterns for the Theatrical Costume Industry“. Costume 50, Nr. 1 (01.01.2016): 90–113. http://dx.doi.org/10.1080/05908876.2015.1129860.
Sadoff, Dianne F. „Appeals to Incalculability: Sex, Costume Drama, and The Golden Bowl“. Henry James Review 23, Nr. 1 (2002): 38–52. http://dx.doi.org/10.1353/hjr.2002.0005.
Södergren, Jonatan. „From aura to jargon: the social life of authentication“. Arts and the Market 9, Nr. 2 (09.12.2019): 115–31. http://dx.doi.org/10.1108/aam-05-2019-0020.
Kezia Clarissa Langi, Setiawan Sabana und Hafiz Aziz Ahmad. „Kezia Clarissa Langi STUDI LAPANGAN: TRADISI BAJU PERANG NIAS MASA KINI DI KOTA GUNUNGSITOLI DAN DESA BAWOMATALUO“. PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT 2 (24.01.2020): 8–13. http://dx.doi.org/10.33153/semhas.v2i0.95.
Cox-Rearick, Janet. „Imagining the Renaissance: The Nineteenth-Century Cult of François I as Patron of Art*“. Renaissance Quarterly 50, Nr. 1 (1997): 207–50. http://dx.doi.org/10.2307/3039334.
M.R., Devi Meenakshi. „Women's attire and costumes in the Perungathai“. International Research Journal of Tamil 2, Nr. 3 (04.06.2020): 106–16. http://dx.doi.org/10.34256/irjt20312.
Gaskell, Ivan. „Costume, Period Rooms, and Donors: Dangerous Liaisons in the Art Museum“. Antioch Review 62, Nr. 4 (2004): 615. http://dx.doi.org/10.2307/4614728.
Azizah, Rona Cita, Susanna Edelweiss und Angelika Riyandari. „Representing Multicultural Semarang through Gambang Semarang’s Narrative“. Celt: A Journal of Culture, English Language Teaching & Literature 18, Nr. 2 (29.12.2018): 248. http://dx.doi.org/10.24167/celt.v18i2.1300.
Fitzgerald, Mary Ann, Henry J. Drewal und Moyo Okediji. „Transformation through Cloth: An Egungun Costume of the Yoruba“. African Arts 28, Nr. 2 (1995): 54. http://dx.doi.org/10.2307/3337226.
Urbainczyk, T. „Review. The world of Roman costume. JL Sebesta, L Bonfante“. Classical Review 47, Nr. 1 (01.01.1997): 139–40. http://dx.doi.org/10.1093/cr/47.1.139.
Kim, Munyoung, Hyunjin Cho und Jaeyeong Lee. „The costume of ritual dance in Mongolian and Korean Buddhism“. Acta Orientalia Academiae Scientiarum Hungaricae 68, Nr. 3 (September 2015): 309–16. http://dx.doi.org/10.1556/062.2015.68.3.6.
Rosser, John. „Coins and Costume in Late Antiquity.Jutta-Annette Bruhn“. Speculum 71, Nr. 1 (Januar 1996): 134–35. http://dx.doi.org/10.2307/2865213.
Na, Youngjoo, und Jisu Kim. „Abuse of Empire style robe to thermal insulation and body discomfort“. International Journal of Clothing Science and Technology 27, Nr. 4 (03.08.2015): 587–99. http://dx.doi.org/10.1108/ijcst-01-2014-0006.
Mullaney, Samantha, und Laura F. Hodges. „Chaucer and Costume: The Secular Pilgrims in the General Prologue“. Modern Language Review 97, Nr. 1 (Januar 2002): 168. http://dx.doi.org/10.2307/3735630.
Pistsov, Konstantin M. „Modest Worker of Russian Sinology: Remembering Vadim L’vovich Sichev“. Oriental Courier, Nr. 1-2 (2021): 258. http://dx.doi.org/10.18254/s268684310015783-9.
Soria-Morales, César. „TRAJES DEL PERÚ, REPOSITORIO DIGITAL PARA VALORAR EL PATRIMONIO CULTURAL INMATERIAL“. DISEÑO ARTE Y ARQUITECTURA, Nr. 10 (10.06.2021): 23–45. http://dx.doi.org/10.33324/daya.v1i10.377.
Obremski, Krzysztof. „Najkrótszy kurs tragikomedii PRL: Rejs Marka Piwowskiego“. Przestrzenie Teorii, Nr. 31 (06.12.2019): 345–56. http://dx.doi.org/10.14746/pt.2019.31.18.
Rosenberg, Douglas. „Self Portraits (As a Jew)“. TDR/The Drama Review 55, Nr. 3 (September 2011): 68–71. http://dx.doi.org/10.1162/dram_a_00096.
Diamond, Catherine. „Cracks in the Arch of Illusion: Contemporary Experiments in Taiwan's Peking Opera“. Theatre Research International 20, Nr. 3 (1995): 237–54. http://dx.doi.org/10.1017/s0307883300008683.
Kolchevska, Natasha, Alfred Krautz und Bujor T. Ripeanu. „International Directory of Cinematographers, Set and Costume Designers in Film“. Slavic and East European Journal 29, Nr. 4 (1985): 492. http://dx.doi.org/10.2307/307483.
Geddes, A. G. „Rags and Riches: The Costume of Athenian Men in the Fifth Century“. Classical Quarterly 37, Nr. 2 (Dezember 1987): 307–31. http://dx.doi.org/10.1017/s0009838800030524.
Britland, K. „The Early Stuart Masque: Dance, Costume, and Music. By BARBARA RAVELHOFER.“ Review of English Studies 57, Nr. 232 (11.07.2005): 800–801. http://dx.doi.org/10.1093/res/hgl094.
Dickinson, Swift. „Sam Selvon's "Harlequin Costume": Moses Ascending, Masquerade, and the Bacchanal of Self-Creolization“. MELUS 21, Nr. 3 (1996): 69. http://dx.doi.org/10.2307/467976.
Nevadomsky, Joseph, und Ekhaguosa Aisien. „The Clothing of Political Identity: Costume and Scarification in the Benin Kingdom“. African Arts 28, Nr. 1 (1995): 62. http://dx.doi.org/10.2307/3337251.
Manning, Susan. „Nelisiwe Xaba: Dancing between South Africa and the Global North“. TDR/The Drama Review 64, Nr. 2 (Juni 2020): 8–15. http://dx.doi.org/10.1162/dram_a_00912.
Godfrey, Sima. „Rien que ton costume, on te met à la porte:The Importance of Being Fashionable in 19th century French Literature“. Law & Literature 7, Nr. 2 (September 1995): 245–56. http://dx.doi.org/10.1080/1535685x.1995.11015774.
Osinkina, Lyubov. „The Representation of Literary Motifs in Visual Arts (in Connection with the Magic Belts of Job and His Daughters)“. Scrinium 14, Nr. 1 (20.09.2018): 328–33. http://dx.doi.org/10.1163/18177565-00141p22.
Wilcox, Emily E. „Meaning in Movement: Adaptation and the Xiqu Body in Intercultural Chinese Theatre“. TDR/The Drama Review 58, Nr. 1 (März 2014): 42–63. http://dx.doi.org/10.1162/dram_a_00327.
Godfrey, Sima. „Rien que ton costume, on te met à la porte: "The Importance of Being Fashionable in 19th Century French Literature"“. Cardozo Studies in Law and Literature 7, Nr. 2 (Oktober 1995): 245–56. http://dx.doi.org/10.2307/743523.
Godfrey, Sima. „Rien que ton costume, on te met a la porte: "The Importance of Being Fashionable in 19th Century French Literature"“. Cardozo Studies in Law and Literature 7, Nr. 2 (Oktober 1995): 245–56. http://dx.doi.org/10.1525/lal.1995.7.2.02a00080.
Piponnier, Françoise. „Chaucer and Costume: The Secular Pilgrims in the General Prologue. Laura F. Hodges“. Speculum 77, Nr. 4 (Oktober 2002): 1316–18. http://dx.doi.org/10.2307/3301264.
Parani, Maria G. „Cultural Identity and Dress: The Case of Late Byzantine Ceremonial Costume (With eight plates)“. Jahrbuch der Österreichischen Byzantinistik 57 (2007): 95–134. http://dx.doi.org/10.1553/joeb57s95.
Morgan, Gerald, und Laura F. Hodges. „Chaucer and Clothing: Clerical and Academic Costume in the General Prologue to the 'Canterbury Tales'“. Modern Language Review 102, Nr. 3 (01.07.2007): 834. http://dx.doi.org/10.2307/20467459.
Wilson, Bronwen. „“il bel sesso, e l'austero Senato“: The Coronation of Dogaressa Morosina Morosini Grimani“. Renaissance Quarterly 52, Nr. 1 (1999): 73–139. http://dx.doi.org/10.2307/2902017.
Wild, John-Peter. „Georges Losfeld: Essai sur le costume grec. Pp. 415; 8 figs. Paris: Éditions de Boccard, 1991. Paper.“ Classical Review 42, Nr. 2 (Oktober 1992): 462–63. http://dx.doi.org/10.1017/s0009840x00285028.