Thematische Bibliographien / Costume in literature

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte

Auswahl der wissenschaftlichen Literatur zum Thema „Costume in literature“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 12. Februar 2022

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Zeitschriftenartikel zum Thema "Costume in literature"

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Roy, Suddhabrata Deb. „The Indian Superheroine costume: Analysing Indian comics’ first superheroine“. Film, Fashion & Consumption 10, Nr. 1 (01.04.2021): 313–24. http://dx.doi.org/10.1386/ffc_00027_7.

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Comics are an important form of Indian popular culture. Like other forms of popular culture which have engaged with superheroes, male superheroes have dominated the comic book industry in India. Costumes enable the social construction of these characters in comics, determine their characteristic traits and emphasize their gendered roles. Female characters have had to struggle against multiple patriarchal social processes which are integral to the global comics’ culture. Costumes play a critical role in how these characters engage with the overall narrative of the comics. The article analyses the costume of Shakti ‐ Indian comics’ first superheroine. It locates her costume within the broader literature available on graphic novels, comics and costumes. The article attempts to analyse the processes by which Shakti’s costume restricts her to a normative femininity where the power and authority of women become socially acceptable only when they are expressed or asserted without challenging patriarchal social norms.
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Bond, Katherine. „Mapping Culture in the Habsburg Empire: Fashioning a Costume Book in the Court of Charles V“. Renaissance Quarterly 71, Nr. 2 (2018): 530–79. http://dx.doi.org/10.1086/698140.

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AbstractThis article introduces two manuscript editions of a richly illustrated costume album dated ca. 1548–49. Commissioned by Christoph von Sternsee (d. 1560), the captain of Charles V’s German guard, and composed using visual material sourced from Dutch master Jan Cornelisz Vermeyen (ca. 1500–59), the costume album records the diversity of subjects, customs, and costumes that the guard witnessed across imperial Habsburg Europe. Shaped by Sternsee’s personal experiences of travel, war, and empire, his costume album paints a vivid picture of imperial propaganda and personal ambition, demonstrating the significant role that Habsburg networks and relationships had upon the period’s visual culture.
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Jumantri, Muhamad Caesar, und Trianti Nugraheni. „Pengkajian Gaya Busana Tari Jaipongan Karya Sang Maestro“. Gondang: Jurnal Seni dan Budaya 4, Nr. 1 (14.04.2020): 9. http://dx.doi.org/10.24114/gondang.v4i1.16324.

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This study discusses the form of jaipongan dance costume which aims to obtain data from the form of jaipongan dance costume and the characteristics of each style of the jaipongan costume based on the themes. This study uses descriptive analysis method, where the researcher can describe and elaborate the findings with the existing literature. In this research, there are three categories of jaipongan costume work by Gugum Gumbira which are distinguished through the theme of the created dance. From the different themes, it can be concluded that the jaipongan dance work by Gugum Gumbira has its own characteristics from the choice of costume colours to the forms of the costume that are comfortable to wear. Also, the costume prioritizes the essence of the jaipongan dance movement.
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Croizat-Glazer, Yassana. „The Role of Ancient Egypt in Masquerades at the Court of François Ier*“. Renaissance Quarterly 66, Nr. 4 (2013): 1206–49. http://dx.doi.org/10.1086/675091.

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AbstractThis essay examines the role of ancient Egypt in courtly masquerades under François Ier (r. 1515–47). It opens with an analysis of the iconography of a sphinx costume that was designed by Francesco Primaticcio (1504/05–1570) and worn by the king and one of his favorite courtiers, Cardinal Jean de Lorraine (1498–1550), at a wedding celebration held in 1546. Two other costume drawings by the same artist are discussed next, and the first printed French translation of Horapollo’s Hieroglyphica, which was published in Paris in 1543, is identified as their source. In examining their strange aesthetic and multiple layers of meaning, this study considers how these costumes were symptomatic of a broader French Renaissance fascination with concealed truth and how, as conveyors of veiled messages, they were meant to spark lofty discussions and demonstrate the French court’s sophistication.
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Zhabreva, Anna E. „Male Costume of Serbia and Montenegro on the Frontispieces of 19th Century Books (From the Slavic Literature Fund of the Russian Academy of Sciences Library)“. Vestnik of Saint Petersburg University. Arts 11, Nr. 1 (2021): 83–101. http://dx.doi.org/10.21638/spbu15.2021.106.

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The article analyzes eight frontispiece portraits of Serbian and Montenegrin statesmen from the 12–19th century as well as one collective ethnographic image of an inhabitant of the Bay of Kotor. These consist of prints found in seventeen Serbian and Montenegrin 19th century publications which were found in the Slavic Literature Fund of the Russian Academy of Sciences (Saint Petersburg). The portraits are considered as works of book graphics, as historical and ethnographic sources. They were compared with other pictorial sources — originals of portraits, images of genuine clothing and jewelry, as well as ethnographic materials. There are detailed descriptions of the costumes depicted in the portraits, the names and characteristics of the clothes, hats and decorations. As a result of the comparison, it was found that some engravings are fictitious images, while others, made from pictorial lifetime originals, can serve as important material for the reconstruction of Serbian and Montenegrin appearance and costume, including specific historical figures. An attempt was made to reveal the relationship of the costume of the ruler at the end of the 18th — first half of the 19th century both with the fashion trends of the era, and with his national identity and political views. These aspects manifested themselves with particular vividness in the portraits of Milos Obrenovich, Karageorgy, Vladyka Daniel and Peter Petrovich Njegos. The analysis of portraits in chronological order made it possible to touch upon the theme of Serbian and Montenegrin costume history, which has been insufficiently studied in the Russian press.
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Langi, Kezia Clarissa, Setiawan Sabana, Hafiz Aziz Ahmad und Dian Widiawati. „Killer’s Fashion: Transforming the Potential of Nias Saber’s Amulets into Indonesian Fashion Accessories“. Humaniora 11, Nr. 2 (30.07.2020): 121–28. http://dx.doi.org/10.21512/humaniora.v11i2.6416.

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The research was conducted to discover the potential of Nias saber’s amulets into fashion accessories and to introduce the tradition of Nias saber’s amulets into society. Nias war costume had its unique way of distinguishing each other and gaining a spiritual strength, which was to accessorize its war costume with small amulets. This tradition was a new inspiration for developing a fashion look with local identity. Exploring Indonesian culture in the form of fashion accessories was done in order to extract Indonesian potential in the fashion industry. Styling small ‘amulets’ into clothing could elevate one’s look while gaining a local meaning. The research applied a qualitative method with data collected through interviews, literature studies, and field research. The outcome of the research shows that Nias war costume’s amulet can be an inspiration for today’s fashion accessories that serve traditional meaning to the wearer.
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Worman, Nancy. „The Ties that Bind: Transformations of Costume and Connection in Euripides' Heracles“. Ramus 28, Nr. 2 (1999): 89–107. http://dx.doi.org/10.1017/s0048671x00001739.

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Cependant, elle, qui croyait bien connaître Jacques, s'étonnait. Il avait sa tête ronde de beau garçon, ses cheveux frisés, ses moustaches très noires, ses yeux bruns diamantés d'or, mais sa mâchoire inférieure avançait tellement, dans une sôrte de coup de geule, qu'il s'en trouvait défiguré.Zola, La Bête HumaineIt may seem banal to note that in its original conception Greek tragedy depended for much of its force on costume and visual effect. The dramas themselves often make clear, however, that costume, as a central feature of a character's visible type, communicates essential aspects of how she is situated both literally and figuratively. Not only do characters often enter in heroic or royal regalia, but the more elaborate or bedraggled one's appearance, the more likely it is that other characters comment upon it and thereby give it some overarching significance. As historians of Athenian drama have noted, the plays themselves do not provide very detailed evidence about the actual costumes that actors wore. Nor do vase paintings of particular stories always supplement the dramas with sufficiently detailed images of characters; and die written sources are too late to be definitive. I would nevertheless suggest that in Sophocles and especially in Euripides the plays draw attention to differentiations among the appearances of characters when the character's visible type contributes importantly to understanding her place in the social and symbolic structure of the play.
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Stillman, Yedida K., und Nancy Micklewright. „Costume in the Middle East“. Middle East Studies Association Bulletin 26, Nr. 1 (Juli 1992): 13–38. http://dx.doi.org/10.1017/s0026318400025025.

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Clothing constitutes a cultural statement. It is a manifestation of culture, no less than art, architecture, literature, and music. Like all cultural phenomena, it communicates a great deal of information both on the physical and symbolic level about the society in which it is found. Fashions, or modes of dress, reflect not only the æsthetics of a particular society (what might be called the “adornment factor”), but also its social mores and values (the “modesty/immodesty factor,” or “reveal/conceal factor”). Furthermore, dress is often a clear economic indicator. The fabric, quality of cut, and ornamentation of a garment are commonly badges of socioeconomic status. More subtly and often symbolically, clothing reflects religious and political norms. In Islamic society, clothing has historically been intimately connected with notions of purity and impurity (tahāra and najas), ritual behavior (sunna), and the differentiation of the believer from the unbeliever (ghiyār), as well as the separation of the genders (hijāb). Thus, within Islamic society clothing constitutes a cultural complex, or what Roland Barthes has dubbed a “vestimentary system.” (Barthes 1957).
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Adzovie, Daniel Edem, Abdul Bashiru Jibril, Rita Holm Adzovie und Divine Narkotey Aboagye. „Sex Sells! Could Sex Scenes in Ghanaian Video Films be used to Market Culture through Costume?“ Technium Social Sciences Journal 10 (23.07.2020): 133–41. http://dx.doi.org/10.47577/tssj.v10i1.1266.

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Film, although one of the youngest art forms, influences societies due to its unique way of interacting with the viewer. Film directors employ different tropes in conveying messages to audiences. One of such tropes is costume. “Sex sells” is a popular expression in advertising and marketing communications. The purpose of this study is to offer a new perspective on how sex scenes in films could be used to project aspects of a country’s culture. Riding on this popular expression, we argue that sex scenes in a Ghanaian video film could be a strong fulcrum to expose aspects of the rich Ghanaian culture to the world. We submit that by paying particular attention to the mise-en-scene of costume used during sex scenes, directors could lure film lovers into appreciating the kinds of fabric as well as style used by characters in a film. Through the case study method, we reviewed literature on mise-en-scene of costume in film, and its ability to convey underlying messages to the viewer. The literature review serves as the basis of our argument, where we propose how to ride on costume in sex scenes to project and market the richness of Ghanaian culture regarding clothing/costume in sex scenes in films. In this regard, we have been able to problematize a new way of thinking about sex scenes in films, especially regarding sex scene costume as a unique selling proposition and its contribution to marketing a country’s culture to the viewing public. This study contributes to policy in the entertainment industry in terms of portrayal of sex scenes in Ghanaian video films while ensuring cultural adaptability and growth.
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Holderness, Graham. „Introduction“. Critical Survey 33, Nr. 1 (01.03.2021): 1–7. http://dx.doi.org/10.3167/cs.2021.330101.

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In Britain, from the nineteenth century onwards, the default ‘setting’ for Shakespeare’s plays (by which I mean costume, mise-en-scène, and assumed historical and cultural context) has been medieval and early modern: the time of the plays’ composition (late sixteenth and early seventeenth centuries) or the time of their historical location (medieval Britain or Europe, ancient Greece or Rome, etc.). In this visual and physical context, Twelfth Night would normally be performed or imagined in Elizabethan or Jacobean, Macbeth and Hamlet in medieval, Julius Caesar in ancient Roman dress and settings. In the historical context of their original production, the plays were performed in contemporary dress with minimal mise-en-scène; through the Restoration and eighteenth century in fashionable modern dress and increasingly naturalistic settings. Today in Britain, Shakespeare can be performed in any style of costume, setting and cultural context, from the time of the plays’ reference to the immediate contemporary present, and often in an eclectic blend of some or all. But strong forces of tradition and cultural memory tie the plays, in their visual and physical realisation as well as their language, to the medieval and early modern past. We see this attachment in film versions of the plays and of Shakespeare’s life. We dress Shakespeare in the costumes of all the ages, but we know that he truly belongs, as in the various portraits, in doublet and ruff.
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Dissertationen zum Thema "Costume in literature"

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Cieskowski, Babette. „Costume Party With Blood“. The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu152335917211272.

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Crocker-Aulenback, Heather Lee. „Dressing cultures costume designs for Pericles /“. Amherst, Mass. : University of Massachusetts Amherst, 2009. http://scholarworks.umass.edu/theses/369/.

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Weiss, Katherine. „‘… gentle light unfading …’: Set and Costume Designs for Samuel Beckett’s Neither“. Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/2261.

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Priebe, Rebekah Elisabeth. „Costume Design for a Production of The Coast of Illyria“. The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461249481.

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Bierschenk, Elisa Dianne. „Costume Design and Production for O Pioneers!, by Darrah Cloud“. The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1274731821.

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Lublin, Robert I. „Costuming the Shakespearean stage visual codes of representation in early modern theatre and culture /“. Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1060614385.

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Thesis (Ph. D.)--Ohio State University, 2004.
Document formatted into pages; contains x, 256 p. Includes bibliographical references. Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2005 Aug. 11.
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Ferrara, Flora. „Translating History of Fashion on Screen : A study of Piero Tosi’s costumes in Senso and their power of divulgation as historiophoty“. Thesis, Stockholms universitet, Modevetenskap, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-183256.

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The aim of this thesis is to demonstrate that historical costumes can be a valid tool to crystallize and disseminate visual knowledge about fashion and dress history. In the specific, this thesis argues that the screen representation of dress and fashion of the 1860s in the adaptation Senso (1954) provides an evocative contextualization of their past use and meaning for modern viewers. It also discusses the historical accuracy attained by one of the film’s costume designers, Piero Tosi, and his mediation between on-page story and reality. To do this, it visually and textually compares the film costumes, diverse historical documentation and the original novel the film is based on. This analysis is supported by an interdisciplinary theoretical framework: by postmodern history with the concept of historiophoty; by literature and adaptation studies with Genette’s palimpsests and Eco’s reflections on intersemiotic translation; and by costume studies and practitioners with the idea of historical accuracy as a progressive scale and costume as supporting the narrative and balancing the frame.
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Kim, Jeena. „Tea Parties, Fairy Dust, and Cultural Memory: The Maintenance and Development of Alice in Wonderland and Peter Pan Over Time“. Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1404780148.

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Tsoumpra, Natalia. „Comic leadership and power dynamics in Aristophanes“. Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:1b3d4779-609e-4638-81f2-2e7f0d410477.

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This thesis investigates the concept of leadership in four comedies of Aristophanes. In the first chapter (Lysistrata) I focus on the relationship of the female leadership with religious rituals and medical pathology, and I show that the power of women lies in their important biological role and their ability to conceive and (re)produce life in the context of marriage. In chapter two (Knights) I examine the operation of leadership through the alimentary and sacrificial codes of the play. I argue that the Sausage-seller gradually manifests himself as the sacrificial cook Agorakritos who sacrifices Demos. In this way he puts an end to the politics of savage, raw consumption as they were employed by Paphlagon (and, occasionally, by Demos himself), and saves the day by inaugurating a new era of political practice. In chapter three (Birds) I focus on the political competition between the former leader of the Birds, Tereus, and the newcomer Peisetairos. I argue that Peisetairos captivates his audience through the abuse of rhetoric and sophistry, and gradually adopts more brutal ways, by perverting the ritual of hospitality, committing cannibalism, and becoming sexually aggressive. In this respect, Peisetairos is assimilated to the tragic Tereus of the Sophoclean tragedy, but finally emerges as a more successful version of both the comic and the tragic Tereus. In the fourth and last chapter (Ecclesiazusae) I discuss the women’s disruption and overturn of the normal social order by focusing on the practice of cross-dressing and on love-magic rituals: the exchange of costume between the two sexes, as well as the control of magic practices by the women over men, empower women and, by contrast, disempower and ridicule men, who are finally reduced to a state of impotence, infertility and almost death.
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Albrizio, Eileen M. „Wearing costumes and crossing borders : search for self in Chicano/a literature /“. Abstract, 2008. http://eprints.ccsu.edu/archive/00000551/01/1995Abstract.htm.

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Thesis (M.A.) -- Central Connecticut State University, 2008.
Thesis advisor: Katherine Sugg. "... in partial fulfillment of the requirements for the degree of Master of Arts in English." Includes bibliographical references (leaves 114-116). Abstract available via the World Wide Web.
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Bücher zum Thema "Costume in literature"

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ill, McAulay Liz, Hrsg. Costume. New York: DK Pub., 2000.

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Rowland-Warne, L. Costume. New York: Knopf, 1992.

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Costume crafts. New York: Gareth Steven Pub., 2010.

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ill, Mukhida Zul, Hrsg. Costume crafts. Milwaukee: Gareth Stevens Pub., 1994.

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Paul, Penelope. Costume and clothes. Hove: Wayland, 1995.

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Paul, Penelope. Costume and clothes. New York: Thomson Learning, 1995.

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Kelly, Mary. On English costume. Studio City, Calif: Players Press, 1998.

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ill, Pollock Jonathan, und Gower Teri ill, Hrsg. My costume book. Boston: Little, Brown, 1995.

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I see a costume. Edina, Minn: Abdo Pub., 2006.

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Rooney, Anne. Costume around the world. New York, NY: Chelsea Clubhouse, 2008.

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Buchteile zum Thema "Costume in literature"

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Gibson, Pamela Church, und Tamar Jeffers McDonald. „Costume and Adaptation“. In A Companion to Literature, Film, and Adaptation, 293–311. Chichester, UK: John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118312032.ch16.

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Durrans, Stéphanie. „“Costume de ghost”: Liminality in Grace King’s Balcony Stories“. In Liminality, Hybridity, and American Women's Literature, 183–99. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73851-2_12.

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Petts, Ashleigh. „Sartorial/Rhetorical Style: Costume and Appearance in Victorian Fallen Woman Fiction“. In Belgrade English Language and Literature Studies: BELLS90 Proceedings. Volume 2, 183–99. Belgrade: Faculty of Philology, University of Belgrade, 2020. http://dx.doi.org/10.18485/bells90.2020.2.ch14.

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Frisch, Daniel. „Lewis, Robin Coste“. In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12003-1.

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Wild, Gerhard. „La Calprenède, Gautier de Coste Sieur de“. In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4113-1.

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Bachem-Alent, Rose, und KLL. „La Calprenède, Gautier de Coste Sieur de: Cléopâtre“. In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4114-1.

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Frisch, Daniel. „Lewis, Robin Coste: Voyage of the Sable Venus and Other Poems“. In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12004-1.

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„Genesis by the sword and special effects in Korean TV costume drama“. In Diaspora Literature and Visual Culture, 67–80. Routledge, 2010. http://dx.doi.org/10.4324/9780203840771-11.

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Bishop, Chris. „Conan the Barbarian (1970)“. In Medievalist Comics and the American Century. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496808509.003.0005.

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With the chapter on Conan the Barbarian, the focus of this study shifts away from the inter-translation of this earlier medievalism towards the establishment of the mythopoeic visions that dominate medievalist discourse today. Robert E. Howard’s pulp-fiction heroes were born out of his experiences in the flint-hard mining towns of Depression-era Texas and out of his desire, perhaps, to escape them. This chapter will contextualize that work within a greater analysis of fantasy literature, focusing in particular on the inter-relationship of Howard’s creations with those of J. R. R. Tolkien, and with the genesis of new and immersive fan experiences that included comic conventions, costume-play and fantasy role-playing games.
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Skwara, Ewa. „Costumes in Henryk Sienkiewicz’s Quo vadis and their Literary and Painterly Sources“. In The Novel of Neronian Rome and its Multimedial Transformations, 55–72. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198867531.003.0004.

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Sienkiewicz had to dress the characters of Quo vadis in period garments. Their descriptions rarely appear, but they are highly suggestive of how the author understood ancient Rome and tried to recreate it in his work. Sienkiewicz gives detailed descriptions of costumes only when they concern the most important figures in his novel, or if clothing plays an important role in the plot. The rest of the protagonists are treated as collective characters whose clothing is identified only in terms of togas, stolae, or the robes of the poor. Beside the ubiquitous tunic, other Latin names of clothing primarily indicate the status of characters or are mentioned when Sienkiewicz uses clothes to disguise them. In those cases, the ubiquitous tunic receives an adjectival descriptor of colour or shade, which in the world of Quo vadis has a differentiating function. The names of the characters’ outfits have their origins in Roman literature. The terms introduced in the novel allow for an easy recreation of the author’s reading list, which consists of the basic works of a classical education—Cicero, Suetonius, Plutarch, Pliny, Horace, Propertius, Juvenal, Martial. Sometimes Sienkiewicz mixes his classical terminology with those of ecclesiastical Latin, creating an unintendedly humorous effect. However, the writer’s use of costume colour seems to have been inspired by the paintings of Lawrence Alma-Tadema and Henryk Siemiradzki. This chapter will explore the very close relationship between text and paintings, and utilizes Sienkiewicz’s colour coding to pinpoint some of the images on which he drew.
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Konferenzberichte zum Thema "Costume in literature"

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„Research on the Ancient-Costume Film Role Shaping Based on the Perspective of Costume Pattern Design“. In 2017 4th International Conference on Literature, Linguistics and Arts. Francis Academic Press, 2017. http://dx.doi.org/10.25236/iclla.2017.42.

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„The Application of Traditional Elements of Chinese Costume Culture in the Modern Apparel“. In 2018 International Conference on Arts, Linguistics, Literature and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icallh.2018.57.

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„Research on the Elements of Costumes in Dunhuang Feitian Art“. In 2018 International Conference on Culture, Literature, Arts & Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icclah.18.019.

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Lima, Tathiely Costa Ferreira, Carolina Costa Siebra, Eliseu Barbosa De Matos Neto, Sabrina De Araújo Dantas und Marcia Cristina Macêdo Machado. „MICOPLASMOSE HEMOTRÓPICA FELINA – REVISÃO DE LITERATURA“. In I Congresso On-line Nacional de Clínica Veterinária de Pequenos Animais. Revista Multidisciplinar em Saúde, 2021. http://dx.doi.org/10.51161/rems/1814.

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Introdução: A micoplasmose hemotrópica é uma doença causada por diferentes gêneros de Mycoplasma spp. como o caso do Mycoplasma haemofelis transmitido aos gatos pela picada de pulgas infectadas. Ao atingir o sistema circulatório do felino, o parasita se adere as hemácias, gerando resposta imune do hospedeiro levando a quadros de anemia hemolítica. Alguns felinos costumam ter anemia regenerativa como achado laboratorial devido a parasitemia causada pelo microrganismo, exceto em gatos positivos para FeLV. Os sinais clínicos são variáveis e incluem apatia, fraqueza, anorexia, mucosas pálidas, icterícias, no entanto alguns animais infetados são assintomáticos. É considerada uma doença oportunista. Objetivo: Realizar uma revisão de literatura sobre a doença abordando seus aspectos patogênicos, sinais clínicos, além dos métodos diagnósticos e os tratamentos comumente preconizados. Material e Métodos: Para a pesquisa bibliográfica foram acessados artigos científicos, publicados entre 2010 e 2021, utilizando os descritores “micoplasmose hemotrópica felina” e “hemobartonelose em gatos” nas plataformas digitais SciELO, Google Acadêmico e PubVet. Resultados: A doença possui como principal sinal clinico a anemia hemolítica em gatos imunocompetentes, em alguns casos, o hematócrito pode diminuir de repente colocando a vida do paciente em risco. A fisiopatologia dessa doença possui três estágios importantes: fase aguda, fase de recuperação e fase crônica. A infecção inicia-se com a fase aguda e os sinais clínicos neste período se manifestam de maneira leve, inaparentes. O diagnóstico se dar pela avaliação do esfregaço sanguíneo onde pode evidenciar o M. haemofelis em eritrócitos. A confirmação do diagnóstico também pode ser por meio de PCR. Para o tratamento utilizam-se antibióticos, sendo descrito na literatura preferencialmente o uso de doxiciclina, tetraciclina, oxitetraciclina, enrofloxacina, corticóides e fluidoterapia. A transfusão de sangue é realizada quando houver anemia grave. A terapia com corticoide suprime a hemólise imunomediada e a doxiciclina é efetiva contra o parasito. Conclusão: A infecção por M. haemofelis é considerada uma doença comum na medicina veterinária e se não tratada pode levar a morte do animal. Por se tratar de uma doença transmitida por picada de pulgas infectadas a melhor maneira de prevenir a doença é controlando os ectoparasitas permitindo que os animais tenham uma vida saudável.
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Freund, Anna. „The Signs of Digitalization on Food Safety Issues: A Literature Review Focusing on Traceability“. In New Horizons in Business and Management Studies. Conference Proceedings. Corvinus University of Budapest, 2021. http://dx.doi.org/10.14267/978-963-503-867-1_04.

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This study aims to examine the signs of digitalization’s/Industry 4.0’s impact on food safety in form of a literature review. It is intended to awake the interest of both the academic sphere and internal (e.g., managers) and external (e.g., costumers, state) stakeholders of food producers and also processing companies. The main research questions focus on the methodology of tracing and tracking, which both have significant importance in the area of quality assurance especially in the food industry. From an economic point of view, we are now in the age of Industry 4.0, which has a major impact on the whole economy. Industry 4.0 solutions significantly are realized in the automation of data transfer. Excellent food safety conditions can be supported by real-time transmission, analysis, and interpretation of data characterizing products and processes. This study is an introductory part of the literature review of my doctoral research. The research goals include the exploration of Industry 4.0 and practices given by digitalization within different sectors of the food industry. Furthermore, establishing relationships between the measurability of food safety criteria and the toolbox of digitization and regulatory requirements are expected to be the results of the research process. The current study aims to introduce and interpret the basics of the connection between food safety and the toolbox of Industry 4.0. In general, the research may contribute both to the scientific area and the arena of practice.
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Lima, Camila Araújo Novais, Anna Julie Medeiros Cabral, Eduardo Franco Correia Cruz Filho, Gabriel Lucena De Carvalho Soares und Filipe Eduardo Aguiar Costa Filho. „CARDIOTOXICIDADE EM PACIENTES COM LÚPUS ERITEMATOSO SISTÊMICO TRATADOS COM HIDROXICLOROQUINA: UMA REVISÃO DE LITERATURA“. In I Congresso Brasileiro de Imunologia On-line. Revista Multidisciplinar em Saúde, 2021. http://dx.doi.org/10.51161/rems/1010.

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Introdução: O Lúpus Eritematoso Sistêmico (LES) é uma doença inflamatória crônica multissistêmica e autoimune. LES acomete cerca de 10 vezes mais o sexo feminino, preferencialmente jovens e de raça não caucasiana.Objetivos: Estimular maiores estudos acerca da Hidroxicloroquina, em especial o seu efeito cardiotóxico em pacientes lúpicos a longo prazo. Material e métodos: Trata-se de uma revisão de literatura exploratória com base em artigos completos encontrados na base de dados da Biblioteca Virtual em Saúde (BVS), nos últimos cinco anos. Inicialmente foram identificados 17 artigos, dos quais 5 foram selecionados manualmente por melhor se relacionarem ao tema. Resultados: Os rins costumam ser os principais órgãos acometidos pela doença, entretanto os fatores cardiovasculares são os mais associados à morbimortalidade de pacientes com LES. A hidroxicloroquina (HCQ) é um dos fármacos mais utilizados no tratamento do LES, pois age como como imunomodulador e anti-inflamatório, e possui uma toxicidade considerada mínima. Atualmente seu potencial de toxicidade reconhecido é o acometimento da retina, sendo o uso limitado a uma dose diária de 5 mg/kg e recomendação de rastreamento anual de campo visual e coerência óptica, principalmente após os 5 primeiros anos de tratamento segundo as diretrizes da Academia Americana de Oftalmologia. Porém alguns estudos demonstram que a HCQ possui efeito cardiotóxico, podendo levar a uma insuficiência cardíaca progressiva e potencialmente irreversível, transplante cardíaco e até mesmo morte. Mesmo após a suspensão da HCQ a resposta clínica do paciente pode variar amplamente, podendo ter uma completa melhora ou ter piora progressiva de sintomas, danos irreversíveis, transplante cardíaco ou até morte. Conclusão: O LES é uma doença autoimune multissistêmica que acomete principalmente o sexo feminino e tem o sistema cardiovascular como um dos principais associados à morbimortalidade pela doença. Embora não seja uma recomendação da Sociedade Brasileira de Reumatologia (SBR) ou da Sociedade Brasileira de Cardiologia (SBC), o reconhecimento precoce, a triagem e o diagnóstico de cardiotoxicidade e descontinuação da terapia com HCQ podem diminuir algumas complicações cardíacas.
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Teixeira, Amanda Carolina, Nelson Nunes Tenório Junior und Arthur Gualberto Bacelar da Cruz Urpia. „O Design Participativo como oportunidade para a implementação da Gestão do Conhecimento em PMEs“. In Simpósio Brasileiro de Sistemas Colaborativos. Sociedade Brasileira de Computação, 2021. http://dx.doi.org/10.5753/sbsc.2021.16020.

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As Pequenas e Médias Empresas (PMEs) são as principais fontes de criação de empregos e de desenvolvimento econômico local. Apesar disso, no contexto atual em que as economias são baseadas em conhecimento, elas não costumam praticar a Gestão do Conhecimento (GC) de forma deliberada. Com efeito, o objetivo desta pesquisa é investigar quais oportunidades o Design Participativo (DP) pode trazer ao processo de implementação da GC em PMEs, à luz dos três principais fatores críticos de sucesso encontrados na literatura. Para tanto, foi conduzida uma etnografia em um grupo de trabalho (Squad de GC) de uma média empresa de consultoria, localizada em São Paulo, cujo escopo é implementar a GC na companhia. Os resultados mostram a existência diversas oportunidades apresentadas pelo DP para a implementação da GC em PMEs baseado nos achados da literatura e de elementos de DP nas atividades do grupo de trabalho.
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Liu, Feng, George T. C. Chiu, Eric S. Hamby und Yongsoon Eun. „Optimal Dispensing Strategy for a Two Component Xerographic Development Process“. In ASME 2008 Dynamic Systems and Control Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/dscc2008-2259.

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Inconsistent color reproduction is a major performance and quality issue for high volume digital press. Literature has shown that loss of developability of the toner particles in the development stage of xerography is a main contributing factor for inconsistent color reproduction. Previous works have shown that a second order system model is able to predict and characterize the inevitable loss of developability. In this paper, a nonlinear constrained optimal control problem is formulated to find the optimal dispensing strategy that maximizes the time for which acceptable developability is maintained. An analytical solution to the constrained optimal control problem is derived based on the Maximum Principle without explicitly solving for the costate dynamics. Results show that the state feedback based optimal dispensing strategy starts with the minimal allowable dispensing rate while increasing the development voltage to maintain the desired development quality until the maximal development voltage is reached. Then, the optimal dispense rate switches to maintain the developability at maximal development voltage. Numerical examples support the analytical solution.
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Aldeia, Guilherme, und Fabrício França. „Um Estudo Paramétrico do Algoritmo Evolutivo baseado na representação Interação-Transformação para Regressão Simbólica“. In Simpósio Brasileiro de Sistemas de Informação. Sociedade Brasileira de Computação (SBC), 2020. http://dx.doi.org/10.5753/sbsi.2020.13138.

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Dada uma base de dados com variáveis explanatórias x e uma variável alvo y, onde exista uma função desconhecida f(x) = y, a regressão simbólica busca por uma função f(x) que se aproxime suficientemente bem de f(x). Ela costuma ser feita por meios da programação genética, um método de busca e otimização que simula conceitos da teoria da evolução para construir e ajustar ˆf(x) através da manipulação de populações de soluções, mas a forma em que as soluções são expressas (por meio de árvores sintáticas) apresenta um espaço de busca amplo e resultados pouco interpretáveis. Nesse contexto, foi introduzida recentemente uma nova representação para a regressão simbólica — a Interação-Transformação (IT) — de forma a evitar esses problemas, limitando o espaço de busca em expressões simples, sendo capaz de retornar resultados com maior interpretabilidade que se mantem competitivos com a literatura. Algoritmos de regressão simbólica apresentam um importante compromisso entre aproximação dos dados e complexidade da função encontrada. Essa representação foi usada no contexto de um algoritmo evolutivo, com a finalidade de encontrar expressões concisas que tenham um erro de aproximação pequeno e resultados competitivos com a literatura. Em [Aldeia and de França 2020], os autores investigaram a influência dos hiper-parâmetros do algoritmo evolutivo proposto sobre os resultados, em termos de erro de aproximação e complexidade da função simbólica encontrada. Os resultados mostraram que o número máximo de termos ´ e mais importante que o limite de expoentes permitido, e existe um limite onde aumentar o tamanho da expressão gera benefícios, podendo ser explicado pelo overfit. Como o limite dos expoentes tem menor influência, ele pode ter um valor definido como padrão sem impactar nos resultados, mas diminuindo a complexidade das funções em termos de sua interpretabilidade.
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Černikovaitė, Miglė. „The impact of Influencer marketing on consumer buying behavior in social networks“. In Contemporary Issues in Business, Management and Economics Engineering. Vilnius Gediminas Technical University, 2019. http://dx.doi.org/10.3846/cibmee.2019.082.

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Purpose – the purpose of the article is to analyze the impact effect of Influencers marketing on consumer buying behavior by determining which partnership opportunities are most relevant. Research methodology – the theoretical analysis of scientific literature and quantitative statistical analysis of empirical research results. Findings – the research in Lithuania has shown that before making a decision to purchase a product or a service, most respondents are actively seeking information in social networks by reading other costumers feedback. Moreover, the survey reveals that recommendations, comments, shared information about certain brands by Influencers are the most important factors in changing buying behavior. Research limitations – the main limitations of research may be the geographical research area – Lithuania and social networks (Facebook). Practical implications – understanding of Influencers impact on consumer buying behavior. Originality/Value – this scientific topic is rather new. Scientists, like Matsumura, Yamamoto, & Tomozawa (2008), investigated Influencers and Consumer Insights impact in the Blogosphere; Thakur, Srivastava (2015) presented a Conceptual research model of Influencers impact of Customer Satisfaction and Loyalty and etc. However, there is a lack of research investigating the impact of Influencer marketing on consumer buying behavior. This research aims to fill this gap in the Lithuanian case
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