Auswahl der wissenschaftlichen Literatur zum Thema „Coroplastie“
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Inhaltsverzeichnis
Machen Sie sich mit den Listen der aktuellen Artikel, Bücher, Dissertationen, Berichten und anderer wissenschaftlichen Quellen zum Thema "Coroplastie" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Zeitschriftenartikel zum Thema "Coroplastie"
Fourrier, Sabine. „La coroplastie d'Idalion à l'époque archaïque. Ateliers et diffusion“. Cahiers du Centre d'Etudes Chypriotes 34, Nr. 1 (2004): 191–209. http://dx.doi.org/10.3406/cchyp.2004.1464.
Der volle Inhalt der QuelleMackowiak, Karin. „Le singe dans la coroplastie grecque : enquête et questions sur un type de représentation figurée“. Bulletin de correspondance hellénique 136, Nr. 1 (2012): 421–82. http://dx.doi.org/10.3406/bch.2012.7936.
Der volle Inhalt der QuelleChidiroglou, Maria. „A Playful Coroplast? A New Look at the Terracotta Group of the Early Roman Board-Game Players NAM 4200 and Related Finds“. Board Game Studies Journal 16, Nr. 1 (01.04.2022): 339–68. http://dx.doi.org/10.2478/bgs-2022-0011.
Der volle Inhalt der QuelleAverett, Erin Walcek. „La Coroplastie Chypriote archaïque: Identités culturelles et politiques à l'époque des royaumes, by Travaux de la Maison de I'Orient et de la Méditerranée, No. 46. Sabine Fourrier.“ Bulletin of the American Schools of Oriental Research 357 (Februar 2010): 96–98. http://dx.doi.org/10.1086/basor27805168.
Der volle Inhalt der QuelleMuller, Arthur. „Coroplastic studies: what’s new?“ Archaeological Reports 64 (November 2018): 153–69. http://dx.doi.org/10.1017/s057060841800025x.
Der volle Inhalt der QuelleBykovskaya, Aleksandra Viktorovna. „The image of goddess on the throne in the Bosporan coroplast of the archaic and classical periods (VI – IV centuries BC): iconography and sacred meaning“. Исторический журнал: научные исследования, Nr. 3 (März 2021): 36–57. http://dx.doi.org/10.7256/2454-0609.2021.3.35727.
Der volle Inhalt der QuelleHerscher, Ellen. „The Coroplastic Art of Ancient Cyprus. Vassos Karageorghis.“ Bulletin of the American Schools of Oriental Research 304 (November 1996): 78–83. http://dx.doi.org/10.2307/1357443.
Der volle Inhalt der QuelleBykovskaya, Aleksandra Viktorovna. „The image of enthroned goddess in coroplast of the Early Hellenistic Bosporus“. Человек и культура, Nr. 3 (März 2021): 46–68. http://dx.doi.org/10.25136/2409-8744.2021.3.35728.
Der volle Inhalt der QuelleShevchenko, Tetiana. „Terracotta Figurines of Goddesses on Thrones from Borysthenes“. Eminak, Nr. 3(35) (13.11.2021): 179–200. http://dx.doi.org/10.33782/eminak2021.3(35).551.
Der volle Inhalt der QuelleMaestro Zaldívar, Elena. „Acerca de una figurita cerámica procedente del yacimiento de Los Castellazos de Mediana de Aragón (Zaragoza)“. Salduie, Nr. 5 (31.12.2005): 143–57. http://dx.doi.org/10.26754/ojs_salduie/sald.200556508.
Der volle Inhalt der QuelleDissertationen zum Thema "Coroplastie"
Fourrier, Sabine. „La coroplastie chypriote archaïque : identités culturelles et politiques à l'époque des royaumes /“. Lyon : Paris : Maison de l'Orient et de la Méditerranée ; diff. de Boccard, 2007. http://catalogue.bnf.fr/ark:/12148/cb41198932p.
Der volle Inhalt der QuelleGalliano, Geneviève. „Les images religieuses en terre cuite de Coptos à l'époque romaine : production et consommation“. Poitiers, 2011. http://www.theses.fr/2011POIT5032.
Der volle Inhalt der QuelleThe study focuses on some 1 400 roman figures found at the beginning of the 20th century in Koptos (Upper Egypt), most of them being kept in the Musée des Beaux-Arts de Lyon
Handler, Marcie D. „Crafting Matters: A Coroplastic Workshop in Roman Athens“. University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337264725.
Der volle Inhalt der QuelleBellia, Angela Maria <1967>. „Le raffigurazioni musicali nella coroplastica della Sicilia greca (VI-III sec. a.C.)“. Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2007. http://amsdottorato.unibo.it/227/1/Tesi_di_Dottorato_di_Angela_Maria_Bellia.pdf.
Der volle Inhalt der QuelleBellia, Angela Maria <1967>. „Le raffigurazioni musicali nella coroplastica della Sicilia greca (VI-III sec. a.C.)“. Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2007. http://amsdottorato.unibo.it/227/.
Der volle Inhalt der QuelleRafanelli, Simona <1965>. „Coroplastica architettonica a Roselle e Vetulonia tra VI e I sec. a.C“. Doctoral thesis, Università Ca' Foscari Venezia, 2007. http://hdl.handle.net/10579/400.
Der volle Inhalt der QuelleBolognani, Barbara <1989>. „The Iron Age Clay Figurines from Karkemish (2011-2015 Campaigns) and the Coroplastic Art of the Syro-Anatolian Region“. Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2017. http://amsdottorato.unibo.it/8222/7/Bolognani_Barbara_tesi.pdf.
Der volle Inhalt der QuelleBERNARDINI, LORENA. „La coroplastica di tipo tanagrino come dono votivo nel santuario della Sorgente di Saturo: dall’analisi del materiale alla ricostruzione delle funzioni e della tradizione culturale“. Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2013. http://hdl.handle.net/2108/201809.
Der volle Inhalt der QuelleFéret, Sophie. „Statuettes en terre cuite de l'époque hellénistique en Italie : productions et variations“. Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H095.
Der volle Inhalt der QuelleTerracotta casting is a process of manufacturing that allows the mass production of objects with the help of molds. As a technical process, coroplasty is an example of mass production and diffusion of images.My research is focusing on building a typology for terracotta figurines of the Hellenistic era, more specifically the ones dating back to the 3rd and 2nd Centuries BC in Italy. These generic figurines, with no specific characteristics, feature a renewal in statuette iconography. The most emblematic ones usually represent women wrapped in veils, also called Tanagra figurines.Around the middle of the 19th century, with the apparition of figurines from Tanagra (circa 1870) and Myrina (circa 1880) on the art market, the statuettes began to catch the attention of connoisseurs, then scientists. Collected for themselves for a long time, these figurines have often been torn apart from their archeological environment. In Italy, thanks in great part to a retrospective study of the figurines preserved in museums, we are able to re-establish connections with groups and contexts of discoveries (votive or funerary figurines).The materials gathered for the documentation of this thesis are heterogeneous. It consists of artwork catalogues and notes from various sites where the figurines are often underexposed. The main complexity of this research follows thus: the terracotta figurines, both abundant and repetitive, often incomplete, arouse little enthusiasm; all the energy in research usually focuses mostly on the group of objects best preserved or identified. In a way, my work tries to reassert the value of numbers, as much from the point of view of handicraft as from the different religious functions of the figurines.Italy during the Hellenistic era is the field of investigation for this research, irrespective of cultural context (Italic, Greek, Etruscan or Roman) from which sometimes historiography has a tendency to confine small terracotta figures. Despite their number and variety, or rather because of them, these figurines remain largely ignored. My approach tries to break free from the usual iconographic typologies and technical classifications. I tried to observe and analyze the Tanagra figurines – mostly consisting of veiled feminine silhouettes, but also including some mythologicaltopics (Eros, Aphrodite, Athena, Hermes…) personalized through an array of superimposed attributes – taking into account their shape, and presenting them according to a morphological typology. This typology has been created in the prospect of offering a new frame of reference and interpretation, in order to build tools of research better fitted to these figurines, all lacking in apparent meaning, entangled in the serialization of its shapes, from which sometimes uniqueness emerge. The form and its variations are at the heart of the topic, leading to developments on main production scales, or on the interpretation of the images they conveyed depending on their topographical, historical and cultural environment
Bilbao, Zubiri Eukene. „La petite plastique en terre cuite de Métaponte : productions, langages formels et processus identitaires au VIIè-VIè siècles av. J.-C“. Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H050.
Der volle Inhalt der QuellePrevious research on metapontian coroplastic material has focused on their ex voto dimension, circumscribed to the sanctuary. Given the abundant data that we have, this work aims to update our knowledge considering this material first of ail as a craft production. The study focuses on the VII1h-VI1h centuries B.C., period during which the polis progressively structured its territory and established its places of worship. The constitution of a corpus with material from different sanctuaries enables us to define technical types and analyse their diffusion within the city. The study combines three complementary approaches aimed at determining the specificities of metapontian materials: on the first place, the operational chains and craft spaces which introduce the question of local workshops and how to identify their productions; then, the diffusion of the material within Metaponto and beyond, highlighting the contact networks; lastly, the formal specificities of the metapontian corpus and the creative dynamics the city integrates on a larger scale. Finally, these observations are placed on a wider perspective from three different angles: the place of the craftsman, the iconographic analysis and the use of crafts in the definition of the ltaliote identity. This methodological exercise seeks to bring new perspectives by considering the city's production as a whole. JI brings out the appeal of analysing the entire depositional context and approaching the material through its own productive and communitarian dynamics
Bücher zum Thema "Coroplastie"
La coroplastie chypriote archaïque: Identités culturelles et politiques à l'époque des royaumes. Lyon: Maison de l'Orient et de la Méditerranée, 2007.
Den vollen Inhalt der Quelle findenFoundation, A. G. Leventis, Hrsg. The coroplastic art of ancient Cyprus. Nicosia: A.G. Leventis Foundation, 1991.
Den vollen Inhalt der Quelle findenTroisi, Franca Ferrandini. Coroplastica tarantina: Le matrici iscritte. Bari: Edipuglia, 2012.
Den vollen Inhalt der Quelle findenauthor, Pisani Marcella, und Istituto per i beni archeologici e monumentali, Hrsg. Philotechnia: Studi sulla coroplastica della Sicilia greca. Catania: Consiglio nazionale delle ricerche, Istituto per i beni archeologici e monumentali, 2012.
Den vollen Inhalt der Quelle findenMarchetti, Nicolò. La coroplastica eblaita e siriana nel Bronzo medio ... Roma: Università degli studi di Roma La Sapienza, 2001.
Den vollen Inhalt der Quelle findenLa coroplastica eblaita e siriana nel Bronzo medio ... Roma: Università degli studi di Roma La Sapienza, 2001.
Den vollen Inhalt der Quelle findenUhlenbrock, Jaimee Pugliese. The coroplast's art: Greek terracottas of the Hellenistic world. [New Paltz, N.Y.]: College Art Gallery, The College at New Paltz, State University of New York, 1990.
Den vollen Inhalt der Quelle findenMusée du Louvre. Département des antiquités orientales. L' art des modeleurs d'argile: Antiquités de Chypre, coroplastique. Paris: Réunion des musées nationaux, 1998.
Den vollen Inhalt der Quelle findenUdine (Italy). Civici musei e gallerie di storia ed arte., Hrsg. Ceramica e coroplastica dalla Magna Grecia nella collezione De Brandis. Udine: Editreg, 2006.
Den vollen Inhalt der Quelle findenCoroplastica con raffigurazioni musicali nella Sicilia greca, secoli VI-III a.C. Pisa: F. Serra, 2009.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Coroplastie"
Sarri, Dimitra, und Effie F. Athanassopoulos. „Coroplastic Studies Through 3D Technology: The Case of Terracotta Figurines from Plakomenos, Greece“. In Digital Heritage. Progress in Cultural Heritage: Documentation, Preservation, and Protection, 498–508. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-01762-0_43.
Der volle Inhalt der Quelle„L'ART CÉRAMIQUE ET COROPLASTIE“. In La civilisation phénicienne et punique, 440–47. BRILL, 1994. http://dx.doi.org/10.1163/9789004293977_036.
Der volle Inhalt der QuelleMiller Ammerman, Rebecca. „Coroplastic“. In The Chora of Metaponto 4, 98–99. University of Texas Press, 2012. http://dx.doi.org/10.7560/728776-017.
Der volle Inhalt der QuelleFourrier, Sabine. „La transmission des modèles plastiques à Chypre : l’exemple de la coroplastie de Kition à l’époque archaïque“. In Identités et cultures dans le monde méditerranéen antique, 219–33. Éditions de la Sorbonne, 2002. http://dx.doi.org/10.4000/books.psorbonne.20425.
Der volle Inhalt der Quelle„coroplast, n.“ In Oxford English Dictionary. 3. Aufl. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/6963112154.
Der volle Inhalt der QuelleSzymańska, Hanna. „Two “armed” terracottas from Athribis“. In Classica Orientalia. Essays presented to Wiktor Andrzej Daszewski on his 75th Birthday, 451–59. DiG Publisher, 2011. http://dx.doi.org/10.37343/pcma.uw.dig.9788371817212.pp.451-459.
Der volle Inhalt der Quelle„Egyptian Warriors: Machimoi, in Coroplastic Art—Selected Examples“. In The Religious Aspects of War in the Ancient Near East, Greece, and Rome, 272–87. BRILL, 2016. http://dx.doi.org/10.1163/9789004324763_016.
Der volle Inhalt der QuelleHumbert, Jean-Baptiste. „Quelques coroplasties de Palestine aux motifs de combats“. In Ex Oriente Lux. Studies in Honour of Jolanta Młynarczyk. Warsaw University Press, 2020. http://dx.doi.org/10.31338/uw.9788323541073.pp.301-308.
Der volle Inhalt der Quelle„The Soft Youth in Boeotian Coroplasty“. In Hellenistic and Roman Terracottas, 237–50. BRILL, 2019. http://dx.doi.org/10.1163/9789004384835_018.
Der volle Inhalt der Quelle„Coroplastic Figural Art in Egypt during the Late Period (664–332 BC)“. In Iron Age Terracotta Figurines from the Southern Levant in Context, 375–424. BRILL, 2021. http://dx.doi.org/10.1163/9789004436770_016.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Coroplastie"
Савостина, Е. А., und Т. С. Тихонова. „Koroplast workshop in the context of urban life and craft production in Gorgippia“. In Древности Боспора. Crossref, 2023. http://dx.doi.org/10.25681/iaras.2020.978-5-94375-339-8.309-331.
Der volle Inhalt der Quelle