Thematische Bibliographien / Contemporary, The, in literature / Zeitschriftenartikel
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Zeitschriftenartikel zum Thema „Contemporary, The, in literature“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 29. Juli 2024

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1

Martínez Castillejos, Ana Mª. „Review: Memory Frictions in Contemporary Literature.“ Revista de Estudios Norteamericanos, Nr. 24 (2020): 227–33. http://dx.doi.org/10.12795/ren.2020.i24.11.

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2

Mcmillin, Arnold. „Contemporary Belarusian Literature“. Journal of Belarusian Studies 7, Nr. 2 (11.12.2014): 97–99. http://dx.doi.org/10.30965/20526512-00702006.

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3

Treat, John Whittier, und Ivar Ivask. „Contemporary Japanese Literature.“ Monumenta Nipponica 44, Nr. 1 (1989): 109. http://dx.doi.org/10.2307/2384704.

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4

Davis, Robert Murray, Vladimír Petrík und Sharon Miklošová. „Contemporary Slovak Literature“. World Literature Today 78, Nr. 2 (2004): 92. http://dx.doi.org/10.2307/40158457.

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5

Jerkov, Aleksandar. „Contemporary Serbian Literature“. Helsinki Monitor 5, Nr. 3 (1994): 51–58. http://dx.doi.org/10.1163/157181494x00541.

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6

Mcmillin, Arnold. „Contemporary Belarusian Literature“. Journal of Belarusian Studies 7, Nr. 2 (30.11.2014): 97–99. http://dx.doi.org/10.1163/20526512-00702006.

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7

Pinto-Bailey, Cristina Ferreira. „Contemporary Brazilian literature“. Romance Quarterly 63, Nr. 4 (September 2016): 155–59. http://dx.doi.org/10.1080/08831157.2016.1209361.

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8

Elsie, Robert, und Arshi Pipa. „Contemporary Albanian Literature“. World Literature Today 66, Nr. 3 (1992): 558. http://dx.doi.org/10.2307/40148539.

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9

Kos, Janko. „Contemporary Slovene Literature“. Nationalities Papers 21, Nr. 1 (1993): 119–26. http://dx.doi.org/10.1080/00905999308408261.

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Contemporary Slovene literature from 1950 to the present has been deeply influenced, above all, by two major factors: first, its own tradition through a century-long development, and secondly, the socio-political position of literature immediately after the Second World War. As concerns tradition, it should be noted that the beginning of literature in the Slovene language coincided with the arrival of Protestantism in the sixteenth century; only sparse religious records are known from previous centuries. This literature remained within the framework of ecclesiastical needs until the late eighteenth century, similar to those found in Lithuania, Estonia or Finland. At the end of the eighteenth century, Slovene literature began to resemble the Central European literature typical of Croatia, Hungary, Czechoslovakia and Poland. This is not only evident in the same literary trends and genres, but above all in the fact that national ideology as well as social and moral ideas acquired a significant role in its concepts.
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de Zacklin, Lyda Aponte. „Contemporary Venezuelan Literature“. Review: Literature and Arts of the Americas 51, Nr. 2 (03.07.2018): 294–97. http://dx.doi.org/10.1080/08905762.2018.1540754.

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11

Motwani, Prem. „Contemporary Japanese Literature“. China Report 29, Nr. 4 (November 1993): 415–26. http://dx.doi.org/10.1177/000944559302900407.

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12

Saidova, Nargiza. „Some Aspects Of Contemporary Saudi Literature Development“. American Journal of Social Science and Education Innovations 02, Nr. 10 (29.10.2020): 195–99. http://dx.doi.org/10.37547/tajssei/volume02issue10-32.

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This article is devoted to some aspects of the development of modern Saudi literature. The article describes the first attempt to create a prose genre, the development of the short story genre, and the changes that have occurred in modern Saudi literature in recent years.
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13

Jeusette, Julien, und Silvia Riva. „Contemporary Congolese Literature as World Literature“. Journal of World Literature 6, Nr. 2 (22.06.2021): 123–32. http://dx.doi.org/10.1163/24056480-00602001.

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14

Clayton, Jay, und Betsy Draine. „Contemporary Literature and Contemporary Theory: A Preface“. Contemporary Literature 29, Nr. 3 (1988): 331. http://dx.doi.org/10.2307/1208450.

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15

Hamilton. „Contemporary Cape Verdean Literature“. Transition, Nr. 103 (2010): 26. http://dx.doi.org/10.2979/trs.2010.-.103.26.

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16

Nolden, Thomas. „CONTEMPORARY GERMAN JEWISH LITERATURE*“. German Life and Letters 47, Nr. 1 (Januar 1994): 77–93. http://dx.doi.org/10.1111/j.1468-0483.1994.tb01523.x.

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17

Yates, L. „Sexuality and Contemporary Literature“. Contemporary Women's Writing 8, Nr. 3 (05.03.2014): 428–29. http://dx.doi.org/10.1093/cww/vpu001.

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18

Fletcher, John. „Sin in Contemporary Literature“. Theology Today 50, Nr. 2 (Juli 1993): 254–64. http://dx.doi.org/10.1177/004057369305000209.

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“There is … a category of writers who, without being believers, are what the Germans call ‘God-intoxicated. ’ Such people sense, often in an unfocused way, the outspread wing of the avenging angel casting its shadow over their world. … [T]hey do not deal with individual guilt so much as a kind of generalized, universal stain, original sin in the precise theological meaning of that term.”
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19

Israel, Nico. „Globalization and Contemporary Literature“. Literature Compass 1, Nr. 1 (Januar 2004): **. http://dx.doi.org/10.1111/j.1741-4113.2004.00104.x.

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20

Goetz, Christopher G. „Charcot in Contemporary Literature“. Journal of the History of the Neurosciences 15, Nr. 1 (März 2006): 22–30. http://dx.doi.org/10.1080/096470490944707.

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21

Foley, Andrew. „Contemporary South African literature“. English Academy Review 18, Nr. 1 (Dezember 2001): iii—v. http://dx.doi.org/10.1080/10131750185310021.

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22

Grene, Nicholas. „Reading Contemporary Irish Literature“. ABEI Journal 2, Nr. 1 (01.06.2000): 23–27. http://dx.doi.org/10.11606/issn.2595-8127.v2i1p23-27.

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23

Bali, Morad. „Contemporary Literature Review of the Russian Rouble Determinants“. Economics. Law. Innovaion, Nr. 1 (30.03.2021): 26–31. http://dx.doi.org/10.17586/2713-1874-2021-1-26-31.

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This short literature review’s goal is to examine available papers regarding the study of Russian Rouble determinants. For purpose of analysis, 35 articles were studied among which 22 were selected, for a total of 414 pages shelled. This work analyzes most recent empirical articles, in order to identify factors responsible for the Russian currency fluctuations. Different models will be compared to learn if some are more effective than others, from basic Linear regression to Structural vector autoregressive, through Ordinary least squares or Vector error correction models. Moreover, a very special and particular attention will be paid to variables used. Which combinations of variables are used to study factors influencing the Russian currency? While it seems vital to include oil prices, interest rate, and consumer price index, is it important to have them all together in the same model? Are results among papers similar? In addition, would it be necessary to add variables such as GDP, gold price, gas price, M2 aggregate or sanctions? However, this paper will compare data from each model and try to find out if there is one best way to study the Russian currency determinants.
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24

Vasiljeva, Elina, und Elvira Isajeva. „Contemporary Russian Literature in Latvia: Children’s Literature“. Respectus Philologicus, Nr. 41(46) (15.04.2022): 145–54. http://dx.doi.org/10.15388/respectus.2022.41.46.115.

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Throughout the 20th century, Russian children’s literature in Latvia was a unique phenomenon. Against the background of the general trends of Soviet children’s literature, Latvian children’s literature (in both Latvian and Russian) developed in a space that was less constrained in respect of ideological censorship. 21st century children’s literature in Latvia is developing both taking into account the previous history and current trends. The article is devoted to the specific features of children’s literature in Russian, taking into account the general status of the Russian language as a foreign language and general trends in the socio-cultural space of Latvia. The study considers two main issues. First, it is a sociological analysis of the situation: an assortment of children’s books, the specifics of the school programme, awareness of contemporary Latvian and Russian children’s literature. On the other hand, the corpus of texts of contemporary children’s literature is studied, and an overview of the oeuvre of contemporary Latvian authors is presented. The material for literary analysis was the book by Vladimir Novikov, “The Mischief of the Obedient Martins”. In the course of the analysis, the specifics of the traditional children’s story, the cultural and historical context of the cross-border identity of the author and his potential readers, the specifics of the contemporary narrative, the identification of the concept “one’s own – other’s” were revealed.
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25

Nguyen, T. S., S. Mohamed und K. Panuwatwanich. „Stakeholder Management in Complex Project: Review of Contemporary Literature.“ Journal of Engineering, Project, and Production Management 8, Nr. 2 (31.07.2018): 75–89. http://dx.doi.org/10.32738/jeppm.201807.0003.

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26

Ofurum, Ugonna Augustina, und Justin Mgbechi Odinioha Gabriel. „Multidimensional Ethical Dilemmas of Contemporary Organizations: A Literature Review“. INTERNATIONAL JOURNAL OF INNOVATION AND ECONOMIC DEVELOPMENT 5, Nr. 3 (2019): 7–18. http://dx.doi.org/10.18775/ijied.1849-7551-7020.2015.53.2001.

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This paper reviewed the literature on ethics, ethical theories, ethical principles; as well as the implications of unethical practices in organizations. The study revealed that unethical business practices have devastating consequences on organizations; since they result in poor corporate image, financial losses; market failures and sometimes complete corporate collapse. It was further observed that corruption, bad leadership, poor corporate governance, conflict of interest, lack of accountability, inadequate CSR, abusive and intimating behaviors among others are common in most organizations. The paper concludes that it is beneficial and in the enlightened self -interest of organizations to adopt good ethical practices. The paper also recommends that managers’ should ensure that ethical standards are crafted in their business philosophy and strategic intents in order to build and maintain a good corporate image.
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27

A.A., Kenzhebaeva. „«Women’s literature» in the context of contemporary literature“. Journal of Oriental Studies 73, Nr. 3 (2015): 136–39. http://dx.doi.org/10.26577/jos-2015-3-689.

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28

Blatnik, Andrej. „Translated Literature in Contemporary Slovenia“. Knygotyra 75 (28.12.2020): 114–23. http://dx.doi.org/10.15388/knygotyra.2020.75.62.

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Based on a typological model borrowed from sociology, this article analyzes literary translation support mechanisms in the world and especially in Slovenia. It tracks the growing inclusion of translation policies in the national cultural policies and subsequent growth of the translated books in the book subsidy system and their strong presence in the reading field. With the help of statistical data it shows the status of translated litera­ture in Slovenian reading habits.
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29

Peluritytė, Audinga. „History in Contemporary Lithuanian Literature“. Interlitteraria 25, Nr. 2 (31.12.2020): 394–407. http://dx.doi.org/10.12697/il.2020.25.2.11.

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The purpose of this article is to show the evolution of the historical novel that began in the era of independence, to highlight the peculiarities of male and female historical narratives, and to capture critical reactions and tendencies of assessment of that kind of novel. At the beginning of independence, the poetic prose of a minimal story was established in Lithuanian literature, which was created by the most prominent Lithuanian prose writers, and the historical novel made its debut as a complex experience of poetic narration. Poetry and prose focused on archetypal narratives, national consciousness and ethnic semantics and were characterized by an abundance of associations, but not by a clear storyline. Among common variations of the male historical novel, we can observe historical novels written by women, which have won both literary awards and readers’ approval.
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30

John, Brian, und Michael Kenneally. „Poetry in Contemporary Irish Literature“. Canadian Journal of Irish Studies 25, Nr. 1/2 (1999): 528. http://dx.doi.org/10.2307/25515291.

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31

Foster, John Wilson, und Christina Hunt Mahony. „Contemporary Irish Literature: Transforming Tradition“. Canadian Journal of Irish Studies 26, Nr. 1 (2000): 127. http://dx.doi.org/10.2307/25515312.

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32

Orr, Mary, und Warren Motte. „Playtexts: Ludics in Contemporary Literature“. Modern Language Review 92, Nr. 4 (Oktober 1997): 926. http://dx.doi.org/10.2307/3734213.

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33

Buwa, Mr Vilas Rupnath. „Dalit Literature: A Contemporary Perspective“. International Journal of English Literature and Social Sciences 4, Nr. 3 (2019): 895–99. http://dx.doi.org/10.22161/ijels.4.3.47.

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34

Dalmi, Katalin. „Japanese Literature in Contemporary Hungary“. Archiv orientální 89, Nr. 2 (30.09.2021): 311–37. http://dx.doi.org/10.47979/aror.j.89.2.311-337.

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This paper sheds light on the main trends in translation of Japanese literature in contemporary Hungary and theorize the role of Haruki Murakami’s works in making Japanese literature widely recognized. Firstly, the paper gives a general overview on translations of Japanese literature in Hungary in the post-1989 era. I argue that after a decline in translation in the 1990’s, the spread of anime and manga combined with the popularity of Haruki Murakami’s novels generated a growing interest in Japanese literature and culture in Hungary resulting in changed translation strategies. While translations were limited to pieces of the so-called junbungaku (pure literature) in the pre-1989 era, numerous pieces of taishūbungaku (popular literature) have been translated since the 2000’s, attracting a wider range of readers than ever. Based on book reviews from critics and readers published in traditional and social media, the second part of this paper will explore the main platforms of Japanese literature and analyze its reception. I argue that the magical realist setting combined with dialogues on fundamental questions of life create a specific literary mode which satisfy the Western readers’ desire for the exotic Other, ensuring the place of Japanese literature in the Western literary world.
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35

Okoro, Dike. „Contemporary African Literature: New Approaches“. World Literature Today 86, Nr. 6 (2012): 78. http://dx.doi.org/10.1353/wlt.2012.0125.

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36

Mihailovich, Vasa D. „Aphorism in Contemporary Serbian Literature“. Slavic Review 47, Nr. 4 (1988): 702–8. http://dx.doi.org/10.2307/2498189.

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37

Early, Gerald. „Teaching Contemporary African-American Literature“. Callaloo 14, Nr. 2 (1991): 464. http://dx.doi.org/10.2307/2931648.

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38

Blatnik, Andrej. „Translated Literature in Contemporary Slovenia“. Knygotyra 75 (28.12.2020): 114–23. http://dx.doi.org/10.15388/knygotyra.2020.75.62.

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Based on a typological model borrowed from sociology, this article analyzes literary translation support mechanisms in the world and especially in Slovenia. It tracks the growing inclusion of translation policies in the national cultural policies and subsequent growth of the translated books in the book subsidy system and their strong presence in the reading field. With the help of statistical data it shows the status of translated litera­ture in Slovenian reading habits.
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39

Harrison, Christine, und Angeliki Spiropoulou. „Introduction: History and Contemporary Literature“. Synthesis: an Anglophone Journal of Comparative Literary Studies, Nr. 8 (01.12.2015): 1. http://dx.doi.org/10.12681/syn.16202.

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40

Mai, Anne-Marie. „Canons and Contemporary Danish Literature“. Folia Scandinavica Posnaniensia 19, Nr. 1 (01.06.2016): 109–32. http://dx.doi.org/10.1515/fsp-2016-0009.

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Abstract This article deals with recent Danish literature in the light of the discussion about canons occasioned by the publication of the two ministerial canons: Undervisningskanon (Educational Canon, 2004) and Kulturkanon (Cultural Canon, 2006). The article argues that recent Danish literature challenges traditional work categories and the concept of the author on which the two canons are based, and discusses which works and texts in recent Danish literature ought to belong to a future canon.
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41

Sims Bishop, Rudine. „Contemporary African American Children's Literature“. Wasafiri 24, Nr. 4 (Dezember 2009): 3–8. http://dx.doi.org/10.1080/02690050903205512.

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42

Viart, Dominique. „Fieldwork in Contemporary French Literature“. Contemporary French and Francophone Studies 20, Nr. 4-5 (19.10.2016): 569–80. http://dx.doi.org/10.1080/17409292.2016.1217676.

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43

Peluritytė, Audinga. „History in Contemporary Lithuanian Literature“. Interlitteraria 25, Nr. 2 (31.12.2020): 394–407. http://dx.doi.org/10.12697/il.2020.25.2.11.

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The purpose of this article is to show the evolution of the historical novel that began in the era of independence, to highlight the peculiarities of male and female historical narratives, and to capture critical reactions and tendencies of assessment of that kind of novel. At the beginning of independence, the poetic prose of a minimal story was established in Lithuanian literature, which was created by the most prominent Lithuanian prose writers, and the historical novel made its debut as a complex experience of poetic narration. Poetry and prose focused on archetypal narratives, national consciousness and ethnic semantics and were characterized by an abundance of associations, but not by a clear storyline. Among common variations of the male historical novel, we can observe historical novels written by women, which have won both literary awards and readers’ approval.
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44

Herz, Sarah K., und Donald R. Gallo. „Making Connections with Contemporary Literature“. English Journal 96, Nr. 4 (01.03.2007): 112. http://dx.doi.org/10.2307/30047179.

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45

Lützeler, Paul Michael. „Multiculturalism in Contemporary German Literature“. World Literature Today 69, Nr. 3 (1995): 453. http://dx.doi.org/10.2307/40151377.

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46

Harper, Michael, und Warren Motte. „Playtexts: Ludics in Contemporary Literature“. World Literature Today 70, Nr. 2 (1996): 481. http://dx.doi.org/10.2307/40152286.

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47

Kimber, RG. „Australian Rangelands in Contemporary Literature.“ Rangeland Journal 16, Nr. 2 (1994): 311. http://dx.doi.org/10.1071/rj9940311.

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The subject of this paper being contemporary Australian rangelands literature, I have restricted the study to literature of the decade to 1994, with focus on 1992-1994. I acknowledge recent informative studies, but have developed an individual perspective. In addition to considering recent novels and factual books I have given attention to newspaper and magazine accounts, as these give the most immediate observations of the rangelands, and attitudes towards them and their inhabitants. Key trends that emerge are perceptions of the rangelands as pristine - probably the one continuum since the commencement of written records about Australia; the entirely contrasting view of pastoralists as destroyers of rangelands; and recognition of Aboriginal spirituality as significant in caring for the land. The trends are not, however, entirely in the one direction, as I indicate by presenting both the positive and negative views presented by a select number of writers.
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48

Persson, Åke. „Themes in Contemporary Irish Literature“. Moderna Språk 91, Nr. 2 (01.12.1997): 141–50. http://dx.doi.org/10.58221/mosp.v91i2.9859.

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49

Virtanen, Beth. „Nodes of Contemporary Finnish Literature“. Journal of Finnish Studies 21, Nr. 1-2 (01.11.2018): 240–42. http://dx.doi.org/10.5406/28315081.21.1.2.11.

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50

Kang, Sukyung. „Contemporary Russian Literature and Censorship“. Journal of Slavic Studies 38, Nr. 4 (31.12.2023): 1–27. http://dx.doi.org/10.46694/jss.2023.12.38.4.1.

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