Inhaltsverzeichnis
Auswahl der wissenschaftlichen Literatur zum Thema „Contemporary French Philosopher“
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Machen Sie sich mit den Listen der aktuellen Artikel, Bücher, Dissertationen, Berichten und anderer wissenschaftlichen Quellen zum Thema "Contemporary French Philosopher" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Zeitschriftenartikel zum Thema "Contemporary French Philosopher"
1
Tursunova, Mukhlisa V. „CONTEMPORARY CRITICAL THOUGHTS IN “ENGLAND, ENGLAND”“. American Journal Of Social Sciences And Humanity Research 02, Nr. 06 (01.06.2022): 132–34. http://dx.doi.org/10.37547/ajsshr/volume02issue06-19.
Der volle Inhalt der QuelleAnnotation:
The article investigates the latest critical views in England by analyzing a postmodern novel “England, England” by contemporary British author Julian Barnes, applying the postmodernist theory of deconstruction fostered by French philosopher Jacques Derrida. The theory’s main components such as the tension between memory and fidelity, heterogeneity, a break and absolute newness are regarded as the focus in examining and understanding highly developed current societies that are rejecting the mere objectivity of earlier movements and praising the diversity of truth.
2
Kim, Dae Joong. „Negativity and Difference: Adorno and Deleuze’s Philosophical Perspectives in the Kafkaesque World“. Criticism and Theory Society of Korea 28, Nr. 2 (30.06.2023): 31–52. http://dx.doi.org/10.19116/theory.2023.28.2.31.
Der volle Inhalt der QuelleAnnotation:
This essay aims to comparatively discuss the differences and similarities between the ideas on difference and identity put forth by two prominent Western thinkers of contemporary theories: Gilles Deleuze, a French philosopher, and Theodore Adorno, a German philosopher. Rather than a purely philosophical comparative study, this research focuses specifically on the comparison of both thinkers’ discussions of Kafka’s works. Adorno has been regarded as the philosopher of negativity, while Deleuze is seen as the philosopher of positivity and life. Although both philosophers perceive the world differently, they both strive to deconstruct Western ideas of identity in order to revive the concept of ‘difference.’ Identity and difference have been topics of extensive philosophical discussion and hold relevance in contemporary areas such as community, politics, and ethics. The essay begins by presenting the thoughts of Hegel and Heidegger on difference and identity, before delving into Adorno’s deconstruction of these ideas and his exploration of negativity as a means to disrupt identity. In comparison to Adorno, Deleuze develops the notion of difference itself as a pathway to the realm of becoming. The latter half of the essay compares both thinkers’ discussions of Kafka’s world: Adorno’s analysis of the Kafkaesque in light of non-identity, and Deleuze’s examination of minor literature and the concept of the line of flight.
3
Xun, Ping, Shuai Huang und Ning Bo Liu. „Study of Architecture and Environment Design Based on the Fold Theory of Deleuze“. Advanced Materials Research 1065-1069 (Dezember 2014): 1661–64. http://dx.doi.org/10.4028/www.scientific.net/amr.1065-1069.1661.
Der volle Inhalt der QuelleAnnotation:
Based on the smooth space thinking proposed by contemporary French philosopher Deleuze, this paper describes the ideas of architectural design from the mutual transition and conversion of buildings and environment, and the design of smooth space total three aspects, to provide the reference for future architectural design.
4
Barevičiūtė, Jovilė. „THE CONCEPTION OF CONTEMPORARY HYPERCIVILIZATION: J. BAUDRILLARD“. CREATIVITY STUDIES 2, Nr. 2 (31.12.2009): 153–71. http://dx.doi.org/10.3846/2029-0187.2009.2.153-171.
Der volle Inhalt der QuelleAnnotation:
The article deals with the conception of hypercivilization that was developed by contemporary French media philosopher Jean Baudrillard and discusses its originality, innovation and philosophical‐sociological validity. It is compared with the classical conception of Western civilization, highlighting their basic similarities and differences. The author investigates the relationships between classical Western civilization and traditional metaphysics and between contemporary hypercivilization and pataphysics. The first section of the article is introduced to the meaning and problematicity of the concept of civilization, analyzing the connections between the concepts of civilization and culture. The second section discusses traditional French concept of civilization. The third section analyzes and interprets the conception of hypercivilization of Baudrillard. The last one from a critical thinking perspective discusses the philosophical‐sociological validity of the conception of hypercivilization of Baudrillard, seeking for possible parallels with the conception of classical Western civilization.
5
Shults, Eduard E. „Fake News in Contemporary Communication Processes“. RUDN Journal of Public Administration 9, Nr. 3 (14.10.2022): 263–74. http://dx.doi.org/10.22363/2312-8313-2022-9-3-263-274.
Der volle Inhalt der QuelleAnnotation:
The article focuses on the phenomenon of fake news in contemporary communication processes. The article analyzes the characteristic features of fake news in terms of disinformation, interference by foreign actors, manipulation, media messages aimed at increasing demand. Fake news is considered from the standpoint of mediating society and the emergence of the concept of “media democracy”. The author concludes that the phenomenon of “fake news” becomes a structural concept in modern media, which is associated with the peculiarities of media and social psychology. This phenomenon fits into the peculiarity of modern society, which the French philosopher J. Baudrillard designated as a simulacrum.
6
Shults, Eduard E. „Fake News in Contemporary Communication Processes“. RUDN Journal of Public Administration 9, Nr. 3 (14.10.2022): 262–73. http://dx.doi.org/10.22363/2312-8313-2022-9-3-262-273.
Der volle Inhalt der QuelleAnnotation:
The article focuses on the phenomenon of fake news in contemporary communication processes. The article analyzes the characteristic features of fake news in terms of disinformation, interference by foreign actors, manipulation, media messages aimed at increasing demand. Fake news is considered from the standpoint of mediating society and the emergence of the concept of “media democracy”. The author concludes that the phenomenon of “fake news” becomes a structural concept in modern media, which is associated with the peculiarities of media and social psychology. This phenomenon fits into the peculiarity of modern society, which the French philosopher J. Baudrillard designated as a simulacrum.
7
Freed-Thall, Hannah. „Heartsick: The Language of French Disgust“. Modern Language Quarterly 79, Nr. 4 (01.12.2018): 421–44. http://dx.doi.org/10.1215/00267929-7103422.
Der volle Inhalt der QuelleAnnotation:
Abstract The rhetoric of revulsion has shaped French cultural modernity. This essay examines salient forms of nineteenth- and twentieth-century French literary disgust, then turns to écœurement (heartsickness) as a contemporary case study. Écœurement is key to the work of the philosopher Jean-Luc Nancy and the novelist and playwright Marie NDiaye. These thinkers embrace heartsickness as a state of exposure that unsettles discourses of philosophical mastery and practices of social refinement. The essay thus shows that the language of disgust is not necessarily reactionary and nostalgic—as has often been argued—but can enable new forms of collective resistance and attachment.
8
Hawkins, Spencer. „Theory of a practice: A foundation for Blumenberg’s metaphorology in Ricoeur’s theory of metaphor“. Thesis Eleven 155, Nr. 1 (21.11.2019): 91–108. http://dx.doi.org/10.1177/0725513619888665.
Der volle Inhalt der QuelleAnnotation:
Hans Blumenberg is celebrated for demonstrating that metaphors have had a more foundational influence than concepts on European intellectual history. Many acknowledge that his insights might have achieved even greater impact if he had articulated a more explicit theory of metaphor. In 1960 Blumenberg discusses the historical formation of metaphors that have given rise to meaningful discourses on metaphysical abstractions, like God, existence, or Being, but he does not develop a general model of metaphoric language, and his work rarely engages with other contemporary theories of metaphor. During Blumenberg’s lifetime, French and German postwar philosophers rarely cited one another. Yet French hermeneutics, and the work of philosopher Paul Ricoeur in particular, may have strongly influenced Blumenberg’s research group, Poetik und Hermeneutik. This paper is an attempt to recuperate intellectual affinities between Blumenberg and Ricoeur, in order to demonstrate that Ricoeur’s claims about metaphor provide the theoretical background for a fuller appreciation of Blumenberg’s metaphor analyses.
9
Barria-Asenjo, Nicol A. „Alain Badiou a Life and a System of Thought:“. Aitías, Revista de Estudios Filosóficos del Centro de Estudios Humanísticos de la UANL 3, Nr. 5 (17.05.2023): 119–38. http://dx.doi.org/10.29105/aitas3.5-56.
Der volle Inhalt der QuelleAnnotation:
"L'histoire des idees", has a nominal existence in the period of the Enlightenment, that is to say, it has its origins in the 19th century in France. From the moment of its appearance and establishment as an independent field, it maintained a close and complementary relationship with philosophy. At present, the History of Ideas is a field in dialogue with History, Historiography, Philosophy and even Psychoanalysis. It is necessary to return to the French intellectual terrain, to the living history and intellectual production of our time in order to analyze the contribution that French philosophers make to the history of Ideas in the 21st century. Specifically, to pay special attention to the system of thought created by the philosopher Alain Badiou. The present document, which emerges as an initial and introductory kick-off to a more complex project, is a general reading and analysis of some of Badiou's contributions to contemporary philosophy.
10
Barrett, Cyril. „Merleau-Ponty and the Phenomenology of Perception“. Royal Institute of Philosophy Lecture Series 21 (März 1987): 123–39. http://dx.doi.org/10.1017/s1358246100003520.
Der volle Inhalt der QuelleAnnotation:
It is over forty years since Merleau-Ponty published his first major work, Le structure de comportement (‘The Structure of Behaviour’) (1942) and a quarter of a century since he died. He belongs, therefore, with Sartre and Marcel, to the first post-War generation of French philosophers. Like his friend Sartre's, his philosophy may be regarded as dated, passé, of no interest or relevance to truly contemporary thought. In philosophical terms forty years are nothing; in terms of trends, fashions and novelties they are an eternity. But perhaps the work of Merleau-Ponty has not dated because it was never in vogue. He did not write plays and novels, or take part in political demonstrations, though he was involved in politics, or win a Nobel prize and refuse to receive it. He was very much a philosopher's philosopher, eminent in his field, well known in academic circles in France but hardly a household name. In this country he is hardly known even in philosophical circles, except by name. More is the pity, since his philosophical approach and manner of philosophizing have much in common with certain modes of British philosophizing, as I hope to show.
Dissertationen zum Thema "Contemporary French Philosopher"
1
Debnath, Rakhi. „Revisiting the tale of Jacques Derridas deconstruction: critical study“. Thesis, University of North Bengal, 2019. http://ir.nbu.ac.in/handle/123456789/3649.
Der volle Inhalt der Quelle
2
Collins, Lorna Patricia. „Making sense : art and aesthetics in contemporary French thought“. Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610086.
Der volle Inhalt der Quelle
3
Cavallini, Roberto. „Inheriting the im-possible : reading tradition and temporality in Pier Paolo Pasolini through contemporary French philosophy“. Thesis, Goldsmiths College (University of London), 2010. http://research.gold.ac.uk/6397/.
Der volle Inhalt der Quelle
4
Souillac, Geneviève. „Universal human rights : philosophy of the person and social vision in the work of two contemporary French intellectuals /“. Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22142708.
Der volle Inhalt der Quelle
5
Kourie, Mark. „The status of love in philosophy : an examination of the role of love (eros) in the work (or works) of selected French thinkers“. Diss., University of Pretoria, 2012. http://hdl.handle.net/2263/29508.
Der volle Inhalt der QuelleAnnotation:
This dissertation exposes the status of eros in the works of Levinas, Irigaray, and, Nancy. I begin by evaluating Levinas’s phenomenological analyses of eros in Time and the Other and Totality and Infinity. In order to fully appreciate this, however, I must necessarily also provide a summary overview of the central theme which guides Levinas’s work: ‘the Other.’ This leads Levinas to develop ethics as first philosophy, which in turn implies that the reduction of the Other to the same is the unethical gesture par excellence. Levinas formulates eros as the ‘equivocal par excellence’; a profane relation with the radical alterity of the feminine. Eros, for Levinas, inevitably lapses back to the economy of the same, and hence he looks to paternal fecundity to understand a relation with alterity untainted by erotic sensuality. Moreover, I identify the themes in Levinas’s work which guide this dissertation: the plurality of being, the tactility of erotic caressing, transcendence in eros, sexual difference, the affair between love and death, revisiting Plato’s Symposium, and, the erotic relationship with alterity. Having exposed these themes, and pre-empting a feminist critique of Levinas, I move on to the work of Luce Irigaray. After contextualising Irigaray’s feminist project, I expose and evaluate her critical reading of Levinas, particularly in her essay “The Fecundity of the Caress.” For Irigaray, Levinas mistakenly assumes a universal masculine subject, which in turn denies the feminine (and thus empirical women) a chance to be subjects. The fact that Levinas considers eros profane suggests, for Irigaray, that Levinas’s phenomenology of eros is haunted by a patriarchal bias evinced in the way he turns to paternity to salvage eros from a damnable carnality. Irigaray, in contrast, asserts eros as a relationship between the two real poles of sexual alterity. Eros thus holds potential as a just relation between the sexes. However, I find that Irigaray’s insistence on the biological markers of sexual difference becomes somewhat too idealistic. When compared with one another, Irigaray and Levinas arrive at an impasse which is solved by turning to the work of Jean-Luc Nancy. Nancy insists that love (including eros) cannot be thought as anything but an indefinite multiplicity. Nancy’s thought on love reflects his formulation of ‘being-singular-plural,’ an ontology which asserts ‘being-with’ is axiomatic in all philosophical investigations. In Shattered Love, Nancy deconstructs dialectics in order to show that love does not operate in a dialectical fashion. Both Levinas’s and Irigaray’s accounts of eros are exposed as dialectical. Nancy, in contrast, formulates love and sex/gender as the exposure of a subject to the relation with the other. Moreover, by examining Nancy’s thought on the body, eros can be derived as subtending all relations between sexed bodies. Thus Nancy figures eros as neither ideal nor profane, nor does he restrict eros to an ideal relation between the masculine and the feminine. However, Nancy’s opaque philosophy is not without fault. Although Nancy offers an interesting way in which to think eros, certain avenues of thought remain unexplored.Dissertation (MA)--University of Pretoria, 2012.
Philosophy
unrestricted
6
Vissio, Gabriele. „Lo stile della giustizia : Canguilhem filosofo dei “problemi umani concreti”“. Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H230.
Der volle Inhalt der QuelleAnnotation:
Cette thèse doctorale en philosophie a pour sujet l’ensemble de la pensée de Georges Canguilhem, figure éminente de la philosophie française au XXème siècle, qui est aujourd’hui au cœur des intérêts d’un grand nombre d’études qui se développent aussi bien sur le plan historiographique que sur le plan purement théorique. Le travail qu’on présente ici se développe en trois volets. La première partie du travail est consacrée à une présentation de l’idée unitaire de la philosophie de Canguilhem. La deuxième développe une analyse de cette philosophie en identifiant quatre couples de concepts et de «mots-clés» qui permettent une présentation générale des lignes de recherche principales de Canguilhem : 1. Faits et Valeurs ; 2. Histoire et Concept ; 3. Connaissance et Vie ; 4. Technique et Société. Cette analyse conduit, dans ses dernières conclusions, à une idée de justice qui semble être au cœur du programme philosophique de Canguilhem. La troisième et dernière partie de la thèse est donc consacrée à examiner ce concept de justice. La couple de notions de «nécessité» et de «résistance» fournit une clé interprétative de la justice qui permet ainsi de relire l’unité de la philosophie canguilhemienneThis PhD Thesis in Philosophy deals with the thought of Georges Canguilhem as a whole. Canguilhem is a distinguished figure of the 20th century French philosophy and today his works are attracting the interest of a number of studies focused both on the historiographical and the theoretical level. This doctoral work is structured in three main parts. The first part provides a general presentation of the core idea which is the basis of the unity of the Canguilhem’s philosophical program. The second part aims to analyse this philosophy by identifying four couples of concepts and "key-words" permitting a general presentation of the main lines of research of Canguilhem’s work: 1. Facts and Values; 2. History and Concept; 3. Knowledge and Life; 4. Technique and Society. This analysis tends to the conclusion that a certain idea of justice forms the basis of the philosophical program of Canguilhem. The third and last part of the PhD Thesis examines this concept of justice finding in the conceptual couple given by "necessity" and "résistance" both a key to interpreting the notion of "justice" and a way to read the unity of Canguilhem’s philosophy
7
May, Adrian. „Lignes, an intellectual revue : twenty-five years of politics, philosophy, art and literature“. Thesis, University of Cambridge, 2015. https://www.repository.cam.ac.uk/handle/1810/251334.
Der volle Inhalt der QuelleAnnotation:
The thesis takes the French revue Lignes (1987-present) as its object of study to provide a new account of French intellectual culture over the last twenty-five years. Whilst there are now many studies covering the role of such revues throughout the twentieth-century, the majority of such monographs extend no further than the mid-1980s: the major novelty of this thesis is extending these accounts up until the present moment. It is largely assumed that a reaction against the Marxist and structuralist theories of the 1960s and 1970s led to embrace of liberalism and an intellectual drift to the right in France from the 1980s onwards: whilst largely supporting this account, the thesis attempts to nuance this narrative of the fate of the intellectual left in the following years by showing the persistence of what can be called a politicised 'French theory' in Lignes, and a returning left-wing militancy in recent years. In doing so, it will both reveal under-studied aspects of well-known thinkers, such as Jean-Luc Nancy, Jacques Rancière and Alain Badiou, as their thought develops through their participation in a collaborative, periodical publication, and introduce lesser known thinkers who have not received an extended readership in Anglophone spheres. Lignes also argues for the continued persistence and relevance of the thought of a previous generation of thinkers, notably Georges Bataille, Maurice Blanchot and Dionys Mascolo, and the thesis concludes by examining the potential role 'French Theory' could still have in France. Furthermore, as revues provide a unique nexus of intellectual, cultural, social and political concerns, the thesis also provides a unique history of France from the fall of the Berlin Wall to the 2007 financial crisis and the Arab Spring. Much of the thesis is concerned with contextualising intellectual debates within a period characterised by the moralisation of discourses, a return of religion, the global installation of neo-liberalism and the eruption of immigration as a controversial European issue. From a relatively theoretical and politically stable position to the left of the Parti socialiste, Lignes therefore provides a privileged vantage point for the mutations in French social and cultural life throughout the period.
8
Pellegrini, Mariangela. „L'ontologie critique de nous-mêmes : Michel Foucault et la constitution du sujet dans une trame historique“. Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040093.
Der volle Inhalt der QuelleAnnotation:
Foucault en 1983 prononce pour la première fois, durant une leçon au Collège de France, le syntagme « ontologie critique de nous-mêmes ». Une telle dénomination s’ajoute aux autres termes choisis rétrospectivement par Foucault pour définir sa démarche philosophique : durant ces années quatre-vingts il utilise à la fois « ontologie historique de nous-mêmes », « ontologie de l’actualité », « ontologie du présent », « ontologie de la modernité » et enfin « ontologie de nous-mêmes ». Cette série de formules synonymiques renferme l’objective premier de ma thèse : expliciter ce qu’est l’ontologie critique de nous-mêmes. L’enjeu fondamentale de ce travail consiste en fait d’une part à interroger et comprendre le syntagme en question, de l’autre à évaluer la possibilité de la construction d’une genèse de cette idée dans le cadre global de la philosophie foucaldienneIn 1983 Foucault pronounces for the first time, during a lesson at the Collège de France, the syntagma “Critial Ontology of Ourselves”. Other similar denominations are used by Foucault in a retrospective way to define his philosophical researches, indeed throughout 1980 he uses at the same time: “Historical Ontology of ourselves”, “Ontology of the Actuality”, “Ontology of the present”, “Ontology of modernity”, et finally “Ontology of ourselves”. This list of synonyms concerns the principal aim of my dissertation: understand what is the Critical Ontology of Ourselves. The crucial point of this work consist from one hand in interrogating and understanding the syntagma above mentioned, from the other in verifying the possibility of the construction of a genesis of this idea
9
Feron, Alexandre. „Le Moment marxiste de la phénoménologie française (Sartre, Merleau-Ponty, Tran Duc Thao)“. Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H220.
Der volle Inhalt der QuelleAnnotation:
Entre la fin de la Seconde Guerre mondiale et le début des années 1960, les représentants les plus importants du courant phénoménologique en France, Jean-Paul Sartre, Maurice Merleau-Ponty et Trân Duc Thào, estiment non seulement qu'il est nécessaire de se confronter au marxisme, mais également que l'articulation entre phénoménologie et marxisme constitue l'un des enjeux essentiels de la philosophie dans le monde contemporain. L'objet de notre recherche est de comprendre la spécificité du travail philosophique que chacun de ces auteurs opère sur ces deux courants en apparence si opposés afin de rendre possible leur synthèse. Ce travail montre notamment comment le projet initial de 1944 est progressivement mis en question et reconfiguré au contact des évolutions historiques et politiques, des débats philosophiques et du développement des sciences humaines. Nous entendons ainsi restituer les enjeux et inventions conceptuelles de ce qui restera l'un des moments les plus féconds et originaux de la philosophie française contemporaineBetween the end of the Second World War and the beginning of the 1960s, the chief representatives of the phenomenological school in France, Jean-Paul Sartre, Maurice Merleau-Ponty and Tran Duc Thao, not only considered that they had to confront Marxism in their works : they deemed the endeavour to combine Marxism with phenomenology one of the major tasks of philosophy in the modern world. The object of our research is to understand the specificity of the philosophical work each performed on these two apparently incompatible schools of thought, in order to make their synthesis possible. Our work traces the way in which the initial project of 1944 was progressively questioned and reworked in the wake of political and historical change, philosophical debates and the development of human sciences. Thus we hope to bring to light the underlying stakes and conceptual innovations of what remains one of the most fertile and original moments in contemporary French philosophy
10
Gelamo, Rodrigo Pelloso [UNESP]. „O ensino da filosofia no limiar da contemporâneidade: o que faz o filósofo quando seu ofício é ser professor de filosofia“. Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/104796.
Der volle Inhalt der QuelleAnnotation:
Made available in DSpace on 2014-06-11T19:33:29Z (GMT). No. of bitstreams: 0
Previous issue date: 2009-02-13Bitstream added on 2014-06-13T20:45:06Z : No. of bitstreams: 1
gelamo_rp_dr_mar.pdf: 698211 bytes, checksum: 26f19383531b000497dc16bf428efd5e (MD5)Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
A presente tese analisa o tema do ensino da filosofia no ensino superior, tendo em vista discutir o problema do ofício do filósofo quando sua tarefa é ensinar a filosofia. Nesse sentido, o tema analisado e o problema discutido na tese têm como ponto de partida as questões suscitadas no exercício da docência da disciplina Filosofia em cursos de graduação de outras áreas, objetivando contribuir tanto para buscar outros sentidos a essa prática quanto para os estudos sobre o ensino da filosofia no Brasil. Por meio de uma revisão bibliográfica sobre o ensino da filosofia no Brasil, e da leitura de autores clássicos (Kant e Hegel), procuramos encontrar ressonância de nosso problema na literatura sobre o assunto. Essa revisão além de não responder ao problema, ampliou-o, pois, pudemos notar que os questionamentos sobre o ensino da filosofia se agrupavam em três grupos: sobre a importância, sobre o conteúdo e sobre o método para se ensinar a filosofia. Com o objetivo de escapar dessas formas de problematização, recorremos a Gilles Deleuze e Michel Foucault para propor uma outra maneira de encaminhar uma problematização de modo que o problema do ensino da filosofia não recaísse nesse mesmo registro. Com Deleuze pudemos compreender que existem mecanismos, chamados por ele de imagens dogmáticas do pensamento, que aprisionam os problemas a respostas preestabelecidas. A partir disso, fizemos a relação dessa noção com os problemas que eram colocados pelo ensino da filosofia, os quais funcionavam como essas imagens dogmáticas do pensamento. Com Foucault procuramos um modo de problematizar no qual pudéssemos estar, simultaneamente, como elemento e ator desse problema. Com isso, circunscrevemos um problema presente no ensino da filosofia que se plasma no empobrecimento da experiência, causado pela excessiva preocupação com a transmissão de conhecimentos através da...
This thesis analyses the teaching of philosophy in undergraduate courses in order to discuss the problem of the philosopher’s work when his task is to teach philosophy. Thus, the issue analyzed and the problem discussed in the thesis have as a starting point the matters raised in teaching the discipline of philosophy in undergraduate courses of different areas, aiming to contribute to seek other senses both to this practice and to the studies on the teaching of philosophy in Brazil. Through a literature review on the teaching of philosophy in Brazil, and reading classic authors (Kant and Hegel), we tried to find resonance of our problem in the literature about the issue. This review not only did not answer to the problem, but also increased it, because we could note that the questions on the teaching of philosophy were divided into three groups: concerning the importance, the content and the method to teach philosophy. Aiming to avoid these ways of problematization, we turned to Gilles Deleuze and Michel Foucault in order to propose another manner of conducting a problematization so that the problem of teaching of philosophy did not remain in that same scope. Together with Deleuze, we could understand that there are mechanisms, named images of thought, which enclose the problems to pre-established answers. From that, we set a relation of this notion with the problems that were put by the teaching of philosophy, which worked as those images of thought. With Foucault, we sought a way of problematizing in which we could be both a part and an actor of that problem. Thus, we circumscribed an existing problem in the teaching of philosophy that takes place in the impoverishment of experience, which is caused by the excessive concern with the transmission of knowledge through the explanation. Looking for ways that we would allow us to think of a teaching of philosophy which assured the... (Complete abstract click electronic access below)
Bücher zum Thema "Contemporary French Philosopher"
1
Phillips, Griffiths A., und Engel Pascal 1954-, Hrsg. Contemporary French philosophy. Cambridge [Cambridgeshire]: Cambridge University Press, 1987.
Den vollen Inhalt der Quelle finden
2
Christina, Howells, Hrsg. French women philosophers: A contemporary reader : subjectivity, identity, alterity. London: Routledge, 2004.
Den vollen Inhalt der Quelle finden
3
1954-, Jonkers Peter, und Welten Ruud 1962-, Hrsg. God in France: Eight contemporary French thinkers on God. Leuven: Peeters, 2005.
Den vollen Inhalt der Quelle finden
4
La philosophie française contemporaire: 1960-2005. Paris: Ellipses, 2006.
Den vollen Inhalt der Quelle finden
5
1927-, Griffiths A. Phillips, und Royal Institute of Philosophy, Hrsg. Contemporary French philosophy: Supplement to Philosophy, 1987. Cambridge: Cambridge University Press, 1987.
Den vollen Inhalt der Quelle finden
6
1948-, Kunneman Harry, und Vries Hent de, Hrsg. Enlightenments: Encounters between critical theory and contemporary French thought. Kampen, The Netherlands: Kok Pharos Pub. House, 1993.
Den vollen Inhalt der Quelle finden
7
Contemporary French philosophy: Modernity and the persistence of the subject. London: Athlone Press, 2001.
Den vollen Inhalt der Quelle finden
8
Le nihilisme français contemporain: Fondements et illustrations. Paris: Harmattan, 2003.
Den vollen Inhalt der Quelle finden
9
Timothy, Murray, Hrsg. Mimesis, masochism, & mime: The politics of theatricality in contemporary French thought. Ann Arbor: University of Michigan Press, 1997.
Den vollen Inhalt der Quelle finden
10
The death of philosophy: Reference and self-reference in contemporary thought. New York: Columbia University Press, 2011.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Contemporary French Philosopher"
1
Debru, Claude. „Philosophy and Contemporary Biological Research“. In French Studies In The Philosophy Of Science, 213–24. Dordrecht: Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-1-4020-9368-5_10.
Der volle Inhalt der Quelle
2
Tubridy, Derval. „‘The Absence of Origin’: Beckett and Contemporary French Philosophy“. In Literature and Philosophy, 24–36. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230598621_3.
Der volle Inhalt der Quelle
3
Laugier, Sandra. „Science and Realism: The Legacy of Duhem and Meyerson in Contemporary American Philosophy of Science“. In French Studies In The Philosophy Of Science, 91–112. Dordrecht: Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-1-4020-9368-5_4.
Der volle Inhalt der Quelle
4
Brenner, Anastasios, und François Henn. „Chemistry and French Philosophy of Science. A Comparison of Historical and Contemporary Views“. In New Challenges to Philosophy of Science, 387–98. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-5845-2_31.
Der volle Inhalt der Quelle
5
Moser, Keith. „The Biosemiosic Gaze of the “wholly other” and the Philosophical Exercise of “limitrophy” in Jacques Derrida’s Posthumous Philosophy“. In Contemporary French Environmental Thought in the Post-COVID-19 Era, 103–44. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-96129-9_4.
Der volle Inhalt der Quelle
6
Badiou, Alain. „Is Love a Place of Sexuated Knowledge?“ In Contemporary French Feminism, 201–14. Oxford University PressOxford, 2004. http://dx.doi.org/10.1093/oso/9780199248346.003.0012.
Der volle Inhalt der QuelleAnnotation:
Abstract Philosopher, writer, and social critic Alain Badiou was born in 1937 in Rabat, Morocco. He studied at the Ecole Paris IV, Sorbonne. He taught philosophy at the de Reims between 1963 and 1965 and at the Reims from 1965 until 1992. Badiou is currently a professor of philosophy at, where he leads a research group on the topic of Lieux et transformations de la philosophies (Places and Transformations of Philosophy). He also holds a professorship at the Ecole Paris.
7
David-Menard, Monique. „Is it Necessary to Look for the Universal in the Difference between the Sexes?“ In Contemporary French Feminism, 215–42. Oxford University PressOxford, 2004. http://dx.doi.org/10.1093/oso/9780199248346.003.0013.
Der volle Inhalt der QuelleAnnotation:
Abstract Monique David-Menard was born in Lyon in 1947. She completed a master’s degree in philosophy with Paul David-Menard’s work has focused on the relations between psychoanalysis and philosophy, the status of notions of the universal, and questions of sexual difference. Her revisions of the history of European philosophy proceed by attending to details, issues, and texts considered marginal in traditional interpretations of pre eminent figures such as Kant (the philosopher with whom she has been most engaged).
8
Lambert, Gregg. „The Unprecedented Return of St. Paul“. In Return Statements. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474413909.003.0008.
Der volle Inhalt der QuelleAnnotation:
This statement takes up the frequency of contemporary philosophers who have returned to the epistles of St. Paul as the basis for a philosophy of truth and history. The chapter provides a close reading of an example in the recent writings of French philosopher Alain Badiou
9
Styhre, Alexander. „Theorizing Sociomaterial Practices“. In Contemporary Knowledge and Systems Science, 38–49. IGI Global, 2018. http://dx.doi.org/10.4018/978-1-5225-5655-8.ch002.
Der volle Inhalt der QuelleAnnotation:
The recent interest in sociomaterial practices and forms of imbrication of social and material resources in, for example, studies of the use of information technology and information systems in organizations, has called for new theoretical developments to enact and fully understand materiality. This chapter examines the work of French philosopher Gilbert Simondon as an important, yet to date little explored resource in organization studies. Following Orlikowski's call for a relational ontology apprehending the enfolding of materiality and social resources, Simondon's analytical framework, which includes key concepts such as individual-tion, transduction, and relations, is presented. The chapter contributes to the recent debates regarding how to theorize and examine material resources such as information and communication technologies used in organizations.
10
Mirsepassi, Ali. „ʿErfan , Reason, and the Nation“. In The Discovery of Iran, 141–57. Stanford University Press, 2021. http://dx.doi.org/10.11126/stanford/9781503629141.003.0007.
Der volle Inhalt der QuelleAnnotation:
This chapter focuses on Arani’s major critique of the antimodernism he saw as inherent to the contemporary resurgence of ‘erfan or mysticism. Arani published a three-part series of articles that advocated a materialist reading of mysticism’s popularity in Iran and abroad. His critique of the contemporary French philosopher Henri Bergson, whom he regarded as representing the latest strain of that antirational thinking, is central to the chapter.
Konferenzberichte zum Thema "Contemporary French Philosopher"
1
Didmanidze, Ibraim, und Irma Bagrationi. „INFORMATION PARADIGMS OF ART FROM THE HISTORY OF SOCIAL AESTHETICS“. In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s07.06.
Der volle Inhalt der QuelleAnnotation:
The present scientific paper deals with the worldview understanding of features of information and communication functions of art according to the �Theory of Environment� and �Conception of Organotropism� from the history of Europeanworldview philosophical and aesthetic thought, particular: According to the main principle of Social Aesthetics of French philosopher and sociologist Jean-Marie Guyau [in the work �Problems of Contemporary Aesthetics�] the aesthetic ideal of art has a meaning by presentive only social sympathy aesthetics; A German philosopher and aesthetician Alexander Gottlieb Baumgarten discusses the highest aesthetic value of art by social point of view [in the work �Aesthetics�], supports the main principle of his theory of art � life reaches its highest intensity in the socium as cooperation and collaboration and communication and in order to make it solid, it must deserve social sympathy � and unchangeably takes it into his theory of aesthetics. A famous French philosopher, thinker, writer, historian, one of the leaders of the French Enlightenment Francois Marie Arouet de Voltaire, French sociologist Charles de Montesquieu, German historian and theorist of art Johann Joachim Winckelmann, German philosopher, man of letters and critic Johann Gottfried Herder, English aesthetician and critic of art John Ruskin, German philosopher, founder of the philosophy of dialectical and historical materialism Karl Marx, French idealist philosopher, historian and theorist of art Hippolyte-Adolphe Taine by their original and completely social-aesthetic doctrine consider phenomenon of art by Organotropic formula that means they outline the peculiarities of the information function of art is pre-defined with some social conditions, especially geographic, geologic, climatic, biologic, social, political, cultural and historical factors. As it is seen from the paper, these are selected models of some searching aesthetic paradigms that have been identified to suggest that information content and status of the artistic creation works for the peculiar and special level of social condition and situation.
2
CASUCCI, Marco. „THROUGH SUFFERING, TOWARDS JOY. DIGGING INTO HAPPINESS WITH MICHEL HENRY“. In Happiness And Contemporary Society : Conference Proceedings Volume. SPOLOM, 2021. http://dx.doi.org/10.31108/7.2021.11.
Der volle Inhalt der QuelleAnnotation:
In this paper I want to focus my attention on Michel Henry’s concept of joy as it is explained in his work The Essence of Manifestation. In this work the French philosopher analyses the essence of manifestation trying to overcome the common idea of manifestation itself intended as exteriority. For Henry the essence of manifestation lies on an inner and invisible revelation that cannot be shown and which is related to the invisible and immanent dimension of feeling. Suffering and joy become then the invisible feelings, which reveal the innermost essence of being as the origin of every manifestation. Keywords: Essence, Manifestation, Being, Revelation, Feeling, Joy.
3
Daraklitsa, Elina. „THE SYMBOLISMS AND DRAMATURGIC NOTIONS IN THE TROJAN WOMEN UNDER JEAN PAUL SARTRE�S POLITICAL AND PHILOSOPHICAL VIEW“. In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s03.03.
Der volle Inhalt der QuelleAnnotation:
The present study examines the contemporary rewriting in the French language of Euripides' play The Trojan Women by Jean Paul Sartre. The French philosopher having the intention once more to deal with humanity�s big problems, he intensifies Euripides� text with elements drawn from modern society and era. The theme dealt with is war and suppression, along with their conviction, a pattern especially popular with the creator since it is the one he deals with in his debut drama Bariona ou le fils de tonnerre (1940). Also, The Trojan Women (1964) linguistic style matches that of Bariona and Nekrassov (1955), since the personalities of the main heroes in all three plays are governed by the same notions: self � denial, rebelliousness and a firm belief in the ideals. The element which distinguishes the abovementioned texts from the rest of the writer�s dramaturgic work is their abstinence from an existential and psychological � analytical spirit. Thus, the existentialist dramaturgist�s familiar speech with which so many scholars have been preoccupied is almost absent from The Trojan Women. The Sartre�s goal is to �shout out loud� Euripides� big truths and in order to achieve it, he instills into his heroes additional characteristics, thus giving them an even more rebellious and aggressive constitution than the already existing one, expressed by a modern glossolalia. In The Trojan Women, the pioneer writer also deals with the impaired place of woman in contemporary society, an idea also existing in current days.
4
Sánchez-Cuenca Alomar, Jordi. „Habitação social e o direito à cidade: parâmetros de avaliação de políticas e programas“. In Seminario Internacional de Investigación en Urbanismo. Barcelona: Curso de Arquitetura e Urbanismo. Universidade do Vale do Itajaí, 2016. http://dx.doi.org/10.5821/siiu.6254.
Der volle Inhalt der QuelleAnnotation:
Com o Direito à Cidade, o filósofo francês Henri Lefebvre abriu em 1968 novas fronteiras para a compreensão do mundo moderno e das cidades, inspirando movimentos sociais urbanos e permitindo a sua articulação sob uma mesma bandeira. Contudo, com frequência se faz uma interpretação limitada do Direito à Cidade, entendendo-o como uma ampliação da provisão de habitação social, serviços básicos e transporte. O Direito à Cidade na filosofia de Lefebvre transcende a materialidade destes bens e serviços, ao incluir aspetos como iniciativa, liberdade e plasticidade do espaço, necessários para a apropriação das condições da nossa existência (Lefebvre, 2008, p. 26). De forma paradoxal, uma parte importante da produção de moradia no Brasil acontece em condições de informalidade e risco, porem adotando caraterísticas da proposta lefebvriana. Neste artigo, se faz uma análise da literatura contemporânea sobre este conceito em relação ao setor de habitação social. Posteriormente, se avalia o Plano Nacional de Habitação de 2009, a política por trás do Programa Minha Casa, Minha Vida, a través dos parâmetros que melhor definem o Direito à Cidade: a participação e a apropriação. With the Right to the City, the French philosopher Henri Lefebvre opened in 1968 new fronteers for the understanding of the modern world and of cities, inspiring urban social movements and facilitating their articulation under the same flag. However, limited interpretations of the Right to the City are frequent, understanding it as an extension in the provision of social housing, basic services and transport. The Right to the City in Lefebvre’s philosophy transcends the materiality of these goods and services, as it includes aspects such as initiative, freedom and spatial plasticity, needed for the appropriation of the conditions of our existence (Lefebvre, 2008, p. 26). In this article, I present an analysis of contemporary literature about this concept in relation to the social housing sector. Following, I evaluate the National Housing Plan (2009), the policy behind the Programme My House, My Life, through two parameters that best define the Right to the City: participation and appropriation.
5
Mankovskaya, N. „POST-RECEPTIVE HERMENEUTICAL METHOD IN THE AESTHETICS OF FRENCH SYMBOLISM“. In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2540.978-5-317-06726-7/32-35.
Der volle Inhalt der QuelleAnnotation:
The report discusses the features of the post-receptive hermeneutical method in the philosophy of art of P. Claudel,representing the Catholic line in the aesthetics of French symbolism,and J. Péladan,critic of official Catholicism,interpreting art in the mystical and esoteric way. The author reveals the symbolic essence of Claudel's reflections on Dutch, Spanish and French painting and contemporary art. The author reveals the character of J. Péladan's interpretation of Dante's “Divine Comedy”,which he read as an esoteric,rather than a love story,mystical revelation.
6
Cao, Xianrui. „Research on the Scientificity of Marx’s Dialectics Thought in “German-French Yearbook”“. In 5th International Conference on Contemporary Education, Social Sciences and Humanities - Philosophy of Being Human as the Core of Interdisciplinary Research (ICCESSH 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200901.016.
Der volle Inhalt der Quelle
7
Klotiņš, Jurģis. „Cilvēka personas brīvība un kopīgais labums Žaka Maritēna filosofijas skatījumā = The Human Person’s Freedom and the Common Good in Jacques Maritain’s Philosophy“. In Latvijas Universitātes 80. starptautiskā zinātniskā konference. LU Vēstures un filozofijas fakultāte, 2022. http://dx.doi.org/10.22364/luszk.80.fds.01.
Der volle Inhalt der QuelleAnnotation:
In his essays under the title “The Person and the Common Good” (the French edition 1947), Jacques Maritain extensively discussed the mutual relation and interdependence between a human person and a political community. The human person is a part of a political community and inferior to it, for he or she receives basic human goods from the common good, which itself is constituted by human persons. Nevertheless, a human person is also superior to the political community due to an ultimate fulfilment of human existence in direct relationship to God and regarding matters related to the philosophical categories such as truth, good and beauty. If the human person’s freedom to strive for these transcendental goods is respected on behalf of the political community, the common good can be properly maintained and continues to serve the community. Maritain’s position contains practical implications for the contemporary discussions of political philosophy on freedom of conscience and religious freedom, and freedom of expression.
8
Meškova, Sandra. „THE SENSE OF EXILE IN CONTEMPORARY EAST CENTRAL EUROPEAN WOMEN’S LIFE WRITING: DUBRAVKA UGREŠIČ AND MARGITA GŪTMANE“. In NORDSCI International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/nordsci2020/b1/v3/22.
Der volle Inhalt der QuelleAnnotation:
Exile is one of the central motifs of the 20th century European culture and literature; it is closely related to the historical events throughout this century and especially those related to World War II. In the culture of East Central Europe, the phenomenon of exile has been greatly determined by the context of socialism and post-socialist transformations that caused several waves of emigration from this part of Europe to the West or other parts of the world. It is interesting to compare cultures of East Central Europe, the historical situations of which both during World War II and after the collapse of socialism were different, e.g. Latvian and ex-Yugoslavian ones. In Latvia, exile is basically related to the emigration of a great part of the population in the 1940s and the issue of their possible return to the renewed Republic of Latvia in the early 1990s, whereas the countries of the former Yugoslavia experienced a new wave of emigration as a result of the Balkan War in the 1990s. Exile has been regarded by a great number of the 20th century philosophers, theorists, and scholars of diverse branches of studies. An important aspect of this complex phenomenon has been studied by psychoanalytical theorists. According to the French poststructuralist feminist theorist Julia Kristeva, the state of exile as a socio-cultural phenomenon reflects the inner schisms of subjectivity, particularly those of a feminine subject. Hence, exile/stranger/foreigner is an essential model of the contemporary subject and exile turns from a particular geographical and political phenomenon into a major symbol of modern European culture. The present article regards the sense of exile as a part of the narrator’s subjective world experience in the works by the Yugoslav writer Dubravka Ugrešič (“The Museum of Unconditional Surrender”, in Croatian and English, 1996) and Latvian émigré author Margita Gūtmane (“Letters to Mother”, in Latvian, 1998). Both authors relate the sense of exile to identity problems, personal and culture memory as well as loss. The article focuses on the issues of loss and memory as essential elements of the narrative of exile revealed by the metaphors of photograph and museum. Notwithstanding the differences of their historical situations, exile as the subjective experience reveals similar features in both authors’ works. However, different artistic means are used in both authors’ texts to depict it. Hence, Dubravka Ugrešič uses irony, whereas Margita Gūtmane provides a melancholic narrative of confession; both authors use photographs to depict various aspects of memory dynamic, but Gūtmane primarily deals with private memory, while Ugrešič regards also issues of cultural memory. The sense of exile in both authors’ works appears to mark specific aspects of feminine subjectivity.
9
Bandalo, Višnja. „ICONOGRAPHIC DEPICTION AND LITERARY PORTRAYING IN BERNARD BERENSON'S DIARY AND EPISTOLARY WRITING“. In NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/18.
Der volle Inhalt der QuelleAnnotation:
The paper focuses on the interlacement of literary and iconographic elements by displaying an innovatory philological and stylistic approach, from a comparative perspective, in thematizing multilingual translational and adaptive aspects, ranging across Bernard Berenson's diaristic and epistolary corpus, in conjunction with his works on Italian visual culture. This interweaving gives occasion to the elaboration of multilinguistic textual influences and their verbo-visual artistic representations deduced from his innovative interpretative readings in the domain of world literature in modern times. Such analysis of the discourse of theoretical and literary nature, and of the pictoricity, refers to Bernard Berenson's multilingual considerations about canonical authors in English, Italian, French, German language, belonging to the Neoclassical and Romantic period, as well as to the contemporary era, as conceptualized in his autobiographical works, in correlation with his writings on Italian figurative art. The scope of this presentation is to discern and articulate Berenson's aesthetic ideas evoking literary and artistic modernity, that are infused with crucial notions of translational theory and conveyed through the methodology of close reading and comprising at the same time, in an omnicomprehensive manner, a plurality of tendencies intrinsic to social paradigms of cultural studies. Unexplored premises reflecting Berenson's vision of Italian culture, most notably of a visual stamp, will be analyzed through author's understandings of such adaptive translations or volumes to be subsequently translated in Italian, and through their intertwined intertextual applications, significantly contributing to further critical and hermeneutic reception thereof. Particular attention is drawn to its instancing in the field of Romantic literary production (Emerson, Byron), originally underscoring the specificities of each literary genre and expressive mode, of the narrative, lyric or theatrical nature, as well as concomitantly involving parallel notions as adapted variants within visual arts, and in such a way expressing theoretical views pertainable to Italian artworks too. Other analogous elements relevant to literary expression in the most varied cultural sectors such as philosophy, music, civilisational history (Goethe, Hegel, Kant, Wagner, Chateaubriand, Rousseau, Mme de Staël, Taine) are furnished, as well as the examples of the resonances of non-western cultures, with the objective of exploring the effect among readership bringing also to the renewal of Italian tradition.