Auswahl der wissenschaftlichen Literatur zum Thema „Contemporary Arabic novel“
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Inhaltsverzeichnis
Machen Sie sich mit den Listen der aktuellen Artikel, Bücher, Dissertationen, Berichten und anderer wissenschaftlichen Quellen zum Thema "Contemporary Arabic novel" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Zeitschriftenartikel zum Thema "Contemporary Arabic novel"
Larsson, Göran. „Sufism in the Contemporary Arabic Novel“. Islam and Christian–Muslim Relations 25, Nr. 3 (25.02.2014): 380–82. http://dx.doi.org/10.1080/09596410.2014.889879.
Der volle Inhalt der QuelleSiddiq, Muhammad. „The Contemporary Arabic Novel in Perspective“. World Literature Today 60, Nr. 2 (1986): 206. http://dx.doi.org/10.2307/40141683.
Der volle Inhalt der QuelleLizzio, Celene Ayat. „Sufism in the contemporary Arabic novel“. Journal of Postcolonial Writing 49, Nr. 4 (September 2013): 500–501. http://dx.doi.org/10.1080/17449855.2013.818782.
Der volle Inhalt der QuelleBabana-Hampton, Safoi. „The Postcolonial Arabic Novel“. American Journal of Islam and Society 21, Nr. 1 (01.01.2004): 107–10. http://dx.doi.org/10.35632/ajis.v21i1.1818.
Der volle Inhalt der QuelleFirat, Alexa. „Sufism in the Contemporary Arabic Novel by Ziad Elmarsafy“. Middle Eastern Literatures 17, Nr. 2 (04.05.2014): 194–97. http://dx.doi.org/10.1080/1475262x.2014.928054.
Der volle Inhalt der QuelleGligorijević, Ivana R. „ARAPSKI ROMAN ALIJENACIJE: „BAMBUSOVA STABLjIKA“ SAUDA SANUSIJA“. Nasledje Kragujevac XIX, Nr. 52 (2022): 193–206. http://dx.doi.org/10.46793/naskg2252.193g.
Der volle Inhalt der QuelleMcManus, Anne-Marie E. „SCALE IN THE BALANCE: READING WITH THE INTERNATIONAL PRIZE FOR ARABIC FICTION (“THE ARABIC BOOKER”)“. International Journal of Middle East Studies 48, Nr. 2 (07.04.2016): 217–41. http://dx.doi.org/10.1017/s0020743816000039.
Der volle Inhalt der QuelleBakker, Barbara, und Nejood Al-Rubaey. „Climate change and ecological literacy in Ghassān Shibārū’s climate fiction novel "2022"“. Journal of Arabic and Islamic Studies 23, Nr. 1 (19.06.2023): 17–43. http://dx.doi.org/10.5617/jais.10371.
Der volle Inhalt der QuelleSarajkić, Mirza. „Slika religije u savremenom arapskom romanu / The Image of Religion in the Contemporary Arabic Novel“. Context: Journal of Interdisciplinary Studies 8, Nr. 1 (22.03.2022): 33–64. http://dx.doi.org/10.55425/23036966.2021.8.1.33.
Der volle Inhalt der QuelleHosseini, Abdollah, Seyyed Adnan Eshkevari und Hamid Alizadeh Lisar. „POLYPHONY IN THE EGYPTIAN CONTEMPORARY ARABIC NOVEL (A CASE STUDY OF GUANTANAMO)“. PEOPLE: International Journal of Social Sciences 4, Nr. 2 (10.09.2018): 974–89. http://dx.doi.org/10.20319/pijss.2018.42.974989.
Der volle Inhalt der QuelleDissertationen zum Thema "Contemporary Arabic novel"
Kashou, Hanan Hussam. „War and Exile In Contemporary Iraqi Women’s Novels“. The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1386038139.
Der volle Inhalt der QuelleBianco, Annamaria. „"Adab al-malǧa'" : représenter le refuge dans le roman arabe du XXIe siècle“. Electronic Thesis or Diss., Aix-Marseille, 2022. http://theses.univ-amu.fr.lama.univ-amu.fr/221209_BIANCO_998yey470wdp180hg620kll_TH.pdf.
Der volle Inhalt der QuelleThis thesis analyses the Arabic literature of exile and migration produced at the turn of the 2015 "refugee crisis", through a corpus of six novels whose authors differ in gender, age, origin, notoriety and migratory status. The study aims to describe the emergence of a new migrant aesthetic built around the polyvalent and multifaceted experience of "refuge", identifying the different elements of continuity and discontinuity that link contemporary fiction to the canon of the past. Focusing on two novels that draw on the tradition of harraga literature (Abū Bakr Ḥāmid Kahhāl's Taytānīkāt afrīqiyya and al-Arabī Ramaḍānī's Anāshīd al-milḥ), the first part of this work sheds light on the links between texts that recount the experience of clandestine migration and those that focus on the exodus of asylum seekers, bringing out from them the same kind of critical discourse towards Fortress Europe and the hierarchies established by the humanitarian system. Linking the concepts of vulnerability, trauma and resilience, the second part is devoted to the realities of transit and immobility, and analyses the spaces of exception embodied by Palestinian refugee camps (Ḥuzāma Ḥabāyib's Muḫmal) and pre-revolutionary Syria, characterised by a dual reality of regional shelter and repression (Rūzā Yāsīn Ḥasan's Ḥurrās al-hawāʼ). The third part sheds light on the experience of asylum in Europe (Hudā Barakāt's Barīd al-layl and Alī Badr's Āzif al-ġuyūm), allowing the reader to explore the anti-hegemonic representations of notions such as hospitality, identity, belonging and citizenship
DOZIO, CRISTINA. „EGYPTIAN SENSE OF HUMOUR: CHARACTERS, STRATEGIES, AND CONTEXT IN THE NOVELS OF MUSTAJĀB, SHALABĪ, AND ABŪ JULAYYIL (1982-2008)“. Doctoral thesis, Università degli Studi di Milano, 2017. http://hdl.handle.net/2434/485601.
Der volle Inhalt der QuelleOur study looks at characters, themes, and strategies in some Egyptian humorous novels published since the 1980s. Known for their proverbial sense of humour, Egyptians resort to comedy as a safety valve in everyday life and as a creative tool in many cultural productions. So far, the study of literary humour has focused on pre-modern literature, literary and folkloric anecdotes, popular drama, and satirical press. Modern satirical writing (adab sākhir) is placed at the margins of the canon, whereas humour is analysed as one of the stylistic features of some novelists. Having considered the re-evaluation of the pioneers of early-modern satire and the recent publication of humorous writings, our study examines the interplay of humour, satire, and literature in contemporary Egyptian novels with a comparative approach. In particular, it identifies a sub-genre which combines sense of humour and aesthetic qualities, which are intertwined with the contemporary literary trends. The novelists of our corpus, thus, join other masters of humour and irony already recognized by criticism: the pioneers of the late 1800s-early 1900s on the one hand, and some writers of the Generation of the Sixties on the other. To identify this sub-genre, we illustrate the humour-generating strategies in four novels by Muḥammad Mustajāb (1938-2005), Khayrī Shalabī (1938-2011), and Ḥamdī Abū Julayyil (1968). These writers have recently increased their critical recognition, but are still understudied. The novels of our corpus employ humour on a thematic, stylistic, and meta-narrative level. They depict eccentric characters in marginal communities and portray contemporary society with satirical criticism. Having adopted humour studies and narratology as a theoretical background, our textual analysis looks at the narrative strategies, the construction of characters, intertextuality, and literary language. In addition, it outlines the thematic and stylistic similarities, as well as the functions of humour in this literary trend. Our analysis focuses on the appropriation of the Arab cultural heritage (turāth) and of popular humour in these comic writings. The first chapter overviews the main humour theories applied to literary criticism and recent scholarship on humour in Arabic literature. The second chapter illustrates the selection criteria for our corpus, within the context of modern Egyptian fiction and satire, and our analytical framework. Each of the chapters 3-6 is devoted to a case study: Min al-tārīkh al-sirrī li-Nuʿmān ʿAbd al-Ḥāfiẓ (1982) by Mustajāb, Riḥlāt al-ṭurshajī al-ḥalwajī (1981/83) and Ṣāliḥ Hēṣa (2000) by Shalabī, and al-Fāʿil (2008) by Abū Julayyil. Finally, chapter 7 compares the humour-generating strategies and the thematic and stylistic peculiarities of these novels. We have identified some common strategies, such as the anecdotic structure, the use of stock characters in a contemporary context, and the juxtaposition of different registers, including Egyptian Colloquial Arabic and jargon. Recurrent stylistic features are the image of the double, repetitions, and grotesque physical descriptions. On a thematic level, these novels focus on the rural-urban relation, social injustice, and a re-reading of official historiography. With its variety of forms and characters, this humorous sub-genre fits into the innovation of contemporary Egyptian fiction, by portraying the relation between the self and the community in a playful or tragicomic way.
Rubino, Marcella. „Religion et violence dans l'oeuvre de Yūsuf Zaydān : les chemins croisés de la fiction et de l'histoire“. Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCF014/document.
Der volle Inhalt der QuelleThe Egyptian writer Yūsuf Zaydān is part of the tradition – dating from the age of the Nahḍa – of intellectuals as "educators of consciousness". Since then, faced with a national narrative controlled by political or religious power, Arab literature has often revisited history and current affairs with the aim of restoring – through the freedom offered by fictional discourse – the truth overshadowed by official history. Through this rewriting process, Zaydān is particularly interested in discussing the relationship between religion, politics and violence. The objective of this thesis is to explore Zaydān’s literary work in order to identify its originality. This originality is manifested, first, through Zaydān's dual profile as both academic and novelist, engaged in varied production that ranges from novels to essays; second, in the specific strategies he employs in order to address his privileged audience: the Egyptian reader. A controversial author in both his work and his personality, Zaydān is above all a literary phenomenon. An example of the blossoming literary field and the exacerbated cultural democratisation in Egypt, his case allows us to better understand ultra-modern Arab literature and what it expresses about the (politically, economically, culturally) recomposed and changing society that have produced it
SALAM, ROULA. „Hope in the Most Unlikely Spaces: Thawra and the Contemporary Arabic Novel“. Thesis, 2011. http://hdl.handle.net/1974/6762.
Der volle Inhalt der QuelleThesis (Ph.D, English) -- Queen's University, 2011-09-27 13:18:25.303
Bücher zum Thema "Contemporary Arabic novel"
ʻAlī, Idrīs. Dongola: A novel of Nubia. Fayetteville: University of Arkansas Press, 1998.
Den vollen Inhalt der Quelle findenIbrāhīm, Ṣunʻ Allāh. The committee: A novel. Syracuse, N.Y: Syracuse University Press, 2001.
Den vollen Inhalt der Quelle findenname, No. The kite runner: [a novel]. New York, NY: Riverhead Books, 2004.
Den vollen Inhalt der Quelle findenGotlieb, Yosef. Rise: A novel of contemporary Israel. Mevasseret Tzion: Atida Press, 2011.
Den vollen Inhalt der Quelle findenBarnes, Kim. In the kingdom of men: A novel. New York: Alfred A. Knopf, 2012.
Den vollen Inhalt der Quelle findenSalman, Rushdie. Two years, eight months and twenty-eight nights: A novel. Toronto?]: Knopf Canada, 2015.
Den vollen Inhalt der Quelle findenPorter, Jane. Duty, desire and the desert king. Richmond: Mills & Boon, 2013.
Den vollen Inhalt der Quelle findenPorter, Jane. El deber de un jeque. Madrid [Spain]: Harlequin Ibérica, 2010.
Den vollen Inhalt der Quelle findenJane, Porter. Duty, desire and the desert king. Toronto: Harlequin, 2009.
Den vollen Inhalt der Quelle findenHosseini, Khaled. The Kite Runner. Toronto, Canada: Anchor Canada, 2004.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Contemporary Arabic novel"
Kačkutė, Eglė. „Orality/Aurality and Voice of the Voiceless Mother in Abla Farhoud’s Happiness Has a Slippery Tail“. In Narratives of Motherhood and Mothering in Fiction and Life Writing, 77–92. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-17211-3_5.
Der volle Inhalt der QuelleMasmoudi, Ikram. „The Global Migration Context and the Contemporary Iraqi Novel“. In The Migrant in Arab Literature, 151–74. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429027338-9.
Der volle Inhalt der QuelleJarrar, Maher. „The Arabian Nights and the Contemporary Arabic Novel *“. In The Arabian Nights in Historical Context, 297–316. Oxford University Press, 2008. http://dx.doi.org/10.1093/acprof:oso/9780199554157.003.0013.
Der volle Inhalt der QuelleSnir, Reuven. „Reception: Stream of Consciousness“. In Contemporary Arabic Literature, 233–55. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399503259.003.0008.
Der volle Inhalt der Quelle„Frontmatter“. In Sufism in the Contemporary Arabic Novel, i—iv. Edinburgh University Press, 2012. http://dx.doi.org/10.1515/9780748655649-fm.
Der volle Inhalt der Quelle„Contents“. In Sufism in the Contemporary Arabic Novel, v—vi. Edinburgh University Press, 2012. http://dx.doi.org/10.1515/9780748655649-toc.
Der volle Inhalt der Quelle„3 Maḥmūd Al-Masʿadī: Witnessing Immortality“. In Sufism in the Contemporary Arabic Novel, 66–77. Edinburgh University Press, 2012. http://dx.doi.org/10.1515/9780748655649-007.
Der volle Inhalt der Quelle„5 Ibrahim Al-Koni: Writing and Sacrifice“. In Sufism in the Contemporary Arabic Novel, 107–38. Edinburgh University Press, 2012. http://dx.doi.org/10.1515/9780748655649-009.
Der volle Inhalt der Quelle„Acknowledgements“. In Sufism in the Contemporary Arabic Novel, xi—xii. Edinburgh University Press, 2012. http://dx.doi.org/10.1515/9780748655649-003.
Der volle Inhalt der Quelle„Index“. In Sufism in the Contemporary Arabic Novel, 253–60. Edinburgh University Press, 2012. http://dx.doi.org/10.1515/9780748655649-014.
Der volle Inhalt der Quelle