Auswahl der wissenschaftlichen Literatur zum Thema „Computer and violin music“
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Zeitschriftenartikel zum Thema "Computer and violin music"
Flašar, Martin. „MIDI housle v umění – od hudebního zvuku k multimediálnímu ovladači“. Musicologica Brunensia, Nr. 2 (2022): 177–86. http://dx.doi.org/10.5817/mb2022-2-9.
Der volle Inhalt der QuelleZhang, Xuanhe. „Violin Etude Composing based on LSTM Model“. Highlights in Science, Engineering and Technology 39 (01.04.2023): 54–60. http://dx.doi.org/10.54097/hset.v39i.6493.
Der volle Inhalt der QuelleRickards, Guy. „Music by women composers“. Tempo 59, Nr. 234 (21.09.2005): 66–72. http://dx.doi.org/10.1017/s0040298205300325.
Der volle Inhalt der QuelleHall, Cordelia, und John T. O'Donnell. „Regular Expressions as Violin Bowing Patterns“. Computer Music Journal 36, Nr. 2 (Juni 2012): 74–84. http://dx.doi.org/10.1162/comj_a_00120.
Der volle Inhalt der QuelleKendall, Roger A. „The Role of Acoustic Signal Partitions in Listener Categorization of Musical Phrases“. Music Perception 4, Nr. 2 (1986): 185–213. http://dx.doi.org/10.2307/40285360.
Der volle Inhalt der QuelleKIMURA, MARI. „Creative process and performance practice of interactive computer music: a performer's tale“. Organised Sound 8, Nr. 3 (Dezember 2003): 289–96. http://dx.doi.org/10.1017/s1355771803000268.
Der volle Inhalt der QuelleHayden, Sam, und Mieko Kanno. „Towards Musical Interaction: Sam Hayden's Compositions for E-Violin and Computer“. Contemporary Music Review 32, Nr. 5 (Oktober 2013): 485–98. http://dx.doi.org/10.1080/07494467.2013.849876.
Der volle Inhalt der QuelleLyon, Eric, R. Benjamin Knapp und Gascia Ouzounian. „Compositional and Performance Mapping in Computer Chamber Music: A Case Study“. Computer Music Journal 38, Nr. 3 (September 2014): 64–75. http://dx.doi.org/10.1162/comj_a_00257.
Der volle Inhalt der QuelleSchenker, Boris, Wesley Fuller und Thomas DeLio. „20th Century American Music for Piano, Violin, Flute, Percussion, and Computer“. Computer Music Journal 21, Nr. 3 (1997): 104. http://dx.doi.org/10.2307/3681024.
Der volle Inhalt der QuelleHopkins, Michael T. „Eighth-Grade Violinists’ Instrument Tuning Ability“. Journal of Research in Music Education 63, Nr. 3 (01.09.2015): 349–68. http://dx.doi.org/10.1177/0022429415597884.
Der volle Inhalt der QuelleDissertationen zum Thema "Computer and violin music"
Lee, Terry Alan. „Grancloud, a real-time granular synthesis application and its implementation in the interactive composition Creo“. Thesis, connect to online resource, 2009. http://digital.library.unt.edu/ark:/67531/metadc12151.
Der volle Inhalt der QuelleBell, Jeffrey C. „Present Absence: A work for string quintet and live electronics“. Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc2822/.
Der volle Inhalt der QuelleWallace, Frank James. „Graduation recital compositions“. Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/42046.
Der volle Inhalt der QuelleGalvan-Herrera, Rafael. „Graduate violin recital“. FIU Digital Commons, 2008. http://digitalcommons.fiu.edu/etd/3443.
Der volle Inhalt der QuelleChernova, Elena. „Graduate Violin Recital“. FIU Digital Commons, 2006. http://digitalcommons.fiu.edu/etd/2168.
Der volle Inhalt der QuelleKim, Seong Ae. „Sonata for Violin and Piano“. Thesis, State University of New York at Stony Brook, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3589708.
Der volle Inhalt der QuelleMy dissertation piece is a three-movement work of 20 minute duration for violin and piano that draws significantly from elements of traditional Korean culture, especially folk dance and folk music, and secondarily from Korean folk theater and visual arts using rhythmic patterns and gestures from folk dance and melodies from folk music and extended instrumental techniques that mimic the sounds of Korean traditional music and the music that typically accompanies Korean traditional dances.
The formal shape and material intentions of the piece— the fast-slow-fast tempo profile of the three movements, typical of so much Western music, is anchored conceptually in Korean ideas of "Heung" (communal joy-exploding energy) and "Han" (suffering-repressed energy). Each movement will make reference to a different folk music genre, the first movement alluding to "Sanjo," the second to "Gut," and the third from "Pungmul" (see chart). In addition, each movement will contain gestures from the Korean folk dances "Taepyongmu," "Sal puri," and "Sangmo Dolighi," all of which have different ceremonial functions in traditional Korean society. Each movement will also have its own characteristic folk rhythm pattern. The first movement will be based on an explicit Korean folk tune, while the overarching emphasis thematically in the three movements respectively will be "Garak" (melody), "Puri" (loosening), and "Nori" (fun).
Billing, Sally. „Bacewicz : the violin concertos“. Thesis, City University London, 2006. http://openaccess.city.ac.uk/8473/.
Der volle Inhalt der QuelleFoale, Maria. „Efficiency of movement in violin bowing“. Master's thesis, University of Cape Town, 2006. http://hdl.handle.net/11427/8137.
Der volle Inhalt der QuelleIncludes bibliographical references (leaves 72-75).
This dissertation presents a study and critical analysis of violin bowing technique. The works of some of the great twentieth century violin pedagogues were studied and their ideas on efficiency of movement, posture and balance in violin playing are highlighted. Motion analyses comparing linear and non-linear bowing styles were conducted using digital motion-tracking techniques.
Ya, ng Semi C. Miss. „Violin Etudes: A Pedagogical Guide“. University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1146083212.
Der volle Inhalt der QuelleHo, Frank Kwantat. „The violin music of Karol Szymanowski (Poland)“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ59725.pdf.
Der volle Inhalt der QuelleBücher zum Thema "Computer and violin music"
Judah L. Magnes Memorial Museum, Hrsg. Through music: A composition and a sound installation by Shahrokh Yadegari. Berkeley, Ca: Judah L. Magnes Museum, 2008.
Den vollen Inhalt der Quelle findenViolin. PO Box 10003 Van Nuys, CA 91410: Alfred Publishing Co., Inc., 1994.
Den vollen Inhalt der Quelle findenHarbar, Mary Ann. Cabaret violin treasures: Solo violin edition. Pacific, MO: Mel Bay Publications, 2008.
Den vollen Inhalt der Quelle findenMuhly, Nico. Drones & violin: For piano & violin, 2011. New York: St. Rose Music, 2011.
Den vollen Inhalt der Quelle findenKirchner, Leon. For violin solo. New York, NY: Associated Music Publishers, 1986.
Den vollen Inhalt der Quelle findenRiley, Dennis. Bagatelles, violin solo. New York: C.F. Peters, 1990.
Den vollen Inhalt der Quelle findenTenney, James. Excerpts from “An Experimental Investigation of Timbre—the Violin”. Herausgegeben von Larry Polansky, Lauren Pratt, Robert Wannamaker und Michael Winter. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038723.003.0005.
Der volle Inhalt der QuelleMetaCage: Essays on and Around Freeman Etudes, Fontana Mix, Aria. Cornell University Press, 2009.
Den vollen Inhalt der Quelle findenStaff, Hal Leonard Corp. Violin. Leonard Corporation, Hal, 2018.
Den vollen Inhalt der Quelle findenMary Ann Mary Ann Harbar. Violin Breaks Recording Book: Violin Music. Independently Published, 2021.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Computer and violin music"
Colwell, Richard J., Michael P. Hewitt und Mark Fonder. „The Violin“. In The Teaching of Instrumental Music, 406–14. Fifth edition. | New York ; London : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315619033-28.
Der volle Inhalt der QuelleReich, Steve. „Violin Phase (1967)“. In Anthology of Post-Tonal Music, 174–81. 2. Aufl. Second edition. | New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9780429340147-35.
Der volle Inhalt der QuelleVisi, Federico, Esther Coorevits, Rodrigo Schramm und Eduardo R. Miranda. „Analysis of Mimed Violin Performance Movements of Neophytes“. In Music, Mind, and Embodiment, 88–108. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-46282-0_6.
Der volle Inhalt der QuelleMcIntyre, Joanne. „Music Therapy“. In Longer-Term Psychiatric Inpatient Care for Adolescents, 107–14. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-1950-3_12.
Der volle Inhalt der QuelleWrzeciono, Piotr, und Krzysztof Marasek. „Violin Sound Quality: Expert Judgements and Objective Measurements“. In Advances in Music Information Retrieval, 237–60. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-11674-2_11.
Der volle Inhalt der QuelleRasamimanana, Nicolas H., Emmanuel Fléty und Frédéric Bevilacqua. „Gesture Analysis of Violin Bow Strokes“. In Lecture Notes in Computer Science, 145–55. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11678816_17.
Der volle Inhalt der QuelleFyk, Janina. „Intonational protention in the performance of melodic octaves on the violin“. In Music, Gestalt, and Computing, 421–30. Berlin, Heidelberg: Springer Berlin Heidelberg, 1997. http://dx.doi.org/10.1007/bfb0034130.
Der volle Inhalt der QuelleYu, Lauren Jane, und Andrea Pohoreckyj Danyluk. „Predicting Expressive Bow Controls for Violin and Viola“. In Computational Intelligence in Music, Sound, Art and Design, 354–70. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55750-2_24.
Der volle Inhalt der QuelleCook, Perry R. „Computer Music“. In Springer Handbook of Acoustics, 747–78. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4939-0755-7_17.
Der volle Inhalt der QuelleCook, Perry. „Computer Music“. In Springer Handbook of Acoustics, 713–42. New York, NY: Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30425-0_17.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Computer and violin music"
Zhao, Guoming. „The Study on the Performance Characteristics of the Violin Tone in the Computer Music“. In 2015 International Conference on Education Technology, Management and Humanities Science (ETMHS 2015). Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/etmhs-15.2015.11.
Der volle Inhalt der QuelleSilva, Eduardo Santos, Giordano Ribeiro Eulalio Cabral und Rodrigo Mendes de Carvalho Pereira. „A preliminary study of Augmented Musical Instruments for Study (AMIS) using research through design“. In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19438.
Der volle Inhalt der QuelleJie, Wei, Jonathan Boo, Ye Wang und Alex Loscos. „A Violin Music Transcriber for Personalized Learning“. In 2006 IEEE International Conference on Multimedia and Expo. IEEE, 2006. http://dx.doi.org/10.1109/icme.2006.262644.
Der volle Inhalt der QuelleBarbancho, Isabel, Cristina de la Bandera, Ana M. Barbancho und Lorenzo J. Tardon. „Transcription and expressiveness detection system for violin music“. In ICASSP 2009 - 2009 IEEE International Conference on Acoustics, Speech and Signal Processing. IEEE, 2009. http://dx.doi.org/10.1109/icassp.2009.4959552.
Der volle Inhalt der QuelleYokoyama, Masao, und Yuya Ishigaki. „Identification of violin timbre by neural network using acoustic features“. In Fourth Vienna Talk on Music Acoustics. ASA, 2022. http://dx.doi.org/10.1121/2.0001659.
Der volle Inhalt der QuelleLowery, Seth, und Andrew Piacsek. „A tool for quantifying the uncertainty measurements of violin impact response“. In Fourth Vienna Talk on Music Acoustics. ASA, 2022. http://dx.doi.org/10.1121/2.0001675.
Der volle Inhalt der Quelle„Emotion Recognition of Violin Music based on Strings Music Theory for Mascot Robot System“. In 9th International Conference on Informatics in Control, Automation and Robotics. SciTePress - Science and and Technology Publications, 2012. http://dx.doi.org/10.5220/0003991500050014.
Der volle Inhalt der QuelleVolta, Erica, und Gualtiero Volpe. „Automated Analysis of Postural and Movement Qualities of Violin Players“. In 2019 International Workshop on Multilayer Music Representation and Processing (MMRP). IEEE, 2019. http://dx.doi.org/10.1109/mmrp.2019.00018.
Der volle Inhalt der QuelleVolta, Erica, und Gualtiero Volpe. „Automated Analysis of Postural and Movement Qualities of Violin Players“. In 2019 International Workshop on Multilayer Music Representation and Processing (MMRP). IEEE, 2019. http://dx.doi.org/10.1109/mmrp.2019.8665374.
Der volle Inhalt der Quelle„Chinese Reform and Practice of Violin Playing Teaching in Music Colleges“. In 2018 1st International Conference on Education, Art, Management and Social Sciences. Clausius Scientific Press, 2018. http://dx.doi.org/10.23977/eamss.2018.025.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Computer and violin music"
Möllenkamp, Andreas. Paradigms of Music Software Development. Staatliches Institut für Musikforschung, Dezember 2014. http://dx.doi.org/10.25366/2022.99.
Der volle Inhalt der QuelleKiv, Arnold E., Vladyslav V. Bilous, Dmytro M. Bodnenko, Dmytro V. Horbatovskyi, Oksana S. Lytvyn und Volodymyr V. Proshkin. The development and use of mobile app AR Physics in physics teaching at the university. [б. в.], Juli 2021. http://dx.doi.org/10.31812/123456789/4629.
Der volle Inhalt der QuelleRaychev, Nikolay. Can human thoughts be encoded, decoded and manipulated to achieve symbiosis of the brain and the machine. Web of Open Science, Oktober 2020. http://dx.doi.org/10.37686/nsrl.v1i2.76.
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