Auswahl der wissenschaftlichen Literatur zum Thema „Composers (people in music)“
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Zeitschriftenartikel zum Thema "Composers (people in music)"
Yaremchuk, Olena. „The Polystylistics of Svyatoslav Lunyov’s Paraliturgical Music“. NaUKMA Research Papers. History and Theory of Culture 6 (21.06.2023): 65–71. http://dx.doi.org/10.18523/2617-8907.2023.6.65-71.
Der volle Inhalt der QuelleBabcock, David. „Korean Composers in Profile“. Tempo, Nr. 192 (April 1995): 15–21. http://dx.doi.org/10.1017/s0040298200004071.
Der volle Inhalt der QuelleCameron, Catherine M. „Fighting with Words: American Composers' Commentary on Their Work“. Comparative Studies in Society and History 27, Nr. 3 (Juli 1985): 430–60. http://dx.doi.org/10.1017/s0010417500011518.
Der volle Inhalt der QuelleStrenacikova Sr., Maria, und Maria Strenacikova Jr. „Slovak music culture and music professions during Classicism era“. ICONI, Nr. 1 (2021): 68–74. http://dx.doi.org/10.33779/2658-4824.2021.1.068-074.
Der volle Inhalt der QuelleMehr, Norman, und Lu Elrod. „Two! Four! Six! Eight! How do we Appreciate? Music Appreciation – Perceiving it, Understanding it“. British Journal of Music Education 3, Nr. 2 (Juli 1986): 129–33. http://dx.doi.org/10.1017/s0265051700005271.
Der volle Inhalt der QuelleGuo, Shaoying, und Mengqi Shao. „The Composer-Philosopher as a Key Figure of Musical Aesthetics (by the Example of Tchaikovsky’s Spiritual Endeavor)“. Problemy muzykal'noi nauki / Music Scholarship, Nr. 3 (2023): 35–46. http://dx.doi.org/10.56620/2782-3598.2023.3.035-046.
Der volle Inhalt der QuelleZhang, Shuang. „Feasibility of Music Composition Using Deep Learning-Based Quality Classification Models“. Wireless Communications and Mobile Computing 2022 (26.05.2022): 1–9. http://dx.doi.org/10.1155/2022/8123671.
Der volle Inhalt der QuelleIbragimov, Abdupatto Ahmadjonovich, Konstantin Konstantinovich Shalankov und Fatima Yaqubjon Kizi Jumanazarova. „THE PEDAGOGICAL SIGNIFICANCE OF THE WORK OF MODERN UZBEK COMPOSERS“. CURRENT RESEARCH JOURNAL OF PEDAGOGICS 02, Nr. 12 (01.12.2021): 77–81. http://dx.doi.org/10.37547/pedagogics-crjp-02-12-16.
Der volle Inhalt der QuelleOdunuga, Adeola Funmilayo, und Isaac Yekini-Ajenifuja. „Social Transformation of Africa through Music: The Nigerian experience“. Journal of Educational and Social Research 8, Nr. 2 (01.05.2018): 109–14. http://dx.doi.org/10.2478/jesr-2018-0021.
Der volle Inhalt der QuelleK, Nagendran. „Urisol That Conveys Musical Meaning in the Purananuru“. International Research Journal of Tamil 4, SPL 2 (28.02.2022): 321–28. http://dx.doi.org/10.34256/irjt22s250.
Der volle Inhalt der QuelleDissertationen zum Thema "Composers (people in music)"
Chaplin-Kyzer, Abigail. „Searching for Songs of the People: The Ideology of the Composers' Collective and Its Musical Implications“. Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157558/.
Der volle Inhalt der QuelleMpola, Mavis Noluthando. „An analysis of oral literary music texts in isiXhosa“. Thesis, Rhodes University, 2007. http://hdl.handle.net/10962/d1012909.
Der volle Inhalt der QuellePoon, Yan Chee. „Does music make coming home easier? : musical and sociological analyses of selected compositions commemorating the 1997 return of Hong Kong to the People's Republic of China“. HKBU Institutional Repository, 2002. http://repository.hkbu.edu.hk/etd_ra/443.
Der volle Inhalt der QuelleCapra, Carlos Augusto. „Music for clarinet by Argentinean composers /“. Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.
Der volle Inhalt der QuelleSchimpf, Peter John. „A transcultural student, teacher, and composer : Henry Cowell and the music of the world's peoples /“. Abstract and electronic version Publication number: AAT 3248815 Electronic version, 2006. http://proquest.umi.com/pqdweb?did=1268603461&sid=1&Fmt=2&clientId=12010&RQT=309&VName=PQD.
Der volle Inhalt der QuelleSandvik, Jan. „Examination concert : Interpreting music by three different composers“. Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1660.
Der volle Inhalt der QuelleChristoffer Pörn: Tre berättelser för piano
Johannes Brahms: Trio för piano, klarinett och cello op 114
Christoffer Pörn: Tre etyder för piano
Charles-Valentin Alkan: Symfoni för piano op 39
Medverkande: Anna Lisa Mühlig - klarinett, Jessie Liu - cello
Kim, Yeji. „Hybridity in Flute Music of Four Contemporary Composers“. Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1351532629.
Der volle Inhalt der QuelleCurlette, William Bruce. „New music for unaccompanied clarinet by Soviet composers /“. The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487693923198808.
Der volle Inhalt der QuelleRakena, Te Oti. „The synthesis of Polynesian and western traditions in contemporary New Zealand composers /“. Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.
Der volle Inhalt der QuelleNies, Carol. „STRUCTURAL ISSUES IN LUTOSLAWSKI'S SYMPHONY NO. 4“. University of Cincinnati / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ucin991311116.
Der volle Inhalt der QuelleBücher zum Thema "Composers (people in music)"
Karwaszewska, Monika. Andrzej Dobrowolski: Muzyka czystej formy. Gdańsk: Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku, 2017.
Den vollen Inhalt der Quelle findenBauer, Helen. A guide to classical music for young people. New York: Hal Leonard, 2009.
Den vollen Inhalt der Quelle findenStanley, John. Classical music: An introduction to classical music through the great composers & their masterworks. Pleasantville, N.Y: Reader's Digest Association, 1994.
Den vollen Inhalt der Quelle findenMania, Grzegorz, und Piotr Różański. Władysław Żeleński i krakowski salon muzyczny: Tożsamość kulturowa w czasach braku państwowości. Kraków: Stowarzyszenie Polskich Muzyków Kameralistów, 2017.
Den vollen Inhalt der Quelle findenBauer, Helen. A guide to classical music for young people. New York: Hal Leonard, 2009.
Den vollen Inhalt der Quelle findenNazif, Basir, Hrsg. Yusaf Rahman, komponis Minang. Bandung: Lubuk Agung, 2007.
Den vollen Inhalt der Quelle findenSouthern African Music Rights Organisation. Princess Magogo: A portrait. Braamfontein, South Africa: Southern African Music Rights Organisation, 2003.
Den vollen Inhalt der Quelle findenKibirova, S. N. Nizamdin Kibirov: Muzykant, kompozitor, narodnyĭ instrumentalist, pedagog. Sankt-Peterburg: Izd-vo UTPALA, 1995.
Den vollen Inhalt der Quelle findenauthor, Çetin Esra, Hrsg. XIX. yüzyıl Ermeni müzisyenlerin klasik Osmanlı müziği'ne katkıları. Ankara: Gece Akademi, 2019.
Den vollen Inhalt der Quelle findenVasudevan, T. S. Carnatic music composers. Chennai: T.V. Sundaravalli, 2008.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Composers (people in music)"
Smith, Neil Thomas. „3. Roundtable 2: Documenting Change“. In Classical Music Futures, 59–80. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0353.03.
Der volle Inhalt der QuelleStolze, Maximilian, und Helmut Hlavacs. „InvisibleSound: An App Enabling Blind People to Compose Music“. In Entertainment Computing – ICEC 2017, 38–43. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-66715-7_5.
Der volle Inhalt der QuelleAnne Bentley, Christa. „“Poet-Composers”“. In The Routledge Companion to Popular Music Analysis, 416–25. New York: Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315544700-28.
Der volle Inhalt der QuelleAmos, Jonny. „Production Music and Media Composers“. In The Music Business for Music Creators, 282–88. London: Focal Press, 2024. http://dx.doi.org/10.4324/9781003452119-43.
Der volle Inhalt der QuelleKildea, Paul. „The Artist and his Medium: Composer and Listener (1946)“. In Britten on Music, 61–66. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780198167143.003.0024.
Der volle Inhalt der QuelleEvison, Fiona. „From Art Music to Heart Music“. In The Oxford Handbook of Community Singing, 936–56. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780197612460.013.48.
Der volle Inhalt der QuelleKildea, Paul. „The Artist-to the People (1963)“. In Britten on Music, 233–35. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780198167143.003.0070.
Der volle Inhalt der QuelleKnyt, Erinn E. „The Goldberg Variations Revisited“. In Johann Sebastian Bach's Goldberg Variations Reimagined, 71–110. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197690659.003.0004.
Der volle Inhalt der QuelleHirshberg, Jehoash. „The Immigrant Composers Traniform the Musical Scene“. In Music in the Jewish Community of Palestine 1880–1948, 157–83. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198162421.003.0010.
Der volle Inhalt der QuelleKildea, Paul. „Freeman of Lowestoft (r95r)“. In Britten on Music, 108–11. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780198167143.003.0036.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Composers (people in music)"
King, Rob. „‘Music of the People’: Music From Data as Social Commentary“. In ICAD 2019: The 25th International Conference on Auditory Display. Newcastle upon Tyne, United Kingdom: Department of Computer and Information Sciences, Northumbria University, 2019. http://dx.doi.org/10.21785/icad2019.007.
Der volle Inhalt der QuelleEtinger, Darko. „A Task-Technology Fit Model for Digital Audio Workstations Evaluation“. In Intelligent Human Systems Integration (IHSI 2023) Integrating People and Intelligent Systems. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1002867.
Der volle Inhalt der QuelleQiu, Yao, Jinchao Zhang, Huiying Ren, Yong Shan und Jie Zhou. „Humming2Music: Being A Composer As Long As You Can Humming“. In Thirty-Second International Joint Conference on Artificial Intelligence {IJCAI-23}. California: International Joint Conferences on Artificial Intelligence Organization, 2023. http://dx.doi.org/10.24963/ijcai.2023/840.
Der volle Inhalt der QuelleRudenko, Svetlana, und Mads Haahr. „Psychogeography with Jack B. Yeats Art Sounding Gallery: Augmented Reality Locative Experience for Blind People“. In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001639.
Der volle Inhalt der QuelleAlonso-Monasterio, Pau, und Laura Uixera Cotano. „Community School Museums as a tool for education“. In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15054.
Der volle Inhalt der QuelleMo, Fan, Xingchao Wang, Shuaijun Li und Huihuan Qian. „A Music Generation Model for Robotic Composers“. In 2018 IEEE International Conference on Robotics and Biomimetics (ROBIO). IEEE, 2018. http://dx.doi.org/10.1109/robio.2018.8665078.
Der volle Inhalt der QuelleTaylor, Stephen. „From Program Music to Sonification: Representation and the Evolution of Music and Language“. In The 23rd International Conference on Auditory Display. Arlington, Virginia: The International Community for Auditory Display, 2017. http://dx.doi.org/10.21785/icad2017.060.
Der volle Inhalt der QuelleLopes, Marcelo Garcez, und Helena Lucia Sobral Alves da Cunha. „Educational Program “To Practice Safety Is to Value Life”“. In 2008 7th International Pipeline Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/ipc2008-64327.
Der volle Inhalt der QuelleZaozerskikh, Alena, und Mariya Chikhachyova. „"Memory of Culture" in Memorial Music by Siberian Composers“. In Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.109.
Der volle Inhalt der QuelleSANZHIEVA, L. N. „MUSIC OF COMPOSERS OF BURYATIA IN THE COUNTRY AND THE WORLD“. In Scientific conference, devoted to the 95th anniversary of the Republic of Buryatia. Publishing House of the Buryat Scientific Center of the Siberian Branch of the Russian Academy of Science, 2018. http://dx.doi.org/10.30792/978-5-7925-0521-6-2018-213-216.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Composers (people in music)"
Kvalbein, Astrid. Wood or blood? Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.481278.
Der volle Inhalt der QuelleDuch, Michael. Performing Hanne Darboven's Opus 17a and long duration minimalist music. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.481276.
Der volle Inhalt der QuelleBuene, Eivind. Intimate Relations. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.481274.
Der volle Inhalt der Quellexiao, xixi, siqi qin, jingjie zhou und Shibo Zhang. Optimizing music interventions for people with dementia from caregivers’ perspective: A systematic review of qualitative research. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, April 2023. http://dx.doi.org/10.37766/inplasy2023.4.0107.
Der volle Inhalt der QuelleNäslund-Hadley, Emma, María Mercedes Mateo-Berganza Díaz, Emma Strother und Danielle S. Parrillo. The Power of Music Education: Unlocking the Talent of Latin American and Caribbean Youth. Inter-American Development Bank, September 2023. http://dx.doi.org/10.18235/0005159.
Der volle Inhalt der QuelleRogers, Amanda. The Seven Colours Festival: Young People and Civic Participation in the Arts. Swansea University, Juli 2024. http://dx.doi.org/10.23889/sureport.66346.
Der volle Inhalt der QuelleHizo - Bendezu, Genna, und Claudia Otazu - Aldana. Efficacy of music therapy for the control of anxiety and fear in pediatric patients aged 4 to 6 years who come to the dental office for the first time - a systematic review. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, März 2023. http://dx.doi.org/10.37766/inplasy2023.3.0118.
Der volle Inhalt der QuelleFreeman, Jodie, Anna Klingele und Ursula Wolf. Effectiveness of music therapy, aromatherapy, and massage therapy on people in palliative care with end-of-life needs: A systematic review. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, November 2023. http://dx.doi.org/10.37766/inplasy2023.11.0087.
Der volle Inhalt der QuelleHearn, Greg, Mark Ryan, Marion McCutcheon und Stuart Cunningham. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Fremantle. Queensland University of Technology, November 2021. http://dx.doi.org/10.5204/rep.eprints.216570.
Der volle Inhalt der QuelleDi Campli San Vito, Patrizia, Stephen Brewster, Satvik Venkatesh, Eduardo Miranda, Alexis Kirke, David Moffat, Sube Banerjee, Alex Street, Jorg Fachner und Helen Odell-Miller. RadioMe: Supporting Individuals with Dementia in Their Own Home... and Beyond? CHI '22 Workshop - Designing Ecosystems for Complex Health Needs, 2022. http://dx.doi.org/10.36399/gla.pubs.267520.
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