Auswahl der wissenschaftlichen Literatur zum Thema „Communication interculturelle – São Paulo (Brésil)“
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Zeitschriftenartikel zum Thema "Communication interculturelle – São Paulo (Brésil)"
Ballester, Patrice. „Les expositions universelles et internationales comme des méga-événements: une incarnation éphémère d'un fait social total?“ Horizontes Antropológicos 19, Nr. 40 (Dezember 2013): 253–81. http://dx.doi.org/10.1590/s0104-71832013000200010.
Der volle Inhalt der QuelleGuazina, Liziane Soares, Gabriela Guerreiro Leite und Ébida Santos. „A normalização da agenda anti-gênero de Jair Bolsonaro“. Sur le journalisme, About journalism, Sobre jornalismo 10, Nr. 1 (15.06.2021): 44–61. http://dx.doi.org/10.25200/slj.v10.n1.2021.453.
Der volle Inhalt der QuelleDendasck, Carla Viana, und Euzébio de Oliveira. „Interactions culturalistes et biopolitiques en temps de pandémie : stratégies d’action et intérêts des utilisateurs de Youtube de mars à juin 2020“. Revista Científica Multidisciplinar Núcleo do Conhecimento, 24.06.2021, 38–47. http://dx.doi.org/10.32749/nucleodoconhecimento.com.br/communication-fr/culturalistes-et-biopolitiques.
Der volle Inhalt der QuelleChristina Dias, Leila, und Maria Helena Lenzi. „REORGANIZAÇÃO ESPACIAL DE REDES BANCÁRIAS NO BRASIL: processos adaptativos e inovadores“. Caderno CRH 22, Nr. 55 (24.08.2009). http://dx.doi.org/10.9771/ccrh.v22i55.19000.
Der volle Inhalt der QuelleRamalho, José Ricardo, und Iram Jácome Rodrigues. „SINDICATO, CRISE ECONÔMICA E ESTRATÉGIAS REGIONAIS: novas dimensões da participação política no ABC Paulista“. Caderno CRH 23, Nr. 59 (21.12.2010). http://dx.doi.org/10.9771/ccrh.v23i59.19106.
Der volle Inhalt der QuelleDissertationen zum Thema "Communication interculturelle – São Paulo (Brésil)"
Guillot, Farneti Laure. „São Paulo, ville de la "diversité" et de l'"accueil" ? : Représentations des migrations contemporaines, polyphonies urbaines et fabrique des imaginaires territoriaux“. Electronic Thesis or Diss., Lyon 2, 2023. http://www.theses.fr/2023LYO20103.
Der volle Inhalt der QuelleThis thesis analyses the creation of contemporary migration figures in São Paulo. More specifically, this research focuses on the imaginaries associated with people who have arrived from Latin American and African countries and settled in the Brazilian megalopolis since the beginning of the 21st century. The aim is to highlight the tensions that exist between various representations of migration, whether they are based on racial stereotypes, myths about the construction of Brazil or attempts to reflect the reality of the daily lives of migrants.Migration is the subject of a multiplicity of discourses, and the analysis of this polyphony of voices was carried out using a qualitative methodology, based on the analysis of an audiovisual corpus and an ethnographic survey consisting of observing participants and forty-three semi-structured interviews. The social actors approached were chosen because they participate in the construction and circulation of representations of contemporary migration in the country. The ethnographic study took place within political institutions, such as the São Paulo City Council, cultural institutions, such as the São Paulo State Immigration Museum, the media, such as a telenovela, and also collectives and associations working to welcome migrants. All these actors are also the producers of the videos analysed.The point of studying this variety of representations is to compare discourses that are rather external to migratory experiences with discourses captured from people who experience migration on a daily basis, either living it or accompanying it. The different accounts are analysed through the prism of a semio-discursive analysis, focusing on the apprehension and circulation, both spatial and temporal, of discursive formulas such as diversity or welcome, formulas that call upon different myths and imaginaries linked to the history of Brazil and of migrant people, while projecting a form of horizon of expectation for the latter. This approach has shown that the discourse of hegemonic actors is often more stereotyped than that of less visible actors who represent migration from a more 'interior' point of view. However, forms of hybridisation do exist, and the notion of the host territory makes it possible to account for the process of co-construction of intercultural representations that borrow as much from forms of myth as from the reality of the identities and lives of contemporary migrants