Auswahl der wissenschaftlichen Literatur zum Thema „Comédies et proverbes (films)“
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Zeitschriftenartikel zum Thema "Comédies et proverbes (films)"
Pinto, Isabel. „Comédies et Proverbes: Plays at Odds“. Youth Theatre Journal 29, Nr. 1 (02.01.2015): 31–44. http://dx.doi.org/10.1080/08929092.2015.1006714.
Der volle Inhalt der QuelleLedoux, Aurélie. „Rêves d’un " ailleurs ". Comédies musicales et films psychanalytiques“. Ligeia N°61-64, Nr. 2 (2005): 199. http://dx.doi.org/10.3917/lige.061.0199.
Der volle Inhalt der QuelleValencia Tamayo, Luis Felipe. „Corazones y dolores de cabeza“. Escribanía 26, Nr. 2 (19.01.2024): 72–87. http://dx.doi.org/10.30554/escribania.v26i2.5006.
Der volle Inhalt der QuelleCastagnès, Gilles. „“Le public est prié de ne pas se méprendre …”: le double sens grivois dans les Comédies et Proverbes d’Alfred de Musset“. Australian Journal of French Studies 55, Nr. 3 (Dezember 2018): 288–302. http://dx.doi.org/10.3828/ajfs.2018.25.
Der volle Inhalt der QuelleDefraeye, Piet. „Lumumba en Chine“. Revue d'histoire contemporaine de l'Afrique, Nr. 5 (15.12.2023): 91–109. http://dx.doi.org/10.51185/journals/rhca.2023.0506.
Der volle Inhalt der QuelleTomasovic, Dick. „Édouard Arnoldy, Pour une histoire culturelle du cinéma, (Au-devant de « scènes filmées », de « films chantants et parlants » et de comédies musicales)“. 1895, Nr. 44 (01.12.2004): 120–24. http://dx.doi.org/10.4000/1895.1992.
Der volle Inhalt der QuelleOdile Goerg. „3 - Des cow-boys dans la savane : cinéma et hybridation culturelle en contexte colonial“. Afrika Zamani, Nr. 20-21 (19.01.2022). http://dx.doi.org/10.57054/az.vi20-21.1812.
Der volle Inhalt der QuelleOdile Goerg. „3 - Le cinéma, un véhicule culturel en contexte colonial“. Afrika Zamani, Nr. 18-19 (20.01.2022). http://dx.doi.org/10.57054/az.vi18-19.1821.
Der volle Inhalt der QuelleDissertationen zum Thema "Comédies et proverbes (films)"
Thépot-Foissy, Eliane. „Les formes de la théâtralité dans les trois cycles filmiques d'Eric Rohmer : "Six Contes moraux", "Comédies et Proverbes", "Contes des quatre saisons"“. Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030078.
Der volle Inhalt der QuelleFrom "Six Moral Tales" to "Comedies and Proverbs", from "Comedies and Proverbs" to "Tales of the Four Seasons" Eric Rohmer develops a work that is organized in cycles whose center, always reactivated from film to film, is constituted by the question of desire, its excesses and its shortcomings. How can this cinema, marked by an aesthetic favoring the natural, embrace theatricality ? Theatricality precisely whose appearance and modalities will determine our study of the Rohmerian work, whose formal coherence is based on the principles of a cinema vérité initiated in the mid-1900s by the authors of the New Wave, that we will mainly examine, so as to identify the conditions, forms and the effects of an aesthetic favoring, from film to film, a dramaturgy of speech and gaze. From this perspective, we will study the staging of speech and the body in their relationship with places, considering the way in which this cinema constructs its characters through a theater of being and enhances them through the image. By framing that favors the capture of the body and its emotions, articulating plot in stages marked by a strong dramaticity, this cinema finally applies an aesthetics of fascination which is, ultimately, only the reflection, constantly thematized in the film, of an identification by the filmmaker of cinema as an ever renewed quest for the beauty of the world. The dramaturgical use the mechanism of chance, an equivalent principle, on the level of plot, of the deus ex machina, will make it possible, if necessary, to transform the character's deceptive quest into the joy of discovering that the Other was the man or woman we expected. And if, in such a narrative framework, there is a risk of excessive sentimentality, the works escapes it by the dynamis conferred by theatricality, playing with all the mechanisms of surprise, with the variation of registers and tones, finally introducing a certain irony into the discrepancy between what is shown – the image – and what is said – the discourse
Khoury, Toufic el. „Triangles amoureux et médiations du désir : la structure triadique dans la comédie hollywodienne classique (1929-1945)“. Paris 7, 2012. http://www.theses.fr/2012PA070078.
Der volle Inhalt der QuelleThe love triangle is an integral part of the structure and the syntax of Classical Hollywood Comedy. Based on this claim, we first highlight the place of this literary topos in the narrative construction, the mise-en-scene, the use of movie stars and the advertisement of 1930s-1940s Hollywood comedies, in the films of Ernst Lubitsch, George Cukor, Leo McCarey or Preston Sturges. Then, we draw from René Girard's literary and anthropological theory of mimetic desire and triangular conflict, and the two forms of mediations of desire he defines (the internal and the external mediations). This helps approach the way comedy illustrates the different expressions of desire of comic heroes, and the way conflict constitutes a vital part in any romantic process. It suggests how the genre ironically reworks Hollywood narrative conventions, its defense of romantic love and of modem democratic society, while seeming to perpetuate them faithfully
De, Oliveira Joao Alves. „La construction idéologique de la culture populaire comme une identité pour le cinema brésilien (1950-1975) : une synthese dialectique entre la chanchada et le cinema novo“. Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2013. http://tel.archives-ouvertes.fr/tel-00949721.
Der volle Inhalt der QuelleBücher zum Thema "Comédies et proverbes (films)"
Hertay, Alain. Éric Rohmer: comédies et proverbes. Li&grav;ege: Éd. du CEFAL, 1998.
Den vollen Inhalt der Quelle findenMusset, Alfred de. La nuit vénitienne: [suivi de] Le chandelier. Un caprice. Il faut d'une porte soit ouverte ou fermée : comédies et proverbes. Paris: Gallimard, 2010.
Den vollen Inhalt der Quelle findenGénération Splendid. [Grainville]: City éd., 2006.
Den vollen Inhalt der Quelle finden1956-, Krutnik Frank, Hrsg. Popular film and television comedy. London: Routledge, 1990.
Den vollen Inhalt der Quelle findenNeale, Stephen. Popular Film and Television Comedy. London: Taylor & Francis Inc, 2002.
Den vollen Inhalt der Quelle findenGenre, gender and the effects of neoliberalism: The new millennium Hollywood rom com. Abingdon, Oxon: Routledge, 2013.
Den vollen Inhalt der Quelle findenSophie, Ségur. Comédies et proverbes. CreateSpace Independent Publishing Platform, 2016.
Den vollen Inhalt der Quelle findenSophie, Ségur. Comédies et Proverbes. Independently Published, 2017.
Den vollen Inhalt der Quelle findenla Comtesse la Comtesse de Ségur. Comédies et Proverbes. Independently Published, 2020.
Den vollen Inhalt der Quelle findenRohmer, Eric. Comédies et proverbes, tome 2. Cahiers du Cinema Livres, 1999.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Comédies et proverbes (films)"
„Comédies et proverbes“. In Éric Rohmer, 59–89. Wilhelm Fink Verlag, 2018. http://dx.doi.org/10.30965/9783846762431_006.
Der volle Inhalt der QuelleAubron, Hervé. „Bon souvenir des années quatre-vingts, ou quelques hypothèses sur une tentation de la carte postale dans « Comédies et proverbes »“. In Rohmer et les Autres, 95–104. Presses universitaires de Rennes, 2007. http://dx.doi.org/10.4000/books.pur.662.
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