Zeitschriftenartikel zum Thema „Classic revival“
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1
Allen, David. „Revival – A Classic Pentecostal View“. Journal of the European Pentecostal Theological Association 27, Nr. 2 (Oktober 2007): 118–27. http://dx.doi.org/10.1179/jep.2007.27.2.003.
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Willson, Flora. „Classic staging: Pauline Viardot and the 1859 Orphée revival“. Cambridge Opera Journal 22, Nr. 3 (November 2010): 301–26. http://dx.doi.org/10.1017/s0954586711000267.
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AbstractThe 1859 revival of Gluck's Orphée, reworked for the occasion by Berlioz, was one of a series of operatic résurrections staged at the Théâtre-Lyrique in Paris during the Second Empire. Starring Pauline Viardot (1821–1910) in the title role, it was the first major revival of Gluck's opera since the 1820s and attracted considerable attention in the press and elsewhere. Critics and others were fascinated by Viardot's dramatic presence on stage, producing images (both in pictures and words) of her Orpheus that are often striking in their awareness of time past. Indeed, ambivalence about the past and its artefacts might be said to haunt the reception of a work – and performer – many designated as the epitome of the classique. Contextualising this Orphée within the changing meanings of the term classique in the mid-nineteenth century, the article focuses on a particularly revealing moment in the transition between an operatic culture based on new works and one ever more reliant on revivals of acknowledged masterpieces.
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Milbrath, Susan, und Carlos Peraza Lope. „Survival and Revival of Terminal Classic Traditions at Postclassic Mayapán“. Latin American Antiquity 20, Nr. 4 (Dezember 2009): 581–606. http://dx.doi.org/10.1017/s1045663500002881.
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AbstractRecent INAH excavations and reanalysis of data from the Carnegie Institution archaeological project document the survival and revival of Classic and Terminal Classic traditions at Postclassic Mayapán, the last Maya capital in Mexico. The survival of some Terminal Classic ceramic types and architectural forms at Mayapán around A.D. 1100–1200 reflects a pattern of continuity. A revival of earlier traditions is notable in the erection of stelae marking the katun endings and in Postclassic architecture that incorporates iconographie elements from Terminal Classic Puuc sites and the city of Chichén Itzá. The rulers and priests of Mayapán displayed their connection with the Terminal Classic Maya heritage to assert political power. The Puuc revival at Mayapán is linked with the Xiu priests, whereas the revival of the Itzá heritage of Chichén Itzá is affiliated with the Cocom rulers. Between A.D. 1250 and 1400, revival-style architecture at Mayapán was inspired by local traditions in the area of Yucatán. After A.D. 1400, trade contact with the East Coast inspired new art forms linked with the international style associated with Mixteca-Puebla art.
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Häberling, Christian, und Lorenz Hurni. „Mountain cartography: revival of a classic domain“. ISPRS Journal of Photogrammetry and Remote Sensing 57, Nr. 1-2 (November 2002): 134–58. http://dx.doi.org/10.1016/s0924-2716(02)00113-2.
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De La Cruz-Cabanillas, Isabel, und Cristina Tejedor Martinez. „Revival of classic Affixes in Spanish through English“. Moderna Språk 116, Nr. 1 (30.06.2022): 266–93. http://dx.doi.org/10.58221/mosp.v116i1.6955.
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The increasing impact of English upon Spanish pervades not only its lexicon, but also its morphology. The goal of the article is to see if the revival of several affixes in Spanish is likely due to English influence. These affixes, available in the classic languages, have mainly come down to us through Latin, even though some of them are Greek in origin. This article focuses on the revival of several of these classic affixes that are highly productive in Present-Day Spanish. The data have been retrieved from a corpus containing twenty-first-century written texts in European Spanish and have been compared to information from other corpora and several lexicographic works both in English and Spanish. The resources that are mentioned enable the chronological order of the recording of the items to be traced. This timeline will help to establish the influence of the English lexical units in the coinage of their Spanish counterparts.
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Shim, Chi-yeol. „The Realism of Death and the Loss of Revival in Sugyeongnangja-jeon“. Research of the Korean Classic 32 (08.12.2015): 515–39. http://dx.doi.org/10.20516/classic.2015.32.515.
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Gilbert, Andrew Simon. „Crowdfunding Nostalgia: Kickstarter and the Revival of Classic PC Game Genres“. Computer Games Journal 6, Nr. 1-2 (08.02.2017): 17–32. http://dx.doi.org/10.1007/s40869-017-0031-x.
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Marinis, A. „Diagnosis of Acute Appendicitis: Revival of an Old-Time Classic Fairy Tale?“ Hellenic Journal of Surgery 90, Nr. 3 (Mai 2018): 110. http://dx.doi.org/10.1007/s13126-018-0453-3.
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Bebbington, D. W. „Culture and Piety in the Far West: Revival in Penzance, Newlyn, and Mousehole in 1849“. Studies in Church History 44 (2008): 225–50. http://dx.doi.org/10.1017/s0424208400003612.
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A brief but classic account of a Cornish revival is to be found in Salome Hocking’s book Some Old Cornish Folk, published in 1903. Writing semi-fictionally but also semi-ethnographically about a number of years before, the author, herself sprung from Cornish Methodism, described the thronging penitents, the exuberant singing and the ‘thrill of excitement’ that went through the village. Crucially she commented on the circumstances. The revival, she explained, had arisen ‘at a time when no one was thinking about it, and no special services were being held. It seemed to have nothing to do with the preacher either…’ The event, she was suggesting, was entirely spontaneous. Although it was triggered by a young girl going forward to kneel as a convert below the pulpit, the subsequent stir was not the result of any earlier contrivance. The awakening was unexpected, not planned. Much of the writing about revivals – periodic episodes of religious enthusiasm attended by mass conversions in evangelical Protestantism – revolves around this distinction. Nineteenth-century advocates of revivals, in America as well as in the British Isles, contrasted the older pattern in which ‘Christians waited for them as men are wont to wait for showers of rain’ with the later way in which the episodes were promoted by ‘systematic efforts’. Subsequently historians have taken up the theme. John Kent, the leading commentator on English revivals of the Victorian era, while recognizing the existence of planning among some early nineteenth-century Methodists, places the dividing line between the prevalence of contagious spontaneity, and the use of devices to achieve conversions, after 1860.
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Sun, Yi, Guoqing Zhao und Xi Yang. „Is the Three Character Classic (《三字经》) still suitable for contemporary literacy and enlightenment education for children? Insights from the perspective of cognitive psychology and child development psychology“. Advances in Educational Research and Evaluation 2, Nr. 1 (2021): 127–37. http://dx.doi.org/10.25082/aere.2021.01.004.
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The Three Character Classic (《三字经》), also translated as San Zi Jing or The Triword Primer, is the traditional Chinese Primer with the most significant influence and the broadest appeal. In the 21st century Chinese traditional cultural revival, traditional texts such as the Three Character Classic are reused as child education primer. Is the Three Character Classic still suitable for contemporary children's literacy and enlightenment? From the perspective of cognitive psychology and child development psychology, this paper used a critical literature review method to investigate the relationship between the Three Character Classic and children's language development, attention, memory, cognition, and moral development. It found that the content, structure, teaching approach of it conform to children's physical and cognitive development during early childhood. The Three Character Classic is not only the primary text for children's Chinese learning but also a valuable tool to understand the spiritual core of traditional Chinese culture. It has a particular value for children's literacy and enlightenment and those who learn Chinese as a second language.
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Monter, William. „Re-contextualizing British Witchcraft“. Journal of Interdisciplinary History 35, Nr. 1 (Juli 2004): 105–11. http://dx.doi.org/10.1162/002219504323091252.
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Since the seminal study of English witchcraft c. 1970, such developments as England's entry into the European Community and the revival of witchhunting episodes in postcolonial Africa have blurred parts of the picture. Recent publications present an opportunity to make revisions to the classic view of British witchcraft, setting the subject within its proper European context while pointing out some of its distinctive features.
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Sanders, Fred. „Redefining progress in Trinitarian theology: Stephen R. Holmes on the Trinity“. Evangelical Quarterly 86, Nr. 1 (26.04.2014): 6–20. http://dx.doi.org/10.1163/27725472-08601002.
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This essay examines some of the implications for contemporary constructive work on the doctrine of the Trinity if Steve Holmes is correct in his judgments about the direction taken by the recent revival of interest in the doctrine. Holmes raises serious questions about the exegetical basis of the doctrine, and raises the question of what God has revealed in the sending of the Son and the Spirit. Some areas of maximal divergence between the classic tradition and the recent revival are probed, such as the recent lack of interest in the elaboration and defense of divinity unity, and also of the divine attributes as explored by classical theism. Finally, Holmes’s work raises questions about the proper relationships between systematic theology and allied theological disciplines such as historical theology and analytic theology.
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Litvintseva, Galina Yu. „Medieval Laughter Culture and the AntiWorld of Russian Postmodernism“. Observatory of Culture, Nr. 4 (28.08.2014): 42–49. http://dx.doi.org/10.25281/2072-3156-2014-0-4-42-49.
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Provides a comparative analysis of the comic world or antiworld in medieval and postmodern literary texts. The postmodern and medieval parodies create seamy, inverted world that is free from the etiquette rules and propriety. Postmodern writers and artists break the “classic” aesthetic canon that restricts freedom of creative expression and artistic perception of the text as a selfsufficient one. Grotesque hyperrealism of Russian postmodernists is a revival of burlesque travesty of medieval topography on a new level.
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Arrozy, Ahmad. „Studi Perubahan Sosial Komunitas Masjid Jogokariyan Yogyakarta : Tinjauan Sosiologi-Sejarah“. JPW (Jurnal Politik Walisongo) 2, Nr. 1 (30.04.2020): 55–70. http://dx.doi.org/10.21580/jpw.v2i1.2694.
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This study observed social change a community of mosque in Kampung Jogokariyan special region of Yogyakarta. With the management capabilities and the leadership who respect to their figures when pioneered since 1960 maked a significant of social change. This study use a historical-sociology approach with Max Weber’s classic theory framework. From this research indicate the revival of religious solidarity factor has encouraged the movement political-economy. This subject is a characteristic of the collective on contemporary Islamic movement in urban Java.
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de-la-Huerta-Sainz, Sergio, Angel Ballesteros und Nicolás A. Cordero. „Gaussian Curvature Effects on Graphene Quantum Dots“. Nanomaterials 13, Nr. 1 (25.12.2022): 95. http://dx.doi.org/10.3390/nano13010095.
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In the last few years, much attention has been paid to the exotic properties that graphene nanostructures exhibit, especially those emerging upon deforming the material. Here we present a study of the mechanical and electronic properties of bent hexagonal graphene quantum dots employing density functional theory. We explore three different kinds of surfaces with Gaussian curvature exhibiting different shapes—spherical, cylindrical, and one-sheet hyperboloid—used to bend the material, and several boundary conditions regarding what atoms are forced to lay on the chosen surface. In each case, we study the curvature energy and two quantum regeneration times (classic and revival) for different values of the curvature radius. A strong correlation between Gaussian curvature and these regeneration times is found, and a special divergence is observed for the revival time for the hyperboloid case, probably related to the pseudo-magnetic field generated by this curvature being capable of causing a phase transition.
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Tyapin, Igor N. „The Revival of the Russian Idea Ethic and Aesthetic Traditions in the Anthropologic Social and Conservative Paradigm“. Almanac “Essays on Conservatism” 64 (30.06.2021): 471–79. http://dx.doi.org/10.24030/24092517-2021-0-2-471-479.
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Russian idea formation in the framework of mental and artistic forms largely determines its ethic and aesthetic trends. The following philosophic conceptualization of the Russian idea turned out to be connected not only with the empire project, but also with the expression of national traditions in the classic culture, from architecture to philosophy. Under the conditions of the global technological crisis of spiritual culture that has captured the quasi-westernized modern Russia, the conservative progress understanding implies in fact the integration of anthropological and social conservatism. Russian idea modernization as an important direction of the domestic philosophy renewal, implies the critical analysis of post-philosophic –suicidal in relation to man, national sovereignty, fundamental social institutions, - doctrines and substantiation of absolute importance of classic and national spiritual traditions, moral and aesthetic context of material and technical progress, cultural self-sufficiency and originality. The panhuman character of the Russian idea in the 21st century consists in the project of co-evolutionary preservation of man, philosophy and culture.
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Stuart, Ian. „Revisiting ‘The Sea’: Bond's English Comedy in Toulouse“. New Theatre Quarterly 15, Nr. 2 (Mai 1999): 178–82. http://dx.doi.org/10.1017/s0266464x00012859.
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Edward Bond's The Sea was first presented at the Royal Court Theatre under William Gaskill's direction in 1973, and later confirmed as a modern classic in its revival in 1991 at the National Theatre– where it was claimed that it could only have been written by an Englishman. But, as La Mer, it was chosen to open the Thėâtre de la Citė in Toulouse, where Bond scholar and editor Ian Stuart saw Jacques Rosner's production in October, and here reports on the resultant meeting between an English comedy and ‘French serenity’.
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Murray, Douglas M. „The study of the catholic tradition of the Kirk: Scoto-Catholics and the worship of the reformers“. Studies in Church History 33 (1997): 517–27. http://dx.doi.org/10.1017/s0424208400013437.
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James Cooper, Professor of Ecclesiastical History at Glasgow University and a prominent High Churchman, once remarked that one of the main reasons for the Catholic revival in the Church of Scotland in the late nineteenth century was the renewed study of the history of the Scottish Church. The Catholic revival, or Scoto-Catholic movement, found expression in the formation of the Scottish Church Society in 1892. The High Churchmen who formed the Society considered that a Catholic position was no novelty in the Kirk. According to Henry J. Wotherspoon, one of the leading theologians of the movement, the Presbyterian was from the first ‘the High Catholic of Puritanism’, and it followed that the material for a catholic revival lay at hand in the traditions of the Church. In its classic form and confessional position, he said, Presbyterianism discerned the Kingship of Christ; it asserted the Church as a Divine imperium, ‘visible, universal, and divinely ordered’, independent and autonomous; it maintained Episcopate, none the less that it was Episcopate put into commission; it asserted for the Presbyterate Apostolic Succession; it held a very distinct sacramental system, cumbered only by the endeavour to combine it with a doctrine of election; it exercised a vigorous discipline; it adhered to the oecumenical creeds in every term of their definitions and on that ground claimed to be acknowledged as Catholic.
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Šeina, Viktorija. „The Dynamic of Maironis’s Canonization in Lithuanian Literary Criticism of the First Half of the Twentieth Century“. Colloquia 37 (30.12.2016): 49–71. http://dx.doi.org/10.51554/col.2016.28903.
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Drawing on the literary sociology principle that the position of a concrete author or text within a canon is the result of a socio-cultural selection process, this article seeks to determine which selection and communication factors and conditions led to the canonisation of the work of the Lithuanian national revival poet Maironis (1862–1932) in Lithuanian literary criticism of the first half of the twentieth century. Already during Maironis’s first period of canonisation, before the First World War, the dual nature of this poet’s assessment was evident in literary criticism: while professional literary critics considered Maironis’s contemplative, intimate lyric to be his strongest writing, they recognised that Maironis became a popular poet thanks to his patriotic poems. The identification of Maironis’s popular poetry’s role in the national revival as the essential criterion for evaluating his writing was emphasised by individuals not connected to literary studies – members of the Lithuania press; this determined the poet’s significance in the canon during the period under analysis. Although, following the restoration of statehood in 1918, younger critics began to question Maironis’s position within the contemporary literary canon, during the same period – in publications by the older generation of critics, in academic discourse and in school literature programs and textbooks – Maironis was both clearly established as a prophet of national revival and accorded the status of leading national classic.
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Mäkinen, Jukka, und Arno Kourula. „Pluralism in Political Corporate Social Responsibility“. Business Ethics Quarterly 22, Nr. 4 (Oktober 2012): 649–78. http://dx.doi.org/10.5840/beq201222443.
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ABSTRACT:Within corporate social responsibility (CSR), the exploration of the political role of firms (political CSR) has recently experienced a revival. We review three key periods of political CSR literature—classic, instrumental, and new political CSR—and use the Rawlsian conceptualization of division of moral labor within political systems to describe each period’s background political theories. The three main arguments of the paper are as follows. First, classic CSR literature was more pluralistic in terms of background political theories than many later texts. Second, instrumental CSR adopted classical liberalism and libertarian laissez-faire as its structural logic. Third, new political CSR, based on a strong globalist transition of responsibilities and tasks from governments to companies, lacks a conceptualization of division of moral labor that is needed to fully depart from a classical liberalist position. We end by providing a set of recommendations to develop pluralism in political CSR.
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Jacobs, Matthew, und Zachary DeSola. „The 5th Annual Cinema Revival: A Festival of Film Restoration in Columbus, Ohio“. Film Matters 10, Nr. 2 (01.09.2019): 43–48. http://dx.doi.org/10.1386/fm_00006_1.
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The Wexner Center for the Arts showcased thirteen films over six days during its 5th annual Cinema Revival: A Festival of Film Restoration. These films ranged over a variety of genres and featured world-renowned directors and actors. The films featured over the weekend have origins that stretch the globe. From Argentina to Italy, the festival programming allowed viewers to get a glimpse into the history of world cinema, while the speakers introduced the films and shared not only their knowledge but also the detailed steps required for each films restoration. Although some films received more attendance than others, the festival was successful in its goal of sharing classic cinema with a modern audience and providing an even mix of technical discussion, background information, and entertainment.
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Garami, Bosmat. „Chronology and Ideology“. European Television Memories 2, Nr. 3 (30.06.2013): 99. http://dx.doi.org/10.18146/2213-0969.2013.jethc036.
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This paper examines two major Israeli historic-documentary television series, PILLAR OF FIRE (POF), product of the 1970's, and REVIVAL (RL), product of the 1990's.The series deal with the Zionist enterprise and its realization. The research applies Gerard Genette's central narratological typology to the series' temporal structures, through the categories of Order, Duration and Frequency. Findings show that while POF's classic, linear, , historicist structure serves its celebration of the Zionist narrative, RL employs a unique, complex , multi-dimensional structure, which enables its historical multivocality, and supports its critical presentation of the cyclical Arab-Israeli Conflict and revisionism of Israeli history.
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Kazmirchuk, Marіja. „Vikladachі Kiїvskogo derzhavnogo unіversitetu v perіod stalіnskikh represіjj (1933 – 1941 rr.)“. Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe 2, Nr. 1 (2016): 55–72. http://dx.doi.org/10.15804/pomi201604.
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Lecturers of Kiev State University in the period of Stalinist repression (1933 – 1941). Restoring classic university system aft er series of experiments of Soviet authority over the education system contributed to the revival of the Kiev State University. However, further Stalin’s repressions aggravated the situation of teachers and students and the science in general. Th e consequence of political repression and persecution of the teachers of the Kiev State University was the fall of the level of teaching. Biographies of individual faculty members in the period from 1933 to 1941 are proof of cruel repressive policies of the totalitarian Soviet state.
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DuBois 杜博思, Thomas David. „China's old brands: commercial heritage and creative nostalgia“. International Journal of Asian Studies 18, Nr. 1 (21.09.2020): 45–59. http://dx.doi.org/10.1017/s1479591420000455.
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AbstractChina's commercial revival of the 1980s initiated a wave of nostalgia for old brands, which various political and commercial actors spent the subsequent four decades trying to develop, enhance, or exploit. Such attempts can be divided into two types: the heritage approach of the “old brands revitalization project” and the “creative nostalgia” of retro advertising. Both aim to nurture a sense of nostalgia for old brands, but they espouse opposing logic: the former emphasizing authenticity, while the latter mines the past for fun, novelty, and irony. These trends are expressed in the food sector, which comprises the majority of classic enterprises, and has been shaped by explosive growth. Rather than a generational rejection of the past, it is the rush to establish a presence in the crowded national market that drives China's classic food brands to repackage nostalgia from authenticity to novelty, from scarcity to replicability, and from heritage to retro.1
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ILIEVA, Boyka. „BETWEEN PRESTIGE AND DEPRAVITY: OBSERVATIONS ON THE EARLY RECEPTION OF DANTE AND BOCCACCHIO IN BULGARIA (1878 – 1918)“. Ezikov Svyat volume 22 issue 1, ezs.swu.v22i1 (23.02.2024): 94–103. http://dx.doi.org/10.37708/ezs.swu.bg.v22i1.9.
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The current study focuses on the presence of the Italian classic authors Dante, Petrarch and Boccaccio in the period from the National Liberation to the end of World War I. The reception scope after the National Liberation is actually hard to trace and some surprising findings might appear on the horizon, especially regarding the scattered in periodicals texts. The published translated books are not indicative of the reception range during the analyzed period and they constitute only a small part of it. A large number of works by the most popular authors reached the Bulgarian audience through translations published in periodicals, textbooks and anthologies. Moreover, a lot of translated works did not appear in specialized philological publications, but in the literary sections and serials of daily newspapers. As early as the first decade after the Liberation, the classics missing from the Revival catalogue of translated literature started to appear. The Bulgarian reader became acquainted with the sporadic works of authors studied at school like Dante, Petrarch, Boccaccio, Torquato Tasso, Ludovico Ariosto, Carlo Goldoni, Vittorio Alfieri, Giacomo Leopardi and Ugo Foscolo. In the defined period, the classic authors were not among the most influential translated Italian writers for the Bulgarian audience during the epoch. This is evidenced by the limited distribution of Konstantin Velichkov’s translation of Inferno, which managed to attract the interest of only a small circle of intellectuals. A main reception factor is the taste of the reading audience, which predominantly in the postliberation conditions still lacked structured esthetic criteria and preferred more common and comprehensible literature.
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Holmes, Andrew R., und Stuart Mathieson. „Evangelical “Others” in Ulster, 1859–1912: Social Profile, Unionist Politics, and “Fundamentalism”“. Church History 90, Nr. 4 (Dezember 2021): 847–72. http://dx.doi.org/10.1017/s0009640721002894.
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AbstractThis article considers the existence of a distinctive form of fundamentalism in the northern-Irish province of Ulster. It does so by examining the Protestant minorities that grew significantly in the decades after the Ulster revival of 1859. These evangelical others are important because their members were more likely to have fundamentalist tendencies than those who belonged to the main Protestant churches. The existing scholarship on fundamentalism in Northern Ireland focuses on Ian Paisley (1926–2014), who was a life-long adversary of Irish republican separatism and a self-identified fundamentalist. Yet, the focus on Paisley draws attention away from the potential origin of fundamentalism in the early twentieth century that is associated with religious revival in the early 1920s and the heresy trial of a “modernist” Presbyterian professor in 1927. George Marsden's classic study defined fundamentalism as an American phenomenon, yet, with Paisley and developments in the 1920s in mind, he noted that “Ulster appears to be an exception.”1 To what extent was that true? Was there a constituency of potential fundamentalists in the north of Ireland in the early twentieth century? If there was, did the social and political circumstances of the region and period produce a distinctive Ulster variety of fundamentalism?
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Khamid, Abdul, Sutrisno Sutrisno, Rahmat Hariyadi und Badrus Zaman. „Islamic boarding school, the transformation of Islamic education institution and its strategic role in global era“. ATTARBIYAH: Journal of Islamic Culture and Education 7, Nr. 2 (02.01.2023): 125–38. http://dx.doi.org/10.18326/attarbiyah.v7i2.125-138.
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Islamic boarding school (Pesantren) as the oldest education institution in Indonesia and as boarding based Islamic education, has strategic position in the society, especially for the students (santri), this position enables the Islamic boarding school to be effective medium to empower the society with any alteration and institution transformation which holds on to the underlying cultural values. The objectives of this research are to investigate the process of institution transformation, students’ revival, and Islamic boarding school strategic roles in global era by employing qualitative approach. The research findings indicate; First, Nuur El-Falah Foundation has transformed its institution from an orphanage for conflict victim children into Nuur El-Falah Agro Foundation which established Islamic Boarding School and formal education (Junior High School, Vocational High School, and Islamic Senior High School); Second, students’ revival are seen from its transformation from classic (salaf) students into modernization by going to formal education from Junior High School, Vocational High School, and Islamic Senior High School, even more students continue their study to public University and Islamic University; Third, Islamic boarding school administrators have strategic position in global era to be the front guard in escorting the students’ moral. The Islamic boarding school role as one of Indonesian students’ character builder should be preserved from year to year.
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Scott-Smith, Tom. „Sticky technologies: Plumpy’nut®, emergency feeding and the viscosity of humanitarian design“. Social Studies of Science 48, Nr. 1 (01.01.2018): 3–24. http://dx.doi.org/10.1177/0306312717747418.
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Inspired by de Laet and Mol’s classic article on the Zimbabwean Bush Pump and Peter Redfield’s revival of fluidity as a central characteristic of humanitarian design, this paper argues that many humanitarian technologies are characterized not so much by fluidity as by stickiness. Sticky technologies lie somewhere between fluid technologies and Latourian immutable mobiles: They work precisely because they are mobile and not overly adaptable, yet they retain some flexibility by reaching out to shape and be shaped by their users. The concept is introduced through a detailed study of Plumpy’nut®, a peanut paste for therapeutic feeding that is materially sticky – much firmer than a fluid, yet still mutable – as well as conceptually sticky. ‘Stickiness’ can have wide utility for thinking through technology and humanitarianism.
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Ueyama, Koji, Gao Bing, Yasuhiko Tabata, Makoto Ozeki, Kazuhiko Doi, Kazunobu Nishimura, Hisayoshi Suma und Masashi Komeda. „Development of biologic coronary artery bypass grafting in a rabbit model: revival of a classic concept with modern biotechnology“. Journal of Thoracic and Cardiovascular Surgery 127, Nr. 6 (Juni 2004): 1608–15. http://dx.doi.org/10.1016/j.jtcvs.2003.08.043.
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Luckett, Josslyn. „Digging and Bluing with Billy Woodberry“. Film Quarterly 70, Nr. 4 (2017): 67–76. http://dx.doi.org/10.1525/fq.2017.70.4.67.
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A long-view interview with filmmaker Billy Woodberry conducted by screenwriter and scholar Josslyn Luckett gives the filmmaker his due and reflects on his prolific career as an independent filmmaker. The unfolding of Billy Woodberry's career—both his own new work and the recent critical revaluations of his classic work, such as the naming of Bless Their Little Hearts (1983) to the National Film Registry in 2013—makes words like “rebellion” or “revival” only marginally useful. Any research into the full range of his film work, including his multiple roles as film actor, film narrator, video installation artist, and film history and production professor at California Institute of the Arts (CalArts) since 1989, reveals a Woodberry who might be more properly termed an underground “renaissance” man than a rebel.
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Magerstädt, Sylvie. „From Impulse to Action—Noah (2014) and Exodus: Gods and Kings (2014) as Secular Bible Epics“. Religions 12, Nr. 11 (22.11.2021): 1025. http://dx.doi.org/10.3390/rel12111025.
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Several large-scale Bible epics have been produced in the decade after the revival of epic cinema at the turn of the millennium. Yet, while many biblical films of this period were primarily aimed at religious audiences, Darren Aronofsky’s Noah (2014) and Ridley Scott’s Exodus:Gods and Kings (2014) stand out due to their broader epic appeal and religious skepticism. Using Gilles Deleuze’s concepts of the impulse-image and the action-image as framework, this article analyses some of the nuances and complexities of both films. It argues that although both films offer scale and spectacle consistent with older biblical epics, the portrayal of their lead characters as a man determined on destruction (Noah) and religious skeptic and warrior (Exodus) differentiates them from traditional biblical cinema. Additionally, comparing both films helps articulate nuances within Deleuze’s movement-image that are often overlooked. Having proclaimed that modern cinema brings with it a crisis of truth that challenges the certainties of classic American cinema and its clear ideas on morality and belief, Deleuze ultimately calls for a leap of faith to reinstate the possibility of action. The article concludes that Noah and Exodus offer us a bit of both—spiritual uncertainty and a return of classic epic cinema.
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Bouffier, Laurent, Dodzi Zigah, Neso Sojic und Alexander Kuhn. „Bipolar (Bio)electroanalysis“. Annual Review of Analytical Chemistry 14, Nr. 1 (05.06.2021): 65–86. http://dx.doi.org/10.1146/annurev-anchem-090820-093307.
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This contribution reviews a selection of the most recent studies on the use of bipolar electrochemistry in the framework of analytical chemistry. Despite the fact that the concept is not new, with several important studies dating back to the middle of the last century, completely novel and very original approaches have emerged over the last decade. This current revival illustrates that scientists still (re)discover some exciting virtues of this approach, which are useful in many different areas, especially for tackling analytical challenges in an unconventional way. In several cases, this “wireless” electrochemistry strategy enables carrying out measurements that are simply not possible with classic electrochemical approaches. This review will hopefully stimulate new ideas and trigger scientists to integrate some aspects of bipolar electrochemistry in their work in order to drive the topic into yet unexplored and eventually completely unexpected directions.
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Skowera, Maciej. „Model baśni filmowej w złotym wieku wytwórni Walta Disneya (wraz z późniejszymi modyfikacjami)“. Wielogłos, Nr. 1 (47) (Juli 2021): 151–81. http://dx.doi.org/10.4467/2084395xwi.21.007.13582.
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[Model of a Film Fairy Tale in the Disney Golden Age (with Later Modifications)] The article attempts to determine the constitutive elements of a model film fairy tale in the so-called Disney Golden Age and to examine how it was used in later works, both these created by the studio and those by unrelated creators. After preliminary remarks, the author analyses three feature-length animated films: Snow White and the Seven Dwarfs (1937), Cinderella (1950), and Sleeping Beauty (1959). In these works, as he notes, one can notice a set of features that make up the classic Disney model of a film fairy tale. Next, the author discusses modifications applied to the pattern during the Disney Renaissance and Revival. Finally, he cites examples of cultural texts polemical to this paradigm which point to the cultural vitality and heterogeneity of the studio’s films.
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Adhikari, Tara Prasad. „Laxmi Prasad Devkota: A Myth-taker and a Myth-maker“. Literary Studies 33 (31.03.2020): 116–21. http://dx.doi.org/10.3126/litstud.v33i0.38067.
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Laxmi Prasad Devkota was a romantic poet, well acquainted with the Western and Eastern romantic tradition. It is a well-known fact that the western romantic writers brought about a kind of revival of the era of mythology through their writings. Mythical stories and scenes often became the sources for their works. These romantic poets sometimes took the existing myths for their literary creations and sometimes they also created their own myths. Love for mythology is visible not only in these western Romantic poets but also in our own poet, Mahakavi Devkota. Because of his intense knowledge of the classic myths, he often exploits some aspects of mythology in his writings. In his works, Devkota often uses mythological refrains, names, character traits, mythical beings and some related images. He does not just take myths from various sources; at times he also creates them.
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Ruah–Midbar Shapiro, Marianna. „Lilith’s Comeback from a Jungian-Feminist Outlook: Contemporary Feminist Spirituality Gets into Bed with Lilith“. Feminist Theology 27, Nr. 2 (Januar 2019): 149–63. http://dx.doi.org/10.1177/0966735018814674.
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The article presents the feminist discourse on Lilith and asks why she has returned to the centre of activity and creation? It begins with Lilith’s Integrative Myth – a description of the classic Lilith myths – whilst trying to define her image’s central characteristics. Following, I offer one integrative myth: a complex essence that contains contrasts, and stems from a variety of sources, each contributing to the formation of Lilith’s story’s numerous aspects. Lilith’s Revival is discussed, surveying the different ways in which Lilith appears in today’s feminist spiritual discourse, while presenting some of the ways in which her story is re-interpreted and used towards contemporary feminist needs. A feminist Jungian outlook on Lilith’s Myths is included, deciphering Lilith as a symbol of the life-death-life cycle, which leads to a summary of the Jungian analysis’ implications.
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Craig, Campbell. „When the whip comes down: Marxism, the Soviet experience, and the nuclear revolution“. European Journal of International Security 2, Nr. 2 (22.05.2017): 223–39. http://dx.doi.org/10.1017/eis.2017.4.
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AbstractThis article examines the conflict between traditional Marxist attitudes toward war and the problem of the nuclear revolution. It shows how the advent of the nuclear revolution in the 1950s undermined traditional Marxist-Leninist concepts of war, and then goes on to argue that this development must be placed at the centre of contemporary Marxian IR if it is to have explanatory power in the twenty-first century. To make this case directly, it engages with Justin Rosenberg’s revival of Trotsky’s idea of uneven and combined development and its subsidiary law of ‘the whip of external necessity’, and argues that the whip can remain salient today only if one accepts the political utility of nuclear war. The impasse created by the nuclear revolution, it concludes, points Marxist IR in the direction of classic Marxist visions of supranationalism and human unity.
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Żuk, Piotr, und Paweł Żuk. „The Independence Day as a nationalist ritual: Framework of the March of Independence in Poland“. Ethnography 23, Nr. 1 (März 2022): 14–37. http://dx.doi.org/10.1177/14661381211073406.
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The article contains a cultural analysis of the March of Independence as a symbol of nationalist revival in Poland. The authors analyse the social context of this event, show its history and, inspired by Goffman’s classic approach, describe the theatrical setting of this annual event – its scenography, props, musical setting and costumes (‘patriotic clothing’). In addition to participant observation, the authors analyse materials posted by the organisers of the March of Independence on the YouTube channel. The article presents historical and cultural patterns used by contemporary Polish nationalists – primarily symbols, messages and ideology of nationalists from the interwar period (1918–1939). According to the authors, events such as the March of Independence are a manifestation of local discourse over Western modernisation. The neoliberal order in Eastern Europe cannot do without the help of nationalism – losers of the neoliberal transformation have become the main basis for the ‘national awakening’.
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Xin, Zhao. „Metaphor of Cigarettes: Feminism in Kate Chopin’s An Egyptian Cigarette“. Tobacco Regulatory Science 7, Nr. 5 (30.09.2021): 3479–84. http://dx.doi.org/10.18001/trs.7.5.1.126.
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Objectives: Kate Chopin is regarded as one of the pioneers of the feminist literature in the United States. Her works mainly express her caring for women. Since the 1960s, the western academic circle has set off a long overdue upsurge in the study of Kate Chopin and her works, repositioning and giving Chopin a classic status in the history of American literature.This paper aims to analyze the revival and awakening of the heroine’s self-consciousness and reveal the inner world of a “new woman” at the turn of the century through the heroine’s behavior of taking the initiative to smoke and eventually giving up.Cigarettes, which appear repeatedly in this short novel with symbolic meanings, have a special metaphorical function. Through analyzing the social and historical environment of the emergence of “new women” in American society and the “new women” in An Egyptian Cigarette, this paper attempts to explore the multiple political and cultural connotations reflected by cigarettes and reveal Chopin’s feminist consciousness through the novella.
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Le Pape, Yannick. „Peindre l’Antiquité romaine à l’heure du pacifisme victorien : considérations sur un portrait d’Hadrien par Alma-Tadema“. Vita Latina 202, Nr. 1 (2022): 205–25. http://dx.doi.org/10.3406/vita.2022.2004.
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Roman antiquity was a major reference for artists all along the 19th century. In this time of European crisis, critics as public did appreciate how striking pictures (battles and sacrifices) depicted heroism and bravery. Although Sir Lawrence Alma-Tadema was the flagship of the British Classic Revival, he definitely chose to paint a different kind of serene Antiquity that was known to illustrate, at the very end, the current mood of English society. Hadrian in England Visiting a Romano-British Pottery, a 1884 painting, let us guess how Alma-Tadema used Antiquity that way, as Hadrian was the only emperor who came to England, not to mention that it was quite significant to figure the main actor of the pax Romana whereas European pacifist expectations were challenging British imperialism. Full of archeological details, this puzzling painting will help us to understand why ancient Rome became a prime model as well as an ideological authority for Victorian England in search of legitimacy.
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Galvin, Kristen. „‘Those Were the Days’: The live televisual revival of the musical and retro family sitcom in the post-network era“. Australasian Journal of Popular Culture 9, Nr. 2 (01.09.2020): 231–46. http://dx.doi.org/10.1386/ajpc_00029_1.
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Television is historically a generative site for examining media nostalgias. Within the ever-widening landscape of reboots, remakes and revivals across genres and platforms in the post-network era in the United States, an impulse to ‘redo’ live programming on network television has also emerged in the on-going battle for consumer attention. Steadily gaining momentum over the past decade, this article questions the roles that nostalgia plays in structuring the surprising return of fictional event-based television. The evolution of this phenomenon is traced by first examining the wave of live network musical productions (2013–19), followed by the restaging of Norman Lear’s classic sitcoms in Live In Front of a Studio Audience (ABC 2019). Nostalgia’s connection to positive emotion is a powerful marketing tool that is manipulated across industries, and specifically leveraged through airing reperformances of these popular and identifiably nostalgic texts. However, despite reaching new levels of nostalgic indulgence, the live televisual remake opens-up new opportunities for collectivity and critical reflection for viewers in the digital age.
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Jakti, Jalung Wirangga. „Lahirnya Kembali Neoklasikisme melalui Bangunan di Yogyakarta“. INVENSI 5, Nr. 2 (27.11.2020): 101–12. http://dx.doi.org/10.24821/invensi.v5i2.3859.
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Neoklasik adalah gerakan utama selama pertengahan abad ke-18 hingga akhir abad ke19 dalam seni dan arsitektur Eropa. Karya dengan gaya ini berfokus pada bentuk seni klasik barat Yunani Kuno dan Roma. Penelitian ini bertujuan untuk memahami Seni Neoklasik dalam arsitektur di Kota Yogyakarta. Penelitian ini menjadi menarik karena belum ada yang mengkaji bangunan neoklasik yang hadir di tengah keramaian Yogyakarta. Seni neoklasik dapat menjadi sarana hidupnya kembali zaman pencerahan Eropa dalam bentuk bangunan. Kita bisa melihat bentuk ideal dari arsitektur neoklasik dengan kekhasan kolom yang digunakan untuk menahan beban berat dari struktur bangunan. Dan atap yang biasanya memiliki bentuk pokok datar dengan bentuk minor yang lain. Gaya arsitektur neoklasik tidak memiliki kubah atau menara. Eksterior tersebut dibangun sedemikian rupa untuk menciptakan gaya klasik yang sempurna, seperti pada pintu dan jendela. Pada bagian eksterior penggunaan dekorasi sangat minimalis namun dengan penekanan geometris. Penelitian ini menghasilkan sebuah konklusi yaitu pembangunan berbagai lokasi dengan gaya neoklasik di Yogyakarta, membawa kembali semangat neoklasik sebagai pendorong kelahiran kembali gaya seni dengan kemurnian. Selain itu peraturan daerah dan kecenderungan komunitas membuat gaya ini semakin diminati.The Revival of Neoclassicism through Building in Yogyakarta ABSTRACT Neoclassicism was a major movement during the mid-18th century and continued into the early 19th century in European art and architecture. The creation of this style focuses on classical western art from Ancient Greece and Rome. This research aims to understand neoclassical art in Yogyakarta architecture. This research is interesting because there is no study yet of neoclassical buildings in Yogyakarta. Neoclassical art can be a way to relive the European Enlightenment in the form of buildings. We can see the ideal form of neoclassical architecture with unique columns that can withstand the heavy loads of standard building and roof structures with the main flat and other minor shapes. Neoclassical architectural styles have no domes or towers - the exterior is built to create the perfect classic style, especially for doors and windows. On the exterior, the use of decoration is very minimalist with geometric emphasis. These results suggest that the neoclassical style construction in several locations in Yogyakarta has revived the spirit of neoclassicism as the driving force for the revival of the pure art style. Moreover, local regulations and community tendencies make this style even more desirable.
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Riabchenko, Maryna. „CLASSIC DETECTIVE IN UKRAINIAN LITERATURE (BASED ON THE CYCLE "THE ACUMEN OF DR. PIDDUBNY" BY YURI SHOVKOPLIAS)“. Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, Nr. 32 (2022): 63–67. http://dx.doi.org/10.17721/1728-2659.2022.32.12.
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Mass literature is an integral and important part of the literary process. This literary segment has long been unable to fully develop due to complex historical and social circumstances in the Ukrainian space. The revival and active existence of genres of Ukrainian mass literature at the present stage contribute to the actualization of numerous literary studies. Detective is considered as one of the most popular genres of mass literature in this investigation. The purpose of the article is to trace the peculiarities of the formation of a classic detective in Ukrainian mass literature, to investigate its compliance with the generally accepted formula and to analyse the authentic features. The object of research is a series of stories "The acumen of dr. Piddubny" by Yuri Shovkoplias. Research methods: philological, principles of receptive aesthetics, comparative analysis. The theoretical basis of the study are works of J. Cawelti (theory of formula literature), O. Romanenko, J. Tsymbal, T. Gulyak and others. The article traces the evolution of the detective genre in foreign and Ukrainian literature. It was found that the emergence of the detective in the Ukrainian literature took place in the 1920s, and the founder of the formula of the classic detective can be considered Yuri Shovkoplias. A comparative analysis of the stories "The acumen of dr. Piddubny" showed that the writer, creatively rethinking the famous image of Sherlock Holmes, creates a Ukrainian detective, endowing it with authentic features. Such features are: dr. Piddubny has his quirks; although he uses the obligatory deductive method, he has his own scheme of investigating the crime; the image of the Ukrainian detective corresponds to the realities of the twenties of the twentieth century, etc. Yuri Shovkoplias also complements the already existing formula of the classic detective. He develops his own immutable scheme of events, which is present in each of the works of the cycle. He asserts the domestic analogue of the detective story in this way.
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Marletto, Gerardo. „Heterodox Environmental Economix: Theoretical Strands in Search of a Paradigm“. ECONOMICS AND POLICY OF ENERGY AND THE ENVIRONMENT, Nr. 1 (September 2009): 25–33. http://dx.doi.org/10.3280/efe2009-001003.
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- Heterodox environmental economics is mainly based on non-mainstream economic theories; in particular it refers to two classic strands of economics (and to their recent revival and cross-fertilization): institutional economics and Schumpeterian economics. Starting from these theoretical foundations, heterodox environmental economics radically differs from the mainstream (market-centred and static) approach to positive and normative environmental economics. Three basic concepts are at the hearth of such a different vision: resource regimes, as institutional structures established to regulate access to natural resources and their use; environmental appraisals, as "value articulating" institutions conditioned by the incommensurability of conflicting values; "sociotechnical" transitions, as dynamic processes that are needed to unlock existing unsustainable technologies, institutions and values. These considerations are not sufficient to say that heterodox environmental economics has already become a paradigm; a stable community of researchers defining themselves as ‘heterodox environmental economists' still does not exist. Time will tell if some emerging connections between different research groups will generate the social core of a nascent paradigm.Keywords: environmental economics; heterodox economics; institutional economics; evolutionary theories of economic changeJEL classification: B52; Q50
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Homola, Stéphanie. „The Fortunes of a Scholar: When the Yijing Challenged Modern Astronomy“. Journal of Asian Studies 73, Nr. 3 (August 2014): 733–52. http://dx.doi.org/10.1017/s0021911814000424.
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Liu Zihua arrived in France in 1919 as part of the Sino-French Work-Study Movement. In 1940, he completed a PhD thesis in which he combined modern astronomy and the Yijing through “analogical reasoning” to discover a planet. After Liu went back to China in 1945, his efforts to win recognition came up against nationalist and communist anti-traditionalism but were eventually integrated into the intellectual revival of the 1980s. This study relies on historical sources and anthropological fieldwork to show that Liu is an emblematic figure of the cultural upheaval caused by the introduction of modern Western categories of science, religion, and superstition at the beginning of the twentieth century. Liu's example reveals the changing status of the Yijing in Chinese society, the cross-cultural understanding of science and sacred literature as embodied in this classic, and the role of analogy in cultural assimilation. It also sheds light on the shaping of academic standards in China and on the connection between traditional literary scholars and contemporary “amateur scientists.”
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Serpukhov, M. Y., und A. O. Nesterenko. „Marketing Technologies as an Instrument to Activate the Development of Domestic Enterprises“. Business Inform 11, Nr. 514 (2020): 467–72. http://dx.doi.org/10.32983/2222-4459-2020-11-467-472.
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The modern Ukrainian marketing environment at the present stage undergoes both changes and introduction of new practical knowledge. But one of the necessary conditions for the effective functioning of any economic entity is the active use of marketing instruments to achieve its own socio-economic goals. The revival of the activation of domestic firms in international markets is a complex process that requires systematic marketing research, determination of potential and creation of sustainable competitive advantages. Therefore, the shortest and fastest way to launch this process is to introduce marketing technologies. This topic is relevant because currently our market does not pay enough attention to the promotion of the latest technologies for Ukrainian enterprises and uses their classic list without observing the stages. The article is aimed at exploring the possibilities of using marketing technologies to activate the development of domestic enterprises. Statistics on the use of marketing technologies in Ukraine are analyzed. Both the classical and the novel marketing technologies are examined, the classic ones being: segmentation, targeting, positioning, analysis, forecasting; the novel being: viral marketing, event marketing, Internet marketing. The concept and essence of these technologies are disclosed in view of practical content. The advantages of modern marketing technologies in competitive rivalry are determined; it is specified, why more and more enterprises prefer marketing technologies when creating new products. The main factors that facilitate the introduction of marketing technologies for Ukrainian enterprises are allocated and systematized. The advantages of each proposed marketing technology are outlined. The stages of introduction of technologies into the market of Ukrainian enterprises are characterized, recommendations on improving approaches to their implementation are provided.
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Serpukhov, M. Y., und A. O. Nesterenko. „Marketing Technologies as an Instrument to Activate the Development of Domestic Enterprises“. Business Inform 11, Nr. 514 (2020): 467–72. http://dx.doi.org/10.32983/2222-4459-2020-11-467-472.
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The modern Ukrainian marketing environment at the present stage undergoes both changes and introduction of new practical knowledge. But one of the necessary conditions for the effective functioning of any economic entity is the active use of marketing instruments to achieve its own socio-economic goals. The revival of the activation of domestic firms in international markets is a complex process that requires systematic marketing research, determination of potential and creation of sustainable competitive advantages. Therefore, the shortest and fastest way to launch this process is to introduce marketing technologies. This topic is relevant because currently our market does not pay enough attention to the promotion of the latest technologies for Ukrainian enterprises and uses their classic list without observing the stages. The article is aimed at exploring the possibilities of using marketing technologies to activate the development of domestic enterprises. Statistics on the use of marketing technologies in Ukraine are analyzed. Both the classical and the novel marketing technologies are examined, the classic ones being: segmentation, targeting, positioning, analysis, forecasting; the novel being: viral marketing, event marketing, Internet marketing. The concept and essence of these technologies are disclosed in view of practical content. The advantages of modern marketing technologies in competitive rivalry are determined; it is specified, why more and more enterprises prefer marketing technologies when creating new products. The main factors that facilitate the introduction of marketing technologies for Ukrainian enterprises are allocated and systematized. The advantages of each proposed marketing technology are outlined. The stages of introduction of technologies into the market of Ukrainian enterprises are characterized, recommendations on improving approaches to their implementation are provided.
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Kunakh, V. A. „Development of genetics in the National Academy of Sciences of Ukraine. 2. Revival of classic genetics and its development in the second half of the XX century“. Biopolymers and Cell 24, Nr. 3 (20.05.2008): 187–98. http://dx.doi.org/10.7124/bc.0007a0.
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Staby, Lasse, Charlotte O'Shea, Martin Willemoës, Frederik Theisen, Birthe B. Kragelund und Karen Skriver. „Eukaryotic transcription factors: paradigms of protein intrinsic disorder“. Biochemical Journal 474, Nr. 15 (12.07.2017): 2509–32. http://dx.doi.org/10.1042/bcj20160631.
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Gene-specific transcription factors (TFs) are key regulatory components of signaling pathways, controlling, for example, cell growth, development, and stress responses. Their biological functions are determined by their molecular structures, as exemplified by their structured DNA-binding domains targeting specific cis-acting elements in genes, and by the significant lack of fixed tertiary structure in their extensive intrinsically disordered regions. Recent research in protein intrinsic disorder (ID) has changed our understanding of transcriptional activation domains from ‘negative noodles’ to ID regions with function-related, short sequence motifs and molecular recognition features with structural propensities. This review focuses on molecular aspects of TFs, which represent paradigms of ID-related features. Through specific examples, we review how the ID-associated flexibility of TFs enables them to participate in large interactomes, how they use only a few hydrophobic residues, short sequence motifs, prestructured motifs, and coupled folding and binding for their interactions with co-activators, and how their accessibility to post-translational modification affects their interactions. It is furthermore emphasized how classic biochemical concepts like allostery, conformational selection, induced fit, and feedback regulation are undergoing a revival with the appreciation of ID. The review also describes the most recent advances based on computational simulations of ID-based interaction mechanisms and structural analysis of ID in the context of full-length TFs and suggests future directions for research in TF ID.
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McLennan, Gregor. „The postsecular Marx“. Journal of Classical Sociology 19, Nr. 1 (30.01.2019): 72–86. http://dx.doi.org/10.1177/1468795x18810579.
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The emergence of ‘postsecularism’ prompts a re-assessment of the question of Marxism-and-religion, following a long period of polarization then a later twentieth-century phase of ambivalent reticence. But much hangs on whether postsecularism is taken to entail anti-secularism, and whether the latter, though a notable tendency in contemporary social theory, is convincing. The main thrust of this article is to counter two influential strands of theoretical anti-secularism: one drawing on postcolonialist themes and the other headed by Charles Taylor’s now-classic work A Secular Age. My arguments help us to re-specify the atheism-secularism of Marx himself and to identify current options. Singling out for critical note the postsecular positions of ‘compatibilism’ and ‘theologism’, the overall stance that guides the article is that of an expansive intellectual secularism. The point is neither to deny the subjective or political importance of religion nor to underestimate its (variable) societal functionality. Rather, I want to reaffirm an analytical, socio-naturalistic approach to what we understand by religion, and accordingly resist the moralistic, approving tone of many discussions of religion’s ‘revival’. More generally, the cultural, epistemic and imaginative resources of (critically minded) science seem to me still central for social understanding and progressive politics alike, an emphasis that remains one of Marx’s and Engels’ enduring contributions to social thought.
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Milbrath, Susan, und Carlos Peraza Lope. „REVISITING MAYAPAN: Mexico's last Maya capital“. Ancient Mesoamerica 14, Nr. 1 (Januar 2003): 1–46. http://dx.doi.org/10.1017/s0956536103132178.
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Archaeological excavations begun at Mayapan in 1996 require re-evaluation of this site, sometimes disparaged as representing “decadent” Postclassic Maya culture. New discoveries show that the site was an international center that incorporated specific symbols in its art from areas as far away as Central Mexico and Oaxaca. Indeed, there is evidence of trade with both areas. Another important Postclassic trade route connected Mayapan to Yucatan's eastern coast and Peten, Guatemala. These connections are reflected in similar ceramics and architecture in the three areas. Revival of Terminal Classic traditions at Mayapan inspired certain architectural constructions and a stela cult marking Katun endings. The Katun-cycle chronologies of the Colonial period provide intriguing evidence that political events at Mayapan may be linked with the site's architectural history. The “founding” of Mayapan may have occurred earlier than the conventionally accepted date ofa.d.1263 (end of Katun 13 Ahau). TheChilam Balam of Chumayelchronicles use of a 24-year Katun instead of a Katun of 20 Tuns, suggesting that the earliest founding event at Mayapan (Katun 8 Ahau) may date back to the eleventh centurya.d.and overlap with the demise of Chichen Itza. Some of Mayapan's earliest architecture is contemporary with Chichen Itza's latest constructions. Several hundred years after Mayapan was founded, there was a renaissance of the Cocom heritage evident in specific architectural forms modeled on those from Chichen Itza.