Dissertationen: „Clarissa“

1

Rain, David Christopher. „The death of Clarissa : Richardson's Clarissa and the critics“. Title page, contents and summary only, 1988. http://web4.library.adelaide.edu.au/theses/09PH/09phr154.pdf.

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2

Keymer, Thomas Edmund. „#Mock encounters' : the reader in Richardson's Clarissa“. Thesis, University of Cambridge, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.276520.

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3

Daphinoff, Dimiter. „Samuel Richardsons "Clarissa" : Text, Rezeption und Interpretation /“. Bern : Francke Verl, 1986. http://catalogue.bnf.fr/ark:/12148/cb34933974v.

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4

Klein, Clarissa [Verfasser]. „Verifikation potentieller Interaktionspartner des Zellzyklusregulators p27Kip1 / Clarissa Klein“. Ulm : Universität Ulm, 2017. http://d-nb.info/1137557672/34.

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5

Bobbitt, Curtis W. „Internal and external editors of Samuel Richardson's Clarissa“. Virtual Press, 1989. http://liblink.bsu.edu/uhtbin/catkey/720152.

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Samuel Richardson's second novel, Clarissa: or, The History of a Young Lady, one of the longest novels in English, has appeared in dozens of significantly different editions, many of them abridgments. This study examines the means by which Richardson and later editors altered the text of Clarissa, primarily by working with three variables: its epistolary format, its length, and its explicit moral lessons.The first half of the study reviews relevant scholarly research and traces Richardson's uses of internal editors in his four editions of the novel. Richardson's omniscient editor, the most visible and conventional of the internal editors of ClarissR, operates both inside and outside the epistolary framework of the novel. Inside, the editorial voice adds identifying tags to letters and summarizes missing letters. Outside, the editor emphasizes moral elements of the novel by means of a preface and postscript, numerous footnotes, a list of principal characters, and a judgmental table of contents. Richardson expanded the role of this editor in each of his successive editions.Richardson's mastery of the epistolary format further appears in his use of all the major correspondents as internal editors. Jack Belford operates most visibly, assembling correspondence to and from Clarissa and Lovelace to vindicate Clarissa's memory and instruct possible readers. Belford's Conclusion serves a similar function to the nameless editor's preface and postscript. Richardson also gave Clarissa, Anna Howe, and Lovelace editorial tasks, including introducing and summarizing letters, footnoting, and altering letters before showing them to someone other than the intended recipient.Each major correspondent also has a unique individual editorial function.The study's second half analyzes and compares seven abridgments of Clarissa published between 1868 and 1971, concluding that all seven drastically change the novel (yet in differing fashions) despite their retention of its plot and epistolary format.All seven external editors alter Richardson's stated intentions. Four variables shape the comparison: stated editorial intent, omissions, alterations, and additions. An appendix lists the contents of all seven abridgments by individual letter.
Department of English

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6

Ho, Poi-yan Ingrid. „Raping mail/males : reading and writing in Clarissa /“. Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19712339.

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7

Baumanis, Clarissa [Verfasser]. „Synthesewege und photoelektrochemische Eigenschaften von Hämatit-Nanomaterialien / Clarissa Baumanis“. Hannover : Technische Informationsbibliothek und Universitätsbibliothek Hannover (TIB), 2011. http://d-nb.info/1020074795/34.

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8

Pienaar, Clarissa. „Die aanspreeklikheid van werknemers vir groepswangedrag / deur Clarissa Pienaar“. Thesis, North-West University, 2007. http://hdl.handle.net/10394/2033.

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9

Walsh, Sheilagh Patricia Mary. „Christian triumph, Christian tragedy : the theological context of Clarissa“. Thesis, King's College London (University of London), 2001. https://kclpure.kcl.ac.uk/portal/en/theses/christian-triumph-christian-tragedy--the-theological-context-of-clarissa(77589f3f-e6b3-474d-9c32-85a6b618514e).html.

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10

Hughes, D. „Crisis of authority in Tom Jones, Clarissa, and Tristram Shandy“. Thesis, University of Manchester, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.376279.

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11

Glaser, Clarissa [Verfasser]. „Field-based assessment of in-stream contaminant fate / Clarissa Glaser“. Tübingen : Universitätsbibliothek Tübingen, 2021. http://d-nb.info/1228858349/34.

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12

Prinzinger, Clarissa [Verfasser]. „Polymorphismen in den Cytochrom-P450-Enzymen des Hundes / Clarissa Prinzinger“. Gießen : Universitätsbibliothek, 2015. http://d-nb.info/1068921951/34.

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13

Feth, Clarissa [Verfasser], Antje [Akademischer Betreuer] Klinge und Wolf [Akademischer Betreuer] Miethling. „Benotungspraxis von Sportlehrkräften / Clarissa Feth. Gutachter: Antje Klinge ; Wolf Miethling“. Bochum : Ruhr-Universität Bochum, 2016. http://d-nb.info/1089005903/34.

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14

McLachlan, Dorice. „Clarissa's triumph“. Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68120.

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This thesis examines Richardson's representation in Clarissa of the heroine's triumphant death. It considers Clarissa's triumph in relation to the implicit doctrine of freedom of the will and the constitution of the self. Clarissa and Lovelace represent the uncontrollable freedom of the human will and exemplify its potentiality either to choose the good or to subject itself to the desire for power and self-gratification. Chapter one of this thesis discusses Clarissa in relation to the theories of several current literary theoreticians whose work constitutes a response to Kant's ideas on freedom and ethical decisions. The remaining chapters seek through close reading and interpretation of key scenes in the novel to understand what Richardson meant to represent through Clarissa's triumphant death. The argument reassesses Richardson's use of exemplary figures to embody his spiritual and moral ideas. It addresses the problem of ambiguity in Clarissa's forgiveness of her persecutors. Richardson's representation of Clarissa's triumph has both worldly and spiritual aspects. Acting always in accordance with principled choice (second-order evaluations), Clarissa resists all attempts to subjugate her; she reconstitutes her identity to become a Christian heroine. She achieves spiritual transcendence through penitence for her errors, forgiveness of those who have injured her and complete resignation to the will of God. Lovelace's misuse of free will and his refusal to relinquish his libertine identity and reform lead to his final worldly and spiritual defeat. Through their lives and deaths Clarissa and Lovelace demonstrate that individuals are responsible for the choices they make, for the identities they establish, and that they must accept the consequences of their choices.

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15

Palle, Pushpalatha Verfasser], Clarissa Prazeres da [Akademischer Betreuer] [Costa, da Costa Clarissa [Gutachter] Prazeres und Martin [Gutachter] Klingenspor. „Triggers of anti-CNS autoimmunity in the mouse model of Multiple Sclerosis / Pushpalatha Palle ; Gutachter: Clarissa Prazeres da Costa, Martin Klingenspor ; Betreuer: Clarissa Prazeres da Costa“. München : Universitätsbibliothek der TU München, 2017. http://nbn-resolving.de/urn:nbn:de:bvb:91-diss-20170320-1311687-1-5.

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16

Palle, Pushpalatha [Verfasser], da Costa Clarissa [Akademischer Betreuer] Prazeres, da Costa Clarissa [Gutachter] Prazeres und Martin [Gutachter] Klingenspor. „Triggers of anti-CNS autoimmunity in the mouse model of Multiple Sclerosis / Pushpalatha Palle ; Gutachter: Clarissa Prazeres da Costa, Martin Klingenspor ; Betreuer: Clarissa Prazeres da Costa“. München : Universitätsbibliothek der TU München, 2017. http://d-nb.info/1154931277/34.

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17

Albin, Jennifer L. „A subject so shocking the female sex offender in Richardson's Clarissa /“. Diss., Columbia, Mo. : University of Missouri-Columbia, 2006. http://hdl.handle.net/10355/4514.

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Thesis (M.A.) University of Missouri-Columbia, 2006.
The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on August 21, 2007) Includes bibliographical references.

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18

Xavier, Clarissa [Verfasser]. „Learning Non-Verbal Relations Under Open Information Extraction Paradigm / Clarissa Xavier“. Munich : GRIN Verlag, 2015. http://d-nb.info/1097578720/34.

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19

Bahr, Clarissa [Verfasser]. „Transiente und residente Flora an den Händen medizinischen Personals / Clarissa Bahr“. Lübeck : Zentrale Hochschulbibliothek Lübeck, 2016. http://d-nb.info/1098170873/34.

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20

Lesueur, Christophe. „Poétique et économie de la communication dans Clarissa de Samuel Richardson“. Thesis, Toulouse 2, 2011. http://www.theses.fr/2011TOU20020.

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Le problème de la communication, et pas seulement du danger des liaisons, est au cœur du roman épistolaire de manière générale et de Clarissa de Samuel Richardson en particulier. Sans cesse menacée d'interruption, la communication représentée dans la diégèse du deuxième roman de Richardson influe également sur le sens et relève à ce titre de ce que Janet Altman a appelé l'épistolarité. Cette étude se concentre sur le code de la communication représentée dans l'œuvre et saisit la lettre dans l’économie de l’information toute particulière dont elle participe, à la croisée d'une communication interne entre ses personnages et des exigences d'une communication externe qui voit le matériau épistolaire affluer vers le Lecteur. Elle s'efforce de souligner à quel point le scénario romanesque est informé par la nature des communications au travers desquelles il s’exprime ainsi qu'à travers les communications auxquelles il donne lieu (Clarissa étant l'objet d'âpres négociations entre son auteur et ses lecteurs), tout comme il informe à son tour la nature de ces communications. L'examen de la communication dans et autour du roman de Richardson met en évidence l'existence d'une poétique qui est aussi une économie. L'histoire de Clarissa n'est pas tant l'histoire de ses lettres que celle de ses communications
The problem of communication, and not only that of the danger of the liaisons, is at the heart of the epistolary novel in general and of Samuel Richardson's Clarissa in particular. Constantly threatened with interruption, the communication represented in the diegesis of Richardson's second novel also informs meaning and thus belongs to what Janet Altman called epistolarity. This study concentrates on the code of communication represented in the work and endeavors to grasp the letter in its particular economy of communication, at the crossroads of internal communication between its characters and the demands of an external communication that requires that the epistolary material be oriented towards the reader. This study strives to underline to what extent the novelistic scenario is informed by the nature of the communications through which it expresses itself as well as by the communications it produces among its readers in the shape of letters to the author. The examination of communication in and around Richardson's novel bears witness to the existence of a poetics that is also an economy. The history of Clarissa is not so much that of its letters as that of its communications

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21

Kinsley, Jamie. „Garden Doors: Tempting The Virtuous Heroine In Clarissa And Betsy Thoughtless“. [Tampa, Fla] : University of South Florida, 2008. http://purl.fcla.edu/usf/dc/et/SFE0002461.

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22

Nicklas, Pascal. „The school of afflication : Gewalt und Empfindsamkeit in Samuel Richardsons "Clarissa /“. Hildesheim : G. Olms, 1996. http://catalogue.bnf.fr/ark:/12148/cb39245951c.

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23

Arioli, Clarissa [Verfasser], und Bernd [Akademischer Betreuer] Simeon. „Isogeometric Analysis for Scaled Boundary Parametrizations / Clarissa Arioli ; Betreuer: Bernd Simeon“. Kaiserslautern : Technische Universität Kaiserslautern, 2020. http://d-nb.info/1217657134/34.

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24

Howard, Jeffrey G. „Transcending the Material Self: Reading Ghosts in Samuel Richardson's Novel Clarissa“. DigitalCommons@USU, 2013. https://digitalcommons.usu.edu/etd/1501.

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This thesis presents an analysis of the ghosts in Samuel Richardson’s 1747-48 novel Clarissa, and synthesizes traditional literary criticism on that novel with British folklore and ghost traditions. It examines the novel historically and demonstrates that Richardson’s novelistic approach changed between 1740 when he wrote Pamela and 1747 when he began writing Clarissa in that he relies on the ghost image to discuss the complexities of individual identity. In Clarissa, Richardson outdoes his previous attempt at depicting reality in Pamela because his use of the ghost motif allows the audience to see beyond the physical reality of the plot into the spiritual depths of the human heart. Clarissa involves the journey of a young woman attempting to establish a sense of identity and selfhood, and the ghosts of the novel supply a lens for interpreting her course toward a sense of self that transcends the material world, its wants, its objectives, its myriad institutions, and the identity she has constructed by association with those entities.

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25

Wakely, Alice Elizabeth. „Author and editor in the works of Samuel Richardson“. Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342761.

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26

Erchinger, Clarissa [Verfasser]. „Ernährungstherapie und assoziierte Komplikationen während der initialen Intensivtherapie beim Schwerstverletzten / Clarissa Erchinger“. Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2015. http://d-nb.info/1075757614/34.

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27

Scheckenbach, Vera [Verfasser], und Christian [Akademischer Betreuer] Gille. „Granulozytäre Myeloide Suppressorzellen bei Neugeborenen / Vera Clarissa Maximiliane Scheckenbach ; Betreuer: Christian Gille“. Tübingen : Universitätsbibliothek Tübingen, 2017. http://d-nb.info/1199393479/34.

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28

Beil-Wagner, Jane [Verfasser], da Costa Clarissa U. I. [Akademischer Betreuer] [Gutachter] Prazeres und Bernhard [Gutachter] Küster. „Determining the master regulator responsible for negative selection in thymocytes / Jane Beil-Wagner ; Gutachter: Bernhard Küster, Clarissa U. I. Prazeres da Costa ; Betreuer: Clarissa U. I. Prazeres da Costa“. München : Universitätsbibliothek der TU München, 2016. http://d-nb.info/1147968020/34.

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29

Berenskötter, Clarissa-Jessica [Verfasser]. „Die Gewissenstat im strafrechtlichen Diskurs : Theoretische Grundlagen und praxisorientierte Fallbeispiele / Clarissa-Jessica Berenskötter“. München : GRIN Verlag, 2016. http://d-nb.info/1176110640/34.

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30

何蓓茵 und Poi-yan Ingrid Ho. „Raping mail/males: reading and writing in Clarissa: y Ho Poi-yan Ingrid“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31236996.

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31

Jänig, Elke Clarissa [Verfasser]. „Haftwertermittlung an bearbeiteten Restaurationsmaterialoberflächen in Abhängigkeit von Vorbehandlung und Konditionierung / Elke Clarissa Jänig“. Bonn : Universitäts- und Landesbibliothek Bonn, 2019. http://d-nb.info/1188906577/34.

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32

Hameister, Clarissa Elisabeth Renée [Verfasser]. „Korrelation der Pathophysiologie des Mammakarzinomrandes mit modernen sonographischen Techniken / Clarissa Elisabeth Renée Hameister“. Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2019. http://d-nb.info/1194372600/34.

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33

Hameister, Clarissa [Verfasser]. „Korrelation der Pathophysiologie des Mammakarzinomrandes mit modernen sonographischen Techniken / Clarissa Elisabeth Renée Hameister“. Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2019. http://d-nb.info/1194372600/34.

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34

Schumacher, Clarissa [Verfasser], und Mathias [Akademischer Betreuer] Kifmann. „Kann Versicherung durch Sparen substituiert werden? Eine ökonomische Analyse / Clarissa Schumacher. Betreuer: Mathias Kifmann“. Augsburg : Universität Augsburg, 2012. http://d-nb.info/1077700776/34.

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35

Ongaro, Diego Barata Zanotti. „Geopoéticas do espaço e da mobilidade: performances de trânsito nos filmes de Clarissa Campolina“. Universidade Federal de Juiz de Fora (UFJF), 2016. https://repositorio.ufjf.br/jspui/handle/ufjf/2611.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-09-28T17:29:12Z No. of bitstreams: 1 diegobaratazanottiongaro.pdf: 2707234 bytes, checksum: cb7b623f86bc2a312c703ccbc541a7b3 (MD5)
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O cinema, como ação de um transitar político no mundo, estampa nos nossos próprios corpos os efeitos de uma intensa mobilidade contemporânea. Mas o que, de fato, move o cinema? Sendo uma prática de espaços, o filme cria o seu próprio itinerário de passagem cuja emoção é o seu principal afeto de transporte - imagens e sujeitos mobilizam e são mobilizados pelo filme. Pautados nesse cinema de afetos, nos aliamos ao trabalho da diretora mineira Clarissa Campolina, a partir dos filmes O Porto, Trecho e Girimunho. Com eles propomos um itinerário especial em torno de questões sobre os espaços esvaziados pelo poder hegemônico, sobre o deslocamento errante e a força de um “movimento menor”. Reflexões que trazem à tona o deslocar como potência, como performance de trânsito nos espaços da tela e da vida que não cessam de apresentar novas configurações e conteúdos, que nos convidam a reconhecer as geopoéticas que redesenham, a todo momento, a nossa própria travessia no mundo.
The cinema, as the action of a political transition in the world, pattern in our own bodies the effects of an intense contemporary mobility. But what, in fact, move the movies? As a practice of spaces, the cinema creates itself its own passage itinerary whose emotion is its main transport affection - images and subjects mobilize and are mobilized by the film. Guided by this cinema of affects, we have allied ourselves with the work of the Brazilian director Clarissa Campolina, with the movies Porto, Trecho and Girimunho. With them, we propose a special itinerary aimed to specific questions relating to space emptied by the hegemonic power, the errant displacement and the strength of a "minor movement". Reflections that bring out the displacement as a potency, as a traffic performance in the areas of the screen and life that are constantly presenting new settings and contents, which invite us to recognize the geopoetics that redraw, all the time, our own world journey.

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Oliveira, Maria Marta Carrijo de. „Imagens e representação do professor em Clarissa e Música ao longe, de Érico Veríssimo“. Universidade Federal de Uberlândia, 2013. https://repositorio.ufu.br/handle/123456789/11859.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
This work aims to a critical analysis of Erico Verissimo‟s first works Clarissa and Música ao longe. A well-known writer of the 30‟s, Erico Verissimo received many negative criticism because of the themes, characters and plot present in his works, as well as the ideological and psychological treatment given to the stories and his political and religious posture. Thus, we were concerned about how the relationship Character/writer is established, and what is the role of literature and the academic background in Verissimo‟s writings. We understand that every writer is formed by what he reads and how he fantasizes such works in his mind. These are marks that the reader, in one way or another, associates to the writer. This way, the creation of structures and meanings that overcome his writings have a relation to what the writer read in the past or still reads, no matter the kind of reading, for it has no end in itself, given the fact that literature is found in many places and many forms, not to mention the interpersonal relations and daily routines. From the analysis of the literary works in this dissertation, we will be able to see how the act of reading makes part of the characters‟ reality, realizing how the author works with subjectivity and representations on his literary works, as well as what is the importance given by him to an academic function from a literary perspective.
O presente trabalho tem como objetivo a análise crítica das obras iniciais de Erico Verissimo, Clarissa e Música ao longe. Romancista da década de 1930, Erico Verissimo foi muito criticado pela temática apresentada em suas obras, pelos personagens, pelo tratamento psicológico e ideológico dado ao enredo, pela sua postura política e religiosa. Dessa forma, preocupou-nos entender como se dá a relação autor/personagem, leitor/personagem e qual o papel da literatura e a formação acadêmica em sua própria literatura. Entendemos que todo escritor é formado por suas leituras variadas fantasiadas em sua imaginação. São marcas que o leitor, de um modo ou de outro, associa ao autor. Dessa forma, a elaboração das estruturas e sentidos que ultrapassam sua escrita, tem uma relação com o que leu ou lê. Não importa o tipo de leitura realizada, pois ela não é um fim em si mesma, sendo que a literatura se encontra em todos os lugares e das formas mais diversas, sem falar nas relações interpessoais e nas rotinas diárias. Sendo assim, a partir das análises dos romances veremos como a leitura faz parte da realidade impressa na vida dos personagens entendendo como o autor trabalha com as representações e subjetividade nesses romances e qual a importância dada, pelo autor, na função acadêmica, dentro da literatura.
Mestre em Teoria Literária

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Kraus, Clarissa Katharina [Verfasser]. „Die Zweckübertragungslehre im Urheberrecht und ihre Anwendbarkeit im Patent- und Markenrecht / Clarissa Katharina Kraus“. Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2020. http://d-nb.info/1209451689/34.

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38

Eck, Clarissa [Verfasser], Rainer [Akademischer Betreuer] Voßen und Rose Marie [Akademischer Betreuer] Beck. „Unternehmenskommunikation in Ostafrika : gesprächsorganisatorische Mechanismen in Produktionsgesprächen / Clarissa Eck. Gutachter: Rainer Voßen ; Rose Marie Beck“. Frankfurt am Main : Univ.-Bibliothek Frankfurt am Main, 2012. http://d-nb.info/1044413107/34.

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39

Glaser, Brigitte. „The body in Samuel Richardson's "Clarissa" : contexts of and contradictions in the development of character /“. Heidelberg : C. Winter, 1994. http://catalogue.bnf.fr/ark:/12148/cb357455925.

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Pilz, Clarissa [Verfasser]. „Zusammenhang zwischen maternalem Stress in der Schwangerschaft und kindlichen Geburtsmaßen: Ergebnisse einer Geburtskohortenstudie / Clarissa Pilz“. Ulm : Universität Ulm, 2020. http://d-nb.info/1205371753/34.

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41

Perchermeier, Sophie [Verfasser], da Costa Clarissa [Akademischer Betreuer] Prazeres, Silvia [Gutachter] Lobmaier, da Costa Clarissa [Gutachter] Prazeres und Percy A. [Gutachter] Knolle. „Chronic Schistosoma mansoni Infection during Pregnancy: Effects on Offspring’s T Cell Differentiation Capacity, Epigenetics and Memory T Cell Compartment / Sophie Perchermeier ; Gutachter: Silvia Lobmaier, Clarissa Prazeres da Costa, Percy A. Knolle ; Betreuer: Clarissa Prazeres da Costa“. München : Universitätsbibliothek der TU München, 2021. http://d-nb.info/1230061045/34.

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42

Scott, Linda Kane. „The Inheritance Novel: The Power of Strict Settlement Language in Clarissa, Evelina and Pride and Prejudice“. Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/ScottLK.pdf.

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43

Müller, Clarissa Brigitte Verfasser], und Hans-Joachim [Akademischer Betreuer] [Jördening. „Immobilisierung von Enzymen für die multienzymatische Synthese von Laminaribiose / Clarissa Brigitte Müller ; Betreuer: Hans-Joachim Jördening“. Braunschweig : Technische Universität Braunschweig, 2018. http://d-nb.info/1175815225/34.

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Schaal, Clarissa [Verfasser], Tobias [Akademischer Betreuer] Melz und Michael [Akademischer Betreuer] Schäfer. „Entwicklung von Modifikationsregeln zur Reduktion der Schallabstrahlung dünnwandiger Strukturen im Entwicklungsprozess / Clarissa Schaal ; Tobias Melz, Michael Schäfer“. Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2018. http://d-nb.info/1172880271/34.

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45

Dietrich, Clarissa [Verfasser], und Frank [Akademischer Betreuer] Giesselmann. „Chirality effects in thermotropic and lyotropic nematic liquid crystals under confined geometries / Clarissa Dietrich ; Betreuer: Frank Giesselmann“. Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2019. http://d-nb.info/1209131994/34.

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46

Harder, Jutta [Verfasser], da Costa Clarissa [Akademischer Betreuer] Prazeres, Bettina [Gutachter] Kuschel und da Costa Clarissa [Gutachter] Prazeres. „Vitamin D receptor and its immunological role within the human placenta - Analysis of vitamin D metabolism and immunologically important genes at the feto-maternal interface / Jutta Harder ; Gutachter: Bettina Kuschel, Clarissa Prazeres da Costa ; Betreuer: Clarissa Prazeres da Costa“. München : Universitätsbibliothek der TU München, 2019. http://d-nb.info/1203799446/34.

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47

Wink, Clarissa [Verfasser], Tobias [Akademischer Betreuer] Schaeffter, Tobias [Gutachter] Schaeffter und Susanne [Gutachter] Schnell. „4D flow imaging with 2D spatially selective excitation / Clarissa Wink ; Gutachter: Tobias Schaeffter, Susanne Schnell ; Betreuer: Tobias Schaeffter“. Berlin : Technische Universität Berlin, 2021. http://d-nb.info/1230468501/34.

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48

Weil, Clarissa [Verfasser]. „Perioperativer Einsatz des Fluorchinolons Marbofloxacin in Kombination mit den nichtsteroidalen Antiphlogistika Carprofen und Cimicoxib beim Hund / Clarissa Weil“. Hannover : Bibliothek der Tierärztlichen Hochschule Hannover, 2015. http://d-nb.info/1073953998/34.

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49

Kroll, Clarissa [Verfasser], Roland A. [Akademischer Betreuer] Fischer und Christoph [Akademischer Betreuer] Janiak. „Organometallische Synthese von Nanopartikeln, Kolloiden und Clustern unter wasserfreien Bedingungen / Clarissa Kroll. Gutachter: Roland A. Fischer ; Christoph Janiak“. Bochum : Ruhr-Universität Bochum, 2016. http://d-nb.info/1099703662/34.

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How, James. „Imaginations of epistolary spaces : developments in letter writing between the foundation of the Post Office and Richardson's Clarissa“. Thesis, University of Edinburgh, 2000. http://hdl.handle.net/1842/22325.

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Annotation:

This thesis discusses key qualitative developments in the history of letter writing that took place as a direct result of the introduction - during the revolutionary Interregnum - of a national postal service available to the general public. An examination is made of repeated and vivid imaginations after this date of what can be termed epistolary spaces, which are a consequence of the newly regulated, mostly reliable, but governmentally controlled gaps in time between addressers and addressees of letters. These imaginations, analogous to the cyberspaces of our own era, are seen to be fuelled by increasingly cheaper, faster, and more efficient postal services developed throughout the period. They are by no means utopian spaces, however, and often become the scenes of strife and surveillance. The thesis demonstrates the existence of such imaginations by means of a detailed study of five real correspondences and of the fictional letters that constitute Samuel Richardson's novel Clarissa; or the History of a Young Lady (1747-8). Attention is paid to what epistolary spaces in these letters are like; how they are set up; and how maintained. They are variously seen as an arena in which vicariously to explore the new urban culture of London in Dorothy Osborne's Letters to Sir William Temple (1652-4); as a courtly enclave in the diplomatic letters of the dramatist Sir George Etherege (1685-89); as a venue within which to champion the cause of the Walpolian Whigs in Lady Mary Wortley Montagu's Turkish Embassy Letters (1716-18); as an aristocratic redoubt in the correspondence between two retired courtiers of the reign of George II, the Countesses of Hertford and Pomfret (1738-41); and as an equivalent of the aristocratic levee in the impoverished clergyman Lucius Henry Hibbins's letters to the Duke of Newcastle (1741-58). The investigation of such spaces is often of great social, cultural, and political interest and it is in these terms that the letters are read. Finally, the artistic achievement of Richardson's greatest novel is seen to have been aided by almost a century of imaginations of epistolary spaces; which are shown also to be found in the fictional letters of Clarissa Harlowe, Anna Howe, and Robert Lovelace.

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