Auswahl der wissenschaftlichen Literatur zum Thema „Cinematography – Special effects – History“
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Inhaltsverzeichnis
Machen Sie sich mit den Listen der aktuellen Artikel, Bücher, Dissertationen, Berichten und anderer wissenschaftlichen Quellen zum Thema "Cinematography – Special effects – History" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Zeitschriftenartikel zum Thema "Cinematography – Special effects – History"
Sputnitskaya, Nina Yu. „Screening Zurbagan: On Use of Animation in Russian Feature Cinema“. Journal of Flm Arts and Film Studies 7, Nr. 4 (15.12.2015): 73–83. http://dx.doi.org/10.17816/vgik7473-83.
Der volle Inhalt der QuelleTaylor-Terlecka, Nina. „Darwinism and Surrealism: The Case of Juliusz Słowacki’s "Samuel Zborowski"“. Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 47, Nr. 2 (10.07.2020): 361–75. http://dx.doi.org/10.36770/bp.488.
Der volle Inhalt der QuelleBedenko, Vladimir Nikolaevich. „Comedy film as a modern embodiment of the culture of laughter“. Философия и культура, Nr. 8 (August 2020): 1–10. http://dx.doi.org/10.7256/2454-0757.2020.8.33452.
Der volle Inhalt der QuelleGusev, Alexey O. „Dramatic Methods in G. N. Chukhray’s «Ballad of a Soldier»“. Vestnik of Saint Petersburg State University of Culture, Nr. 1 (58) (2024): 118–22. http://dx.doi.org/10.30725/2619-0303-2024-1-118-122.
Der volle Inhalt der QuelleMishchenko, Igor' Evgenyevich. „Representation of the images of army and military man in the U.S. mass cinematography of the 2010s“. Философская мысль, Nr. 12 (Dezember 2020): 61–75. http://dx.doi.org/10.25136/2409-8728.2020.12.34522.
Der volle Inhalt der QuelleMartynenko, T. S. „Cinema as a subject of sociological analysis: features of modern cinematography“. Moscow State University Bulletin. Series 18. Sociology and Political Science 29, Nr. 2 (06.05.2023): 120–39. http://dx.doi.org/10.24290/1029-3736-2023-29-2-120-139.
Der volle Inhalt der QuelleKosachova, Olga. „Vietnamese lives matter… Image of democracy in US cinematography (on the example of Vietnam war’s theme)“. OOO "Zhurnal "Voprosy Istorii" 2020, Nr. 10-3 (01.10.2020): 4–10. http://dx.doi.org/10.31166/voprosyistorii202010statyi70.
Der volle Inhalt der QuelleOrtiz, Maria J. „Embodied Cinematography in Mr. Robot“. Baltic Screen Media Review 11, Nr. 1 (01.12.2023): 84–105. http://dx.doi.org/10.2478/bsmr-2023-0006.
Der volle Inhalt der QuelleZelenin, Sergey V. „The Conception of the Image of Peter I in Soviet Time“. Almanac “Essays on Conservatism” 3 (30.07.2022): 307–22. http://dx.doi.org/10.24030/24092517-2022-0-3-307-322.
Der volle Inhalt der QuelleKirillova, Natalia B., und Valeria Yu Lebedeva. „Transformation of the teacher’s image in Soviet and Russian Cinematography: Intracultural Dialogue“. Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 29, Nr. 2 (2023): 165–72. http://dx.doi.org/10.15826/izv1.2023.29.2.035.
Der volle Inhalt der QuelleDissertationen zum Thema "Cinematography – Special effects – History"
Ryu, Jae Hyung. „Reality & effect a cultural history of visual effects /“. unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-03292007-172937/.
Der volle Inhalt der QuelleTitle from file title page. Ted Friedman, committee chair; Kathy Fuller-Seeley, Angelo Restivo, Jung-Bong Choi, Alisa Perren, committee members. Electronic text (249 p.) : digital, PDF file. Description based on contents viewed Oct. 29, 2007. Includes bibliographical references (p. 236-249).
Antonsen, Torben. „Sublime pixels : exploring the audience experience in digital special effects cinema : [a thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in Film] /“. ResearchArchive@Victoria, 2009. http://hdl.handle.net/10063/1075.
Der volle Inhalt der QuelleFlagg, Matthew. „Capture, analysis and synthesis of photorealistic crowds“. Diss., Georgia Institute of Technology, 2010. http://hdl.handle.net/1853/37310.
Der volle Inhalt der QuelleRosenblatt, Jacob A. „Cinematic Style: The Effects of Technology“. Ohio University Honors Tutorial College / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1277815461.
Der volle Inhalt der QuelleRyu, Jae Hyung. „Reality & Effect: A Cultural History of Visual Effects“. Digital Archive @ GSU, 2007. http://digitalarchive.gsu.edu/communication_diss/13.
Der volle Inhalt der QuelleAnders, Carollynn. „The Effects of a Metacognitive Strategy on the Reading Comprehension of High School History Students“. Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/honors/487.
Der volle Inhalt der QuelleHaberlin, Alayna T. „An Examination of Behavioral History Effects on Preference for Choice in Elementary Students“. The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1282061359.
Der volle Inhalt der QuelleWagener, Thomas Dane. „Visual Effects and the Test of Time“. Ohio University Honors Tutorial College / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1244204910.
Der volle Inhalt der QuelleWhite, Lee J. T. „Vegetation history and logging disturbance : effects on rain forest in the Lope Reserve, Gabon (with special emphasis on elephants and apes)“. Thesis, University of Edinburgh, 1992. http://hdl.handle.net/1842/653.
Der volle Inhalt der QuelleBarber, Cody. „The Virtual Steamroller: How CGI Paved the Way for 3D's Comeback“. Ohio University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1323194803.
Der volle Inhalt der QuelleBücher zum Thema "Cinematography – Special effects – History"
(Foreword), Ray Harryhausen, Hrsg. Special Effects: The History and Technique. New York: Billboard Books, 2007.
Den vollen Inhalt der Quelle findenJohn, Johnson. Cheap tricks and class acts: Special effects, makeup, and stunts from the films of the fantastic fifties. Jefferson, N.C: McFarland & Co., 1996.
Den vollen Inhalt der Quelle findenToro, Giovanni. Storia degli effetti speciali: Dai fratelli Lumière ad Avatar. Eboli (SA): NPE, 2018.
Den vollen Inhalt der Quelle findenD'haeyere, Hilde. Dislexicon of slapstick humor, funny cinematography, and very special effects. Ghent: MER. Paper, 2011.
Den vollen Inhalt der Quelle findenPettigrew, Neil. The stop-motion filmography: A critical guide to 297 features using puppet animation. Jefferson, N.C: McFarland & Co., 2008.
Den vollen Inhalt der Quelle findenPettigrew, Neil. The stop-motion filmography: A critical guide to 297 features using puppet animation. Jefferson, N.C: McFarland, 1999.
Den vollen Inhalt der Quelle findenJapan) "Tokusatsu no DNA" Ten (4th 2019-2020 Tokyo. Tokusatsu no DNA: Heisei Gamera no shōgeki to kisō no Daiei tokusatsu. Tōkyō: Kabushiki Kaisha Arufabēta Bukkusu, 2020.
Den vollen Inhalt der Quelle findenHayes, R. M. 3-D movies: A history and filmography of stereoscopic cinema. Jefferson, N.C: McFarland, 1989.
Den vollen Inhalt der Quelle findenHayes, R. M. 3-D movies: A history and filmography of stereoscopic cinema. Chicago: St James, 1989.
Den vollen Inhalt der Quelle findenFleischer, Uwe. Wie haben Sie's gemacht?: Babelsberger Kameramänner öffnen ihre Trickkiste. Marburg: Schüren, 2005.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Cinematography – Special effects – History"
Gowanlock, Jordan. „Conclusion: Engineering Movies“. In Palgrave Animation, 171–80. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74227-0_7.
Der volle Inhalt der QuelleCrafton, Donald. „Black Magic: The “Space Between the Frames” in Cinematic Special Effects“. In Special Effects on the Screen. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789462980730_ch07.
Der volle Inhalt der QuelleAndrew, Dudley. „The Effect of Miracles and the Miracle of Effects: Bazin’s Faith in Evolution“. In Special Effects on the Screen. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789462980730_ch16.
Der volle Inhalt der QuelleTurquety, Benoît. „Photography and the Composite Image, or A Portrait of Méliès as Bergsonian Filmmaker“. In Special Effects on the Screen. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789462980730_ch08.
Der volle Inhalt der QuelleAmbrose, Stephen E. „The Longest Day (U.S., 1962): “Blockbuster” History“. In World War II, Film, and History, 97–122. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195099669.003.0007.
Der volle Inhalt der QuelleChopine, Ami. „A History of Computer Graphics and Special Effects“. In 3D Art Essentials, 1–12. Elsevier, 2011. http://dx.doi.org/10.1016/b978-0-240-81471-1.10001-3.
Der volle Inhalt der Quelle„- A Brief History of Classical Animated Special Effects“. In Elemental Magic, 23–36. Routledge, 2012. http://dx.doi.org/10.4324/9780080912288-7.
Der volle Inhalt der Quelle„The Korean War and Special Procurements“. In A History of Japanese Trade and Industry Policy, herausgegeben von Mikio Sumiya, 227–34. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198292517.003.0012.
Der volle Inhalt der QuelleLoew, Katharina. „Introduction: Special Effects and the Techno-Romantic Paradigm“. In Special Effects and German Silent Film. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463725231_intro.
Der volle Inhalt der QuelleLoew, Katharina. „The Uncanny Mirror: Der Student von Prag (1913)“. In Special Effects and German Silent Film. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463725231_ch03.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Cinematography – Special effects – History"
Hawryszkow, P., K. Galik und M. Bocian. „Synergy of Culture and Civil Engineering – Project "Bridge Builders" Organised by Wroclaw European Capital of Culture“. In IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0364.
Der volle Inhalt der QuelleErnst, Hugo A., Richard E. Bravo, Federico Daguerre und Alfonso Izquierdo. „Strain History Effects on Fracture Mechanics Parameters: Application to Reeling“. In ASME 2005 24th International Conference on Offshore Mechanics and Arctic Engineering. ASMEDC, 2005. http://dx.doi.org/10.1115/omae2005-67007.
Der volle Inhalt der QuelleChu, Tang-Yuan, Na-Yi Yuan Wu und Jing Wang. „Abstract B26: The natural history of ovarian high-grade serous carcinoma from time effects of ovulation inhibition and progesterone clearance of p53-defective lesions“. In Abstracts: AACR Special Conference on Advances in Ovarian Cancer Research; September 13-16, 2019; Atlanta, GA. American Association for Cancer Research, 2020. http://dx.doi.org/10.1158/1557-3265.ovca19-b26.
Der volle Inhalt der QuelleCousins, William T. „History, Philosophy, Physics, and Future Directions of Aircraft Propulsion System/Inlet Integration“. In ASME Turbo Expo 2004: Power for Land, Sea, and Air. ASMEDC, 2004. http://dx.doi.org/10.1115/gt2004-54210.
Der volle Inhalt der QuelleNezamian, Abe, und Patrick M. Morgan. „Modelling Issues for Nonlinear Time History Analysis of Offshore Platforms Subjected to Strong Ground Motions“. In ASME 2014 33rd International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/omae2014-23785.
Der volle Inhalt der QuelleSchmid, Andreas, und Naoki Yamada. „Spray Combustion Chamber: History and Future of a Unique Test Facility“. In ILASS2017 - 28th European Conference on Liquid Atomization and Spray Systems. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/ilass2017.2017.4734.
Der volle Inhalt der QuelleDANI, Abdelilah. „THE CONCEPT OF THE CURRICULUM BETWEEN THE NATURAL SCIENCES AND THE HUMAN SCIENCES“. In III. International Congress of Humanities and Educational Research. Rimar Academy, 2022. http://dx.doi.org/10.47832/ijhercongress3-8.
Der volle Inhalt der QuelleKelkar, Ajit D. „Behavior of Thin, Moderately Thick and Thick Woven Composites Subjected to Low Velocity Impact Loads“. In ASME 2002 International Mechanical Engineering Congress and Exposition. ASMEDC, 2002. http://dx.doi.org/10.1115/imece2002-32306.
Der volle Inhalt der QuellePettinger, Alfred M., und Robert Montgomery. „Project Management Considerations of Pipelines Crossing the Andes“. In 2010 8th International Pipeline Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/ipc2010-31303.
Der volle Inhalt der QuelleMahajerin, Enayat, und Gary Burgess. „Numerical Analysis of Temperature Due to Material Damping in Pultruded Composites“. In ASME 2003 Heat Transfer Summer Conference. ASMEDC, 2003. http://dx.doi.org/10.1115/ht2003-47331.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Cinematography – Special effects – History"
Hammad, Ali, und Mohamed Moustafa. Seismic Behavior of Special Concentric Braced Frames under Short- and Long-Duration Ground Motions. Pacific Earthquake Engineering Research Center, University of California, Berkeley, CA, Dezember 2019. http://dx.doi.org/10.55461/zont9308.
Der volle Inhalt der QuelleOcampo-Gaviria, José Antonio, Roberto Steiner Sampedro, Mauricio Villamizar Villegas, Bibiana Taboada Arango, Jaime Jaramillo Vallejo, Olga Lucia Acosta-Navarro und Leonardo Villar Gómez. Report of the Board of Directors to the Congress of Colombia - March 2023. Banco de la República de Colombia, Juni 2023. http://dx.doi.org/10.32468/inf-jun-dir-con-rep-eng.03-2023.
Der volle Inhalt der Quelle