Auswahl der wissenschaftlichen Literatur zum Thema „Cinéma coopératif“
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Zeitschriftenartikel zum Thema "Cinéma coopératif"
Vanasse, Jean-Paul. „Le cinéma dans les usines“. Relations industrielles 7, Nr. 4 (26.02.2014): 294–300. http://dx.doi.org/10.7202/1023031ar.
Der volle Inhalt der QuelleGhebali, Victor-Yves. „Before UNESCO and the WHO“. Contemporary European History 11, Nr. 4 (28.10.2002): 659–63. http://dx.doi.org/10.1017/s0960777302004083.
Der volle Inhalt der QuelleBrégent-Heald, Dominique. „“Come to Canada”: Wartime Tourism Promotion and the Amateur Film Movement“. Canadian Journal of Film Studies 31, Nr. 1 (01.04.2022): 23–48. http://dx.doi.org/10.3138/cjfs-2021-0008.
Der volle Inhalt der QuelleToucas-Truyen, Patricia. „L’idée coopérative s’incarne au cinéma. « Entre nos mains », Documentaire de Mariana Otero, 2010“. Revue internationale de l'économie sociale: Recma, Nr. 319 (2011): 115. http://dx.doi.org/10.7202/1020811ar.
Der volle Inhalt der QuelleBarlet, Olivier. „France, je t'aime ; France, je te hais : les cinémas d'Afrique dans le trouble de la coopération“. Africultures 83, Nr. 1 (2011): 52. http://dx.doi.org/10.3917/afcul.083.0052.
Der volle Inhalt der QuelleDissertationen zum Thema "Cinéma coopératif"
Lancialonga, Federico. „Contre produire : films, formes et modes de production dans le cinéma collectif italien des années 1950-1970“. Electronic Thesis or Diss., Paris 1, 2023. http://www.theses.fr/2023PA01H305.
Der volle Inhalt der QuelleFrom the post-war period onwards, Italy witnessed the emergence of new “collective” approaches to film production: in the 1940s and 1950s, it took the form of cooperatives; and in the subsequent decade, it evolved into film collectives or independent film production units. These collaborative endeavors yielded a wide array of films, encompassing a rich diversity of themes and styles : from partisan films to “counter-newsreels,” from fictions to documentaries, culminating in the 1970s militant videotapes. All these films embraced a common political commitment: adopting a collaborative and independent approach for filmmaking as an alternative to the labor-divided and market-oriented film industry. In fact, these films neither embody a desire of withdraw nor a circumstantial response to an inability to break into the well-established commercial networks; on the contrary, they serve as the tangible expression of a deliberate and resolute choice, one made in direct defiance of the prevailing film production system. The neologism “counter-production” aims to underscore the interplay between two fundamental dimensions of the Italian collective cinema: on one hand, the critique of the production modes of “dominant” cinema and, on the other, the embrace of a collaborative approach for filmmaking. In other words, “to counter-produce” extends beyond the mere act of challenging the industry norms, it is also characterized by a critical perspective on certain militant cinematic forms that reduce films to useful tools for political messaging. This dissertation follows a twofold program: it seeks to underscore both the commonalities among these collective practices and the inherent uniqueness found within each cinematic form they explore. By examining a carefully selected body of materials – projects, theories, and collective utopias that surfaced on the “fringes” of Italian cinema during one of the most fertile periods of its history – the overreaching objective is to reevaluate the marginal status of this corpus: rather than occupying a secondary role, it appears to have served as a central and significant experimental ground for pioneering cinematic innovations in Italy from the 1950s to the 1970s
Lafite, Clément. „La communauté à l’épreuve de la technologie : les groupes et centres autogérés de cinéastes au Québec et en Ontario à l’heure de la digitalisation“. Thèse, 2014. http://hdl.handle.net/1866/11128.
Der volle Inhalt der QuelleBücher zum Thema "Cinéma coopératif"
La production documentaire: Histoire d'une renaissance. Paris: Dixit, 1997.
Den vollen Inhalt der Quelle findenTrade, Canada Dept of Foreign Affairs and International. Culture : audiovisual co-production agreement between the Government of Canada and the Government of the Singapore (with annex), Singapore, November 13 1998, in force November 13, 1998 =: Culture : accord de coproduction audiovisuelle entre le gouvernement du Canada et le gouvernement de la République de Singapour (avec annexe), Singapour, le 13 novembre 1998, en vigueur le 13 novembre 1998. Ottawa, Ont: Minister of Public Works and Government Services Canada = Ministre des travaux publics et services gouvernementaux Canada, 1998.
Den vollen Inhalt der Quelle findenTrade, Canada Dept of Foreign Affairs and International. Culture : audio-visual co-production agreement between the Government of Canada and the Government of the Republic of Cuba (with annex), Havana, April 27, 1998, in force September 1, 1999 =: Culture : accord de coproduction audiovisuelle entre le gouvernement du Canada et le gouvernement de la République de Cuba (avec annexe), La Havane, le 27 avril 1998, en vigueur, le 1e septembre 1999. Ottawa, Ont: Minister of Public Works and Government Services Canada = Ministre des travaux publics et services gouvernementaux Canada, 1998.
Den vollen Inhalt der Quelle findenCanada. Dept. of Foreign Affairs and International Trade. Culture : audiovisual co-production agreement between the Government of Canada and the Government of the Republic of Iceland (with annex), Washington, October 15, 1997, in force February 2, 1998 =: Culture : accord de coproduction audiovisuelle entre le guvernement du Canada et le gouvernement de la République d'Islande (avec annexe), Washington, le 15 octobre 1997, en vigueur le 2 février 1998. Ottawa, Ont: Minister of Public Works and Government Services Canada = Ministre des travaux publics et services gouvernementaux Canada, 1998.
Den vollen Inhalt der Quelle findenRethinking global sisterhood: Western feminism and Iran. Minneapolis: University of Minnesota Press, 2007.
Den vollen Inhalt der Quelle findenRethinking global sisterhood: Western feminism and Iran. Minneapolis: University of Minnesota Press, 2007.
Den vollen Inhalt der Quelle findenNaghibi, Nima. Rethinking Global Sisterhood: Western Feminism and Iran. Univ Of Minnesota Press, 2007.
Den vollen Inhalt der Quelle findenNaghibi, Nima. Rethinking Global Sisterhood: Western Feminism and Iran. Univ Of Minnesota Press, 2007.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Cinéma coopératif"
Fayad, Gaëlle. „La notion de coopération franco-libanaise dans la structuration du cinéma libanais : réflexions et perspectives sur les normes françaises“. In Des ciné-goûters aux séances pour les cinéphiles, 81–94. Presses universitaires du Septentrion, 2021. http://dx.doi.org/10.4000/books.septentrion.104115.
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