Auswahl der wissenschaftlichen Literatur zum Thema „Church musician“
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Zeitschriftenartikel zum Thema "Church musician"
Tantra, Carolien Eunice, und Mark Peters. „J. S. Bach’s Church Cantatas and Church Music Today“. Veritas: Jurnal Teologi dan Pelayanan 20, Nr. 1 (19.07.2021): 137–52. http://dx.doi.org/10.36421/veritas.v20i1.473.
Der volle Inhalt der QuelleGroce, Stephen B., Lewis A. Groce und Rebecca L. Young. „Pathways to Becoming a Church Musician“. Sociological Spectrum 33, Nr. 3 (Mai 2013): 276–93. http://dx.doi.org/10.1080/02732173.2013.732907.
Der volle Inhalt der QuelleDaniel, Daniel, und Octa Maria Sihombing. „Guitar Instrumentalization, Education-Stewardship, and Musician Subject Ethics“. Journal of Student Research 2, Nr. 1 (22.12.2023): 69–93. http://dx.doi.org/10.55606/jsr.v2i1.2460.
Der volle Inhalt der QuellePinatih, Ketut Tadeus Max Nurcahya, und I. Made Wiranadha. „CHARACTERISTICS OF HEARING THINGS ON MUSIC PLAYERS AT GPT BAITHANI DENPASAR“. E-Jurnal Medika Udayana 11, Nr. 9 (19.09.2022): 25. http://dx.doi.org/10.24843/mu.2022.v11.i9.p05.
Der volle Inhalt der QuelleHage, Jan, und Marcel Barnard. „Muziek als missie: Over Willem Mudde en zijn betekenis voor de kerkmuziek“. NTT Journal for Theology and the Study of Religion 66, Nr. 4 (18.11.2012): 283–98. http://dx.doi.org/10.5117/ntt2012.66.283.hage.
Der volle Inhalt der QuellePeno, Vesna. „Athens: New capital of traditional Greek music: Testimonies on musical life at the beginning of the twentieth century“. Muzikologija, Nr. 9 (2009): 15–32. http://dx.doi.org/10.2298/muz0909015p.
Der volle Inhalt der QuelleMorucci, Valerio. „Music, patronage and reform in 16th-century Italy: new light on Cardinal Carlo Borromeo“. Early Music 47, Nr. 4 (November 2019): 499–513. http://dx.doi.org/10.1093/em/caz071.
Der volle Inhalt der QuelleBrie, Mihai. „Das Gebet „Vaterunser” in der komponistischen Sicht von Ciprian Porumbescu – theologische und musikologische Aspekte“. Studia Universitatis Babeş-Bolyai Musica 67, Nr. 1 (30.06.2022): 229–42. http://dx.doi.org/10.24193/subbmusica.2022.1.15.
Der volle Inhalt der QuelleDukaļska, Iveta. „MUSIC-MAKING IN A FAMILY – THE LIFELONG LEARNING TRADITIONS AND CHALLENGES OF HOME-LEARNING“. SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 4 (28.05.2021): 78–89. http://dx.doi.org/10.17770/sie2021vol4.6424.
Der volle Inhalt der QuelleORUJOV, İgbal, und Taravat ORUJOVA. „ORTA ÇAĞ DÖNEMİ’NDE NEFESLİ ENSTRÜMANLAR SANATI“. JOURNAL OF INSTITUTE OF ECONOMIC DEVELOPMENT AND SOCIAL RESEARCHES 7, Nr. 26 (20.02.2021): 85–95. http://dx.doi.org/10.31623/iksad072607.
Der volle Inhalt der QuelleDissertationen zum Thema "Church musician"
Arblaster, Winston Vaughn 1984. „Music Theory and Arranging Techniques for the Church Musician“. Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10831.
Der volle Inhalt der QuelleThe rising popularity of the use of "contemporary music" for worship in Christian churches has created an ever-growing body of music professionals who, coming largely from a rock-influenced folk idiom, are often untrained in music theory. As the style of music has shifted from the traditional model, stemming from classical genres, to one dominated by popular music, many of these musicians see theory education as impractical or at least unneeded given their particular stylistic approach. In order to address this issue, a method must be developed, departing from standard methods of theory pedagogy to one employing selected concepts and applications pertaining particularly to the context the contemporary worship setting and presenting them in a manner immediately beneficial to these musicians' vocational considerations. This thesis serves as a possible solution by proposing such a method and comparing it to the approaches of three major theory methods on these terms.
Committee in Charge: Dr. Jack Boss; Dr. Timothy Pack; Don Latarski
Henrichs, Michael William. „The life and work of Paul Otto Manz as church musician within the context of American Lutheranism in the twentieth century“. Theological Research Exchange Network (TREN), 1996. http://www.tren.com.
Der volle Inhalt der QuelleMesplé, Pierre. „Les musiciens d’Église au XVIIIe siècle : acteurs, circulations, réseaux (diocèses de Blois, Chartres, Évreux, Orléans, Rouen)“. Electronic Thesis or Diss., Université Clermont Auvergne (2021-...), 2023. http://www.theses.fr/2023UCFA0135.
Der volle Inhalt der QuelleThis research defines a social group, the musicians of cathedral and collegiate churches, in a circumscribed space (five dioceses, Blois, Chartres, Évreux, Orléans, Rouen) from the end of the 17th century to the Revolution. We will endeavor to identify their living conditions (by questioning in particular the notions of employment and itinerancy), but also the networks that they can form in relation to the canons who employ them and the rest of society. Finally, we will seek to describe and understand the place that society grants them in the functioning of worship
Stemmermann, Nell. „Church's Musical Visitor, 1871-1897: Class, Nationalism, and Musical Taste“. University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1407404428.
Der volle Inhalt der QuelleMunro, Gordon James. „Scottish church music and musicians, 1500-1700“. Thesis, Connect to e-thesis, 1999. http://theses.gla.ac.uk/882/.
Der volle Inhalt der QuelleLorenzetti, Michelle Arype Girardi. „Aprender e ensinar música na igreja católica : um estudo de caso em porto Alegre/RS“. reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/114671.
Der volle Inhalt der QuelleThe purpose of this study was objective to investigate the educational-musical relations present in the Catholic church of Porto Alegre. The leading question was how the musical formation of people who work in this context occurred and how the musical teaching was executed. To accomplish this research, I opted for a qualitative approach, conducting a case study. The authors Souza (2004; 2014), Setton (2008; 2012) and Petitat (2011) were included in the framework. From a total of 240 people who worked with music in the Church, twelve were selected because they worked as teachers and/or music trainers. Several processes about musical learning were identified, which do not occur isolated and fixed, but in a dynamic and interconnected way, also in relation with other formative instances. It was possible to describe: the process of learning, which occurred in practice (to learn while doing); learning in group; self learning; learning in courses, rechearsals and church festivals. About the teaching and performance, it was possible to analyze conceptions of being a Church musician, the differences between the paid professional and the volunteer; and about being a teacher and/or trainer, highlighting questions related to disclosure and recruitment of pupils, class locations, and selection of didactic activities. This research contributes to the reflection about how these processes of musical education occur in the Catholic Church, thus increasing how to see learning and teaching music.
Cataylo, Vilma May Chavez. „Musical works built on the native language to bring about musical knowledge and cultural development /“. Access Digital Full Text version, 1986. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10624090.
Der volle Inhalt der QuelleTypescript; issued also on microfilm. Sponsor: Harold F. Abeles. Dissertation Committee: Lenore Pogonowski. Bibliography: leaves 291-295.
Stone, Justin. „The changing fortunes of the organ: the viewpoints of church organists in the Anglican churches of Port Elizabeth“. Thesis, Nelson Mandela University, 2017. http://hdl.handle.net/10948/23502.
Der volle Inhalt der QuelleBeal, John C. „An introduction to the musical octoechos of the Georgian Orthodox Church“. Online full text .pdf document, available to Fuller patrons only, 2001. http://www.tren.com.
Der volle Inhalt der QuellePalionis, Solveiga. „Formation of pastoral musicians in Lithuania pastoral project : intensive one week summer course /“. Theological Research Exchange Network (TREN) Theological Research Exchange Network (TREN) Access this title online, 2006. http://www.tren.com.
Der volle Inhalt der QuelleBücher zum Thema "Church musician"
Westermeyer, Paul. The church musician. San Francisco: Harper & Row, 1988.
Den vollen Inhalt der Quelle findenWestermeyer, Paul. The church musician. Minneapolis: Augsburg Fortress, 1997.
Den vollen Inhalt der Quelle findenSouthern Baptist Convention. Sunday School Board. The Church musician today. Nashville, Tenn: Sunday School Board of the Southern Baptist Convention., 1997.
Den vollen Inhalt der Quelle findenMusic, David W. William J. Reynolds: Church musician. Macon, GA: Smyth & Helwys Publishing, 2013.
Den vollen Inhalt der Quelle findenCave, Donald. Percy Jones: Priest, musician, teacher. Melbourne: Melbourne University Press, 1988.
Den vollen Inhalt der Quelle findenGrindle, W. H. Reprise: An Irish church musician looks back. Belfast: Harry Grindle, 2009.
Den vollen Inhalt der Quelle findenVoshi, Lois A. Martin Luther, reformer and musician. Silver Spring, Md: Shazco, 1988.
Den vollen Inhalt der Quelle findenCommission, Episcopal Church Diocese of Connecticut Music. When a church calls a musician: A handbook for parish churches and pastoral musicians. 2. Aufl. Hartford, CT (1335 Asylum Ave., Hartford 06105-2295): Music Commission, the Episcopal Diocese of Connecticut, 1992.
Den vollen Inhalt der Quelle findenEpiscopal Church. Diocese of Connecticut. Music Commission. When a church calls a musician: A handbook for parish churches and pastoral musicians. 3. Aufl. Hartford, CT: Music Commission, the Episcopal Diocese of Connecticut, 1994.
Den vollen Inhalt der Quelle findenDakers, Lionel. Places where they sing: Memoirs of a church musician. Norwich: Canterbury Press, 1996.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Church musician"
McCarthy, Daniel, und Ralph Turek. „The Church Modes“. In Singing and Dictation for Today#x2019;s Musician, 7–11. New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780367814984-3.
Der volle Inhalt der QuelleClarke, Martin V. „Church musicians in nineteenth-century Durham“. In The Music Profession in Britain, 1780–1920, 90–109. Abingdon, Oxon ; New York, NY : Routledge, 2018. | Series: Music in nineteenth-century Britain: Routledge, 2018. http://dx.doi.org/10.4324/9781315265001-6.
Der volle Inhalt der QuelleHuynh, Tina A. „Musical Childhoods in the Church“. In Remembering Musical Childhoods in Vietnam, 115–35. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003363187-6.
Der volle Inhalt der QuelleŠárovcová, Martina. „Illuminated Musical Manuscripts in the Bohemian Reformation“. In Medieval Church Studies, 281–304. Turnhout: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.mcs-eb.5.110912.
Der volle Inhalt der QuelleKujumdzieva, Svetlana. „“Bulgarian” Chants in Musical Manuscripts Revisited“. In Studies on Eastern Orthodox Church Chant, 181–96. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003377238-19.
Der volle Inhalt der QuelleSteward, Theresa Parvin. „A Muslim in a Baptist Church“. In The Routledge Companion to Women and Musical Leadership, 509–19. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003024767-41.
Der volle Inhalt der QuelleKujumdzieva, Svetlana. „Indications of Musical Performance From the Fifteenth Century“. In Studies on Eastern Orthodox Church Chant, 171–80. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003377238-18.
Der volle Inhalt der QuelleKüster, Konrad. „Protestant Church Cantata: Poetical and Musical Challenges Around 1700“. In Anthropological Reformations - Anthropology in the Era of Reformation, 341–48. Göttingen: Vandenhoeck & Ruprecht, 2015. http://dx.doi.org/10.13109/9783666550584.341.
Der volle Inhalt der QuelleSENN, FRANK C. „The Pastor and the Church Musician“. In Thine the Amen, 241–58. 1517 Media, 2020. http://dx.doi.org/10.2307/j.ctvzcz3q4.17.
Der volle Inhalt der Quelle„The Pastor and the Church Musician:“. In Singing the Church's Song, 89–98. 1517 Media, 2020. http://dx.doi.org/10.2307/j.ctvzcz4kn.11.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Church musician"
CHIRCEV, Elena. „Reflection of the Other in the Byzantinologist Gheorghe C. Ionescu’s Lexicographic Pursuits“. In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0002.
Der volle Inhalt der QuelleGomes, Cláudio, Josue Da Silva, Marco Leal und Thiago Nascimento. „3A: mAchine learning Algorithm Applied to emotions in melodies“. In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10450.
Der volle Inhalt der QuelleAntić, Vladimir. „KARAKTERISTIKE SRPSKOG BOGOSLUŽENjA I POJANjA NA POČETKU XIV VEKA PREMA NIKODIMOVOM TIPIKU“. In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.287a.
Der volle Inhalt der QuelleAyres, José Eduardo, Pedro Arthur, Vitor Rolla und Luiz Velho. „Procedural Music in Games“. In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10462.
Der volle Inhalt der QuelleKarelina, Inna B., und Karina A. Smirnova. „Stimulation of speech development in young children with delayed speech development“. In Специальное образование: методология, практика, исследования. Yaroslavl state pedagogical university named after К. D. Ushinsky, 2021. http://dx.doi.org/10.20323/978-5-00089-532-0-2021-261-266.
Der volle Inhalt der QuellePurba, Berehme, Lidya Kandowangko, Siguti Sianipar und Erwin Sianturi. „The Transformation of Hymn Song in Local Church: a Study of Musical Style in Manado“. In Proceedings of the First International Conference on Christian and Inter Religious Studies, ICCIRS 2019, December 11-14 2019, Manado, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.11-12-2019.2302108.
Der volle Inhalt der QuelleRašković, Ana. „SLUŽBA SVETOM KRALjU STEFANU MILUTINU U RUSKIM BOGOSLUŽBENIM RUKOPISIMA XVI–XIX VEKA“. In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.319r.
Der volle Inhalt der QuelleSzymanska-Stulka, Katarzyna. „SPACE PERFORMS FOR SACRED AMONG MUSIC AND ARCHITECTURE. THE CASE OF STABAT MATER??S MOTIF IN POLISH CONTEMPORARY MUSICAL WORKS BY PAWEL LUKASZEWSKI AND IGNACY ZALEWSKI“. In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/vs08.09.
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