Zeitschriftenartikel zum Thema „Church music South Australia“
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Southcott, Jane. „Curriculum Stasis: Gratton in South Australia“. Research Studies in Music Education 14, Nr. 1 (Juni 2000): 50–60. http://dx.doi.org/10.1177/1321103x0001400105.
Koepping, Elizabeth. „Spousal Violence among Christians: Taiwan, South Australia and Ghana“. Studies in World Christianity 19, Nr. 3 (Dezember 2013): 252–70. http://dx.doi.org/10.3366/swc.2013.0060.
김은성. „Reformation of Church Music in South Korea: The Reformation and Music for Worship“. Korea Presbyterian Journal of Theology 49, Nr. 1 (März 2017): 93–114. http://dx.doi.org/10.15757/kpjt.2017.49.1.004.
English, Helen Jane, Sarah Monk und Jane W. Davidson. „Music and world-building in Newcastle, New South Wales, Australia“. International Journal of Community Music 11, Nr. 3 (01.12.2018): 245–64. http://dx.doi.org/10.1386/ijcm.11.3.245_1.
Lydon, Jane, und Sari Braithwaite. „Photographing “the Nucleus of the Native Church” at Poonindie Mission, South Australia“. Photography and Culture 8, Nr. 1 (März 2015): 37–57. http://dx.doi.org/10.2752/175145215x14244337011126.
Pitman, Julia. „Feminist Public Theology in the Uniting Church in Australia“. International Journal of Public Theology 5, Nr. 2 (2011): 143–64. http://dx.doi.org/10.1163/156973211x562741.
Moyle, Richard M., und Catherine J. Ellis. „Aboriginal Music: Education for Living. Cross-Cultural Experiences from South Australia“. Ethnomusicology 31, Nr. 1 (1987): 155. http://dx.doi.org/10.2307/852307.
Wild, Stephen A. „Aboriginal music: Education for living. Cross-cultural experiences from South Australia“. Musicology Australia 9, Nr. 1 (Januar 1986): 66–69. http://dx.doi.org/10.1080/08145857.1986.10415166.
Parker, Murray, und Dirk H. R. Spennemann. „Contemporary Sound Practices: Church Bells and Bell Ringing in New South Wales, Australia“. Heritage 4, Nr. 3 (12.08.2021): 1754–72. http://dx.doi.org/10.3390/heritage4030098.
Zweck, Dean. „A Fruitful Dialogue between Lutherans and Catholics in the South Land of the Holy Spirit“. Review of Ecumenical Studies Sibiu 8, Nr. 2 (01.08.2016): 206–18. http://dx.doi.org/10.1515/ress-2016-0017.
Kaye, Bruce N. „The Baggage of William Grant Broughton: The First Bishop of Australia as Hanoverian High Churchman“. Pacifica: Australasian Theological Studies 8, Nr. 3 (Oktober 1995): 291–314. http://dx.doi.org/10.1177/1030570x9500800303.
Jorritsma, Marie. „The Significance of Small Journeys: Travel and the Congregational Music of Kroonvale, South Africa“. Nineteenth-Century Music Review 16, Nr. 02 (27.07.2018): 229–47. http://dx.doi.org/10.1017/s1479409817000672.
Iskhakova, Saida Z. „Eastern and Western Influences in the Cantus Publicus Tradition of the 12th and 13th Centuries“. Observatory of Culture, Nr. 5 (28.10.2014): 66–72. http://dx.doi.org/10.25281/2072-3156-2014-0-5-66-72.
Southcott, Jane. „The Singing By-Ways: Origins of Class Music Education in South Australia“. Journal of Historical Research in Music Education 25, Nr. 2 (April 2004): 116–27. http://dx.doi.org/10.1177/153660060402500205.
Edwards, William H. „The Church and Indigenous Land Rights: Pitjantjatjara Land Rights in Australia“. Missiology: An International Review 14, Nr. 4 (Oktober 1986): 473–86. http://dx.doi.org/10.1177/009182968601400406.
Roberts, Rosie, und Sam Whiting. „The impact of COVID-19 on music venues in regional South Australia: A case study“. Perfect Beat 21, Nr. 1 (27.08.2021): 25–32. http://dx.doi.org/10.1558/prbt.19334.
Southcott, Jane. „The Establishment of the Music Curiculum in South Australia: The Role of Alexander Clark“. Research Studies in Music Education 5, Nr. 1 (Dezember 1995): 1–10. http://dx.doi.org/10.1177/1321103x9500500101.
Baker, Sarah. „Young People and Community Radio in the Northern Region of Adelaide, South Australia“. Popular Music and Society 30, Nr. 5 (Dezember 2007): 575–90. http://dx.doi.org/10.1080/03007760600835389.
Lebaka, Morakeng Edward Kenneth. „Integration of Vocal Music, Dance and Instrumental Playing in St Matthews Apostolic Church: Maphopha Congregation“. European Journal of Interdisciplinary Studies 4, Nr. 2 (24.07.2018): 34. http://dx.doi.org/10.26417/ejis.v4i2.p34-44.
Kaye, Bruce. „From a Colonial Chaplaincy to Responsible Governance: The Anglican Church of Australia and Its Ecclesiological Challenge“. Ecclesiastical Law Journal 23, Nr. 1 (Januar 2021): 34–49. http://dx.doi.org/10.1017/s0956618x20000666.
Burley, Stephanie. „Past Principals: “The Public Pervasive Presence of Powerful Women in the Church” in South Australia, 1880–1925“. Paedagogica Historica 35, sup1 (Januar 1999): 339–52. http://dx.doi.org/10.1080/00309230.1999.11434948.
Liew, Kai Khiun, und Angela Lee. „K-pop boot camps in choreographic co-creative labor“. Global Media and China 5, Nr. 4 (Dezember 2020): 372–88. http://dx.doi.org/10.1177/2059436420974935.
Coaldrake, Kimi. „Engaging History and Negotiating National Identity with Miki'sConcerto Requiem(1981) at the 18th Biennial Festival of Arts in Adelaide, South Australia“. Musicology Australia 35, Nr. 1 (Juli 2013): 66–85. http://dx.doi.org/10.1080/08145857.2013.761100.
Said, Shannon. „White Pop, Shiny Armour and a Sling and Stone: Indigenous Expressions of Contemporary Congregational Song Exploring Christian-Māori Identity“. Religions 12, Nr. 2 (16.02.2021): 123. http://dx.doi.org/10.3390/rel12020123.
Joseph, Dawn. „Tertiary educators’ voices in Australia and South Africa: Experiencing and engaging in African music and culture“. International Journal of Music Education 33, Nr. 3 (17.01.2014): 290–303. http://dx.doi.org/10.1177/0255761413516063.
Ballantine, Christopher. „Concert and Dance: the foundations of black jazz in South Africa between the twenties and the early forties“. Popular Music 10, Nr. 2 (Mai 1991): 121–45. http://dx.doi.org/10.1017/s0261143000004475.
Hatoss, Anikó. „Language, faith and identity“. Australian Review of Applied Linguistics 35, Nr. 1 (01.01.2012): 94–112. http://dx.doi.org/10.1075/aral.35.1.05hat.
Martin, Toby. „Dougie Young and political resistance in early Aboriginal country music“. Popular Music 38, Nr. 03 (Oktober 2019): 538–59. http://dx.doi.org/10.1017/s0261143019000291.
Phillips, Stephen. „Aversive behaviour by koalas (Phascolarctos cinereus) during the course of a music festival in northern New South Wales, Australia“. Australian Mammalogy 38, Nr. 2 (2016): 158. http://dx.doi.org/10.1071/am15006.
Parker, Murray, und Dirk H. R. Spennemann. „For Whom the Bell Tolls: Practitioners’ Views on Bell-Ringing Practice in Contemporary Society in New South Wales (Australia)“. Religions 11, Nr. 8 (17.08.2020): 425. http://dx.doi.org/10.3390/rel11080425.
Kealiinohomoku, Joann W., und Alice Marshall Moyle. „Music and Dance of Aboriginal Australia and the South Pacific: The Effects of Documentation on the Living Tradition“. Ethnomusicology 39, Nr. 2 (1995): 277. http://dx.doi.org/10.2307/924430.
Chavin, M. „Bright, R. (1991). Music in Geriatric Care: A Second Look. New South Wales, Australia: Music Therapy Enterprises. 135 pages. ISBN 0-646-04685-3“. Music Therapy Perspectives 12, Nr. 2 (01.01.1994): 136. http://dx.doi.org/10.1093/mtp/12.2.136-a.
Cain, Melissa, Lauren Istvandity und Ali Lakhani. „Participatory music-making and well-being within immigrant cultural practice: exploratory case studies in South East Queensland, Australia“. Leisure Studies 39, Nr. 1 (21.02.2019): 68–82. http://dx.doi.org/10.1080/02614367.2019.1581248.
Gummow, Margaret. „Music and dance of Aboriginal Australia and the South Pacific: The effect of documentation on the living tradition“. Musicology Australia 19, Nr. 1 (Januar 1996): 79–81. http://dx.doi.org/10.1080/08145857.1996.10416549.
Foster, Neil. „The Bathurst Diocese Decision in Australia and its Implications for the Civil Liability of Churches“. Ecclesiastical Law Journal 19, Nr. 01 (20.12.2016): 14–34. http://dx.doi.org/10.1017/s0956618x1600106x.
Ward, James C. „The Lord Will Make a Way Somehow: Strategies for Cross-Cultural Music and Worship“. Review & Expositor 109, Nr. 1 (Februar 2012): 39–50. http://dx.doi.org/10.1177/003463731210900106.
Knight, Frances. „Anglican Worship in Late Nineteenth-Century Wales: a Montgomeryshire Case Study“. Studies in Church History 35 (1999): 408–18. http://dx.doi.org/10.1017/s0424208400014170.
Baker, Sarah, und Alison Huber. „Locating the canon in Tamworth: historical narratives, cultural memory and Australia's ‘Country Music Capital’“. Popular Music 32, Nr. 2 (Mai 2013): 223–40. http://dx.doi.org/10.1017/s0261143013000081.
Dimopoulos-Bick, Tara, Kim E. Clowes, Katie Conciatore, Maggie Haertsch, Raj Verma und Jean-Frederic Levesque. „Barriers and facilitators to implementing playlists as a novel personalised music intervention in public healthcare settings in New South Wales, Australia“. Australian Journal of Primary Health 25, Nr. 1 (2019): 31. http://dx.doi.org/10.1071/py18084.
Bowers, Roger. „Aristocratic and Popular Piety in the Patronage of Music in the Fifteenth-century Netherlands“. Studies in Church History 28 (1992): 195–224. http://dx.doi.org/10.1017/s0424208400012456.
Stephens, Randall J. „“Where else did they copy their styles but from church groups?”: Rock ‘n’ Roll and Pentecostalism in the 1950s South“. Church History 85, Nr. 1 (29.02.2016): 97–131. http://dx.doi.org/10.1017/s0009640715001365.
Czeglédy, André. „A New Christianity for a New South Africa: Charismatic Christians and the Post-Apartheid Order“. Journal of Religion in Africa 38, Nr. 3 (2008): 284–311. http://dx.doi.org/10.1163/157006608x323504.
Parker, Murray, und Dirk HR Spennemann. „Anthropause on audio: The effects of the COVID-19 pandemic on church bell ringing and associated soundscapes in New South Wales (Australia)“. Journal of the Acoustical Society of America 148, Nr. 5 (November 2020): 3102–6. http://dx.doi.org/10.1121/10.0002451.
Shelemay, Kay Kaufman, Peter Jeffery und Ingrid Monson. „Oral and written transmission in Ethiopian Christian chant“. Early Music History 12 (Januar 1993): 55–117. http://dx.doi.org/10.1017/s0261127900000140.
Bennett, Cary. „Challenges facing regional live music venues: A case study of venues in Armidale, NSW“. Popular Music 39, Nr. 3-4 (Dezember 2020): 600–618. http://dx.doi.org/10.1017/s0261143020000483.
Saucier, Catherine. „Johannes Brassart’s Summus secretarius“. Journal of Musicology 34, Nr. 2 (2017): 149–81. http://dx.doi.org/10.1525/jm.2017.34.02.149.
Veblen, Kari K., Nathan B. Kruse, Stephen J. Messenger und Meredith Letain. „Children’s clapping games on the virtual playground“. International Journal of Music Education 36, Nr. 4 (14.05.2018): 547–59. http://dx.doi.org/10.1177/0255761418772865.
Stevens, Robin S. „Pathfinder and Role Model: Ada Bloxham, Australian Vocalist and Tonic Sol-fa Teacher“. Journal of Historical Research in Music Education 39, Nr. 2 (18.01.2017): 131–47. http://dx.doi.org/10.1177/1536600616669360.
Young, Marisa. „From T.T. Reed’s Colonial Gentlemen to Trove: Rediscovering Anglican Clergymen in Australia’s Colonial Newspapers“. ANZTLA EJournal, Nr. 11 (19.04.2015): 74–88. http://dx.doi.org/10.31046/anztla.vi11.268.
Stevens, Kate, Gary McPherson und Denis Burnham. „7 th International Conference on Music Perception & Cognition (ICMPC7), July 17 —21, 2002, University of New South Wales, Sydney, Australia“. Research Studies in Music Education 16, Nr. 1 (Juni 2001): 73–74. http://dx.doi.org/10.1177/1321103x010160010101.