Zeitschriftenartikel zum Thema „Church Music Society“
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Călin Boba, Adrian. „CHURCH CHORAL SINGING IN HISTORICAL BANAT“. ИСХОДИШТА 9, Nr. 1 (05.07.2023): 27–35. http://dx.doi.org/10.46630/ish.9.2023.2.
Der volle Inhalt der QuelleAkande, Sunday. „Engaging the Efficacy of Nigerian Popular Gospel Music and Pentecostalism for Nigerian Church Growth“. NIU Journal of Humanities 8, Nr. 4 (31.12.2023): 209–15. http://dx.doi.org/10.58709/niujhu.v8i4.1745.
Der volle Inhalt der QuelleDevalve, John R. „Gobal and Local: Worship Music and the ‘Logophonic’ Principle, or Lessons from the Songhai“. Transformation: An International Journal of Holistic Mission Studies 36, Nr. 4 (10.09.2019): 219–32. http://dx.doi.org/10.1177/0265378819867835.
Der volle Inhalt der QuelleChircev, Elena. „The Influence of Political Regimes on Romanian Psaltic Music in the Second Half of the 20thCentury“. Musicology Papers 35, Nr. 1 (01.11.2020): 7–34. http://dx.doi.org/10.47809/mp.2020.35.01.01.
Der volle Inhalt der QuelleBarrett, Richard. „The International Society for Orthodox Church Music 2015: A Travel Essay“. Review of Ecumenical Studies Sibiu 7, Nr. 3 (01.12.2015): 476–78. http://dx.doi.org/10.1515/ress-2015-0037.
Der volle Inhalt der QuelleChircev, Elena. „Romanian Music of Byzantine Tradition Between 1918 and 2018“. Artes. Journal of Musicology 19, Nr. 1 (01.03.2019): 124–49. http://dx.doi.org/10.2478/ajm-2019-0007.
Der volle Inhalt der QuelleBisu, Luka Markus. „Secular Music and Psycho-Spiritual Wellbeing: A Case of Youths, St. John The Evangelist Catholic Parish Karen, Nairobi-Kenya“. International Journal of Research and Innovation in Social Science VII, Nr. VI (2023): 277–88. http://dx.doi.org/10.47772/ijriss.2023.7620.
Der volle Inhalt der QuelleChircev, Elena. „Romanian musical creation of Bizantine source in the period 1918–2018“. Arta 30, Nr. 2 (Dezember 2021): 22–31. http://dx.doi.org/10.52603/arta.2021.30-2.03.
Der volle Inhalt der QuelleGETMAN, JESSICA L. „A Series on the Edge: Social Tension in Star Trek's Title Cue—ADDENDUM“. Journal of the Society for American Music 9, Nr. 4 (November 2015): 522. http://dx.doi.org/10.1017/s1752196315000486.
Der volle Inhalt der QuelleUS, M. „THE ACTIVITIES OF THE HOLY FATHERS IN ESTABLISHING THE SPIRITUAL TRADITIONS OF ORTHODOX SINGING“. Pedagogical Sciences, Nr. 82 (28.12.2023): 122–25. http://dx.doi.org/10.33989/2524-2474.2023.82.295114.
Der volle Inhalt der QuelleNikulina, A. A. „Women in Church Choirs: Discussion in the Periodical Press of the Turn of the 20th Century“. Art & Culture Studies, Nr. 4 (Dezember 2022): 458–83. http://dx.doi.org/10.51678/2226-0072-2022-4-458-483.
Der volle Inhalt der QuellePerkovic-Radak, Ivana. „′Education is our daily bread′: Church polyphony, educational processes and the Serbian national identity between 1830 and 1914“. Muzikologija, Nr. 7 (2007): 199–216. http://dx.doi.org/10.2298/muz0707199p.
Der volle Inhalt der QuelleWilliams, Kesha Morant, und Omotayo O. Banjo. „Fight the Power: Lecrae - a New Evangelical Archetype“. Journal of Communication and Religion 41, Nr. 1 (2018): 61–76. http://dx.doi.org/10.5840/jcr20184116.
Der volle Inhalt der QuelleGlushkova, Olga R. „Features of Formation and Development of the Educational System Activities of the Moscow Conservatory from the Time of Its Foundation to the Turn of the XIX and XX Centuries“. Musical Art and Education 8, Nr. 1 (2020): 131–48. http://dx.doi.org/10.31862/2309-1428-2020-8-1-131-148.
Der volle Inhalt der QuelleLeonhardmair, Teresa. „Leiturgía – Ort der musiké: Plädoyer für eine Perspektive auf Kirchen-Musik als heteromodales Ereignis“. Review of Ecumenical Studies Sibiu 7, Nr. 3 (01.12.2015): 422–40. http://dx.doi.org/10.1515/ress-2015-0031.
Der volle Inhalt der QuelleGribenski, Fanny. „Powerful Sounds for Troubled Times“. Journal of Musicology 41, Nr. 1 (01.01.2024): 41–72. http://dx.doi.org/10.1525/jm.2024.41.1.41.
Der volle Inhalt der QuelleThomson, Andrew. „Right hand up, left hand down: The New Satanists of rock n’ roll, evil and the underground war on the abject“. Metal Music Studies 7, Nr. 1 (01.03.2021): 43–60. http://dx.doi.org/10.1386/mms_00031_1.
Der volle Inhalt der QuelleGlushkova, Olga. „V. M. Metallov — priest, scholar, educationalist“. St. Tikhons' University Review. Series V. Christian Art 53 (29.03.2024): 133–58. http://dx.doi.org/10.15382/sturv202453.133-158.
Der volle Inhalt der QuelleShears, Barry. „Patriarchs, Pipers and Presidents: Gaelic Immigrant Funerary Customs and Music in North America“. Genealogy 4, Nr. 2 (04.06.2020): 63. http://dx.doi.org/10.3390/genealogy4020063.
Der volle Inhalt der QuelleWard, James C. „The Lord Will Make a Way Somehow: Strategies for Cross-Cultural Music and Worship“. Review & Expositor 109, Nr. 1 (Februar 2012): 39–50. http://dx.doi.org/10.1177/003463731210900106.
Der volle Inhalt der QuelleBiba, Otto. „Liebe und Tugend : Musik als eine moralische Institution“. Musicologica Brunensia, Nr. 1 (2023): 5–18. http://dx.doi.org/10.5817/mb2023-1-1.
Der volle Inhalt der QuelleDanyliuk, Mykola, und Yana Danyliuk. „ACTIVITIES OF MUSIC EDUCATION CENTERS IN SLOBOZHANSHCHYNA IN THE CONTEXT OF CULTURAL AND EDUCATIONAL DEVELOPMENT OF THE REGION (the second half of the 19th – early 20th century)“. Aspects of Historical Musicology 22, Nr. 22 (02.03.2021): 54–71. http://dx.doi.org/10.34064/khnum2-22.03.
Der volle Inhalt der QuelleBergin (book author), Joseph, und Mark Crane (review author). „Church, Society and Religious Change in France 1580–1730“. Renaissance and Reformation 34, Nr. 3 (26.07.2012): 207–9. http://dx.doi.org/10.33137/rr.v34i3.17028.
Der volle Inhalt der QuelleVrzal, Miroslav. „Against the devil’s metal: Christian public discursive strategies against metal concerts and festivals in Czechia and Slovakia“. Metal Music Studies 8, Nr. 2 (01.06.2022): 245–68. http://dx.doi.org/10.1386/mms_00077_1.
Der volle Inhalt der QuelleRugwiji, Temba T. „REREADING TEXTS OF MUSIC AND DANCE IN THE HEBREW BIBLE: THE SPIRITUALITY OF MUSIC AND DANCE IN ZIMBABWE“. Journal for Semitics 25, Nr. 1 (09.05.2017): 72–98. http://dx.doi.org/10.25159/1013-8471/2527.
Der volle Inhalt der QuelleBertash, Alexander V. „A. Poleshchuk: Creative Biography of the Russian-Estonian Architect and a Retrospective Direction in Russian Church Architecture of the Early 20th Century“. Vestnik of Saint Petersburg University. Arts 12, Nr. 4 (2022): 647–65. http://dx.doi.org/10.21638/spbu15.2022.405.
Der volle Inhalt der QuelleEmelianova, Olga. „Congregational singing in St. Petersburg diocese at the turn of the 19–20th centuries“. St. Tikhons' University Review. Series V. Christian Art 46 (30.06.2022): 74–89. http://dx.doi.org/10.15382/sturv202246.74-89.
Der volle Inhalt der QuelleNex, Jenny, und Lance Whitehead. „A Copy of Ferdinand Weber's Account Book“. Royal Musical Association Research Chronicle 33 (2000): 89–150. http://dx.doi.org/10.1080/14723808.2000.10540991.
Der volle Inhalt der QuelleWathey, Andrew. „PHILIPPE DE VITRY, BISHOP OF MEAUX“. Early Music History 38 (11.09.2019): 215–68. http://dx.doi.org/10.1017/s0261127919000019.
Der volle Inhalt der QuelleLaube, Matthew. „‘The Harmony of One Choir’? Music and Social Unity in Reformation Heidelberg*“. Past & Present 248, Nr. 1 (29.07.2020): 41–86. http://dx.doi.org/10.1093/pastj/gtz059.
Der volle Inhalt der QuelleClark, Gregory. „The Agrarian History of England and Wales. Volume VII, 1850–1914. Edited by E. J. T. Collins. Cambridge: Cambridge University Press, 2000. Pp. xl, 2277. $295.00.“ Journal of Economic History 61, Nr. 4 (Dezember 2001): 1110–11. http://dx.doi.org/10.1017/s0022050701005563.
Der volle Inhalt der QuelleRyabokin, Alina. „THE ESTABLISHMENT OF THE PROFESSIONAL CHRISTIAN MUSIC IN THE EARLY MEDIEVAL TIME“. EUREKA: Social and Humanities 3 (31.05.2020): 36–40. http://dx.doi.org/10.21303/2504-5571.2020.001319.
Der volle Inhalt der QuelleAnufrieva, N. I., und T. A. Lomakina. „Avant-Garde Appearance of Russian Folklore in the Vocal and Instrumental Works of Composers of the Second Half of the ХХth Century“. Uchenye Zapiski RGSU 19, Nr. 3 (30.09.2020): 137–44. http://dx.doi.org/10.17922/2071-5323-2020-19-3-137-144.
Der volle Inhalt der QuelleHodgkins (book author), Christopher, und Mary Arshagouni Papazian (review author). „Authority, Church, and Society in George Herbert: Return to the Middle Way“. Renaissance and Reformation 31, Nr. 2 (23.01.2009): 75–77. http://dx.doi.org/10.33137/rr.v31i2.11614.
Der volle Inhalt der QuelleThompson, Brian C. „Opera Production and Civic Musical Life in 1870s Montreal“. Nineteenth-Century Music Review 11, Nr. 2 (Dezember 2014): 219–38. http://dx.doi.org/10.1017/s1479409814000354.
Der volle Inhalt der QuelleCzeglédy, André. „A New Christianity for a New South Africa: Charismatic Christians and the Post-Apartheid Order“. Journal of Religion in Africa 38, Nr. 3 (2008): 284–311. http://dx.doi.org/10.1163/157006608x323504.
Der volle Inhalt der QuelleRakityanska, Liudmyla. „THE HISTORY OF WORLD MUSIC ART WITHIN THE CONTEXT OF RELATIONSHIP BETWEEN THE EMOTIONAL AND THE RATIONAL“. Osvitolohiya, Nr. 9 (2020): 21–28. http://dx.doi.org/10.28925/2226-3012.2020.9.3.
Der volle Inhalt der QuelleZhuk, Sergei I. „Popular Religiosity in the “Closed City” of Soviet Ukraine: Cultural Consumption and Religion during Late Socialism, 1959-1984“. Russian History 40, Nr. 2 (2013): 183–200. http://dx.doi.org/10.1163/18763316-04002003.
Der volle Inhalt der QuelleЗверева, С. Г. „Sacred Music in the USSR and the Russia Abroad in the 1920s and 1930s“. Научный вестник Московской консерватории, Nr. 4(31) (21.12.2017): 178–99. http://dx.doi.org/10.26176/mosconsv.2017.31.4.07.
Der volle Inhalt der QuelleЖуковская, Е. Е. „Training Church's Pastors for Life: Informations Mission of Church in Next Years. Problems and Prospects of Studying Media Software in Spiritual Schools“. Праксис, Nr. 1(6) (15.06.2021): 106–15. http://dx.doi.org/10.31802/praxis.2021.6.1.008.
Der volle Inhalt der QuelleCashner, Andrew A. „Imitating Africans, Listening for Angels“. Journal of Musicology 38, Nr. 2 (2021): 141–82. http://dx.doi.org/10.1525/jm.2021.38.2.141.
Der volle Inhalt der QuellePshenychnyi, T. „UKRAINIANIZATION OF THE LITURGICAL LIFE IN 1917–1918“. Bulletin of Taras Shevchenko National University of Kyiv. History, Nr. 146 (2020): 63–67. http://dx.doi.org/10.17721/1728-2640.2020.146.11.
Der volle Inhalt der QuelleYu, Feng, Qiming Zhang und Pham Minh Thuy. „A Study of the styles and characteristics of basic music theory textbooks in China in the past 100 years“. Trans/Form/Ação 46, spe (2023): 117–44. http://dx.doi.org/10.1590/0101-3173.2023.v46esp.p117.
Der volle Inhalt der QuelleYip, Jeaney, und Susan Ainsworth. „You need ‘help for the journey’: Freedom and regulation in a ‘market-friendly’ megachurch“. Marketing Theory 20, Nr. 1 (19.06.2019): 103–21. http://dx.doi.org/10.1177/1470593119856654.
Der volle Inhalt der QuelleDubrovnyi, T. M. „To sources of polysematics Kitch (on the example of the “spiritual song” of the XVII–XVIII centuries)“. Culture of Ukraine, Nr. 75 (21.03.2022): 78–84. http://dx.doi.org/10.31516/2410-5325.075.10.
Der volle Inhalt der QuelleBoskovic, Dusan. „On enlightenment and taste: Outline of a research topic“. Filozofija i drustvo 18, Nr. 3 (2007): 271–81. http://dx.doi.org/10.2298/fid0703271b.
Der volle Inhalt der QuelleBurtsev, Mуkyta. „Christian images in chamber vocal music of Western Europe of the 19–20th centuries“. Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 66, Nr. 66 (09.04.2023): 27–41. http://dx.doi.org/10.34064/khnum1-66.02.
Der volle Inhalt der QuelleArkhipova, N. E. „John Damascus’s Church-Singing Brotherhood in Nizhny Novgorod at Beginning of 20th Century“. Nauchnyi dialog, Nr. 6 (24.06.2021): 302–16. http://dx.doi.org/10.24224/2227-1295-2021-6-302-316.
Der volle Inhalt der QuelleKrauciuc, Ioan George. „History and Traditions of the Orthodox Ukrainian Community in Maramureș“. Roczniki Teologiczne 68, Nr. 7 (27.09.2021): 107–27. http://dx.doi.org/10.18290/rt21687-7.
Der volle Inhalt der QuelleAkatrini, V. „“VIENNESE” CREATIVE PERIOD IN THE EUSEBIUS MANDYCZEWSKI’S BIOGRAPHY“. Aesthetics and Ethics of Pedagogical Action, Nr. 26 (25.12.2022): 116–29. http://dx.doi.org/10.33989/2226-4051.2022.26.273126.
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