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Bücher zum Thema „Church Music Society“

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Autor: Grafiati
Veröffentlicht am 25. Juli 2024
Zuletzt aktualisiert am 26. Juli 2024

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1

Kristanto, Billy. The place of music in the church and in society. Singapore: Sower Publishers, 2018.

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2

Susan, Rankin, Hiley David und Plainsong and Mediaeval Music Society (Great Britain), Hrsg. Music in the medieval English liturgy: Plainsong & Mediaeval Music Society centennial essays. Oxford [England]: Clarendon Press, 1993.

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3

Daly, Kieran Anthony. Catholic church music in Ireland, 1878-1903: The Cecilian reform movement. Blackrock, Co. Dublin, Ireland: Four Courts Press, 1995.

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4

Daly, Kieran Anthony. Catholic Church music in Ireland, 1878-1903 [i.e. 1923]: The Cecilian reform movement. Blackrock, Co. Dublin: Four Courts Press, 1993.

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5

Mendelssohn-Bartholdy, Felix. Toronto Philharmonic Society: Music Hall, Wednesday and Thursday evenings, April 29th & 30th, 1874 : Elijah, an oratorio, the English version by W. Bartholomew, the music composed by Dr. Felix Mendelssohn Bartholdy .. [Toronto?: s.n., 1987.

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6

Kevorkian, Tanya. Baroque piety: Religion, society, and music in Leipzig, 1650-1750. Aldershot: Ashgate, 2007.

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7

Ceciliae, Societas Universalis Sanctae. Catalogo delle edizioni musicali (1947-1975). Trento: Provincia autonoma di Trento, Servizio beni culturali, 1989.

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8

Marleen, Hengelaar-Rookmaaker, Hrsg. Modern art and the death of a culture. Carlisle, U.K: Piquant, 2002.

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9

Modern art and the death of a culture. Wheaton, Ill: Crossway Books, 1994.

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10

Kim, Chun-bae. Ilbon munhŏn sok ŭi Yi Sun-sin p'yosang: The image of Yi Sun-sin in Japanese literature. 8. Aufl. Sŏul: Minsogwŏn, 2022.

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11

Hanʼguk kwa Ilbon: Sangho insik ŭi yŏksa wa mirae. Sŏul-si: Sallim Chʻulpʻansa, 2005.

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12

Rogal, Samuel J. The educational and evangelical missions of Mary Emilie Holmes (1850-1906): "not to seem, but to be". Lewiston: E. Mellen Press, 1994.

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13

Requiem (Church Music Society). Oxford University Press, 2006.

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14

Cantantibus Organis (Church Music Society). Oxford University Press, 2002.

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15

Lyne, Richard. Ave Maria (Church Music Society). Oxford University Press, 1997.

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16

Vexilla Regis (Church Music Society Publications). Oxford University Press, 2007.

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17

(Editor), Keri John Dexter, und Geoffrey Webber (Editor), Hrsg. The Restoration Anthem (Church Music Society). Oxford University Press, 2004.

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18

(Editor), Keri John Dexter, und Geoffrey Webber (Editor), Hrsg. The Restoration Anthem (Church Music Society). Oxford University Press, 2007.

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19

Parnell, Wesley und Pearsall. Bread of Heaven (Church Music Society). Oxford University Press, 1998.

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20

Heilig, Heilig (Church Music Society Publications). Oxford University Press, 2007.

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21

Langley, Robin. In Exitu Israel (Church Music Society). Oxford University Press, 2005.

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22

Three Introit-anthems (Church Music Society). Oxford University Press, 1999.

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23

Jesu, Dulcis Memoria (Church Music Society). Oxford University Press, 1994.

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24

Ascension and Pentecost (Church Music Society Publications). Oxford University Press, 2007.

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25

Except the Lord Build the House (Church Music Society Publications). Oxford University Press, 2007.

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26

(Editor), Susan Rankin, und David Hiley (Editor), Hrsg. Music in the Medieval English Liturgy: Plainsong and Mediaeval Music Society Centennial Essays. Oxford University Press, USA, 1993.

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27

Studies of Baroque Music through Church Cantatas in Germany / by The Society for the Study of Baroque Music in Japan. Tokyo, Japan: Academia Music Ltd., c 1995., 2000.

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28

Kevorkian, Tanya. Baroque Piety: Religion, Society, and Music in Leipzig, 16501750. Ashgate, 2007.

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29

Kevorkian, Tanya. Baroque Piety: Religion, Society, and Music in Leipzig, 1650-1750. Taylor & Francis Group, 2016.

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30

Kevorkian, Tanya. Baroque Piety: Religion, Society, and Music in Leipzig, 1650-1750. Taylor & Francis Group, 2017.

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31

Kevorkian, Tanya. Baroque Piety: Religion, Society, and Music in Leipzig, 1650-1750. Taylor & Francis Group, 2017.

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32

Sing in the spirit: A book of Quaker songs. Birmingham [England]: Leaveners Press, 2005.

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33

Zeuner, Charles 1795-1857. American Harp: Being a Collection of New and Original Church Music, under the Control of the Musical Professional Society in Boston. Creative Media Partners, LLC, 2021.

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34

Sovik, E. A. Acoustics for Liturgy: A Collection of Articles of the Hymn Society in the U.S. and Canada (Meeting House Essays, No. 2). Liturgy Training Publications, 1992.

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35

Leach, Elizabeth Eva, und Helen Deeming, Hrsg. A Cultural History of Western Music in the Middle Ages. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350075542.

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A Cultural History of Western Music in the Middle Ages covers the period from 500 to 1400. This epoch recast earlier approaches to music to suit new musical forms developed under the auspices of the Christian Church. Political and religious change also prompted innovative forms of transmission for music of all kinds. The invention of new forms of notation, the emergence of novel instruments, and the establishment of educational structures all contributed to the systematic training of musicians and the creation of a distinct musical culture. The 6 volume set of the Cultural History of Western Music presents the first comprehensive history from classical antiquity to today, covering all forms and aspects of music and its ever-changing social context. The themes covered in each volume are society; philosophies; politics; exchange; education; popular culture; performance; and technologies.
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36

Boston Handel and Haydn Society (Mass ). Boston Handel and Haydn Society Collection of Church Music: Being a Selection of the Most Approved Psalm and Hymn Tunes, Anthems, Sentences, Chants, &c Together with Many Beautiful Extracts from the Works of Haydn, Mozart, Beethoven, and Other... Creative Media Partners, LLC, 2021.

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37

Mas Handel and Haydn Society (Boston und Lowell 1792-1872 Ed Mason. Boston Handel and Haydn Society Collection of Church Music: Being a Selection of the Most Approved Psalm and Hymn Tunes, Anthems, Sentences, Chants, &C. , Together with Many Beautiful Extracts from the Works of Haydn, Mozart, Beethoven, and Other... Creative Media Partners, LLC, 2021.

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38

Mass. ) Handel and Haydn Society (Boston und Lowell Mason. Boston Handel and Haydn Society Collection of Church Music : Being a Selection of the Most Approved Psalm and Hymn Tunes : Together with Many Beautiful Extracts from the Works of Haydn, Mozart, Beethoven, and Other Eminent Composers: Harmonized for T. Creative Media Partners, LLC, 2018.

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39

Mass. ) Handel and Haydn Society (Boston und Lowell Mason. Boston Handel and Haydn Society Collection of Church Music: Being a Selection of the Most Approved Psalm and Hymn Tunes, Anthems, Sentences, Chants, &C. , Together with Many Beautiful Extracts from the Works of Haydn, Mozart, Beethoven, and Other Emin. Creative Media Partners, LLC, 2018.

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40

Rice, Albert R. The Baroque Clarinet and Chalumeau. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190916695.001.0001.

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The second edition of The Baroque Clarinet (1992) is a history of the clarinet and chalumeau from antiquity to 1760 in six chapters: “Origins of the Chalumeau,” “Music for the Chalumeau,” “The Earliest Clarinets,” “Playing Techniques for the Baroque Clarinet,” “Music for the Baroque Clarinet,” and “Baroque Clarinet in Society.” There are five appendices: four checklists of extant chalumeaux, extant clarinets, chalumeau music and sources from 1694 to 1780, clarinet music and sources from about 1715 to 1760; and a fifth of chalumeau and clarinet concerts, rehearsals, and clarinets for purchase in newspaper advertisements from 1718 to 1760. The second edition has significant additions of makers, players, music, and iconography, that last in a chapter called “The Baroque Clarinet in Society.” Topics discussed include single-reed instruments in Egyptian antiquity and from the 10th through the 17th centuries; the mock trumpet; chalumeaux during the 17th and 18th centuries; Jacob Denner’s chalumeaux and clarinets; an organ pipe that sounds like a chalumeau; chalumeau players; chalumeau descriptions from the mid-18th century; later documented chalumeau makers; chalumeau reproductions; how and why Johann Christoph Denner improved the chalumeau and invented the clarinet, based on previous studies of mechanical inventions; chalumeau and clarinet music and composers; and the Baroque clarinet’s use by traveling musicians, in court and aristocratic music, church and civic music, and military music.
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41

Saint Joseph Edition of the New American Bible: Complete Narration With Music. Catholic Book Publishing Company, 1999.

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42

Preston, Katherine K. George Frederick Bristow. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043420.001.0001.

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George Frederick Bristow (1825-1898), a pillar of the nineteenth-century New York musical community, was educated, lived, and worked in New York for his entire life. A skilled performer (piano, organ, violin, conducting), he was a decades-long member of the Philharmonic Societies of New York and Brooklyn, and conducted the Harmonic Society, Mendelssohn Union, numerous church choirs, and pickup choral and instrumental ensembles organized for special events. He taught music privately and in the public school system. Bristow’s professional activities were those of a highly skilled urban journeyman musician--typical of many who worked in America during the period. Bristow was a steadfast and outspoken supporter of American composers throughout his career. This started in 1854 with his participation--along with William Henry Fry and editor Richard Storrs Willis--in a months-long journalistic battle that centered on the Philharmonic Society’s lack of support for American composers, an activity that has dominated his historical reputation. But he was also a prolific composer: of five symphonies, two oratorios, an opera, many secular and sacred choral pieces, chamber music, songs, and works for piano and organ. As a quiet and self-effacing individual, Bristow was not a self-promoter. But many of his contemporaries regarded him as a skilled performer, a generous colleague, and the most important American classical composer during much of the mid-century period.
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43

Akers, Donna L. Culture and Customs of the Choctaw Indians. ABC-CLIO, LLC, 2013. http://dx.doi.org/10.5040/9798400635915.

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This complete overview of the Choctaw people, from ancient times to the present, includes sections on history, cuisine, music and dance, current issues, oral traditions and language, social relationships, and traditional world view. Endeavoring to replace stereotypical images with a more accurate understanding of Native Americans, Culture and Customs of the Choctaw Indians explores the traditional lives of the Choctaw people, their history and oppression by the dominant society, and their struggles to maintain a unique identity in the face of overwhelming pressures to assimilate. The book begins with a historical overview of traditional Choctaw life, belief systems, social customs, and traditions. Moving to contemporary Choctaw communities, it looks at the modern-day Choctaw and the important issues they face. Separate chapters cover cuisine, social and kinship systems, oral traditions, arts, music, and dance, as well as current issues and tribal politics. Readers will see how many Choctaw people blend traditional beliefs with participation in and knowledge of the dominant society and economy, while continuing to speak and teach the Choctaw language and traditions in homes, churches, and schools.
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44

Butler, Melvin L. Island Gospel. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042904.001.0001.

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For Jamaican Pentecostal Christians, music is a form of worship that opens pathways to the Spirit and brings about deliverance from sin. It is also a way of drawing and transcending boundaries, as practitioners sing about what they believe and identify where they stand in relation to cultural and religious outsiders. This book explores these ritual functions as they are fulfilled within Jamaican church services and concerts. It highlights the ways in which Pentecostals cultivate feelings of collective distinctiveness by rendering gospel music with an island flavor and by patrolling stylistic boundaries between a holy “home” and a profane “world.” This dichotomy is destabilized through the transnational flow and appropriation of popular culture and “American” media. What emerges are the strategies of musical worship through which Pentecostals embody their religion and seek spiritual transcendence while navigating the crossroads of local and global practice. Pentecostals describe themselves as “in the world, but not of the world,” meaning that while they live and work in the broader society, they strive to be “sanctified” from it by upholding a distinct moral code. This narrative of worldly renunciation prompts believers to abandon prior habits of conduct while embracing newer, localized identities as children of God. This book uncovers how gospel music, as a dynamic cultural practice, complicates these theological affirmations and reveals the shifting foundations of Pentecostal identity in Jamaica and its diaspora.
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45

Grau, Marion. Pilgrimage, Landscape, and Identity. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197598634.001.0001.

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The book explores the ritual geography of a pilgrimage system woven around local medieval saints in Norway and the renaissance of pilgrimage in contemporary majority-Protestant Norway, facing challenges of migration, xenophobia, and climate crisis. The study is concerned with historical narratives and communal contemporary reinterpretations of the figure of St. Olav, the first Christian king who was a major impulse toward conversion to Christianity and the unification of regions of Norway in a nation unified by a Christian law and faith. This initially medieval pilgrimage network, which originated after the death of Olav Haraldsson and his proclamation as saint in 1030, became repressed after the Reformation, which had a great influence on Scandinavia and shaped Norwegian Christianity overwhelmingly. Since the late 1990s, the Church of Norway participated in a renaissance that has grown into a remarkable infrastructure supported by national and local authorities. The contemporary pilgrimage by land and by sea to Nidaros Cathedral in Trondheim is one site where this negotiation is paramount. The study maps how pilgrims, hosts, church officials, and government officials are renegotiating and reshaping narratives of landscape, sacrality, pilgrimage as a symbol of life journey, nation, identity, Christianity, and Protestant reflections on the durability of medieval Catholic saints. The redevelopment of this instance of pilgrimage in a majority-Protestant context negotiates various societal concerns, all of which are addressed by various groups of pilgrims or other actors in the network. One part of the network is the annual festival Olavsfest, a culture and music festival that actively and critically engages the contested heritage of St. Olav and the Church of Norway through theater, music, lectures, and discussions, and features theological and interreligious conversations. This festival is a platform for creative and critical engagement with the contested, violent heritage of St. Olav, the colonial history of Norway in relation to the Sami indigenous population, and many other contemporary social and religious issues. The study highlights facets of critical, constructive engagement of these majority-Protestant actors engaging legacy through forms of theological and ritual creativity rather than mere repetition.
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46

Parks, Gregory S., und Frank Rudy Cooper, Hrsg. Fight the Power. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781009019804.

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Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society.
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47

Okazaki, Sumie, und Nancy Abelmann. Korean American Families in Immigrant America. NYU Press, 2018. http://dx.doi.org/10.18574/nyu/9781479804207.001.0001.

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This book about Korean American immigrant families is the result of a collaboration between an anthropologist and a psychologist. Combining quantitative surveys with family ethnography, the book explored the central question, How do Korean American teens and parents navigate immigrant America? Both survey and ethnographic data revealed that acculturation differences between parents and teens—long assumed in the psychological literature to account for distress—did not necessarily make for family hardship. Instead, this research found that families struggle together, although not always easily, to figure out how best to navigate an American society that they all understood to be racist. This is not to say that the parents did not speak about cultural distinctions or that they were unconcerned about academic achievement. But what these parents anguished over most was how to fortify their children with protective psychological health and character traits that would allow them to succeed. Ethnographic chapters on five Korean American immigrant families introduce the parenting strategies and adolescents’ responses, which were at times defiantly resistant, sometimes accommodating, and at other times enormously appreciative. The book examines the delicate negotiations between parents and teens in the intimacy of family life, following them from homes to shopping malls, music recitals, church, workplaces, and school. The five families reflect a diversity of family dynamics, but uniting them all is the hard work that parents and children engage in to maintain the bonds of their family relationships.
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48

Naish, Thomas. A Sermon Preach'd at the Cathedral Church of Sarum, November the 30th, 1726. Being the Anniversary day Appointed for the Meeting of the Society of Lovers of Musick, by Thomas Naish,. Gale Ecco, Print Editions, 2018.

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49

Maloy, Rebecca. Songs of Sacrifice. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190071530.001.0001.

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Songs of Sacrifice argues that liturgical music—both texts and melodies—played a central role in the cultural renewal of early Medieval Iberia. Between the seventh and eleventh centuries, Christian worship on the Iberian Peninsula was structured by rituals of great theological and musical richness, known as the Old Hispanic (or Mozarabic) rite. Much of this liturgy was produced during the seventh century, as part of a cultural and educational program led by Isidore of Seville and other bishops. After the conversion of the Visigothic rulers from Arian to Nicene Christianity at the end of the sixth century, the bishops aimed to create a society unified in the Nicene faith, built on twin pillars of church and kingdom. They initiated a project of clerical education, facilitated through a distinctive culture of textual production. The chant repertory was carefully designed to promote these aims. The creators of the chant texts reworked scripture in ways designed to teach biblical exegesis, linking both to the theological works of Isidore and others, and to Visigothic anti-Jewish discourse. The notation reveals an intricate melodic grammar that is closely tied to textual syntax and sound. Through musical rhetoric, the melodies shaped the delivery of the texts to underline words and phrases of particular liturgical or doctrinal import. The chants thus worked toward the formation of individual Christian souls and a communal, Nicene identity. The final chapters turn to questions about the intersection between orality and writing and the relationships of the Old Hispanic chant to other Western plainsong traditions.
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50

Larsen, Timothy, Hrsg. The Oxford Handbook of Christmas. Oxford University Press, 2020. http://dx.doi.org/10.1093/oxfordhb/9780198831464.001.0001.

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Christmas is an unrivalled annual celebration. This volume traces its history from the early Church’s decision to celebrate the birth of Jesus Christ on 25 December through the medieval period and all the way into the twenty-first century. It explores Christmas around the world, including in Africa, Asia, and Latin America, as well as Europe and North America. It also presents the variety of ways that worshipping communities observe the festival from Roman Catholics to Reformed Protestants. All of the features of the Nativity Story are covered from the Holy Family to the Magi and the Star, as are the biblical and theological unpinning of Christmas, including the doctrines of the Incarnation and the Virgin Birth. Carols and music, as well as paintings, literature, and film and television, are all treated by experts, as are the more cultural aspects of the season ranging from Santa Claus to Christmas trees to food and drink. Finally, societal issues related to the law, secularity, commercialism, and consumerism are addressed as well. In other words, this volume aims at comprehensive treatment of Christmas across time, space, cultures, and the varieties of religious and secular contexts.
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