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Zeitschriftenartikel zum Thema „(Christopher E.)“

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Autor: Grafiati

Veröffentlicht am 27. Juli 2024

Zuletzt aktualisiert am 29. Juli 2024

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1

Hanssen, Jessica Allen. „Mark Haddon’s The Curious Incident of the Dog in the Night-Time, Narrative Fallibility, and the Young Adult Reader“. Literature 4, Nr. 2 (27.05.2024): 135–46. http://dx.doi.org/10.3390/literature4020010.

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The Curious Incident of the Dog in the Night-Time by Mark Haddon presents a remarkably complex narrator, 15-year-old Christopher Boone. Due to his implied autism spectrum condition, Christopher is possibly the ultimate in “reliable” narrators: he struggles to articulate emotions and is incapable of telling or understanding lies. His point of view (POV) is an extreme form of first-person limited, with Christopher at times seeming (or even yearning) to be more computer than human. The limitations of Christopher’s experience are reflected in his narrative self-presentation, and while, ordinarily, these would damage any sort of achieved authority, they instead underscore the book’s powerful thematic messages. Christopher’s narrative fallibility echoes the developmental stage of its crossover young adult (YA) audience: Curious Incident works with fallibility to establish a strong narrative voice that inspires an empathetic connection between Christopher and his implied reader. This article therefore considers how narrative fallibility is linked to constructions of adolescence in The Curious Incident of the Dog in the Night-Time, and further explores the relationship between the narrator and the implied reader(s). Positioned within narratology-based theories and secondary research on Haddon and representations of neurodiversity in YA literature, it provides guidance for teachers and scholars who might question the value of authenticity in this or similar novels.

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2

Schneider, Brooke A. „Child Welfare: Court May Determine Whether Life-Sustaining Treatment Should Be Withdrawn“. Journal of Law, Medicine & Ethics 31, Nr. 2 (2003): 316–17. http://dx.doi.org/10.1111/j.1748-720x.2003.tb00095.x.

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In In re Christopher I., the California Court of Appeal upheld a juvenile court's decision to withdraw life-sustaining medical treatment for a then-1-year-old dependent of the court. Christopher I. had come under juvenile court custody after his biological father, Moises I., physically abused him and rendered him comatose. Christopher's biological mother, Tamara S., was either unwilling or unable to protect him. After the disposition hearing, Tamara petitioned for a “Do Not Resuscitate” (DNR) order for Christopher and/or removal of his life-sustaining medical treatment. Moises opposed, asserting that the juvenile court did not have authority to make medical decisions for a dependent child, for whom counsel had been assigned, without appointing a guardian. The juvenile court rejected Moises's argument and proceeded with an evidentiary hearing. All six physicians who testified supported the withdrawal of treatment or at least a DNR order.

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3

Jeong, Youn-Gil. „Analysis of the Narrative Structure of The Curious Incident of the Dog in the Night-Time as a Meta-narrative“. Korean Society for Teaching English Literature 27, Nr. 3 (31.12.2023): 205–27. http://dx.doi.org/10.19068/jtel.2023.27.3.08.

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This paper analyzes Mark Haddon’s The Curious Incident of the Dog in the Night-Time in relation to its meta-narrative qualities. This entails analyzing how the fusion of mystery elements and the autistic perspective enriches the novel’s thematic depth and narrative complexity, and how the narrative features inherent in Christopher’s perspective shape the novel’s structure and contribute to a proper understanding of the complex and varied autistic features. The paper demonstrates that Haddon’s method presents the overall narrative of the story as thoroughly factual, while at the same time metaphorizing the character of Christopher. In doing so, the paper emphasizes that Haddon’s portrayal of Christopher’s maturation is a meta-narrative in the way that a mystery or detective narrative is constructed and that Christopher, the narrator, is communicating with the reader by making himself the object of the narrative. In conclusion, the paper shows that Christopher’s search for the killer of his dog is a process that reveals the different layers of social disorder represented by his parents and neighbors. It will also argue that his role as a detective in this process can be seen as a narrative vehicle for revealing familial and social conflicts, as well as a signifier of the effects of these conflicts.

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4

Larp, L. „Christopher, The medieval romantics; Christopher, Lancaster and Valois; Christopher, The Study of love“. Early Music XXI, Nr. 2 (01.05.1993): 289–96. http://dx.doi.org/10.1093/em/xxi.2.289.

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5

Casado, Marcos Saiande, und Marcos Antonio de Carvalho Lopes. „CURSO DE GEOGRAFIA DE JEAN-JACQUES ROUSSEAU“. Kínesis - Revista de Estudos dos Pós-Graduandos em Filosofia 15, Nr. 39 (19.01.2024): 360–71. http://dx.doi.org/10.36311/1984-8900.2023.v15n39.p360-371.

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Curso de Geografia de Jean-Jacques Rousseau integra o X volume da edição de OEuvres complètes de Jean-Jacques Rousseau, Édition thématique du Tricentenaire, Slatkine/Honoré Champion (2012), subintitulado Escritos Científicos. Para esta tradução, além do texto consagrado na edição do tricentenário, também utilizamos a edição norte-americana dos textos de Rousseau organizada por Christopher Kelly, intitulada Autobiographical, scientific, religious, moral, and literary writings (2007). Preservamos, integralmente, as indispensáveis notas ao texto em língua francesa, que são de autoria de Christophe Van Staen.

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6

Mehta, Diane. „Christopher Columbus“. Antioch Review 57, Nr. 4 (1999): 493. http://dx.doi.org/10.2307/4613900.

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7

Slaughter, Thomas P., und Kirkpatrick Sale. „Christopher Reborn“. Reviews in American History 19, Nr. 3 (September 1991): 332. http://dx.doi.org/10.2307/2703175.

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8

Collyer, Paddie. „Christopher Russell“. Journal of British Cinema and Television 5, Nr. 2 (November 2008): 353–61. http://dx.doi.org/10.3366/e1743452108000411.

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9

Quinn, Dermot. „Christopher Dawson“. Chesterton Review 35, Nr. 3 (2009): 601–15. http://dx.doi.org/10.5840/chesterton2009353/485.

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10

Weil, Judith, und Malcolm Kelsall. „Christopher Marlowe“. Modern Language Review 80, Nr. 4 (Oktober 1985): 904. http://dx.doi.org/10.2307/3728975.

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11

Odendaal und Westerlund. „Christopher Small“. Philosophy of Music Education Review 20, Nr. 1 (2012): 93. http://dx.doi.org/10.2979/philmusieducrevi.20.1.93.

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12

Weil, Judith, und Roger Sales. „Christopher Marlowe“. Modern Language Review 89, Nr. 1 (Januar 1994): 193. http://dx.doi.org/10.2307/3733178.

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13

Provost, Foster, Stephen Sartarelli und Gianni Granzotto. „Christopher Columbus“. American Historical Review 91, Nr. 4 (Oktober 1986): 890. http://dx.doi.org/10.2307/1873336.

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14

Stavans, Ilán, Carlos Fuentes und Alfred Mac Adam. „Christopher Unborn“. Chasqui 19, Nr. 1 (1990): 101. http://dx.doi.org/10.2307/29740236.

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15

Becker, Marshall Joseph. „Christopher Jones“. Anthropology News 57, Nr. 11 (November 2016): e270-e272. http://dx.doi.org/10.1111/an.246.

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16

McCubbin, C. „Christopher Saunders“. British Dental Journal 197, Nr. 5 (September 2004): 287. http://dx.doi.org/10.1038/sj.bdj.4811624.

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17

Heide, Christopher. „Christopher Heide“. Canadian Theatre Review 180 (01.10.2019): 92–93. http://dx.doi.org/10.3138/ctr.180.015.

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18

Hoile, R. „Christopher Wastell“. BMJ 344, may23 1 (23.05.2012): e3401-e3401. http://dx.doi.org/10.1136/bmj.e3401.

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19

Datz, Sheldon, Michael Strayer und Alex Dalgarno. „Christopher Bottcher“. Physics Today 47, Nr. 2 (Februar 1994): 118. http://dx.doi.org/10.1063/1.2808420.

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20

Giles, J. „Christopher Giles“. BMJ 324, Nr. 7342 (13.04.2002): 920f—920. http://dx.doi.org/10.1136/bmj.324.7342.920/f.

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21

Hancock, Janet. „CHRISTOPHER RUNDLE“. Asian Affairs 43, Nr. 3 (November 2012): 545–46. http://dx.doi.org/10.1080/03068374.2012.720820.

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22

Slack, P. „Christopher Hill“. Past & Present 180, Nr. 1 (01.08.2003): 3–7. http://dx.doi.org/10.1093/past/180.1.3.

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23

Walton, J. „Christopher Strang“. BMJ 328, Nr. 7433 (24.01.2004): 232—d—232. http://dx.doi.org/10.1136/bmj.328.7433.232-d.

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24

Price, David W. „Christopher Unborn“. New Vico Studies 10 (1992): 128–29. http://dx.doi.org/10.5840/newvico19921029.

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25

Lock, S. „Christopher Booth“. BMJ 345, aug31 1 (31.08.2012): e5768-e5768. http://dx.doi.org/10.1136/bmj.e5768.

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26

Gökay. „Christopher Brewin“. Journal of Global Faultlines 5, Nr. 1-2 (2018): 109. http://dx.doi.org/10.13169/jglobfaul.5.1-2.0109.

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27

Greenwood, Christopher. „Christopher Greenwood“. Proceedings of the ASIL Annual Meeting 112 (2018): 241–42. http://dx.doi.org/10.1017/amp.2019.80.

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I have also had the experience of sitting—though not silently—through deliberations in the ICJ. Often professors say, “Oh well you know, they were not quite clear where they were going because they had been ambiguous here.” The common law world of academia often misses the point spectacularly, because in common law courts—even when you have a lot of judges—the tradition is that a judge writes his or her own judgment, and either other judges agree or you have to distill the ratio decidendi of the case from the different judgments. It is a totally different exercise when the judges must produce a collective judgment, especially if they must produce it in more than one language. Had academics been a fly on the wall in the deliberations at the ICJ they would have known we knew exactly what we were doing: we did not all agree on the outcome, and this is a disagreement that has been reduced to writing in order to enable the court to move on.

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28

JARVIS, LISA M. „CHRISTOPHER LIPINSKI“. Chemical & Engineering News 85, Nr. 45 (05.11.2007): 18. http://dx.doi.org/10.1021/cen-v085n045.p018.

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29

Becker, Charles. „Christopher Fyfe“. ASA News 42, Nr. 1 (Januar 2009): 6. http://dx.doi.org/10.1017/s027822190007173x.

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30

GREENHALGH, P. „Christopher Dresser“. Journal of Design History 4, Nr. 3 (01.01.1991): 214–16. http://dx.doi.org/10.1093/jdh/4.3.214.

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31

Oransky, Ivan. „Christopher Reeve“. Lancet 364, Nr. 9447 (November 2004): 1750. http://dx.doi.org/10.1016/s0140-6736(04)17383-2.

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32

JCC und JLH. „Christopher Haffner“. Bulletin of the Royal College of Psychiatrists 10, Nr. 11 (November 1986): 327–28. http://dx.doi.org/10.1192/pb.10.11.327-b.

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33

Webster, Charles. „Christopher Wren“. Contemporary Physics 26, Nr. 2 (März 1985): 169–70. http://dx.doi.org/10.1080/00107518508210747.

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34

Andersen, William A. „Christopher Dawson“. Chesterton Review 37, Nr. 3 (2011): 489–504. http://dx.doi.org/10.5840/chesterton2011373/476.

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35

Thuo, A. „Christopher Wood“. BMJ 339, dec31 1 (31.12.2009): b5679. http://dx.doi.org/10.1136/bmj.b5679.

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36

Thompson, E. P. „Christopher Caudwell“. Critical Inquiry 21, Nr. 2 (Januar 1995): 305–53. http://dx.doi.org/10.1086/448755.

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37

Jones, F. A., und G. Neale. „Christopher Booth“. Gut 30, Spec No (01.11.1989): 1–3. http://dx.doi.org/10.1136/gut.30.spec_no.1.

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38

Plosay, John J. „Catching Christopher“. Annals of Emergency Medicine 49, Nr. 3 (März 2007): 377. http://dx.doi.org/10.1016/j.annemergmed.2006.08.008.

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39

Rojahn, Christopher. „Christopher Rojahn“. Structural Design of Tall and Special Buildings 14, Nr. 3 (2005): 205–66. http://dx.doi.org/10.1002/tal.305.

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40

Watts, Geoff. „Christopher Bulstrode“. Lancet 403, Nr. 10438 (Mai 2024): 1744. http://dx.doi.org/10.1016/s0140-6736(24)00871-7.

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41

Hebben, Baptiste. „« Christopher, reviens ! »“. Cahiers pédagogiques N° 589, Nr. 8 (01.12.2023): 31–32. http://dx.doi.org/10.3917/cape.589.0031.

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42

Frogner, Raymond. „Christopher Zaste“. Archivaria, Nr. 97 (2024): 226. http://dx.doi.org/10.7202/1112081ar.

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43

Gunawan, Tegar. „Eksistensi Christopher Abimanyu Sebagai Penyanyi Bergaya Klasik“. Repertoar Journal 1, Nr. 2 (30.06.2021): 373–86. http://dx.doi.org/10.26740/rj.v1n2.p373-386.

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Christopher Abimanyu adalah seorang penyanyi yang eksis menerapkan teknik bernyanyi dengan gaya klasik. Adapun tujuan penulisan artikel ilmiah ini ialah untuk mengetahui bagaimana latar belakang musikalitas dan mendeskripsikan eksistensi Christopher Abimanyu sebagai penyanyi bergaya klasik. Proses penelitian dilakukan dengan menggunakan metode deskriptif analitik. Teknik pengumpulan data menggunakan observasi, wawancara, dan dokumentasi. Teknik analisis meliputi reduksi data, penyajian data, dan penyimpulan. Adapun uji keabsahan data menggunakan triangulasi. Hasil penelitian ini menunjukan bahwa eksistensi latar belakang musikalitas Christopher Abimanyu adalah penyanyi tenor yang dipengaruhi oleh dua hal yakni faktor lingkungan dari keluarga yang sering mendengarkan musik klasik opera sejak Christopher Abimanyu dalam kandungan dan kepercayaan diri yang memiliki ketertarikan terhadap bidang tarik suara. Adapun eksistensi Christopher Abimanyu sebagai penyanyi bergaya klasik dimulai sejak tahun 1978 ketika memenangi kompetisi Bintang Radio dan Televisi tingkat provinsi Jawa Barat dan Nasional dalam kategori seriosa. Hingga saat ini Christopher Abimanyu tetap konsisten dengan gaya bernyanyi klasik, meskipun lagu yang disajikannya bergenre non klasik.Kata kunci: Eksistensi, Penyanyi klasik, Christopher Abimanyu

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44

SANO, Sigetoshi. „Prof. Christopher E.M. Griffiths“. Nishi Nihon Hifuka 77, Nr. 5 (2015): 511–12. http://dx.doi.org/10.2336/nishinihonhifu.77.511.

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45

Power, Ian. „Christopher Otto - Christopher Otto, rag'sma. JACK Quartet. Greyfade, 003.“ Tempo 76, Nr. 301 (Juli 2022): 97–99. http://dx.doi.org/10.1017/s0040298222000158.

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46

Rutherford-Johnson, Tim. „Christopher Fox - Christopher Fox, Trostlieder. EXAUDI, Weeks. Kairos, 0022005KAI.“ Tempo 77, Nr. 305 (Juli 2023): 80–81. http://dx.doi.org/10.1017/s0040298223000232.

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47

Tolok, Beatus M. B., Maksimilianus Doi, Yuliana M. D’ K. Kara und Febe F. I. Wanggai. „CULTURE SHOCK EXPERIENCED BY CHRISTOPHER McCANDLESS IN INTO THE WILD FILM“. Lantern: Journal of Language and Literature 7, Nr. 2 (17.09.2021): 99–105. http://dx.doi.org/10.37478/lantern.v7i2.1225.

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Penelitian ini bertujuan untuk mengetahui fase-fase culture shock dan penyebabnya yang dialami Christopher McCandless. Desain penelitian yang digunakan adalah metode deskriptif kualitatif. Pendekatan psikologis diadopsi untuk menganalisis fase dan penyebab culture shock. Data diambil dari film Into the Wild yang dialami oleh tokoh utama, Christopher McCandless. Berdasarkan hasil penelitian menunjukkan bahwa terdapat empat fase culture shock yang dialami Christopher McCandless dalam film Into the Wild, yaitu fase bulan madu, fase krisis, fase pemulihan, dan fase penyesuaian. Penulis juga menemukan dua penyebab culture shock yang dialami oleh tokoh Christopher McCandless, yaitu reaksi stres, kelelahan kognitif, culture shock peran, dan culture shock pribadi.

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48

Fox, Christopher, und Jerome Carson. „Remarkable lives: Christopher Fox in conversation with Jerome Carson“. Mental Health and Social Inclusion 19, Nr. 4 (09.11.2015): 174–79. http://dx.doi.org/10.1108/mhsi-08-2015-0032.

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Purpose – The purpose of the paper is to provide a profile of Christopher Fox. Design/methodology/approach – Christopher provides a short biographical account of his life thus far. He is then interviewed by Jerome. He describes how he has coped with serious depression. Findings – Christopher claims that he owes his own life to two things, Philosophy and his close friend Helena. Research limitations/implications – The wide diversity of first person accounts shows the necessity of collecting them as they reflect the lived experience of people battling with serious mental health problems. The personal is often lost in the quantitative world of p values and statistical tests. Practical implications – Christopher mentions being helped by numerous informal chats with peers rather than medication and focused psychological therapies. Social implications – While Christopher drew much sustenance from the works of Nietzsche, he was most helped by a friend who had been his learning mentor at school. Friendship can be critical in maintaining hope. Originality/value – Like many before him, Christopher says he “learnt more about himself in the days where I sat in the garden (with peer survivors) than in the collective sessions of therapy, CBT or hospital visits”.

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49

Goodall, Christopher. „Christopher Goodall Appeal“. Nursing Standard 4, Nr. 35 (23.05.1990): 42. http://dx.doi.org/10.7748/ns.4.35.42.s49.

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50

Everson, Paul, Paul Stamper, Tom Williamson und Graham Fairclough. „Founders: Christopher Taylor“. Landscapes 22, Nr. 1 (02.01.2021): 80–96. http://dx.doi.org/10.1080/14662035.2021.2000162.

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