Zeitschriftenartikel zum Thema „Chinese philosophy and aesthetics“
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Machen Sie sich mit Top-50 Zeitschriftenartikel für die Forschung zum Thema "Chinese philosophy and aesthetics" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Sehen Sie die Zeitschriftenartikel für verschiedene Spezialgebieten durch und erstellen Sie Ihre Bibliographie auf korrekte Weise.
Dai, Chuang. „Philosophical-aesthetic reflection in China in the century: Wang Guowei and Zong Baihua“. Философская мысль, Nr. 12 (Dezember 2020): 15–29. http://dx.doi.org/10.25136/2409-8728.2020.12.34614.
Ka-Pok-Tam, Andrew. „On the Limitations of Lao Sze Kwang’s “Trichotomy of the Self” in His Interpretation of Kierkegaard“. Kierkegaard Studies Yearbook 26, Nr. 1 (11.08.2021): 523–45. http://dx.doi.org/10.1515/kierke-2021-0022.
Cheng, Chung-Ying. „Beauty and Aesthetics in Chinese Philosophy“. Journal of Chinese Philosophy 47, Nr. 1-2 (03.03.2020): 3–5. http://dx.doi.org/10.1163/15406253-0470102003.
CHENG, CHUNG‐YING. „PREFACE: BEAUTY AND AESTHETICS IN CHINESE PHILOSOPHY“. Journal of Chinese Philosophy 47, Nr. 1-2 (März 2020): 3–5. http://dx.doi.org/10.1111/1540-6253.12398.
Park, So‐Jeong. „Musical Metaphors in Chinese Aesthetics“. Journal of Chinese Philosophy 47, Nr. 1-2 (18.06.2019): 31–48. http://dx.doi.org/10.1111/1540-6253.12350.
Park, So-Jeong. „Musical Metaphors in Chinese Aesthetics“. Journal of Chinese Philosophy 47, Nr. 1-2 (03.03.2020): 31–48. http://dx.doi.org/10.1163/15406253-0470102006.
Poškaitė, Loreta. „Everyday Aesthetics in the Dialogue of Chinese and Western Aesthetic Sensibilities“. Dialogue and Universalism 30, Nr. 3 (2020): 225–44. http://dx.doi.org/10.5840/du202030344.
Sernelj, Téa. „Different Approaches to Chinese Aesthetics“. Asian Studies 8, Nr. 3 (22.09.2020): 161–82. http://dx.doi.org/10.4312/as.2020.8.3.161-182.
Sernelj, Téa. „Different Approaches to Modern Art and Society: Li Zehou versus Xu Fuguan“. Asian Studies 8, Nr. 1 (10.01.2020): 77–98. http://dx.doi.org/10.4312/as.2020.8.1.77-98.
Arnheim, R. „ANCIENT CHINESE AESTHETICS AND ITS MODERNITY“. British Journal of Aesthetics 37, Nr. 2 (01.04.1997): 155–57. http://dx.doi.org/10.1093/bjaesthetics/37.2.155.
Park, So-Jeong. „Chinese Aesthetics in the Contemporary World“. Journal of Chinese Philosophy 47, Nr. 1-2 (03.03.2020): 6–11. http://dx.doi.org/10.1163/15406253-0470102004.
Journal of Chinese Philosophy, Editors. „Chinese Aesthetics in the Contemporary World“. Journal of Chinese Philosophy 47, Nr. 1-2 (03.03.2020): 1–2. http://dx.doi.org/10.1163/15406253-0470102002.
Jianjiang, Wang. „The Bustle and the Absence of Zhuyi: The Example of Chinese Aesthetics“. AM Journal of Art and Media Studies, Nr. 13 (15.09.2017): 93. http://dx.doi.org/10.25038/am.v0i13.188.
Wawrytko, Sandra A. „Aesthetics of Attentional Networks: Chinese Harmony and Greek Dualism“. Journal of Chinese Philosophy 47, Nr. 1-2 (03.03.2020): 12–30. http://dx.doi.org/10.1163/15406253-0470102005.
MAN, EVA K. W. „CHINESE PHILOSOPHY AND THE SUGGESTION OF A MATRIARCHAL AESTHETICS“. Journal of Chinese Philosophy 23, Nr. 4 (Dezember 1996): 453–66. http://dx.doi.org/10.1111/j.1540-6253.1996.tb00492.x.
Man, Eva K. W. „Chinese Philosophy and the Suggestion of a Matriarchal Aesthetics“. Journal of Chinese Philosophy 23, Nr. 4 (10.02.1996): 453–66. http://dx.doi.org/10.1163/15406253-02304003.
Simpson, Garret Pagenstecher, Zhu Liyuan und Gene Blocker. „Asian Thought and Culture: Contemporary Chinese Aesthetics“. Philosophy East and West 47, Nr. 2 (April 1997): 272. http://dx.doi.org/10.2307/1399881.
Zhu, Chunshen. „CHINESE PUZZLES: THE PRACTICAL AESTHETICS OF TRANSLATION“. British Journal of Aesthetics 32, Nr. 1 (1992): 59–71. http://dx.doi.org/10.1093/bjaesthetics/32.1.59.
PARK, SO‐JEONG. „INTRODUCTION: CHINESE AESTHETICS IN THE CONTEMPORARY WORLD“. Journal of Chinese Philosophy 47, Nr. 1-2 (März 2020): 6–11. http://dx.doi.org/10.1111/1540-6253.12397.
Liu, Yuedi. „The Paradigm of the Wild, Cultural Diversity, and Chinese Environmentalism“. Environmental Ethics 42, Nr. 3 (2020): 223–35. http://dx.doi.org/10.5840/enviroethics202042322.
Sernelj, Téa. „Modernization of Beauty in China“. Asian Studies 9, Nr. 2 (07.05.2021): 165–79. http://dx.doi.org/10.4312/as.2021.9.2.165-179.
Meijun, Fan. „Ecological Consciousness in Traditional Chinese Aesthetics“. Educational Philosophy and Theory 33, Nr. 2 (Januar 2001): 267–70. http://dx.doi.org/10.1111/j.1469-5812.2001.tb00268.x.
WAWRYTKO, SANDRA A. „AESTHETICS OF ATTENTIONAL NETWORKS: CHINESE HARMONY AND GREEK DUALISM“. Journal of Chinese Philosophy 47, Nr. 1-2 (März 2020): 12–30. http://dx.doi.org/10.1111/1540-6253.12402.
Liu, Chengji. „The body and its image in classical Chinese aesthetics“. Frontiers of Philosophy in China 3, Nr. 4 (28.10.2008): 577–94. http://dx.doi.org/10.1007/s11466-008-0036-4.
Ženko, Ernest. „Lessons in Equality: From Ignorant Schoolmaster to Chinese Aesthetics“. AM Journal of Art and Media Studies, Nr. 13 (15.09.2017): 149. http://dx.doi.org/10.25038/am.v0i13.192.
Zehou, Li. „A Few Questions Concerning the History of Chinese Aesthetics (Excerpts)“. Contemporary Chinese Thought 31, Nr. 2 (Dezember 1999): 66–76. http://dx.doi.org/10.2753/csp1097-1467310266.
Fan, Minghua. „The significance of Xuwu 虚无 (Nothingness) in Chinese aesthetics“. Frontiers of Philosophy in China 5, Nr. 4 (Dezember 2010): 560–74. http://dx.doi.org/10.1007/s11466-010-0115-1.
Wawrytko, Sandra A. „Sedimentation in Chinese Aesthetics and Epistemology: A Buddhist Expansion of Confucian Philosophy“. Journal of Chinese Philosophy 40, Nr. 3-4 (September 2013): 473–92. http://dx.doi.org/10.1111/1540-6253.12045.
Wawrytko, Sandra A. „Sedimentation in Chinese Aesthetics and Epistemology: A Buddhist Expansion of Confucian Philosophy“. Journal of Chinese Philosophy 40, Nr. 3-4 (02.03.2013): 473–92. http://dx.doi.org/10.1163/15406253-0400304009.
Erjavec, Aleš. „International aesthetics and its congresses“. SAJ - Serbian Architectural Journal 11, Nr. 2 (2019): 263–72. http://dx.doi.org/10.5937/saj1902263e.
Jianjiang, Wang. „‘Quadrilateral’ in Philosophy and Bie-modernism (Comments on Aleš Erjavec’s “Zhuyi: From Absence to Bustle? Some Comments on Wang Jianjiang's Article ‘The Bustle and the Absence of Zhuyi’”)“. AM Journal of Art and Media Studies, Nr. 13 (15.09.2017): 123. http://dx.doi.org/10.25038/am.v0i13.190.
Xu, Jianping. „A transition of Chinese humanism and aesthetics from rationalism to irrationalism“. Frontiers of Philosophy in China 3, Nr. 2 (29.05.2008): 229–53. http://dx.doi.org/10.1007/s11466-008-0015-9.
Liu, Qingping. „The Worldwide Significance of Chinese Aesthetics in the Twenty-First Century“. Frontiers of Philosophy in China 1, Nr. 1 (Januar 2006): 33–40. http://dx.doi.org/10.1007/s11466-005-0007-y.
Fuyarchuk, Andrew. „Gadamer and the Yijing’s Language of Nature: Hermeneutics and Chinese Aesthetics“. Journal of Chinese Philosophy 47, Nr. 3-4 (03.03.2020): 174–92. http://dx.doi.org/10.1163/15406253-0470304005.
Chen, Wang-heng, und Xin-yu Chen. „The Re-Enchantment of Wilderness and Urban Aesthetics“. Environmental Ethics 42, Nr. 3 (2020): 213–21. http://dx.doi.org/10.5840/enviroethics202042321.
Tan, Fu Wei. „The Ecological Characteristics of Chinese Traditional Architecture“. Applied Mechanics and Materials 672-674 (Oktober 2014): 1793–96. http://dx.doi.org/10.4028/www.scientific.net/amm.672-674.1793.
Ivanhoe, Philip J. „Jullien, Francois, In Praise of Blandness: Proceeding from Chinese Thought and Aesthetics“. Dao 7, Nr. 3 (15.08.2008): 335–38. http://dx.doi.org/10.1007/s11712-008-9078-5.
Fuyarchuk, Andrew. „GADAMER AND THE YIJING 'S LANGUAGE OF NATURE: HERMENEUTICS AND CHINESE AESTHETICS“. Journal of Chinese Philosophy 47, Nr. 3-4 (September 2020): 174–92. http://dx.doi.org/10.1111/1540-6253.12396.
Sernelj, Téa. „The Problem of the Authenticity of the Aesthetic Concept qiyun shengdong“. Asian Studies 9, Nr. 1 (08.01.2021): 159–80. http://dx.doi.org/10.4312/as.2021.9.1.159-180.
Sernelj, Téa. „The Problem of the Authenticity of the Aesthetic Concept qiyun shengdong“. Asian Studies 9, Nr. 1 (08.01.2021): 159–80. http://dx.doi.org/10.4312/as.2021.9.1.159-180.
Ames, Roger T., Li Zehou und Gong Lizeng. „The Path of Beauty: A Study of Chinese Aesthetics“. Journal of Aesthetics and Art Criticism 55, Nr. 1 (1997): 77. http://dx.doi.org/10.2307/431616.
Liu, Yu. „The Possibility of a Different Theodicy: The Chinese ‘Sharawadgi’ and Shaftesbury's Aesthetics and Ethics“. Southern Journal of Philosophy 42, Nr. 2 (Juni 2004): 213–36. http://dx.doi.org/10.1111/j.2041-6962.2004.tb00997.x.
Yang, Rong, und Xiaoming Yang. „A Study on Cultural Characteristics of Taoist Clothing“. Asian Social Science 16, Nr. 4 (31.03.2020): 70. http://dx.doi.org/10.5539/ass.v16n4p70.
AMES, ROGER T. „Zehou Li, The Path of Beauty: A Study of Chinese Aesthetics“. Journal of Aesthetics and Art Criticism 55, Nr. 1 (01.12.1997): 77–78. http://dx.doi.org/10.1111/1540_6245.jaac55.1.0077.
GU, MING DONG. „Patterns of Tao (Dao): The Birth of Chinese Writing and Aesthetics“. Journal of Aesthetics and Art Criticism 74, Nr. 2 (April 2016): 151–63. http://dx.doi.org/10.1111/jaac.12268.
Wong, Wayne. „Nothingness in motion: Theorizing Bruce Lee’s action aesthetics“. Global Media and China 4, Nr. 3 (September 2019): 362–80. http://dx.doi.org/10.1177/2059436419871386.
Łabędzka, Izabella. „Gao Xingjian’s Dialogue with Literary and Visual Traditions“. Porównania 26 (15.06.2020): 331–43. http://dx.doi.org/10.14746/por.2020.1.19.
Zhang, Ning. „The Role of Ancient Chinese Philosophy in the Designs of Chinese Buildings“. Open House International 41, Nr. 3 (01.09.2016): 81–85. http://dx.doi.org/10.1108/ohi-03-2016-b0014.
Zhang, Ying. „Religion and Prison Art in Ming China (1368–1644)“. Brill Research Perspectives in Religion and the Arts 3, Nr. 3 (23.04.2020): 1–102. http://dx.doi.org/10.1163/24688878-12340009.
Mattice, Sarah. „Artistry as Methodology: Aesthetic Experience and Chinese Philosophy1“. Philosophy Compass 8, Nr. 3 (12.02.2013): 199–209. http://dx.doi.org/10.1111/phc3.12014.