Thematische Bibliographien / Chinese Hong Kong Biography

Auswahl der wissenschaftlichen Literatur zum Thema „Chinese Hong Kong Biography“

Autor: Grafiati
Veröffentlicht am 25. Juli 2024

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Zeitschriftenartikel zum Thema "Chinese Hong Kong Biography"

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Yung, Danny, und Maciej Szatkowski. „Cultural Institution and Institutional Culture from the Transcultural Perspective: What Is the Culture behind the Stage, and What Is the Culture inside a Cage?“ Pamiętnik Teatralny 72, Nr. 3 (01.09.2023): 73–86. http://dx.doi.org/10.36744/pt.1476.

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This article presents the profile of the East Asian theatre artist Danny Yung, director of the acclaimed Zuni Icosachedron theatre in Hong Kong. In the first part, Maciej Szatkowski offers a synthesis of his artistic biography, from his early years as a theatre maker in Hong Kong in the 1980s to the creation of a transnational Chinese theatre, which provides a space for artistic encounters of established and emerging artists from the Sinosphere and beyond. The article focuses on highlighting the main areas of Yung’s work and contextualizing them in terms of the realities of Chinese cultural life. The author describes the central distinguishing features of Yung’s activity and its consecutive stages over the years, as well as the impact of his work on theatres in China and Taiwan. The appendix provides a transcript of Yung’s talk at the conference Contemporary Acting Techniques in Eurasian Theatre, Performance and Audiovisual Art: Intercultural and Intermedia Perspective (2021). The guiding idea of the lecture is the role of institutions in shaping theatre policy and connecting artists and ideas. Yung draws on examples from his own experience, describing the process of creating his most recent productions. He emphasizes the importance of collaboration and dialogue between artists, as well as the role of theatre institutions as major actors influencing the development of theatre art in contemporary Eurasia.
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Xin, Meiqi, Neil S. Coulson, Crystal Li Jiang, Elizabeth Sillence, Andrew Chidgey, Norman Nok Man Kwan, Winnie W. S. Mak, William Goggins, Joseph Tak Fai Lau und Phoenix Kit Han Mo. „Web-Based Behavioral Intervention Utilizing Narrative Persuasion for HIV Prevention Among Chinese Men Who Have Sex With Men (HeHe Talks Project): Intervention Development“. Journal of Medical Internet Research 23, Nr. 9 (16.09.2021): e22312. http://dx.doi.org/10.2196/22312.

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Background In the era of potent antiretroviral therapy, a high level of condomless anal intercourse continues to drive increases in HIV incidence in recent years among men who have sex with men. Effective behavior change strategies for promoting HIV-preventive behaviors are warranted. Narrative persuasion is a novel health communication approach that has demonstrated its persuasive advantages in overcoming resistance to counterattitudinal messages. The efficacy of narrative persuasion in promoting health behavior changes has been well documented, but critical research gaps exist for its application to HIV prevention. Objective In this study, we aimed to (1) capitalize on narrative persuasion to design a web-based multisession intervention for reducing condomless anal intercourse among men who have sex with men in Hong Kong (the HeHe Talks Project) by following a systematic development process; and (2) describe the main components of the narrative intervention that potentially determine its persuasiveness. Methods Persuasive themes and subtopics related to reducing condomless anal intercourse were initially proposed based on epidemiological evidence. The biographic narrative interview method was used to elicit firsthand experiential stories from a maximum variation sample of local men who have sex with men with diverse backgrounds and experiences related to HIV prevention; different types of role models were established accordingly. Framework analysis was used to aggregate the original quotations from narrators into collective narratives under 6 intervention themes. A dedicated website was finally developed for intervention delivery. Results A series of video-based intervention messages in biographic narrative format (firsthand experiential stories shared by men who have sex with men) combined with topic-equivalent argumentative messages were produced and programmed into 6 intervention sessions. The 6-week intervention program can be automatically delivered and monitored online. Conclusions We systematically created a web-based HIV prevention intervention derived from peer-generated stories. Strategies used to enhance the efficacy of the narrative intervention have been discussed within basic communication components. This paper describes the methods and experiences of the rigorous development of a narrative communication intervention for HIV prevention, which enables replication of the intervention in the future.
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Shi, Dingxu. „Hong Kong written Chinese“. Journal of Asian Pacific Communication 16, Nr. 2 (12.10.2006): 299–318. http://dx.doi.org/10.1075/japc.16.2.09shi.

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Hong Kong written Chinese is the register used in government documents, serious literature and the formal sections of printed media. It is a local variation of Standard Chinese and has many special features in its lexicon, syntax and discourse. These features come from three distinctive sources: English, Cantonese and innovation. The main concern of this paper is which features come from English and how they are adopted. It is shown that Hong Kong written Chinese has a large number of English loan words, both localized and semi-localized ones, and quite a few calque forms from English. Some of its lexical items have undergone semantic shift under the influence of English or Cantonese. The most interesting characteristic of Hong Kong written Chinese is that a number of its words have changed their syntactic behavior due to English influence and a few syntactic structures are apparently adopted from English. This particular form of written Chinese thus provides an excellent case to study the impact of bilingualism and multilingualism on language use and language change induced by language contact.
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Zee, Eric. „Chinese (Hong Kong Cantonese)“. Journal of the International Phonetic Association 21, Nr. 1 (Juni 1991): 46–48. http://dx.doi.org/10.1017/s0025100300006058.

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The style of speech illustrated is that typical of the educated younger generation in Hong Kong. The recording is that of a 22-year-old female university student who has lived all her life in Hong Kong.
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Cheung, Siu Keung. „From transnational to Chinese national?“ Social Transformations in Chinese Societies 13, Nr. 2 (05.09.2017): 106–17. http://dx.doi.org/10.1108/stics-04-2017-0009.

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Purpose This paper aims to challenge the longstanding cosmopolitan interpretation of Hong Kong, particularly why this global city fails to absorb China equally through its great inclusiveness and flexibility as before. On the contrary, rising tensions, conflicts and resistance could be founded between Hong Kong and China these days. Design/methodology/approach By using Hong Kong cinema as an analytical lens, this paper seeks to throw light on the cinematic landscape of post-1997 Hong Kong and, by implications, the overall destiny of postcolonial Hong Kong under Chinese rule. Findings The postcolonial Hong Kong, although lacking a symmetric status and equal weight, remains an active player with Chinese hegemony that appeals to the newfound market power to consolidate their systemic control on the city. By acting upon itself with the subjectivity and reflexivity from itself, postcolonial Hong Kong takes many actions to do justice that criticizes the political and ideological correctness and challenges the contemporary national authority from one-party rule. Originality/value This paper demonstrates a new in-betweenness in the relation to the making of postcolonial Hong Kong. This paper advances insights into a postcolonial reinvention of the politics of disappearance that remains underexplored.
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Lok, Peter. „Lost in Hong Kong“. Social Transformations in Chinese Societies 13, Nr. 2 (05.09.2017): 149–58. http://dx.doi.org/10.1108/stics-04-2017-0011.

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Purpose The purpose of this paper is to explore how a neo-liberal nationalist discourse of China imagines the spatial identity of the post-1997 Hong Kong with reference to Lost in Hong Kong, a new Chinese middle-class film in 2015 with successful box office sales. Design/methodology/approach Textual analysis with the aid of psychoanalysis, postcolonial studies and semiotics is used to interpret the meaning of the film in this study. The study also utilizes the previous literature reviews about the formation of the Chinese national identity to help analyze the distinct identity of the Chinese middle class today. Findings The discussion pinpoints how the new Chinese middle class as neo-liberal nationalists take Hong Kong as a “bizarre national redemptive space”. While Hong Kong is cinematically constructed as such a national other, this paper argues that the Hong Kong in question stands not for itself but in a form of “reverse hallucination” for pacifying the new Chinese middle class’ trauma under the rapid neo-liberalization of China in the 1990s. Originality/value This paper shows the new of formation of the Chinese nationalist’s discourse, especially the new Chinese middle-class discourse on Hong Kong after 1997.
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Mok, C. C., und C. S. Lau. „Lupus in Hong Kong Chinese“. Lupus 12, Nr. 9 (01.09.2003): 717–22. http://dx.doi.org/10.1191/0961203303lu451xx.

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MacDonald-Jankowski, David S., und Pui Chee Wu. „Cementoblastoma in Hong Kong Chinese“. Oral Surgery, Oral Medicine, Oral Pathology 73, Nr. 6 (Juni 1992): 760–64. http://dx.doi.org/10.1016/0030-4220(92)90024-k.

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Tong, Christopher. „Hong Kong Poets and the Making of a Cosmopolitan Literary Genre“. Writing Chinese: A Journal of Contemporary Sinophone Literature 2, Nr. 1 (20.12.2023): 66–87. http://dx.doi.org/10.22599/wcj.44.

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Hong Kong has always existed on the margins of history. Interestingly, Hong Kong’s liminal status also made it a cosmopolitan space for transcultural exchanges between Chinese and Western worlds throughout the nineteenth and twentieth centuries. Despite its unique position vis-à-vis China and the West, however, Hong Kong has long been dismissed as lacking cultural gravitas. As such, Hong Kong culture finds itself self-consciously confronting a perennial crisis: as the People’s Republic of China gains increasing recognition in the canons of world literature, Hong Kong’s cosmopolitan culture is indirectly side-lined in the process. Meanwhile, Hong Kong literature is routinely underrepresented in the canons of modern Chinese literature. Anthologies of modern Chinese poetry and poetry research, for instance, scarcely include Hong Kong poets, if at all. Given this context, this essay seeks to rearticulate the place of Hong Kong in modern Chinese literary history. More specifically, it traces the emergence of Hong Kong poetry as a cosmopolitan literary genre in the latter half of the twentieth century. The goals are threefold: to historicise the confluence of Chinese and Western literary traditions in the city of Hong Kong; to locate specific intersections of identity, language, and politics in the production of Hong Kong poetry; and to introduce biographical and bibliographical data on notable Hong Kong poets.
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CARROLL, JOHN M. „Colonial Hong Kong as a Cultural-Historical Place“. Modern Asian Studies 40, Nr. 2 (18.04.2006): 517–43. http://dx.doi.org/10.1017/s0026749x06001958.

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In July 1997, when Hong Kong reverted to Chinese sovereignty, this former British colony became a new kind of place: a Special Administrative Region (SAR) of the People's Republic of China (PRC). In the several years leading up to the 1997 transition, a sudden outpouring of Mainland Chinese scholarship stressed how Hong Kong had been an inalienable part of China since ancient times. Until then, however, Hong Kong had rarely figured in Mainland Chinese scholarship. Indeed, Hong Kong suffered from what Michael Yahuda has called a “peculiar neglect”: administered by the British but claimed by China, it was “a kind of bureaucratic no-man's land.” Only one university in all of China had a research institute dedicated primarily to studying Hong Kong. As part of this new “Hong Kong studies” (Xianggangxue), in 1997 China's national television studio produced two multi-episodic documentaries on Hong Kong: “One Hundred Years of Hong Kong” (Xianggang bainian) and “Hong Kong Vicissitudes” (Xianggang cangsang). The studio also produced two shorter documentaries, “One Hundred Points about Hong Kong” (Xianggang baiti) and “The Story of Hong Kong” (Xianggang de gushi). The “Fragrant Harbor” that PRC historians had generally dismissed as an embarrassing anachronism in a predominantly postcolonial world suddenly found its way into millions of Mainland Chinese homes.
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Dissertationen zum Thema "Chinese Hong Kong Biography"

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Chan, Flora Kay, und 陳鳳姬. „呂壽琨的藝術發展“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1991. http://hub.hku.hk/bib/B1300587X.

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Wu, Kam-yin. „Chinese/Cantonese writing in Hong Kong“. Click to view the E-thesis via HKUTO, 1992. http://sunzi.lib.hku.hk/HKUTO/record/B38626342.

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Liang, Hin-suen Raymond, und 梁憲孫. „Malignant lymphomas in Hong Kong Chinese“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31981379.

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Wu, Kam-yin, und 胡錦賢. „Chinese/Cantonese writing in Hong Kong“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1992. http://hub.hku.hk/bib/B38626342.

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Lee, Tsz-him, und 李子謙. „A study of "Hong Kong styled Chinese"“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B46089664.

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Sung, Rita Yn-Tz. „Acute bronchiolitis in Hong Kong Chinese infants“. Thesis, Cardiff University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339352.

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Mong, Ka Sing. „A Chinese government building in Hong Kong“. Thesis, Virginia Polytechnic Institute and State University, 1987. http://hdl.handle.net/10919/53146.

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This thesis proposes a Chinese government building in HONG KONG reflecting the contemporary social, economic and political situation. It includes three parts: First, the study of the building systems of the building which reflect the symbolic idea of a gateway in the Central Business District of Hong Kong; second, the proposal to connect the existing system of elevated footbridges in the urban fabric of CBD in Hong Kong; Third, the implementation of this project by an advanced computer graphics workstation IBM 5080 with the softwares CADAM and ISD. In this way, the results are elucidated by a series of computer drawings which not only exemplify the architectural design process but also act as guidelines for students interested in computer-aided design.
Master of Architecture
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Lee, Vicky, und 李美琪. „Hong Kong eurasian memoirs: identity and voices“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31243289.

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Chan, Chee-wun Joyce, und 陳志雲. „Pernicious anaemia in Chinese“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B43085702.

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Lau, Tung-ching Fion. „Tea consumption and mortality in Hong Kong“. Thesis, Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B3197191X.

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Bücher zum Thema "Chinese Hong Kong Biography"

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Nan dou wen xing gao. Beijing: Zhong yang bian yi chu ban she, 2010.

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Xianggang zhong wen da xue li shi xi. Guan gu tong jin rong dong hui xi: Zha gen shi xue wu shi nian. 8. Aufl. Xianggang: San lian shu dian (Xianggang), 2016.

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Chen, Zhihui. Shang xue shi biao: Aishibo jiao shou. 8. Aufl. Xianggang: Hui zhi chu ban you xian gong si, 2012.

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Chinese University of Hong Kong. New Asia College. Cheng ming gu dao zhao yan se: Xin Ya shu yuan 55 zhou nian ji nian wen ji. Xianggang: Xianggang Zhong wen da xue Xin Ya shu yuan, 2006.

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Mar, M. Elaine. Paper daughter: A memoir. New York: HarperCollins, 1999.

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Mar, M. Elaine. Paper daughter: A memoir. Winter Springs, FL: ISIS Pub., 2000.

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Mar, M. Elaine. Paper daughter: A memoir. New York: Harper Perennial, 2000.

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Wu, Xinglian. Xianggang Hua ren ming ren shi lüe (Yi jiu san qi): The prominent Chinese in Hong Kong (1937). 8. Aufl. Xianggang: Xin yi tang you xian gong si, 2019.

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Kwan, Daniel Y. K. Marxist intellectuals and the Chinese labor movement: A study of Deng Zhongxia (1894-1933). Seattle: University of Washington Press, 1997.

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Salaff, Janet W. Hong Kong movers and stayers: Narratives of family migration. Urbana: University of Illinois Press, 2010.

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Buchteile zum Thema "Chinese Hong Kong Biography"

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Lau, Kai-Yiu. „Chinese Martial Arts“. In Hong Kong History, 241–60. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-2806-1_10.

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Foster, Paul B. „Hong Kong literature“. In Routledge Handbook of Modern Chinese Literature, 656–68. London; New York, NY: Routledge, 2018.| Includes bibliographical references and index.: Routledge, 2018. http://dx.doi.org/10.4324/9781315626994-54.

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Dupré, Jean-François. „Making Hong Kong Chinese“. In State and Majority Nationalism in Plurinational States, 8–26. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003352815-2.

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Yung, Kenneth Kai-Chung. „China’s Intellectuals and Chinese Culture in Hong Kong“. In Hong Kong History, 137–55. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-2806-1_6.

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Zhou, Xuelin. „‘Made in Hong Kong’“. In Youth Culture in Chinese Language Film, 138–63. Abingdon, Oxon ; New York, NY : Routledge, 2017. | Series: Media, culture and social change in Asia ; 47: Routledge, 2016. http://dx.doi.org/10.4324/978131559124-7.

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Ortmann, Stephan. „Legality and the Hong Kong Protests“. In Chinese Legality, 161–77. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003294887-13.

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Chen, Lingchei Letty. „Hong Kong Androgynous: Embodying Cultural Hybridity“. In Writing Chinese, 77–98. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9781403982988_5.

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Teo, Stephen. „The Hong Kong Cantonese Cinema“. In The Chinese Cinema Book, 103–10. London: British Film Institute, 2011. http://dx.doi.org/10.1007/978-1-84457-580-0_12.

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Lee, Vivian P. Y. „The Hong Kong New Wave“. In The Chinese Cinema Book, 131–38. London: British Film Institute, 2011. http://dx.doi.org/10.1007/978-1-84457-580-0_15.

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Zhang, Lyndsey. „The Future of Hong Kong“. In Understanding Chinese Corporate Governance, 197–212. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003302919-15.

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Konferenzberichte zum Thema "Chinese Hong Kong Biography"

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Qiu, Yu-Qing, Ronald C. W. Ma, Brian Tomlinson, Juliana C. N. Chan, Larry Baum, Ting-Fan Leung und Nelson L. S. Tang. „Fine-scale stratification analysis of Hong Kong Chinese population“. In 2010 IEEE International Conference on Bioinformatics and Biomedicine Workshops (BIBMW). IEEE, 2010. http://dx.doi.org/10.1109/bibmw.2010.5703914.

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Lin, H. Q. „Computational Many-Body Physics and Parallel Computation in Hong Kong“. In Proceedings of the Third Joint Meeting of Chinese Physicists Worldwide. WORLD SCIENTIFIC, 2002. http://dx.doi.org/10.1142/9789812776785_0021.

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Tse, Lap Ah, Feng Wang, Priscilla Ming Yi Lee, Wing Ming Ho und Chi Fai Ng. „521 Nightshift work and prostate cancer among hong kong chinese men“. In 32nd Triennial Congress of the International Commission on Occupational Health (ICOH), Dublin, Ireland, 29th April to 4th May 2018. BMJ Publishing Group Ltd, 2018. http://dx.doi.org/10.1136/oemed-2018-icohabstracts.1372.

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Tse, Lap Ah, Feng Wang, Priscilla Ming Yi Lee, Wing Ming Ho und Chi Fai Ng. „1656c Nightshift work and prostate cancer among hong kong chinese men“. In 32nd Triennial Congress of the International Commission on Occupational Health (ICOH), Dublin, Ireland, 29th April to 4th May 2018. BMJ Publishing Group Ltd, 2018. http://dx.doi.org/10.1136/oemed-2018-icohabstracts.1377.

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Li, Bin, Jing Shao und Sunyoung Oh. „Reciprocal Perception of Chinese and Korean Affricates and Fricatives“. In 163rd Meeting Acoustical Society of America/ACOUSTCS 2012 HONG KONG. ASA, 2013. http://dx.doi.org/10.1121/1.4772392.

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Yu, Mullin, Brian Chung, Marcus Chan, Kit San Yeung, Clara Tang und Claudia Chung. „108 Actionable pharmacogenetic variants in hong kong chinese exome data and projected prescription impact in the hong kong population leading to precision medicine“. In RCPCH Conference Singapore. BMJ Publishing Group Ltd, 2021. http://dx.doi.org/10.1136/bmjpo-2021-rcpch.61.

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Leung, Ruth, Corey Lam und Eric Ziea. „Integrating modern technology with Traditional Chinese Medicine, sharing information across Hong Kong“. In 2012 IEEE 14th International Conference on e-Health Networking, Applications and Services (Healthcom 2012). IEEE, 2012. http://dx.doi.org/10.1109/healthcom.2012.6380062.

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Nikolayev, Andrey, Maia Egorova und Sergey Barov. „THE PROBLEM OF THE SPREAD OF THE CHINESE LANGUAGE IN HONG KONG“. In 13th International Technology, Education and Development Conference. IATED, 2019. http://dx.doi.org/10.21125/inted.2019.1699.

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Yeung, Yuk. „A Study of Good Chinese Learners at the University of Hong Kong“. In The European Conference on Language Learning 2022. The International Academic Forum(IAFOR), 2022. http://dx.doi.org/10.22492/issn.2188-112x.2022.2.

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Yeung, Yuk. „A Study of Good Chinese Learners at the University of Hong Kong“. In The IAFOR International Conference on Arts & Humanities – Hawaii 2024. The International Academic Forum(IAFOR), 2024. http://dx.doi.org/10.22492/issn.2432-4604.2024.1.

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Berichte der Organisationen zum Thema "Chinese Hong Kong Biography"

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Lo, Pui-Lam. Ethnic Identity Changes Among Hong Kong Chinese Americans. Portland State University Library, Januar 2000. http://dx.doi.org/10.15760/etd.6483.

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Hanson, Gordon, und Robert Feenstra. Intermediaries in Entrepot Trade: Hong Kong Re-Exports of Chinese Goods. Cambridge, MA: National Bureau of Economic Research, Januar 2001. http://dx.doi.org/10.3386/w8088.

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