Thematische Bibliographien / Chinese, california, fiction

Auswahl der wissenschaftlichen Literatur zum Thema „Chinese, california, fiction“

Autor: Grafiati
Veröffentlicht am 25. Juli 2024

Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an

Wählen Sie eine Art der Quelle aus:

Inhaltsverzeichnis

Machen Sie sich mit den Listen der aktuellen Artikel, Bücher, Dissertationen, Berichten und anderer wissenschaftlichen Quellen zum Thema "Chinese, california, fiction" bekannt.

Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.

Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.

Zeitschriftenartikel zum Thema "Chinese, california, fiction"

1

Kinkley, Jeffrey C. „The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China. By David Der-Wei Wang. [Berkeley, Los Angeles and London: University of California Press, 2004. 402 pp. ISBN 0-520-23140-6.]“. China Quarterly 182 (Juni 2005): 439–41. http://dx.doi.org/10.1017/s0305741005270261.

Der volle Inhalt der Quelle
Annotation:
This celebration of modern Chinese literature is a tour de force, David Wang's third major summation in English. He is even more prolific in Chinese. Wang's command of the creative and critical literatures is unrivalled.Monster's subject is “the multivalence of Chinese violence across the past century”: not 1960s “structural violence” or postcolonial “epistemic violence,” but hunger, suicide, anomie, betrayal (though not assassination or incarceration), and “the violence of representation”: misery that reflects or creates monstrosity in history. Monster thus comments on “history and memory,” like Ban Wang's and Yomi Braester's recent efforts, although for historical reasons modern Chinese literature studies are allergic to historical and sociological methodologies.Monster is comparative, mixing diverse – sometimes little read – post-May Fourth and Cold War-era works with pieces from the 19th and 20th fins de siècle. Each chapter is a free associative rhapsody (sometimes brilliant, sometimes tedious; often neo-Freudian), evoking, from a recurring minor detail as in new historicist criticism, a major binary trope or problematic for Wang to “collapse” or blur. His forte is making connections between works. The findings: (1) decapitation (loss of a “head,” or guiding consciousness?) in Chinese fiction betokens remembering or “re-membering” (of the severed), as in an unfinished Qing novel depicting beheaded Boxers, works by Lu Xun and Shen Congwen, and Wuhe's 2000 commemoration of a 1930 Taiwanese aboriginal uprising; (2) justice is poetic, but equals punishment, even crime, in late Qing castigatory novels, Bai Wei, and several Maoist writers; (3) in revolutionary literature, love and revolution blur, as do love affairs in life with those in fiction; (4) hunger, indistinct from anorexia, is excess; witness “starved” heroines of Lu Xun, Lu Ling, Eileen Chang and Chen Yingzhen; (5) remembering scars creates scars, as in socialist realism, Taiwan's anticommunist fiction, and post-Mao scar literature; (6) in fiction about evil (late Ming and late Qing novels; Jiang Gui), inhumanity is all too human and sex blurs with politics; (7) suicide can be a poet's immortality, from Wang Guowei to Gu Cheng; (8) cultural China's most creative new works invoke ghosts again, obscuring lines between the human, the “real,” and the spectral.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
2

Brown, J. D. „Book Reviews : Marston Anderson, The Limits of Realism: Chinese Fiction in the Revolutionary Period. (Berkeley, California: U. of California Press, 1989), viii, 225 pp. Cloth $30.00“. Journal of Asian and African Studies 27, Nr. 1-2 (01.01.1992): 163–64. http://dx.doi.org/10.1177/002190969202700117.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
3

McDougall, Bonnie S. „Intellectuals in Modern Chinese Fiction. By Yue Daiyun. [Berkeley:Centre for Chinese Studies, Institute of East Asian Studies, University of California. China Research Monograph, No. 33. 1988. 143 pp. $10.00.]“. China Quarterly 117 (März 1989): 149–52. http://dx.doi.org/10.1017/s0305741000023729.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
4

Lee, Gregory. „The Limits of Realism: Chinese Fiction in the Revolutionary Period. By Marston Anderson. Berkeley: University of California Press, 1990. viii, 225 pp. $30.00.“ Journal of Asian Studies 50, Nr. 2 (Mai 1991): 373–75. http://dx.doi.org/10.2307/2057221.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
5

Banh, Jenny. „“I Have an Accent in Every Language I Speak!”: Shadow History of One Chinese Family’s Multigenerational Transnational Migrations“. Genealogy 3, Nr. 3 (01.07.2019): 36. http://dx.doi.org/10.3390/genealogy3030036.

Der volle Inhalt der Quelle
Annotation:
According to scholar and Professor Wang Gungwu, there are three categories of Chinese overseas documents: formal (archive), practical (print media), and expressive (migrant writings such as poetry). This non-fiction creative essay documents what Edna Bonacich describes as an “middleman minority” family and how we have migrated to four different nation-city states in four generations. Our double minority status in one country where we were discriminated against helped us psychologically survive in another country. My family history ultimately exemplifies the unique position “middleman minority” families have in the countries they migrate to and how the resulting discrimination that often accompanies this position can work as a psychological advantage when going to a new country. We also used our cultural capital to survive in each new country. In particular, this narrative highlights the lasting psychological effects of the transnational migration on future generations. There is a wall of shame, fear, and traumas in my family’s migration story that still pervades today. My family deals with everything with silence, obfuscation, and anger. It has taken me twenty years to recollect a story so my own descendants can know where we came from. Thus, this is a shadow history that will add to the literature on Sino-Southeast Asian migration and remigration out to the United States. Specifically, my family’s migration began with my grandfather leaving Guangdong, China to Saigon, Vietnam (1935), to Hong Kong, (1969) (then a British Colony), and eventually to the United States (1975). This article explains why my family migrated multiple times across multiple generations before eventually ending up in California. Professor Wang urges librarians, archivists, and scholars to document and preserve the Chinese migrants’ expressive desires of migrant experiences and this expressive memoir piece answers that call.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
6

Yick, Joseph K. S. „The Great Wall of Confinement: The Chinese Prison Camp through Contemporary Fiction and Reportage, by Philip F. Williams and Yenna WuThe Great Wall of Confinement: The Chinese Prison Camp through Contemporary Fiction and Reportage, by Philip F. Williams and Yenna Wu. Berkeley, California, University of California Press, 2004. xi, 248 pp. $55.00 US (cloth), $21.95 US (paper).“ Canadian Journal of History 41, Nr. 2 (September 2006): 430–32. http://dx.doi.org/10.3138/cjh.41.2.430.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
7

Pollard, D. E. „Roses and Thorns: The Second Blooming of the Hundred Flowers in Chinese Fiction, 1979–80. Edited by Perry Link. [Berkeley: University of California Press, 1984. 346 pp. £29·45.]“. China Quarterly 103 (September 1985): 526–27. http://dx.doi.org/10.1017/s0305741000030782.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
8

Gewurtz, Margo S. „Chinese Justice, the Fiction: Law and Literature in Modern China, by Jeffrey C. KinkleyChinese Justice, the Fiction: Law and Literature in Modern China, by Jeffrey C. Kinkley. Stanford, California, Stanford University Press, 2000. xi, 497 pp. $69.50 U.S. (cloth), $24.95 U.S. (paper).“ Canadian Journal of History 36, Nr. 3 (Dezember 2001): 622–24. http://dx.doi.org/10.3138/cjh.36.3.622.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
9

Bakken, Børge. „The Great Wall of Confinement: The Chinese Prison Camp Through Contemporary Fiction and Reportage. By Philip F. Williams and Yenna Wu. [Berkeley, Los Angeles and London: University of California Press, 2004. xi+248 pp. $21.95; $55.00. ISBN 0-520-22779-4.]“. China Quarterly 182 (Juni 2005): 437–39. http://dx.doi.org/10.1017/s0305741005260265.

Der volle Inhalt der Quelle
Annotation:
By the “Great Wall of Confinement,” the authors refer to the prison camp system established by the Chinese Communist Party after 1949. The two crucial components of this system are the laogai system (laodong gaizao, translated in the book to “remolding through labour” rather than the more often used “reform through labour”), and the laojiao system (laodong jiaoyang) or “reeducation through labour.” Let me say at once that this book is much more than an analysis of the literature surrounding the phenomenon of the prison camps. Through memoirs from former inmates and reportage literature we learn many detailed facts about the Chinese camp system, details equally valuable to the legal and the social science scholar.The book describes in detail the daily life of the camps, the prison conditions and the system's methods of arrest, detention, solitary confinement, torture for confessions, famine, degradation of prisoners, and a range of practices showing the security forces' discretionary powers and the “flexibilities” of informal sentencing. The authors emphasize both the modern ideology of remoulding and the traditional legalist (fajia) roots of a “very malleable sort of law.” Williams and Wu commendably combine a range of valuable empirical detail with a more general theoretical analysis of the historical, cultural and systemic roots and practices of the camp system.The only exceptions to generally harsh conditions in the PRC camps were the special prisons for high-ranking persons like the famous Fushun prison in Liaoning province which contained the last Manchu emperor, Puyi, high-ranking prisoners of war such as former Kuomintang top military officers, and Japanese prisoners of war.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
10

Brandauer, Frederick P. „Roses and Thorns: The Second Blooming of the Hundred Flowers in Chinese Fiction, 1979–1980. Edited by Perry Link. Berkeley: University of California Press, 1984. x, 346 pp. Glossary and Name List, Translators. $32.“ Journal of Asian Studies 44, Nr. 4 (August 1985): 815–16. http://dx.doi.org/10.2307/2056464.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen

Dissertationen zum Thema "Chinese, california, fiction"

1

Li, Ying. „The city in Wang Anyi's novels a comparative perspective /“. Diss., UC access only, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3357002.

Der volle Inhalt der Quelle
Annotation:
Thesis (Ph. D.)--University of California, Riverside, 2009.
Includes abstract. Includes bibliographical references (leaves 190-200). Issued in print and online. Available via ProQuest Digital Dissertations.
APA, Harvard, Vancouver, ISO und andere Zitierweisen

Bücher zum Thema "Chinese, california, fiction"

1

Gilligan, Roy. Chinese Restaurants Never Serve Breakfast: A mystery. San Bernardino, Calif USA: Borgo Press, 1989.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
2

Biggers, Earl Derr. The Chinese parrot. Leicester: Ulverscroft, 2013.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
3

Yep, Laurence. The journal of Wong Ming-Chung: A Chinese miner, California, 1852. New York: Scholastic, 2000.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
4

Zhui xun Jia zhou wang shi: Once upon a time in California. Beijing: Zuo jia chu ban she, 2012.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
5

Yep, Laurence. Staking a claim: The journal of Wong Ming-Chung, a Chinese miner. New York: Scholastic, Inc., 2013.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
6

Biggers, Earl Derr. The Chinese parrot: A Charlie Chan mystery. Chicago: Academy Chicago Publishers, 2008.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
7

Yep, Laurence. The journal of Wong Ming-Chung: A Chinese miner. New York: Scholastic, 2000.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
8

Yep, Laurence. The journal of Wong Ming-Chung: A Chinese miner. New York: Scholastic, 2000.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
9

Stites, Clara. Lixia of Gold Mountain: A story of early California. McKinleyville, Calif: Fithian Press, 2003.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
10

Yep, Laurence. Child of the Owl. New York: HarperTrophy, 1990.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
Mehr Quellen

Buchteile zum Thema "Chinese, california, fiction"

1

Ropp, Paul S. „The Distinctive Art of Chinese Fiction“. In Heritage of ChinaContemporary Perspectives on Chinese Civilization, 309–34. University of California Press, 1990. http://dx.doi.org/10.1525/california/9780520064409.003.0013.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
2

Tang, Yan. „Ye Si (也斯) (1949–2013)“. In Routledge Encyclopedia of Modernism. London: Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem2039-1.

Der volle Inhalt der Quelle
Annotation:
Leung Ping-kwan, MH (pen name: Ye Si) was an influential writer, essayist, and scholar in Hong Kong. He became a freelancer in the 1960s, and later obtained his Bachelor’s degree in English at Hong Kong Baptist University. In 1978, he was admitted to the Department of Comparative Literature at the University of California, San Diego. He completed the doctoral degree in 1984. His dissertation is entitled ‘Aesthetics of Opposition: A Study of the Modernist Generation of Chinese Poets, 1936–1949’. After returning to Hong Kong, he taught in the Department of English Studies and Comparative Literature at the University of Hong Kong. In 1998, he became a professor in the Chinese Department at Lingnan University in Hong Kong. Later on, he worked as the Director of the Centre for Humanities Research at Lingnan University, teaching film, comparative literature, and modernism among other subjects. As a prolific writer and scholar, he has published fiction, poetry, essays, as well as academic works on films, comparative literature, Chinese modernism, and literature in Hong Kong. He died on 5 January 2013.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
Die Auswahlen zum Thema "Chinese, california, fiction" für konkrete Quellenarten können Sie auch interessieren:
Bücher
Wir bieten Rabatte auf alle Premium-Pläne für Autoren, deren Werke in thematische Literatursammlungen aufgenommen wurden. Kontaktieren Sie uns, um einen einzigartigen Promo-Code zu erhalten!

Zur Bibliographie