Auswahl der wissenschaftlichen Literatur zum Thema „Chinee poetry“
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Zeitschriftenartikel zum Thema "Chinee poetry"
Ochilov, O. „CHINESE NEW POETRY AND BUDDHISM“. Builders Of The Future 02, Nr. 02 (01.05.2022): 277–81. http://dx.doi.org/10.37547/builders-v2-i2-42.
Der volle Inhalt der QuelleBo, Zhang, und Seong-moon Kim. „Poetic Rhythm and Translation of Chinese Poetry“. East Asian Ancient Studies 73 (31.03.2024): 37–69. http://dx.doi.org/10.17070/aeaas.2024.3.73.37.
Der volle Inhalt der QuelleChang, Haoxiang, Beitong Li, Fengwei Wang und Yue Bin. „Thematic classification of ancient Chinese poetry using TwinEmbedAttentionNet“. Applied and Computational Engineering 39, Nr. 1 (21.02.2024): 302–14. http://dx.doi.org/10.54254/2755-2721/39/20230619.
Der volle Inhalt der QuelleXu, Bao-yu. „Tang Poetry Hermeneutics in Korean Poetic Discourse“. Society for Chinese Humanities in Korea 84 (31.08.2023): 155–70. http://dx.doi.org/10.35955/jch.2023.08.84.155.
Der volle Inhalt der QuelleYong, Ping. „The Imagination of Romantic Poetry under Different Regional and Cultural Backgrounds: Comparison and Analysis of Kubla Khan and Mount Skyland ascended in a Dream-A Song of Farewell“. Communications in Humanities Research 3, Nr. 1 (17.05.2023): 340–47. http://dx.doi.org/10.54254/2753-7064/3/20220335.
Der volle Inhalt der QuelleXu, Jianzhong, und Chengxia Chang. „Poetic dialogue analysis of Chinese–English poetry translation“. Language and Dialogue 2, Nr. 2 (13.08.2012): 262–82. http://dx.doi.org/10.1075/ld.2.2.05xu.
Der volle Inhalt der QuelleOCHILOV, OZODJON. „The Rhythmic Paradigm of Classical Chinese Poetry“. Sharqshunoslik. Востоковедение. Oriental Studies 03, Nr. 03 (01.10.2022): 38–42. http://dx.doi.org/10.37547/os/vol-01issue-03-05.
Der volle Inhalt der QuelleYuqing, Luo. „Transformations of the moon image in Russian translations of Su Shi’s poetry: history and characteristics of perception“. OOO "Zhurnal "Voprosy Istorii" 2024, Nr. 6 (01.06.2024): 128–35. http://dx.doi.org/10.31166/voprosyistorii202406statyi01.
Der volle Inhalt der QuelleWeezoohwang. „Several Rules for Choosing Poetic Words in Chinese Poetry“. Journal of Korean Literature in Classical Chinese ll, Nr. 66 (Juni 2017): 7–36. http://dx.doi.org/10.30527/klcc..66.201706.001.
Der volle Inhalt der QuelleOuyang Yu. „A Poetic Revolution in Keywords: On Contemporary Chinese Poetry“. Antipodes 29, Nr. 1 (2015): 193. http://dx.doi.org/10.13110/antipodes.29.1.0193.
Der volle Inhalt der QuelleDissertationen zum Thema "Chinee poetry"
Park, Christopher 1966. „La modernité poétique des femmes chinoises : écriture et institution“. Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56656.
Der volle Inhalt der QuelleYu, Liwen. „Politicizing poetics the (re)writing of the social imaginary in modern and contemporary Chinese poetry /“. Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B42841628.
Der volle Inhalt der QuelleBruno, Cosima. „Contemporary Chinese poetry in translation“. Thesis, SOAS, University of London, 2003. http://eprints.soas.ac.uk/4399/.
Der volle Inhalt der QuelleYu, Kim Lung. „Nan fang shi ge she qun yu wan Qing "shi ge ge ming" /“. View abstract or full-text, 2007. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202007%20YU.
Der volle Inhalt der QuelleZhu, Shaozhang. „Xian dai xin shi ren jiu ti shi yan jiu = Study of Chinese classical poetry written by modern Chinese poets /“. click here to view the abstract and table of contents, 2002. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b17563586a.pdf.
Der volle Inhalt der QuelleLi, Xiaorong 1969. „Rewriting the inner chambers : the boudoir in Ming-Qing women's poetry“. Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100645.
Der volle Inhalt der Quelle莊柔玉 und Rouyu Zhuang. „Mad pursuit“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1990. http://hub.hku.hk/bib/B31209683.
Der volle Inhalt der QuelleAu, Chung-to, und 區仲桃. „Shifting ground: modernist aesthetics in Taiwanese poetry since the 1950s“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B2554939X.
Der volle Inhalt der QuelleHSIAO, CHING-SONG GENE. „SEMIOTIC INTERPRETATION OF CHINESE POETRY: TU MU'S POETRY AS EXAMPLE (CRITICISM)“. Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/188120.
Der volle Inhalt der QuelleSun, Yingying, und 孙莹莹. „Cultivation through classical poetry : the poetry and poetic studies of Huang Jie (1873-1935) = "Yi shi wei jiao" : Huang Jie (1873-1935) shi ge ji shi xue yan jiu“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/209557.
Der volle Inhalt der Quellepublished_or_final_version
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Bücher zum Thema "Chinee poetry"
1929-, Tan Chung, Hrsg. Classical Chinese poetry. Calcutta: M.P. Birla Foundation, 1991.
Den vollen Inhalt der Quelle findenHightower, James Robert. Studies in Chinese poetry. Cambridge, Mass: Harvard University Asia Center, 1998.
Den vollen Inhalt der Quelle findenChan, Kwan-hung. Claw prints: Ancient Chinese poetry. West Conshohocken, PA: Infinity Publishing, 2011.
Den vollen Inhalt der Quelle findenC, Lin Julia. Essays on contemporary Chinese Poetry. Athens, Ohio: Ohio University Press, 1985.
Den vollen Inhalt der Quelle findenChan, Kwan-hung. Bouncing pearls: Ancient Chinese poetry. West Conshohocken, PA: Infinity Publishing, 2011.
Den vollen Inhalt der Quelle findenGregory, Whincup, Hrsg. The heart of Chinese poetry. New York: Anchor Press, Doubleday, 1987.
Den vollen Inhalt der Quelle findenChan, Kwan-hung. Jade rainbow: Ancient Chinese poetry. West Conshohocken, PA: Infinity Publishing, 2018.
Den vollen Inhalt der Quelle findenChan, Kwan-hung. Water mirror: Ancient Chinese poetry. West Conshohocken, PA: Infinity Publishing, 2014.
Den vollen Inhalt der Quelle findenDavid, Hinton, Hrsg. Classical Chinese poetry: An anthology. New York: Farrar, Straus and Giroux, 2008.
Den vollen Inhalt der Quelle findenS, Fong Grace, Hrsg. Hsiang lectures on Chinese poetry. Montreal: Centre for East Asian Research, McGill University, 2002.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Chinee poetry"
Yeh, Michelle. „Modern Poetry in Chinese“. In A Companion to Modern Chinese Literature, 149–66. Chichester, UK: John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118451588.ch9.
Der volle Inhalt der QuelleJiang, Lan. „Tang Poetry in Classical Chinese Poetry Anthologies“. In A History of Western Appreciation of English-translated Tang Poetry, 151–60. Berlin, Heidelberg: Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-662-56352-6_10.
Der volle Inhalt der QuelleGreen, Frederik H. „Romanticizing new Chinese in poetry“. In Routledge Handbook of Modern Chinese Literature, 111–27. London; New York, NY: Routledge, 2018.| Includes bibliographical references and index.: Routledge, 2018. http://dx.doi.org/10.4324/9781315626994-10.
Der volle Inhalt der QuelleČurda, Martin. „Four Songs on Chinese Poetry“. In The Music of Pavel Haas, 209–45. New York: Routledge, 2020. | Series: Ashgate studies in theory and analysis of music after 1900: Routledge, 2020. http://dx.doi.org/10.4324/9780429433351-7.
Der volle Inhalt der QuelleCarroll, David. „Short Stories and Poetry“. In Chinua Achebe, 146–66. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1057/9780230375215_6.
Der volle Inhalt der QuelleLi, Haotian, Jiatao Zhu, Sichen Cao, Xiangyu Li, Jiajun Zeng und Peng Wang. „Poetic Expression Through Scenery: Sentimental Chinese Classical Poetry Generation from Images“. In Database Systems for Advanced Applications, 629–37. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73197-7_43.
Der volle Inhalt der QuelleLongxi, Zhang. „The Splendor of Poetry“. In A History of Chinese Literature, 94–114. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003164173-6.
Der volle Inhalt der QuelleWang, Keping. „A Manifold Expectation of Poetry“. In Chinese Culture of Intelligence, 217–34. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-3173-2_10.
Der volle Inhalt der QuelleWang, Keping. „A Moralistic View of Poetry“. In Chinese Culture of Intelligence, 277–301. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-3173-2_13.
Der volle Inhalt der QuelleBruno, Cosima. „Experimental and opaque poetry“. In Routledge Handbook of Modern Chinese Literature, 491–501. London; New York, NY: Routledge, 2018.| Includes bibliographical references and index.: Routledge, 2018. http://dx.doi.org/10.4324/9781315626994-40.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Chinee poetry"
Liu, Chongxi. „“POETRY CARVED IN STONE”: DOCUMENTARY, LITERARY AND CULTURAL CONNOTATION IN BAI JUYI’S POETRY INSCRIPTION“. In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.04.
Der volle Inhalt der QuelleKravtsova, Marina. „“A LOST TREASURE”: ON FOLK ORIGINS OF THE VERSES OF CHU (CHUCI)“. In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.17.
Der volle Inhalt der QuelleMitkina, Evgenia. „QIU XIAOLONG’S NOVELS: AMERICAN DETECTIVE STORIES WITH CHINESE ROOTS“. In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.23.
Der volle Inhalt der QuelleZeng, Haijin. „INFLUENCE OF CHRISTIANITY ON THE CREATIVITY OF THE GUANGDONG POET HUANG LIHAI“. In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.25.
Der volle Inhalt der QuelleDyakonova, Elena. „THE “WAY OF POETRY” (UTA-NO MICHI) IN THE TREATISES OF MASTERS OF “LINKED VERSE”“. In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.38.
Der volle Inhalt der QuelleStorozhuk, Alexander. „BAI JUYI AND ORIGINS OF THE NEW YUEFU“. In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.07.
Der volle Inhalt der QuelleXiangyu, Li. „TRANSLATION AND RESEARCH HISTORY OF O. MANDELSTAM'S WORKS IN CHINA“. In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3757.rus_lit_20-21/337-341.
Der volle Inhalt der QuelleChen, Huimin, Xiaoyuan Yi, Maosong Sun, Wenhao Li, Cheng Yang und Zhipeng Guo. „Sentiment-Controllable Chinese Poetry Generation“. In Twenty-Eighth International Joint Conference on Artificial Intelligence {IJCAI-19}. California: International Joint Conferences on Artificial Intelligence Organization, 2019. http://dx.doi.org/10.24963/ijcai.2019/684.
Der volle Inhalt der QuelleZhang, Mengyun. „A RESEARCH ON BAI JUYI’S POETRY CREATION FROM THE PERSPECTIVE OF CHILDREN’S LITERATURE“. In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.11.
Der volle Inhalt der QuelleYuan, Shaozu, Aijun Dai, Zhiling Yan, Ruixue Liu, Meng Chen, Baoyang Chen, Zhijie Qiu und Xiaodong He. „Learning to Generate Poetic Chinese Landscape Painting with Calligraphy“. In Thirty-First International Joint Conference on Artificial Intelligence {IJCAI-22}. California: International Joint Conferences on Artificial Intelligence Organization, 2022. http://dx.doi.org/10.24963/ijcai.2022/696.
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