Zeitschriftenartikel zum Thema „Chicago Museum of Contempory Art“
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Stone, Lisa. „Playing House/Museum“. Public Historian 37, Nr. 2 (01.05.2015): 27–41. http://dx.doi.org/10.1525/tph.2015.37.2.27.
Der volle Inhalt der QuelleMessage, Kylie, Eleanor Foster, Joanna Cobley, Shih Chang, John Reeve, Grace Gassin, Nadia Gush, Esther McNaughton, Ira Jacknis und Siobhan Campbell. „Book Review Essays and Reviews“. Museum Worlds 7, Nr. 1 (01.07.2019): 292–317. http://dx.doi.org/10.3167/armw.2019.070117.
Der volle Inhalt der QuelleNavvab, Mojtaba. „Daylighting System Design and Evaluation of the Museum of Contemporary Art in Chicago“. Journal of the Illuminating Engineering Society 27, Nr. 2 (Juli 1998): 160–73. http://dx.doi.org/10.1080/00994480.1998.10748243.
Der volle Inhalt der QuelleGable, Eric. „In Search of a Lost Avant-Garde: An Anthropologist Investigates the Contemporary Art Museum By Matti Bunzl. Chicago: University of Chicago Press, 2015.“ Visual Anthropology Review 33, Nr. 1 (Mai 2017): 97–98. http://dx.doi.org/10.1111/var.12126.
Der volle Inhalt der QuelleORR, JOEY. „Radical View of Freedom: An Interview with Dread Scott“. Journal of American Studies 52, Nr. 04 (November 2018): 913–28. http://dx.doi.org/10.1017/s0021875818001342.
Der volle Inhalt der QuelleHaron, Muhammed. „Inscription as Art in the World of Islam“. American Journal of Islam and Society 13, Nr. 4 (01.01.1996): 589–92. http://dx.doi.org/10.35632/ajis.v13i4.2287.
Der volle Inhalt der QuelleWilliamson, Bess. „Exhibition Review of “Rowan and Erwan Bouroullec: Bivouac”Museum of Contemporary Art, Chicago, (October 20, 2012–January 20, 2013)“. Design Issues 30, Nr. 3 (Juli 2014): 101–3. http://dx.doi.org/10.1162/desi_r_00285.
Der volle Inhalt der QuelleMargolin, Myra. „Victor Margolin’s Early Years“. Disegno, Nr. 1-2 (2021): 10–21. http://dx.doi.org/10.21096/disegno_2021_1-2mm.
Der volle Inhalt der QuelleEisensmith, Jake. „Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa“. Contemporaneity: Historical Presence in Visual Culture 9, Nr. 1 (21.02.2021): 95–98. http://dx.doi.org/10.5195/contemp/2021.328.
Der volle Inhalt der QuelleLeimer, Ann Marie. „La Conquistadora: A Conquering Virgin Meets Her Match“. Religion and the Arts 18, Nr. 1-2 (2014): 245–68. http://dx.doi.org/10.1163/15685292-01801013.
Der volle Inhalt der QuelleGiżycki, Marcin. „Ostatnia wieczerza Judy Chicago“. Kwartalnik Filmowy, Nr. 100 (31.12.2017): 239–43. http://dx.doi.org/10.36744/kf.2005.
Der volle Inhalt der QuelleMaroja, Camila. „Entrevista com Lynn Zelevansky“. ARS (São Paulo) 15, Nr. 30 (27.10.2017): 277. http://dx.doi.org/10.11606/issn.2178-0447.ars.2017.134681.
Der volle Inhalt der QuelleDohoney, Ryan. „The Chicago sound show at the smart museum of art, the University of Chicago“. Sound Studies 6, Nr. 2 (11.02.2020): 271–74. http://dx.doi.org/10.1080/20551940.2020.1719467.
Der volle Inhalt der QuelleFern, Annette. „Re: Sources“. Theatre Survey 47, Nr. 1 (13.04.2006): 93–105. http://dx.doi.org/10.1017/s004055740600007x.
Der volle Inhalt der QuelleKinkley, Jonathan. „Art Thief: An Educational Computer Game Model for Art Historical Instruction“. Leonardo 42, Nr. 2 (April 2009): 133–37. http://dx.doi.org/10.1162/leon.2009.42.2.133.
Der volle Inhalt der QuelleBLAIR, SHEILA. „The Many Questions of Islamic Art“. International Journal of Middle East Studies 39, Nr. 3 (August 2007): 336–37. http://dx.doi.org/10.1017/s0020743807070468.
Der volle Inhalt der QuelleVanes, Zachary. „Useful Video in the Art Museum: Museum Education in Chicago and the Videos of Andrea Fraser“. Film History 33, Nr. 4 (Februar 2021): 109–31. http://dx.doi.org/10.2979/filmhistory.33.4.05.
Der volle Inhalt der QuelleSchaefer, William. „Exhibiting Experimental Art in China. By Wu Hung. Chicago: Smart Museum of Art, University of Chicago, 2000. 224 pp. $40.00 (paper).“ Journal of Asian Studies 61, Nr. 1 (Februar 2002): 234–37. http://dx.doi.org/10.2307/2700228.
Der volle Inhalt der QuelleYahr, Jayme. „Disappearing act“. Journal of the History of Collections 32, Nr. 1 (17.12.2018): 157–76. http://dx.doi.org/10.1093/jhc/fhy042.
Der volle Inhalt der QuelleWesterby, Genevieve, und Kelly Keegan. „Digital Art History and the Museum: The Online Scholarly Collection Catalogues at the Art Institute of Chicago“. Visual Resources 35, Nr. 1-2 (11.02.2019): 141–54. http://dx.doi.org/10.1080/01973762.2018.1553445.
Der volle Inhalt der QuelleHealy, Marley. „An Interview with Petra Slinkard Nancy B. Putnam Curator of Fashion and Textiles at the Peabody Essex Museum in Salem, Massachusetts“. Fashion Studies 2, Nr. 2 (2019): 1–16. http://dx.doi.org/10.38055/fs020203.
Der volle Inhalt der QuelleGreenland, Fiona Rose. „The Modern Art Machine - Fernando Domínguez Rubio, Still Life: Ecologies of the Modern Imagination at the Art Museum (Chicago, University of Chicago Press, 2020, 424 p.)“. European Journal of Sociology 61, Nr. 3 (Dezember 2020): 461–64. http://dx.doi.org/10.1017/s0003975620000296.
Der volle Inhalt der QuelleBuckley, Kat. „Karolina Gnatowski. Some Kind of Duty. DePaul Art Museum, Chicago, Illinois, January 17 – March 31, 2019“. TEXTILE 18, Nr. 1 (09.07.2019): 109–15. http://dx.doi.org/10.1080/14759756.2019.1622938.
Der volle Inhalt der QuelleEmbrick, David G., Simón Weffer und Silvia Dómínguez. „White sanctuaries: race and place in art museums“. International Journal of Sociology and Social Policy 39, Nr. 11/12 (14.10.2019): 995–1009. http://dx.doi.org/10.1108/ijssp-11-2018-0186.
Der volle Inhalt der Quelleshaw, cameron. „Suzanne Lacy: Chewing More Than the Fat“. Gastronomica 12, Nr. 2 (2012): 10–12. http://dx.doi.org/10.1525/gfc.2012.12.2.10.
Der volle Inhalt der QuelleGarrocq, Jean-Baptiste. „Fernando DOMÍNGUEZ RUBIO, Still Life: Ecologies of the Modern Imagination at the Art Museum, Chicago, London, University of Chicago Press, 2020, 417 p.“ Réseaux N° 228, Nr. 4 (22.06.2021): 273–76. http://dx.doi.org/10.3917/res.228.0273.
Der volle Inhalt der QuelleSiegel, Andrea. „Capital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience NeilHarris. Chicago: University of Chicago Press, 2013.“ Journal of American Culture 38, Nr. 2 (Juni 2015): 155. http://dx.doi.org/10.1111/jacc.12311.
Der volle Inhalt der QuelleBranting, Steven D. „“So Close to the Banks of Oblivion” An American Master is Rediscovered“. Sculpture Review 69, Nr. 4 (Dezember 2020): 44–49. http://dx.doi.org/10.1177/0747528420985354.
Der volle Inhalt der QuelleBush, Clive. „Cultural Reflections on American Linguists from Whitney to Sapir“. Journal of American Studies 22, Nr. 2 (August 1988): 185–212. http://dx.doi.org/10.1017/s0021875800021988.
Der volle Inhalt der QuelleDomínguez, Silvia, Simón E. Weffer und David G. Embrick. „White Sanctuaries: White Supremacy, Racism, Space, and Fine Arts in Two Metropolitan Museums“. American Behavioral Scientist 64, Nr. 14 (Dezember 2020): 2028–43. http://dx.doi.org/10.1177/0002764220975077.
Der volle Inhalt der QuelleRhor, Sylvia. „Every Walk of Life and Every Degree of Education: Museum Instruction at The Art Institute of Chicago, 1879-1955“. Art Institute of Chicago Museum Studies 29, Nr. 1 (2003): 20. http://dx.doi.org/10.2307/4113026.
Der volle Inhalt der QuelleCutler-Bittner, Jody B. „Charles White“. Nka Journal of Contemporary African Art 2019, Nr. 45 (01.11.2019): 140–49. http://dx.doi.org/10.1215/10757163-7917192.
Der volle Inhalt der QuelleBudrina, Ludmila A. „THE RUSSIAN DEPARTMENT’S CARVED STONE AT THE 1893 WORLD’S COLUMBIAN EXPOSITION: RECONSTRUCTION OF THE COLLECTION“. Ural Historical Journal 71, Nr. 2 (2021): 17–24. http://dx.doi.org/10.30759/1728-9718-2021-2(71)-17-24.
Der volle Inhalt der QuelleTandy, Kisha. „Julie Rodrigues Widholm, Barbara Jones-Hogu: Resist, Relate, Unite, 1968–1975. Chicago: DePaul University Art Museum, 2018. Pp. 104. $60.00 (cloth).“ Journal of African American History 106, Nr. 1 (01.01.2021): 163–64. http://dx.doi.org/10.1086/712010.
Der volle Inhalt der QuelleCasey, Steven, und Gregg Montgomery. „Roving Mars: Using Function Analysis to Develop a Concept System“. Ergonomics in Design: The Quarterly of Human Factors Applications 18, Nr. 4 (Oktober 2010): 9–16. http://dx.doi.org/10.1518/106480410x12887326202951.
Der volle Inhalt der QuelleEl Khatib, Abdallah. „Qur’anic Verses Count Analysis in Some Oldest MSS Fragments from Western Libraries“. Manuscripta Orientalia. International Journal for Oriental Manuscript Research 29, Nr. 2 (2023): 3–12. http://dx.doi.org/10.31250/1238-5018-2023-29-2-3-12.
Der volle Inhalt der QuelleCarr, David. „Capital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience by Neil Harris. Chicago: University of Chicago Press, 2013. 608 pages. Hardcover: $35.00.“ Curator: The Museum Journal 57, Nr. 3 (Juli 2014): 381–86. http://dx.doi.org/10.1111/cura.12076.
Der volle Inhalt der QuelleHarnish, Allison. „Caravans of Gold, Fragments in Time: Art, Culture, and Exchange Across Medieval Saharan Africa, The Block Museum of Art, Northwestern University, Chicago, January 26‐July 21, 2019 | Aga Khan Museum, Toronto, September 21, 2019‐February 23, 2020 | Smithsonian National Museum of African Art, Washington, DC, July 16, 2021‐February 27, 2022“. International Journal of Islamic Architecture 11, Nr. 1 (01.01.2022): 205–8. http://dx.doi.org/10.1386/ijia_00075_5.
Der volle Inhalt der QuelleVonBokel, Aimee. „Capital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience by Neil HarrisCapital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience by Neil Harris. Chicago, University of Chicago Press, 2013. 616 pp. $35.00 US (cloth).“ Canadian Journal of History 49, Nr. 2 (September 2014): 316–18. http://dx.doi.org/10.3138/cjh.49.2.316.
Der volle Inhalt der QuelleBrown, Robert L. „The Kingdom of Siam: The Art of Central Thailand, 1350–1800. Edited and curated by Forrest McGill; co-curated by Pattaratorn Chirapravati. Asian Art Museum, Chong-Moon Lee Center for Asian Art and Culture, and Peabody Essex Museum. Ghent: Snoeck Publishers; Chicago: Art Media Resources; Bangkok: Buppha Press, 2005. 200 pp. $29.95 (paper).“ Journal of Asian Studies 66, Nr. 1 (Februar 2007): 285–87. http://dx.doi.org/10.1017/s0021911807000526.
Der volle Inhalt der QuelleBreen, Deborah. „Contingency and Constraint“. Transfers 5, Nr. 3 (01.12.2015): 142–45. http://dx.doi.org/10.3167/trans.2015.050312.
Der volle Inhalt der QuelleCossu, Stefano. „Labours of Love and Convenience: Dealing with Community-Supported Knowledge in Museums“. Publications 7, Nr. 1 (07.03.2019): 19. http://dx.doi.org/10.3390/publications7010019.
Der volle Inhalt der QuelleTURCHYNYAK, Yaryna. „CONCEPTUAL ISSUED AND SEMANTICS ELEMENTS, AIMS OF ARTS BY THE MYRON LEVYTSKY“. Bulletin of the Lviv University. Series of Arts Studies 280, Nr. 20 (2019): 212–22. http://dx.doi.org/10.30970/vas.20.2019.10626.
Der volle Inhalt der QuelleLethbridge, Robert. „Book Review: The ‘Writing’ of Modern Life: The Etching Revival in France, Britain, and the US. By Elizabeth Helsinger et al. Chicago: Smart Museum of Art, University of Chicago, 2008. Pp. viii + 101. £12.00 (pbk)“. Journal of European Studies 40, Nr. 1 (März 2010): 75–76. http://dx.doi.org/10.1177/00472441100400010602.
Der volle Inhalt der QuelleClark, Carol C. „Neil Harris. Capital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience. Chicago: University of Chicago Press, 2013. 608 pp.; black-and-white illustrations, postscript, notes, index. $35.00.“ Winterthur Portfolio 49, Nr. 1 (März 2015): 55–56. http://dx.doi.org/10.1086/680460.
Der volle Inhalt der QuelleUstyugova, V. V. „A FILM CRITIC'S VIEW VERSUS A HISTORIAN'S VIEW ON SOVIET HISTORICAL MOVIES“. Вестник Пермского университета. История, Nr. 4(55) (2021): 39–45. http://dx.doi.org/10.17072/2219-3111-2021-4-39-45.
Der volle Inhalt der QuelleWARD, WENDY E. „Mark Reinhardt, Holly Edwards, and Erina Duganne (eds.), Beautiful Suffering: Photography and the Traffic in Pain (Chicago: The University of Chicago Press and Williams College Museum of Art, 2007, $25.00/£13.00). Pp. 216. isbn0 226 70950 7.“ Journal of American Studies 42, Nr. 2 (August 2008): 379–80. http://dx.doi.org/10.1017/s0021875808004982.
Der volle Inhalt der QuelleRobertson, Kirsty. „The Disappearance of Arthur Nestor: Parafiction, Cryptozoology, Curation“. Museum and Society 18, Nr. 2 (04.07.2020): 98–114. http://dx.doi.org/10.29311/mas.v18i2.3083.
Der volle Inhalt der QuelleBrown, Bronwen. „Guide to the Archive of Art and Design, Victoria and Albert Museum2001285Elizabeth Lomas. Guide to the Archive of Art and Design, Victoria and Albert Museum. London and Chicago, IL: Fitzroy Dearborn in association with The Victoria and Albert Museum 2001. 278 pp, ISBN: 1 57958 315 6 £45.00“. Reference Reviews 15, Nr. 5 (Mai 2001): 35–36. http://dx.doi.org/10.1108/rr.2001.15.5.35.285.
Der volle Inhalt der QuelleStraughan, Elizabeth, Deborah Dixon und Harriet Hawkins. „U-n-f-o-l-d: A Cultural Response to Climate Change The Museum of Contemporary Photography and the Glass Curtain Gallery, Chicago, IL, U.S.A., February 2011–April 2011. Exhibit web site: www.mocp.org/exhibitions/2011/03/unfold.php“. Leonardo 45, Nr. 1 (Februar 2012): 65–66. http://dx.doi.org/10.1162/leon_r_00327.
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