Auswahl der wissenschaftlichen Literatur zum Thema „Chevaliers errants“
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Zeitschriftenartikel zum Thema "Chevaliers errants"
Meizoz, Jacques. „Chevaliers errants“. Revue Médicale Suisse 14, Nr. 615 (2018): 1475. http://dx.doi.org/10.53738/revmed.2018.14.615.1475.
Der volle Inhalt der QuelleContamine, Philippe. „Merlin de Cordebeuf et son traité sur les chevaliers errants“. Bulletin de la Société Nationale des Antiquaires de France 1992, Nr. 1 (1994): 254–65. http://dx.doi.org/10.3406/bsnaf.1994.9747.
Der volle Inhalt der QuelleBubenicek, Venceslas. „Quelques figures des Rois-chevaliers errants dans le roman en prose de Guiron le Courtois“. La Figure du roi – tome 1, Nr. 17 (01.04.2022): 49–61. http://dx.doi.org/10.54563/bdba.1499.
Der volle Inhalt der QuelleKrause, Virginia. „The End of Chivalric Romance: Barthélemy Aneau's Alector (1560)“. Renaissance and Reformation 35, Nr. 2 (01.04.1999): 45–60. http://dx.doi.org/10.33137/rr.v35i2.10723.
Der volle Inhalt der QuellePiccat, Marco. „:Le livre du Chevalier errant“. Speculum 98, Nr. 1 (01.01.2023): 337–38. http://dx.doi.org/10.1086/723036.
Der volle Inhalt der QuelleBouchard, Pierre-Olivier. „« JE SERAI LOIN, OU TRÈS PRÈS, C’EST PAREIL »“. Dossier 44, Nr. 2 (08.05.2019): 53–65. http://dx.doi.org/10.7202/1059515ar.
Der volle Inhalt der Quellede la Bretèque, François Amy. „La figure du chevalier errant dans l'imaginaire cinématographique“. Cahiers de l'Association internationale des études francaises 47, Nr. 1 (1995): 49–78. http://dx.doi.org/10.3406/caief.1995.1863.
Der volle Inhalt der QuelleMartina, Piero Andrea. „Thomas III. von Saluzzo, Le livre du Chevalier errant“. Studi Francesi, Nr. 194 (LXV | II) (01.08.2021): 350–51. http://dx.doi.org/10.4000/studifrancesi.44714.
Der volle Inhalt der QuelleColombo Timelli, Maria. „Florence Bouchet, L’iconographie du “Chevalier errant” de Thomas de Saluces“. Studi Francesi, Nr. 178 (LX | I) (01.04.2016): 100. http://dx.doi.org/10.4000/studifrancesi.2406.
Der volle Inhalt der QuelleFajen, Robert. „Malinconia di un lignaggio : Lo Chevalier errant nel castello della Manta“. Romania 118, Nr. 469 (2000): 105–37. http://dx.doi.org/10.3406/roma.2000.1522.
Der volle Inhalt der QuelleDissertationen zum Thema "Chevaliers errants"
Ye, Sha. „Une fantaisie héroïque en duo. Les mousquetaires d’Alexandre Dumas et les chevaliers errants de Jin Yong“. Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030032.
Der volle Inhalt der QuelleReviving heroism by writing modern epics is a shared authorial intention on the part of the author of the Musketeers trilogy and Jin Yong, a writer of martial arts and chivalry novels often called “China’s Alexandre Dumas”. But what is a hero? These two novelists respectively explore this major theme in chivalric literature through their portrayal of important characters in their works. This comparative study, drawing upon the zooming technique in cinematography, explores these three topics: the heroes’ bildung, the affective relationships that influence their character formation, and the salient features of their personalities. In their constant struggles against the established authorities, especially paternal authorities, the Dumasian musketeers and Jin Yong’s knight-errants gradually transform into great transgressors who struggle to break free from the restraints of the social class to which they belong in order to act freely in a world seeking to tame them. This epic theme is entangled, like Dionysus’s scepter, with the intricacies of affective relationships. Two non-conformist discourses of love are constructed, contrasted and eventually pitted against each other in a reality much less rosy than the codified idyll, as they inevitably give way to the notion of brotherhood, which, either idealized or obfuscated, is celebrated and glorified even with its fallibities. The wide gap between the hero characters and the ideal image of a fearless and infallible knight is all the more visible when we examine them more closely in terms of their book knowledge, moral awareness and behavioral motivation. They are portrayed as ordinary human beings characterized by faults, banalities and limitations, while they are also given a sense of noble savageness and a touch of comic lightheartedness. Heroism is recalibrated in these novel’s conformity to and departure from traditions, and in the context of the harmony and clash between West and East
Castonguay, René. „Chevalier servant ou chevalier errant? : le système de partis et ses effets sur l'individualisme politique : Rodolphe Lemieux et le parti libéral, 1866-1937“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25224.pdf.
Der volle Inhalt der QuelleBouchet, Florence. „Lire, voir et écrire au XIVe siècle : étude du Livre du Chevalier errant de Thomas de Saluces“. Paris 4, 1995. http://www.theses.fr/1995PA040164.
Der volle Inhalt der QuelleThe Chevalier errant is an extremely composite work of the late fourteenth century. The first part examines the multiple repercussions of the author's subjectivity on his narrative. The frequent fluctuations between the first and the third person create an ambiguous narrative structure which is lit up by the partially autobiographical nature of the work. More generally, the Chevalier errant belongs to the trend of genealogical works seeking to reconstruct the past, be it real or fantasized, of the Saluzzo family. The narrator also frequently alludes to the dramatic events of the time and accounts for them in a more literary than historical manner. This leads him to a moral commitment: Thomas of Saluzzo puts forward his vision of society and of the prince's duties, and he mediates on the social and religious values of his time the second part deals with intertextuality: the Chevalier errant is a long prosimetron using an allegorical frame and incorporating various elements drawn from the epic, the Arthurian legend, antiquity, lyric poetry. . . This encyclopedic compilation leads one to give a new definition of notions such as the unity or the originality of a medieval work, and plagiary. The reinvestment of all these literary traditions is influenced by the artes memoriae inherited from antiquity. Intertextual alterations denote the 14th-century writers ‘reflection on their art and the evolution of literary genres. The third part extends the scope of analysis to the visual dimension of the work. The text is considered as a verbal image. The illustrations of the BNF manuscript are examined in relation to the text. The author also drew some inspiration from his artistic environment
Fajen, Robert. „Die Lanze und die Feder Untersuchungen zum 'Livre du Chevalier errant' von Thomas III., Markgraf von Saluzzo /“. Wiesbaden : Reichert, 2003. http://catalogue.bnf.fr/ark:/12148/cb392166515.
Der volle Inhalt der QuelleCastonguay, René. „Chevalier servant ou chevalier errant? : le système de partis et ses effets sur l'individualisme politique : Rodolphe Lemieux et le parti libéral, 1866-1937 /“. 1997. http://proquest.umi.com/pqdweb?did=736911561&sid=5&Fmt=2&clientId=9268&RQT=309&VName=PQD.
Der volle Inhalt der QuelleBücher zum Thema "Chevaliers errants"
trad, Quint Anne-Marie, Hrsg. Chevalier errant. Paris: P. Belfond, 1986.
Den vollen Inhalt der Quelle findenDaniel, Chaubet, Hrsg. Le chevalier errant. Moncalieri (Italie): Centre interuniversitaire de recherche sur le voyage en Italie, 2001.
Den vollen Inhalt der Quelle findenMorisset, Micheline. Arthur Buies, chevalier errant. [Québec, Québec]: Editions Nota Bene, 2000.
Den vollen Inhalt der Quelle findenKlemenčič, Boris. Vulkan življenja: Les confessions d'un chevalier errant. Ljubljana: samozal, B. Klemenčič, 2009.
Den vollen Inhalt der Quelle findenIan, Ericksen, Rovira Francesc 1958- und Cervantes Saavedra, Miguel de, 1547-1616, Hrsg. Les aventures de Don Quichotte: Le chevalier errant. [Longueuil, Québec]: Éditions de la Bagnole, 2010.
Den vollen Inhalt der Quelle findenChênerie, Marie-Luce. Le chevalier errant dans les romans arthuriens en vers des XIIe et XIIIe siècles. Genève: Droz, 1986.
Den vollen Inhalt der Quelle findenLe chevalier errant dans les romans arthuriens en vers des XIIe et XIIIe siècles. Genève: Droz, 1986.
Den vollen Inhalt der Quelle findenFajen, Robert. Die Lanze und die Feder: Untersuchungen zum Livre du Chevalier errant von Thomas III., Markgraf von Saluzzo. Wiesbaden: Reichert, 2003.
Den vollen Inhalt der Quelle findenImmagini e miti nello Chevalier errant di Tommaso III di Saluzzo: Atti del convegno, Torino, Archivio di Stato, 27 settembre 2008. Cuneo: Società per gli studi storici della provincia di Cuneo, 2008.
Den vollen Inhalt der Quelle findenChevalier errant und fin'amor: Das Ritterideal des 13. Jahrhunderts in Nordfrankreich und im deutschsprachigen Südosten : Studien zum Lancelot en prose, zum Moriz von Craûn, zur Krone Heinrichs von dem Türlin, zu Werken des Strickers und zum Frauendienst Ulrichs von Lichtenstein. Passau: Passavia Universitätsverlag, 1986.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Chevaliers errants"
Gentile, Luisa Clotilde. „Le Chevalier errant de Thomas III de Saluces. Une lecture héraldique et emblématique“. In Marqueurs d’identité dans la littérature médiévale : mettre en signe l’individu et la famille (XIIe-XVe siècles), 243–51. Turnhout: Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.hifa-eb.5.102439.
Der volle Inhalt der QuelleNéry, Alain. „Errants et chevaliers dans les Nouvelles asiatiques de Gobineau“. In Errance et marginalité dans la littérature, 79–86. Presses universitaires de Rennes, 2007. http://dx.doi.org/10.4000/books.pur.12042.
Der volle Inhalt der QuelleParavicini, Werner. „Jean de Werchin, sénéchal de Hainaut, chevalier errant“. In Saint-Denis et la royauté, 125–44. Éditions de la Sorbonne, 1999. http://dx.doi.org/10.4000/books.psorbonne.22163.
Der volle Inhalt der QuelleFajen, Robert. „Polymorphic Self-Narration in Le livre du Chevalier errant of Thomas III of Saluzzo“. In Allegory and the Poetic Self, 95–114. University Press of Florida, 2022. http://dx.doi.org/10.5744/florida/9780813069517.003.0005.
Der volle Inhalt der Quelle„Une biographie “épique” de Tristan (Thomas de Saluces, Le Chevalier Errant, vv. 4937–5442)“. In "Por le soie amisté", 163–77. BRILL, 2000. http://dx.doi.org/10.1163/9789004486041_014.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Chevaliers errants"
Burghgraeve, Delphine. „Le lecteur herméneute : étude du double fictif du chevalier dans Le Chevalier errant de Thomas de Saluces et La Bouquechardière de Jean de Courcy“. In Posture d'auteurs: du Moyen Âge à la modernité. Fabula, 2014. http://dx.doi.org/10.58282/colloques.2396.
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