Auswahl der wissenschaftlichen Literatur zum Thema „Charles (1821-1870)“
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Zeitschriftenartikel zum Thema "Charles (1821-1870)"
Brand, Richard A. „Biographical Sketch: Charles Hewitt Moore, FRCS (1821–1870)“. Clinical Orthopaedics and Related Research® 470, Nr. 8 (14.06.2012): 2075–76. http://dx.doi.org/10.1007/s11999-012-2424-2.
Der volle Inhalt der QuelleDePaolo, Charles. „Charles Hewitt Moore, FRCS (1821–1870): Medical innovator“. Journal of Medical Biography, 11.12.2020, 096777202097502. http://dx.doi.org/10.1177/0967772020975021.
Der volle Inhalt der QuelleDissertationen zum Thema "Charles (1821-1870)"
Neundorf, Alexandro. „A emergência da modernidade na França durante o segundo império“. reponame:Repositório Institucional da UFPR, 2013. http://hdl.handle.net/1884/31699.
Der volle Inhalt der QuelleKadi, Simone. „Christopher Brenan : poète“. Paris 10, 1994. http://www.theses.fr/1994PA100143.
Der volle Inhalt der QuelleAim: to restore a misunderstood Australian poet to his proper place and to introduce him to France as belonging to the stream of French symbolism. The 1st part deals with: 1- the poet's philosophy, starting point of his art, its links with German philosophy. 2- His mysticism, the relationship between mysticism and psychology, the anthropological character of such mysticism. 3- The positioning of his poetry in a metaphysical, religious and mystic context. Are examined successively: Christ position in his religious thought, the myth of origins and the multiple meanings of Lilith, a theory of the divine put forward by the poet, and associated themes. -4- The links between his poetic quest and his quest of the divine. For the poet, divine mystery apprehended through beauty alone can be imparted only by the symbol. Hence his belonging to the symbolist stream through Baudelaire and Mallarme. The 2nd part is about the definition of the poet's esthetics which rejoins the "silence" of the mystics, the presentation of his symbolic universe and a linguistic study of poems 1913. The 3rd part concerns the Australian character of his poetry, the poet's contribution to the Australian tradition and the different categories of image his gives of his country: images of his homeland, of a land of exile and adoption, and of an art transcending the Australian frontiers
Symington, Micéala. „Critique de la peinture chez les symbolistes : domaines français et anglais : pour une approche poétique“. Paris 3, 1998. http://www.theses.fr/1998PA030163.
Der volle Inhalt der QuelleIn the history of art criticism, the symbolist period marks a turning point: previously simple commentary, critical discourse becomes poetical recreation. The work of art could even be said to be truly accomplished or surpassed in the critical work. Symbolist criticism thus stakes a claim to the realisation of the essence of art criticism which, unlike literary criticism, has the task of transforming the written word into visual sensation, of creating an image through discourse. In the hierarchy of the arts, pictorial criticism, the synaesthetic art of the synthesis of the arts, emerges as the supreme form. As a resymbolisation of the pictorial work, it is defined by a subject which is itself symbolic and takes the poetical symbol to its highest level of purity. Wilde, who follows in baudelaire's footsteps; mallarme, who brings about major change by placing the symbol at the heart of art criticism; symons, who introduces mallarme to an english readership; huysmans and moore, who combine criticism and the novel: these are the writers at the centre of this study
Xiang, Zheng. „La poésie française moderne (Baudelaire, Rimbaud, Lautréamont) et son influence sur la nouvelle poésie chinoise dans les années 1920-1930“. Phd thesis, Ecole normale supérieure de lyon - ENS LYON, 2012. http://tel.archives-ouvertes.fr/tel-00713100.
Der volle Inhalt der QuelleBücher zum Thema "Charles (1821-1870)"
Fanger, Donald. Dostoevsky and romantic realism: A study of Dostoevsky in relation to Balzac, Dickens, and Gogol. Evanston, Ill: Northwestern University Press, 1998.
Den vollen Inhalt der Quelle findenGay, Peter. Savage Reprisals: Bleak House, Madame Bovary, Buddenbrooks. W. W. Norton & Company, 2003.
Den vollen Inhalt der Quelle findenZweig, Stefan. Balzac Dickens Dostoevsky. Taylor & Francis Group, 2018.
Den vollen Inhalt der Quelle findenGay, Peter. Savage Reprisals: Bleak House, Madame Bovary, Buddenbrooks. W. W. Norton & Company, 2003.
Den vollen Inhalt der Quelle findenDostoevsky and Dickens. Taylor & Francis Group, 2008.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Charles (1821-1870)"
„Charles Ardant du Picq (1821-1870)“. In Art of War in World History, 754–59. University of California Press, 1996. http://dx.doi.org/10.1525/9780520354883-078.
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